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In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","view-of-florence-cma-136911","View of Florence",{"_42":521,"_222":522,"_327":523,"_329":524,"_330":525,"_332":331,"_334":526,"_335":527,"_336":528,"_140":99},"1837","united-states","hudson-river-school","Framed: 125.4 x 186.7 x 9.2 cm (49 3/8 x 73 1/2 x 3 5/8 in.); Unframed: 99.5 x 160.4 cm (39 3/16 x 63 1/8 in.)",160.4,99.5,1.6244624940277115,[506,507,508,509,510],{"_221":502,"_222":503,"_42":504,"_306":505},"Courtesy of the Cleveland Museum of Art","1961.39","Thomas Cole painted this in 1837, aged 36. It is now at the Cleveland Museum of Art.",{"_118":500,"_301":501},"View of Florence, by Thomas Cole, 1837",{"_294":497,"_296":498,"_298":499},"https://img.ochreeditions.com/m/641.jpg?dl=1","/art/view-of-florence-cma-136911","/galleries/style/painting-19/view-of-florence-cma-136911",{"_290":291,"_292":293},{"_225":486,"_125":487,"_284":488},{"_275":483,"_277":484,"_279":466,"_281":485},175.4,113.74035294117647,98.74035294117647,{"_286":225,"_123":495,"_154":496,"_140":99},{"_286":125,"_123":492,"_154":493,"_140":494},{"_286":284,"_123":489,"_154":490,"_140":491},"era/19-united-states","19th-century United States",198,"style/hudson-river-school","More Hudson River School",27,"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/641/480.jpg","https://img.ochreeditions.com/a/641/960.jpg","https://img.ochreeditions.com/a/641/1920.jpg","Cole visited Italy in 1831 and made a small pencil sketch of this vista of Florence shortly before sunset. In his New York studio six years later, he transformed the drawing into this large oil painting, adding picturesque humans and goats to the foreground.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},{"_313":511,"_315":512},"#392816",0.1571,"#cbb19d",0.1807,"#765133",0.1855,"#4e3817",0.1863,"#a19e98",0.2904,"Thomas Cole","thomas-cole","American, born England,1801–1848","American",1801,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","cliffs-at-pourville-nga-66425","Cliffs at Pourville",{"_42":580,"_222":581,"_327":582,"_329":400,"_330":583,"_332":584,"_334":-5,"_335":-5,"_336":585,"_140":85},"1882","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)",100,60,1.6766270978305362,[565,566,567,568,569],{"_221":562,"_222":563,"_42":564,"_306":307},"Courtesy National Gallery of Art, Washington","1985.64.27","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”",{"_294":559,"_296":560,"_298":561},"https://img.ochreeditions.com/m/1613.jpg?dl=1","/art/cliffs-at-pourville-nga-66425","/galleries/style/painting-19/cliffs-at-pourville-nga-66425",{"_290":291,"_292":293},{"_225":554,"_125":555,"_284":556},{"_275":551,"_277":552,"_279":534,"_281":553},115,74.6435546875,59.6435546875,{"_286":225,"_123":557,"_154":558,"_140":85},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/1613/480.jpg","https://img.ochreeditions.com/a/1613/960.jpg","https://img.ochreeditions.com/a/1613/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_313":578,"_315":579},{"_313":576,"_315":577},{"_313":574,"_315":575},{"_313":572,"_315":573},{"_313":570,"_315":571},"#3f6031",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","hindu-merchants-si-saam-1924-7-1","Hindu Merchants",{"_42":634,"_222":635,"_327":636,"_329":-5,"_330":637,"_332":638,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1885","28 3/8 x 22 7/8 in. (72.2 x 58.0 cm)",58,72.2,0.7997169143665959,[619,620,621,622,623],{"_221":303,"_222":304,"_42":305,"_306":307},"1924.7.1","Edwin Lord Weeks painted this in about 1885, aged 36. