[{"_1":2,"_3":4},"root",{"_5":1194},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Paintings of the 19th century, in the galleries · Ochre Editions","description","Paintings made in the 19th century, from every museum. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/painting-19","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/painting-19.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Paintings of the 19th century, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/the-sea-si-saam-1925-12-2",15,"https://www.ochreeditions.com/art/the-third-class-carriage-met-436095",14,"https://www.ochreeditions.com/art/the-conversation-aic-21165",13,"https://www.ochreeditions.com/art/berthe-morisot-with-a-muff-cma-135336",12,"https://www.ochreeditions.com/art/the-gulf-stream-met-11122",11,"https://www.ochreeditions.com/art/thomas-alva-edison-si-npg-npg-65-23",10,"https://www.ochreeditions.com/art/auvers-panoramic-view-aic-14556",9,"https://www.ochreeditions.com/art/grover-cleveland-si-npg-npg-71-58",8,"https://www.ochreeditions.com/art/the-towpath-nga-136018",7,"https://www.ochreeditions.com/art/the-coleman-sisters-nga-33963",6,"https://www.ochreeditions.com/art/view-near-epernon-nga-1150",5,"https://www.ochreeditions.com/art/john-sergeant-si-npg-npg-84-179",4,"https://www.ochreeditions.com/art/washington-crossing-the-delaware-met-11417",3,"https://www.ochreeditions.com/art/the-shepherd-s-song-met-437344",2,"https://www.ochreeditions.com/art/equestrienne-at-the-cirque-fernando-aic-16146",1,"https://www.ochreeditions.com/art/yellow-dancers-in-the-wings-aic-18951","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~painting-19.dea77219d0.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~painting-19.dea77219d0.jpg","alt","Paintings of the 19th century, a room in the galleries: three of its 432 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Paintings of the 19th century: 432 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~painting-19.jpg","key","style/painting-19","style","Paintings of the 19th century","intro","Paintings made in the 19th century, from every museum.","wing","Style galleries","floor","layout","enfilade","hang",3361,"/galleries/style/painting-19","total",432,"page","works",[207,208,209,210,211,212,213,214,215,216,217,218,219,220,221,222],"walls",[172,173,174,175,176,177],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6MzM2MSwiaSI6bnVsbCwiZyI6IkxKdkZpOHhWIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/painting-19?hang=3361&cursor=eyJvIjoxNiwiaCI6MzM2MSwiaSI6bnVsbCwiZyI6IkxKdkZpOHhWIn0&via=continue","label","Paintings of the 19th century, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/821/480.jpg","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/1126/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":168},"The 19th century","era/19","/galleries/era/19?hang=3361&via=continue",731,"Edward Moran's contemporaries","artist/contemporaries-of-edward-moran","/galleries/artist/contemporaries-of-edward-moran?hang=3361&via=continue",{"_42":202,"_179":203},{"_42":198,"_179":199},{"_42":192,"_179":193},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Third room, south wall","work_ids",[181,182],1081,1871,"Third room, north wall",[185,186,187],832,625,81,"Second room, north wall",[190,191],29,1838,"Second room, south wall",[194,195,196,197],1330,1490,1664,1841,"First room, south wall",[200,201],846,1851,"First room, north wall",[204,205,206],71,42,1139,{"_223":204,"_224":1136,"_20":1137,"_227":1138,"_229":-5,"_230":1139,"_232":233,"_234":339,"_235":1140,"_125":-5,"_28":236,"_237":238,"_239":342,"_241":1141,"_243":1142,"_245":1143,"_247":1144,"_249":1145,"_251":1146,"_253":416,"_255":1147,"_257":258,"_259":1148,"_154":1149,"_261":-5,"_111":1150,"_263":1151,"_265":1152,"_267":1153,"_269":1154,"_271":1155,"_144":1156,"_274":1157},{"_223":205,"_224":1081,"_20":1082,"_227":1083,"_229":-5,"_230":1084,"_232":233,"_234":339,"_235":647,"_125":-5,"_28":236,"_237":238,"_239":342,"_241":1085,"_243":1086,"_245":1087,"_247":1088,"_249":1089,"_251":1090,"_253":416,"_255