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":618,"_301":302},"Hindu Merchants, by Edwin Lord Weeks, ca. 1885",{"_294":615,"_296":616,"_298":617},"https://img.ochreeditions.com/m/1870.jpg?dl=1","/art/hindu-merchants-si-saam-1924-7-1","/galleries/style/painting-19/hindu-merchants-si-saam-1924-7-1",{"_290":291,"_292":293},{"_225":610,"_125":611,"_284":612},{"_275":607,"_277":608,"_279":609,"_281":592},72.73956121726823,87.2,57.739561217268225,{"_286":225,"_123":613,"_154":614,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edwin-lord-weeks","Edwin Lord Weeks's contemporaries","https://img.ochreeditions.com/a/1870/480.jpg","https://img.ochreeditions.com/a/1870/960.jpg","https://img.ochreeditions.com/a/1870/1920.jpg","Edwin Lord Weeks traveled to India in 1883, following many years of travel throughout North Africa. A photographer as well as a painter, he wrote in his letters that he wandered the streets by day and developed his photographs at night.",{"_313":632,"_315":633},{"_313":630,"_315":631},{"_313":628,"_315":629},{"_313":626,"_315":627},{"_313":624,"_315":625},"#cfb373",0.1069,"#42381f",0.1504,"#9c824b",0.1961,"#614d25",0.2665,"#7e6431",0.2801,"Edwin Lord Weeks","edwin-lord-weeks","born Boston, MA 1849-died Paris, France 1903",1849,1903,"pointe-de-cabellou-brittany-cma-151796","Pointe de Cabellou, Brittany",{"_42":689,"_222":690,"_327":691,"_329":524,"_330":692,"_332":693,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1881","american-gilded-age","Unframed: 60.3 x 92.2 cm (23 3/4 x 36 5/16 in.)",92.2,60.3,1.5440508628519527,[674,675,676,677,678],{"_221":502,"_222":503,"_42":504,"_306":505},"1984.13","William L. Picknell painted this in 1881, aged 27. It is now at the Cleveland Museum of Art.","Pointe de Cabellou, Brittany, by William L. Picknell, 1881",{"_294":671,"_296":672,"_298":673},"https://img.ochreeditions.com/m/720.jpg?dl=1","/art/pointe-de-cabellou-brittany-cma-151796","/galleries/style/painting-19/pointe-de-cabellou-brittany-cma-151796",{"_290":291,"_292":293},{"_225":663,"_125":664,"_284":665},{"_275":660,"_277":661,"_279":645,"_281":662},107.2,74.71305882352942,59.713058823529416,{"_286":225,"_123":669,"_154":670,"_140":89},{"_286":125,"_123":666,"_154":667,"_140":668},{"_286":284,"_123":489,"_154":490,"_140":491},"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-william-l-picknell","William L. Picknell's contemporaries","https://img.ochreeditions.com/a/720/480.jpg","https://img.ochreeditions.com/a/720/960.jpg","https://img.ochreeditions.com/a/720/1920.jpg",{"_313":687,"_315":688},{"_313":685,"_315":686},{"_313":683,"_315":684},{"_313":681,"_315":682},{"_313":679,"_315":680},"#352e2a",0.0956,"#897665",0.1083,"#b4bec3",0.1447,"#bdac98",0.2147,"#7ea0b6",0.4367,"William L. Picknell","william-l-picknell","American, 1854–1897",1854,1897,"southwest-tower-amiens-cathedral-si-saam-1962-13-18","Southwest Tower, Amiens Cathedral",{"_42":741,"_222":742,"_327":743,"_329":-5,"_330":744,"_332":745,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1880","watercolor on paper","sight 13 3/4 x 9 3/4 in. (35.5 x 25.0 cm.)",25,35.5,0.6883333333333334,[726,727,728,729,730],{"_221":303,"_222":304,"_42":305,"_306":307},"1962.13.18","Cass Gilbert painted this in 1880, aged 22. It is now at the Smithsonian American Art Museum in Washington, DC.","Southwest Tower, Amiens Cathedral, by Cass Gilbert, 