":1091,"_257":258,"_259":1092,"_154":1093,"_261":-5,"_111":1094,"_263":1095,"_265":1096,"_267":1097,"_269":1098,"_271":1099,"_144":1100,"_274":1101},{"_223":206,"_224":1029,"_20":1030,"_227":1031,"_229":-5,"_230":1032,"_232":233,"_234":339,"_235":-5,"_125":340,"_28":236,"_237":341,"_239":342,"_241":1033,"_243":1034,"_245":1035,"_247":1036,"_249":1037,"_251":1038,"_253":349,"_255":1039,"_257":258,"_259":1040,"_154":-5,"_261":-5,"_111":1041,"_263":1042,"_265":1043,"_267":1044,"_269":1045,"_271":1046,"_144":1047,"_274":1048},{"_223":200,"_224":970,"_20":971,"_227":972,"_229":-5,"_230":973,"_232":233,"_234":528,"_235":974,"_125":-5,"_28":236,"_237":238,"_239":342,"_241":975,"_243":976,"_245":977,"_247":978,"_249":979,"_251":980,"_253":349,"_255":981,"_257":258,"_259":982,"_154":-5,"_261":-5,"_111":983,"_263":984,"_265":985,"_267":986,"_269":987,"_271":988,"_144":989,"_274":990},{"_223":201,"_224":925,"_20":926,"_227":927,"_229":-5,"_230":928,"_232":233,"_234":528,"_235":-5,"_125":929,"_28":236,"_237":238,"_239":342,"_241":930,"_243":-5,"_245":-5,"_247":931,"_249":932,"_251":933,"_253":598,"_255":934,"_257":258,"_259":935,"_154":-5,"_261":-5,"_111":936,"_263":937,"_265":938,"_267":939,"_269":940,"_271":941,"_144":942,"_274":943},{"_223":194,"_224":872,"_20":873,"_227":874,"_229":-5,"_230":875,"_232":233,"_234":339,"_235":-5,"_125":340,"_28":236,"_237":238,"_239":240,"_241":876,"_243":877,"_245":878,"_247":879,"_249":880,"_251":881,"_253":765,"_255":882,"_257":258,"_259":883,"_154":-5,"_261":884,"_111":885,"_263":886,"_265":887,"_267":888,"_269":889,"_271":890,"_144":891,"_274":892},{"_223":195,"_224":813,"_20":814,"_227":815,"_229":-5,"_230":816,"_232":233,"_234":528,"_235":-5,"_125":817,"_28":236,"_237":238,"_239":240,"_241":818,"_243":819,"_245":820,"_247":821,"_249":822,"_251":823,"_253":765,"_255":824,"_257":258,"_259":825,"_154":-5,"_261":826,"_111":827,"_263":828,"_265":829,"_267":830,"_269":831,"_271":832,"_144":833,"_274":834},{"_223":196,"_224":755,"_20":756,"_227":757,"_229":-5,"_230":338,"_232":233,"_234":758,"_235":-5,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":759,"_243":760,"_245":761,"_247":762,"_249":763,"_251":764,"_253":765,"_255":766,"_257":258,"_259":767,"_154":-5,"_261":-5,"_111":768,"_263":769,"_265":770,"_267":771,"_269":772,"_271":773,"_144":774,"_274":775},{"_223":197,"_224":702,"_20":703,"_227":704,"_229":-5,"_230":705,"_232":233,"_234":-5,"_235":-5,"_125":-5,"_28":236,"_237":238,"_239":706,"_241":707,"_243":708,"_245":709,"_247":710,"_249":711,"_251":712,"_253":598,"_255":713,"_257":258,"_259":714,"_154":715,"_261":-5,"_111":716,"_263":717,"_265":718,"_267":719,"_269":720,"_271":721,"_144":722,"_274":723},{"_223":190,"_224":643,"_20":644,"_227":645,"_229":-5,"_230":646,"_232":233,"_234":339,"_235":647,"_125":-5,"_28":236,"_237":238,"_239":342,"_241":648,"_243":187,"_245":649,"_247":650,"_249":651,"_251":652,"_253":416,"_255":653,"_257":258,"_259":654,"_154":655,"_261":-5,"_111":656,"_263":657,"_265":658,"_267":659,"_269":660,"_271":661,"_144":662,"_274":663},{"_223":191,"_224":588,"_20":589,"_227":590,"_229":-5,"_230":591,"_232":233,"_234":-5,"_235":-5,"_125":-5,"_28":236,"_237":238,"_239":342,"_241":592,"_243":593,"_245":594,"_247":595,"_249":596,"_251":597,"_253":598,"_255":599,"_257":258,"_259":600,"_154":601,"_261":-5,"_111":602,"_263":603,"_265":604,"_267":605,"_269":606,"_271":607,"_144":608,"_274":609},{"_223":185,"_224":524,"_20":525,"_227":526,"_229":-5,"_230":527,"_232":233,"_234":528,"_235":-5,"_125":529,"_28":236,"_237":238,"_239":342,"_241":530,"_243":531,"_245":532,"_247":533,"_249":534,"_251":535,"_253":349,"_255":536,"_257":258,"_259":537,"_154":-5,"_261":538,"_111":539,"_263":540,"_265":541,"_267":542,"_269":543,"_271":544,"_144":545,"_274":546},{"_223":186,"_224":462,"_20":463,"_227":464,"_229":-5,"_230":465,"_232":233,"_234":339,"_235":-5,"_125":340,"_28":236,"_237":238,"_239":240,"_241":466,"_243":467,"_245":468,"_247":469,"_249":470,"_251":471,"_253":472,"_255":473,"_257":258,"_259":474,"_154":475,"_261":-5,"_111":476,"_263":477,"_265":478,"_267":479,"_269":480,"_271":481,"_144":482,"_274":483},{"_223":187,"_224":406,"_20":407,"_227":408,"_229":-5,"_230":409,"_232":233,"_234":339,"_235":-5,"_125":340,"_28":236,"_237":238,"_239":342,"_241":410,"_243":411,"_245":412,"_247":413,"_249":414,"_251":415,"_253":416,"_255":417,"_257":258,"_259":418,"_154":-5,"_261":-5,"_111":419,"_263":420,"_265":421,"_267":422,"_269":423,"_271":424,"_144":425,"_274":426},{"_223":181,"_224":335,"_20":336,"_227":337,"_229":-5,"_230":338,"_232":233,"_234":339,"_235":-5,"_125":340,"_28":236,"_237":341,"_239":342,"_241":343,"_243":344,"_245":345,"_247":346,"_249":347,"_251":348,"_253":349,"_255":350,"_257":258,"_259":351,"_154":-5,"_261":352,"_111":353,"_263":354,"_265":355,"_267":356,"_269":357,"_271":358,"_144":359,"_274":360},{"_223":182,"_224":225,"_20":226,"_227":228,"_229":-5,"_230":231,"_232":233,"_234":-5,"_235":-5,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":-5,"_261":-5,"_111":262,"_263":264,"_265":266,"_267":268,"_269":270,"_271":272,"_144":273,"_274":275},"id","slug","the-sea-si-saam-1925-12-2","The Sea","artist",{"_42":323,"_224":324,"_325":326,"_327":-5,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":101},"unrecorded","date","1870","century",19,"place","movement","painting","classification","Painting","medium","oil on canvas","dimensions","sight 29 7/8 x 49 3/4 in. (75.9 x 126.3 cm.)","width_cm",126.3,"height_cm",75.9,"aspect",1.6574585635359116,"palette",[306,307,308,309,310],"museum",{"_223":301,"_224":302,"_42":303,"_304":305},"credit","Courtesy of the Smithsonian American Art Museum","accession","1925.12.2","licence","CC0","story","Edward Moran painted this in 1870, aged 41. It is now at the Smithsonian American Art Museum in Washington, DC.","note","The Sea, by Edward Moran, 1870","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1871.jpg?dl=1","page_url","/art/the-sea-si-saam-1925-12-2","walk_url","/galleries/style/painting-19/the-sea-si-saam-1925-12-2","frame",{"_291":292,"_293":294},{"_227":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":244,"_281":282},"w",141.3,"h",91.201,"image_w","image_h",76.201,{"_287":227,"_123":170,"_154":169,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/painting","More paintings",1127,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1871/480.jpg","960","https://img.ochreeditions.com/a/1871/960.jpg","1920","https://img.ochreeditions.com/a/1871/1920.jpg","si","smithsonian","Smithsonian Institution","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#847d6b","weight",0.088,"#32322f",0.183,"#696559",0.1904,"#151515",0.2229,"#4a4842",0.3157,"Edward Moran","edward-moran","bio","born Bolton, England 1829-died New York City 1901","nationality","birth_year",1829,"death_year",1901,"birth_place","death_place","about_excerpt","the-third-class-carriage-met-436095","The Third-Class Carriage",{"_42":397,"_224":398,"_325":399,"_327":400,"_328":401,"_330":402,"_332":403,"_333":404,"_334":405,"_140":95},"1864","france","paris-salon-painting","Paintings","Oil on canvas","25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)",90.2,65.4,1.3722126929674099,[382,383,384,385,386],{"_223":378,"_224":379,"_42":380,"_304":381},"Courtesy of The Metropolitan Museum of Art","29.100.129","Honoré Daumier painted this in 1864, aged 56. It is now at The Met in New York.","In the cramped wooden compartment of a third-class railway carriage, an old woman sits with her hands folded on a basket, flanked by a young mother nursing her baby and a sleeping boy, while rows of passengers in top hats crowd the benches behind.","The Third-Class Carriage, by Honoré Daumier, 1864",{"_295":375,"_297":376,"_299":377},"https://img.ochreeditions.com/m/1081.jpg?dl=1","/art/the-third-class-carriage-met-436095","/galleries/style/painting-19/the-third-class-carriage-met-436095",{"_291":292,"_293":294},{"_227":364,"_125":365,"_285":366},{"_276":361,"_278":362,"_280":344,"_281":363},105.2,80.73325,65.73325,{"_287":227,"_123":373,"_154":374,"_140":95},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"era/19-france","19th-century