1880",{"_294":723,"_296":724,"_298":725},"https://img.ochreeditions.com/m/1917.jpg?dl=1","/art/southwest-tower-amiens-cathedral-si-saam-1962-13-18","/galleries/style/painting-19/southwest-tower-amiens-cathedral-si-saam-1962-13-18",{"_290":291,"_292":293},{"_225":718,"_125":719,"_284":720},{"_275":715,"_277":716,"_279":717,"_281":701},39.435833333333335,50.5,24.435833333333335,{"_286":225,"_123":721,"_154":722,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-cass-gilbert","Cass Gilbert's contemporaries","https://img.ochreeditions.com/a/1917/480.jpg","https://img.ochreeditions.com/a/1917/960.jpg","https://img.ochreeditions.com/a/1917/1920.jpg",{"_313":739,"_315":740},{"_313":737,"_315":738},{"_313":735,"_315":736},{"_313":733,"_315":734},{"_313":731,"_315":732},"#685f5e",0.0682,"#beaa95",0.1697,"#82766e",0.1733,"#ab9d91",0.2852,"#98897b",0.3036,"Cass Gilbert","cass-gilbert","born Zanesville, OH 1858-died Brockenhurst, England 1934",1858,1934,"assembly-of-buddhist-deities-cma-98867","Assembly of Buddhist Deities","Unrecorded Korean maker","1846","korea","korean-painting","handscroll; ink and color on silk","Overall: 78 x 216 cm (30 11/16 x 85 1/16 in.)",216,78,2.512934220251293,[786,787,788,789,790],{"_221":502,"_222":503,"_42":504,"_306":505},"1918.541","An unrecorded Korea, Joseon dynasty (1392–1910) artist painted this in 1846. It is now at the Cleveland Museum of Art.",{"_118":785,"_301":501},"Assembly of Buddhist Deities, 1846",{"_294":782,"_296":783,"_298":784},"https://img.ochreeditions.com/m/494.jpg?dl=1","/art/assembly-of-buddhist-deities-cma-98867","/galleries/style/painting-19/assembly-of-buddhist-deities-cma-98867",{"_290":291,"_292":293},{"_225":773,"_125":774,"_284":775},{"_275":770,"_277":771,"_279":754,"_281":772},231,100.95529411764707,85.95529411764707,{"_286":225,"_123":780,"_154":781,"_140":83},{"_286":125,"_123":778,"_154":779,"_140":231},{"_286":284,"_123":776,"_154":777,"_140":95},"era/19-korea","19th-century Korea","style/korean-painting","More Korean painting","artist/unrecorded-korea","More by unrecorded makers of Korea","https://img.ochreeditions.com/a/494/480.jpg","https://img.ochreeditions.com/a/494/960.jpg","https://img.ochreeditions.com/a/494/1920.jpg","The central deity in this Buddhist painting is Sākyamuni Buddha, given that he is displaying the earth-touching hand gesture. He is surrounded by several bodhisattvas and disciples.",{"_313":799,"_315":800},{"_313":797,"_315":798},{"_313":795,"_315":796},{"_313":793,"_315":794},{"_313":791,"_315":792},"#583e36",0.1613,"#bd9a64",0.1813,"#8a7055",0.1931,"#464137",0.2063,"#6c5b4a",0.258,"study-for-the-dancing-lesson-the-boy-nga-66413","Study for \"The Dancing Lesson\": The Boy",{"_42":848,"_222":849,"_327":850,"_329":524,"_330":851,"_332":852,"_334":853,"_335":853,"_336":854,"_140":87},"probably 1877","overall: 53.3 x 23.2 cm (21 x 9 1/8 in.) framed: 61.6 x 31 x 3.2 cm (24 1/4 x 12 3/16 x 1 1/4 in.)",23.2,53.3,0.424560546875,[833,834,835,836,837],{"_221":562,"_222":563,"_42":564,"_306":307},"1985.64.15","Thomas Eakins painted this (probably 1877), aged 33. It is now at the National Gallery of Art in Washington, DC.","This oil sketch studies the young boy who dances at the centre of Thomas Eakins’s watercolour The Dancing Lesson of 1878, now in the Metropolitan Museum.","Study for \"The Dancing Lesson\": The Boy, by Thomas Eakins, probably 1877",{"_294":830,"_296":831,"_298":832},"https://img.ochreeditions.com/m/1605.jpg?dl=1","/art/study-for-the-dancing-lesson-the-boy-nga-66413","/galleries/style/painting-19/study-for-the-dancing-lesson-the-boy-nga-66413",{"_290":291,"_292":293},{"_225":825,"_125":826,"_284":827},{"_275":822,"_277":823,"_279":824,"_281":807},37.6290771484375,68.3,22.6290771484375,{"_286":225,"_123":828,"_154":829,"_140":87},{"_286":125,"_123":666,"_154":667,"_140":668},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1605/480.jpg","https://img.ochreeditions.com/a/1605/960.jpg","https://img.ochreeditions.com/a/1605/1920.jpg",{"_313":846,"_315":847},{"_313":844,"_315":845},{"_313":842,"_315":843},{"_313":840,"_315":841},{"_313":838,"_315":839},"#8f7456",0.099,"#3e3427",0.1273,"#634934",0.1794,"#2a1f15",0.2645,"#3e2b1b",0.3298,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","still-life-violin-and-music-met-10997","Still Life—Violin and Music",{"_42":910,"_222":911,"_327":912,"_329":913,"_330":331,"_332":402,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1888","realism","40 x 30 in. (101.6 x 76.2 cm)",76.2,101.6,0.7608812466415905,[895,896,897,898,899],{"_221":891,"_222":892,"_42":893,"_306":894},"Courtesy of The Metropolitan Museum of Art","63.85","William Michael Harnett painted this in 1888, aged 40. It is now at The Met in New York.","Still Life—Violin and Music, by William Michael Harnett, 1888",{"_294":888,"_296":889,"_298":890},"https://img.ochreeditions.com/m/826.jpg?dl=1","/art/still-life-violin-and-music-met-10997","/galleries/style/painting-19/still-life-violin-and-music-met-10997",{"_290":291,"_292":293},{"_225":880,"_125":881,"_284":882},{"_275":877,"_277":878,"_279":879,"_281":862},92.30553465878559,116.6,77.30553465878559,{"_286":225,"_123":886,"_154":887,"_140":89},{"_286":125,"_123":883,"_154":884,"_140":885},{"_286":284,"_123":489,"_154":490,"_140":491},"style/realism","More Realism",41,"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/826/480.jpg","https://img.ochreeditions.com/a/826/960.jpg","https://img.ochreeditions.com/a/826/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":908,"_315":909},{"_313":906,"_315":907},{"_313":904,"_315":905},{"_313":902,"_315":903},{"_313":900,"_315":901},"#74441e",0.0345,"#2d2a1e",0.1087,"#786546",0.1764,"#9b8662",0.3063,"#55452c",0.3741,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American","haystacks-autumn-met-437097","Haystacks: Autumn",{"_42":961,"_222":962,"_327":963,"_329":400,"_330":964,"_332":965,"_334":966,"_335":967,"_336":-5,"_140":103},"ca. 1874","Paintings","33 1/2 x 43 3/8 in. (85.1 x 110.2 cm)",110.2,85.1,1.2804635761589405,[946,947,948,949,950],{"_221":891,"_222":892,"_42":893,"_306":894},"60.71.12","Jean-François Millet painted this in about 1874, aged about 55. It is now at The Met in New York.","Haystacks: Autumn, by Jean-François Millet, ca. 1874",{"_294":943,"_296":944,"_298":945},"https://img.ochreeditions.com/m/1130.jpg?dl=1","/art/haystacks-autumn-met-437097","/galleries/style/painting-19/haystacks-autumn-met-437097",{"_290":291,"_292":293},{"_225":938,"_125":939,"_284":940},{"_275":935,"_277":936,"_279":920,"_281":937},125.2,101.06258081199897,86.06258081199897,{"_286":225,"_123":941,"_154":942,"_140":89},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-jean-francois-millet","Jean-François Millet's contemporaries","https://img.ochreeditions.com/a/1130/480.jpg","https://img.ochreeditions.com/a/1130/960.jpg","https://img.ochreeditions.com/a/1130/1920.jpg",{"_313":959,"_315":960},{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},{"_313":951,"_315":952},"#b9af93",0.0944,"#7c7e71",0.1419,"#5b6056",0.1825,"#ab8b56",0.2316,"#785f36",0.3496,"Jean-François Millet","jean-francois-millet","French, 1814–1875",1814,1875,"Gruchy","Barbizon","woman-meditating-cma-126773","Woman Meditating",{"_42":1017,"_222":1018,"_327":1019,"_329":400,"_330":1020,"_332":965,"_334":1021,"_335":1021,"_336":1022,"_140":87},"after 1868","oil on fabric","Unframed: 59.4 x 42.9 cm (23 3/8 x 16 7/8 in.)",42.9,59.4,0.7235294117647059,[1002,1003,1004,1005,1006],{"_221":502,"_222":503,"_42":504,"_306":505},"1949.189","Jean Baptiste Camille Corot painted this (after 1868), aged about 72. It is now at the Cleveland Museum of Art.",{"_118":1001,"_301":501},"Woman Meditating, by Jean Baptiste Camille Corot, after 1868",{"_294":998,"_296":999,"_298":1000},"https://img.ochreeditions.com/m/584.jpg?dl=1","/art/woman-meditating-cma-126773","/galleries/style/painting-19/woman-meditating-cma-126773",{"_290":291,"_292":293},{"_225":993,"_125":994,"_284":995},{"_275":990,"_277":991,"_279":992,"_281":975},57.97764705882353,74.4,42.97764705882353,{"_286":225,"_123":996,"_154":997,"_140":87},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/584/480.jpg","https://img.ochreeditions.com/a/584/960.jpg","https://img.ochreeditions.com/a/584/1920.jpg","This painting, acquired by the Cleveland Museum of Art in 1949, as a work by Corot, proved to be a copy when the signed original reappeared at a public auction in New York in 1981.",{"_313":1015,"_315":1016},{"_313":1013,"_315":1014},{"_313":1011,"_315":1012},{"_313":1009,"_315":1010},{"_313":1007,"_315":1008},"#916c33",0.0343,"#532e1b",0.0985,"#54472a",0.1681,"#392f1e",0.2683,"#28241a",0.4308,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,"Paris","Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","the-spanish-singer-met-436944","The Spanish Singer",{"_42":1070,"_222":1071,"_327":1072,"_329":400,"_330":1073,"_332":1074,"_334":1021,"_335":1021,"_336":1075,"_140":53},"1860","58 x 45 in. (147.3 x 114.3 cm)",114.3,147.3,0.785620572028339,[1055,1056,1057,1058,1059],{"_221":891,"_222":892,"_42":893,"_306":894},"49.58.2","Édouard Manet painted this in 1860, aged 28. It is now at The Met in New York.","A guitarist in Spanish costume sits on a bench, singing as he plays. Manet painted him in 1860 from a model posed in the studio, at a time when all things Spanish were the fashion in Paris, and the picture won an honourable mention at the Salon of 1861, his first official success.","The Spanish Singer, by Édouard Manet, 1860",{"_294":1052,"_296":1053,"_298":1054},"https://img.ochreeditions.com/m/1124.jpg?dl=1","/art/the-spanish-singer-met-436944","/galleries/style/painting-19/the-spanish-singer-met-436944",{"_290":291,"_292":293},{"_225":1047,"_125":1048,"_284":1049},{"_275":1044,"_277":1045,"_279":1046,"_281":1029},130.72191025977435,162.3,115.72191025977435,{"_286":225,"_123":1050,"_154":1051,"_140":53},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/1124/480.jpg","https://img.ochreeditions.com/a/1124/960.jpg","https://img.ochreeditions.com/a/1124/1920.jpg",{"_313":1068,"_315":1069},{"_313":1066,"_315":1067},{"_313":1064,"_315":1065},{"_313":1062,"_315":1063},{"_313":1060,"_315":1061},"#9c8055",0.0422,"#1a1712",0.0809,"#625136",0.1472,"#443524",0.1981,"#2c2217",0.5316,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","rene-charles-dassy-and-his-brother-jean-baptiste-claude-amed-cma-161595","René-Charles Dassy and His Brother Jean-Baptiste-Claude-Amédé Dassy",{"_42":1125,"_222":1126,"_327":1127,"_329":400,"_330":1128,"_332":1129,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1850","oil on canvas, original frame","Framed: 173.5 x 134 x 14 cm (68 5/16 x 52 3/4 x 5 1/2 in.); Unframed: 133.4 x 92.7 cm (52 1/2 x 36 1/2 in.)",92.7,133.4,0.6905882352941176,[1110,1111,1112,1113,1114],{"_221":502,"_222":503,"_42":504,"_306":505},"2000.17","Hippolyte Jean Flandrin painted this in 1850, aged 41. It is now at the Cleveland Museum of Art.",{"_118":1109,"_301":501},"René-Charles Dassy and His Brother Jean-Baptiste-Claude-Amédé Dassy, by Hippolyte Jean Flandrin, 1850",{"_294":1106,"_296":1107,"_298":1108},"https://img.ochreeditions.com/m/761.jpg?dl=1","/art/rene-charles-dassy-and-his-brother-jean-baptiste-claude-amed-cma-161595","/galleries/style/painting-19/rene-charles-dassy-and-his-brother-jean-baptiste-claude-amed-cma-161595",{"_290":291,"_292":293},{"_225":1101,"_125":1102,"_284":1103},{"_275":1098,"_277":1099,"_279":1100,"_281":1083},107.1244705882353,148.4,92.1244705882353,{"_286":225,"_123":1104,"_154":1105,"_140":89},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-hippolyte-jean-flandrin","Hippolyte Jean Flandrin's contemporaries","https://img.ochreeditions.com/a/761/480.jpg","https://img.ochreeditions.com/a/761/960.jpg","https://img.ochreeditions.com/a/761/1920.jpg","This double portrait depicts two brothers dressed in the height of fashion for the 1850s, clearly asserting their social status. Jean-Baptiste (left, age 23) carries gloves and a walking stick.",{"_313":1123,"_315":1124},{"_313":1121,"_315":1122},{"_313":1119,"_315":1120},{"_313":1117,"_315":1118},{"_313":1115,"_315":1116},"#c09f93",0.0163,"#5f5247",0.038,"#2e352f",0.2564,"#121414",0.3374,"#242320",0.3519,"Hippolyte Jean Flandrin","hippolyte-jean-flandrin","French, 1809–1864",1809,1864,"birth-of-bacchus-aic-263515","Birth of Bacchus",{"_42":1182,"_222":1183,"_327":1184,"_329":1185,"_330":1186,"_332":1187,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1826 (?)","central-europe","neoclassicism","55 × 50 cm (21 1/2 × 20 1/2 in.); Framed: 79.1 × 73.1 × 7 cm (31 1/8 × 28 3/4 × 2 3/4 in.)",50,55,0.926260006765137,[1167,1168,1169,1170,1171],{"_221":378,"_222":379,"_42":380,"_306":381},"2022.366","Károly Markó, Sr. painted this in 1826 (?), aged 33. It is now at the Art Institute of Chicago.",{"_294":1164,"_296":1165,"_298":1166},"https://img.ochreeditions.com/m/416.jpg?dl=1","/art/birth-of-bacchus-aic-263515","/galleries/style/painting-19/birth-of-bacchus-aic-263515",{"_290":291,"_292":293},{"_225":1154,"_125":1155,"_284":1156},{"_275":1151,"_277":1152,"_279":1153,"_281":1138},65.94430037208254,70,50.94430037208254,{"_286":225,"_123":1162,"_154":1163,"_140":89},{"_286":125,"_123":1159,"_154":1160,"_140":1161},{"_286":284,"_123":1157,"_154":1158,"_140":95},"era/19-central-europe","19th-century Central Europe","style/neoclassicism","More Neoclassicism",109,"artist/contemporaries-of-karoly-marko-sr","Károly Markó, Sr.'s contemporaries","https://img.ochreeditions.com/a/416/480.jpg","https://img.ochreeditions.com/a/416/960.jpg","https://img.ochreeditions.com/a/416/1920.jpg",{"_313":1180,"_315":1181},{"_313":1178,"_315":1179},{"_313":1176,"_315":1177},{"_313":1174,"_315":1175},{"_313":1172,"_315":1173},"#a2855f",0.0959,"#b3b2ab",0.1846,"#58442b",0.1994,"#332a1b",0.2479,"#775c3d",0.2722,"Károly Markó, Sr.","karoly-marko-sr","Hungarian, 1793–1860","Hungarian",1793,1860,{"_1189":-5,"_1190":1191,"_1192":1193,"_1194":8,"_1195":1196,"_1197":8},"user","csrf","660f1a04592c2a4a3f2bf89a602ebdb94143b7cb","cartCount",0,"dropLive","legal",[1198,1199,1200,1201,1202,1203,1204,1205,1206,1207,1208,1209],"uploadsEnabled",{"_222":1232,"_20":1233},{"_222":1230,"_20":1231},{"_222":1228,"_20":1229},{"_222":1226,"_20":1227},{"_222":1224,"_20":1225},{"_222":1222,"_20":1223},{"_222":1220,"_20":1221},{"_222":1218,"_20":1219},{"_222":1216,"_20":1217},{"_222":1214,"_20":1215},{"_222":1212,"_20":1213},{"_222":1210,"_20":1211},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]