France",237,"style/paris-salon-painting","More Paris Salon painting",79,"artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/1081/480.jpg","https://img.ochreeditions.com/a/1081/960.jpg","https://img.ochreeditions.com/a/1081/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":395,"_313":396},{"_311":393,"_313":394},{"_311":391,"_313":392},{"_311":389,"_313":390},{"_311":387,"_313":388},"#765b2e",0.0666,"#553514",0.1019,"#392510",0.1518,"#150e06",0.2592,"#261307",0.4205,"Honoré Daumier","honore-daumier","French, 1808–1879","French",1808,1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","the-conversation-aic-21165","The Conversation",{"_42":457,"_224":458,"_325":459,"_327":400,"_328":460,"_330":461,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1875–79","55.5 × 38 cm (21 13/16 × 14 15/16 in.); Framed: 69.5 × 52.1 × 8.9 cm (27 3/8 × 20 1/2 × 3 1/2 in.)",38,55,0.6761757902852737,[442,443,444,445,446],{"_223":438,"_224":439,"_42":440,"_304":441},"Courtesy of the Art Institute of Chicago","1935.71","Marcellin Gilbert Desboutin painted this in 1875–79, aged about 52. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/81.jpg?dl=1","/art/the-conversation-aic-21165","/galleries/style/painting-19/the-conversation-aic-21165",{"_291":292,"_293":294},{"_227":430,"_125":431,"_285":432},{"_276":427,"_278":428,"_280":429,"_281":412},52.189668465690055,70,37.189668465690055,{"_287":227,"_123":433,"_154":434,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-marcellin-gilbert-desboutin","Marcellin Gilbert Desboutin's contemporaries","https://img.ochreeditions.com/a/81/480.jpg","https://img.ochreeditions.com/a/81/960.jpg","https://img.ochreeditions.com/a/81/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},"#827d6c",0.1039,"#614427",0.1305,"#5d5746",0.1475,"#3f392b",0.214,"#22221b",0.4041,"Marcellin Gilbert Desboutin","marcellin-gilbert-desboutin","French, 1823–1902",1823,1902,"berthe-morisot-with-a-muff-cma-135336","Berthe Morisot with a Muff",{"_42":517,"_224":518,"_325":519,"_327":400,"_328":520,"_330":521,"_332":522,"_333":522,"_334":523,"_140":53},"c. 1871–72","Framed: 91.1 x 76.5 x 7.3 cm (35 7/8 x 30 1/8 x 2 7/8 in.); Unframed: 74 x 60 cm (29 1/8 x 23 5/8 in.)",60,74,0.8070588235294117,[502,503,504,505,506],{"_223":498,"_224":499,"_42":500,"_304":501},"Courtesy of the Cleveland Museum of Art","1958.34","Édouard Manet painted this in about 1871–72, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":495,"_496":497},"Berthe Morisot with a Muff, by Édouard Manet, c. 1871–72",{"_295":492,"_297":493,"_299":494},"https://img.ochreeditions.com/m/625.jpg?dl=1","/art/berthe-morisot-with-a-muff-cma-135336","/galleries/style/painting-19/berthe-morisot-with-a-muff-cma-135336",{"_291":292,"_293":294},{"_227":487,"_125":488,"_285":489},{"_276":484,"_278":485,"_280":486,"_281":468},74.72235294117647,89,59.72235294117647,{"_287":227,"_123":490,"_154":491,"_140":53},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/625/480.jpg","https://img.ochreeditions.com/a/625/960.jpg","https://img.ochreeditions.com/a/625/1920.jpg","This is one of two portraits Manet painted of Morisot dressed for winter in a heavy coat and feathered hat. (See Berthe Morisot with a Half Veil , also in this gallery.)","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},{"_311":509,"_313":510},{"_311":507,"_313":508},"#947d58",0.0521,"#65543b",0.1149,"#221b16",0.1578,"#49351c",0.2705,"#392819",0.4047,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-gulf-stream-met-11122","The Gulf Stream",{"_42":579,"_224":580,"_325":581,"_327":582,"_328":583,"_330":584,"_332":585,"_333":586,"_334":587,"_140":53},"1899; reworked by 1906","united-states","american-gilded-age","28 1/8 x 49 1/8 in. (71.4 x 124.8 cm) Framed: 42 5/16 x 62 11/16 x 5 7/8 in. (107.5 x 159.3 x 15 cm)",124.8,71.4,1.6207455429497568,[564,565,566,567,568],{"_223":378,"_224":379,"_42":380,"_304":381},"06.1234","Winslow Homer painted this in 1899; reworked by 1906, aged about 63. It is now at The Met in New York.","A lone Black sailor lies on the deck of a dismasted, rudderless boat in the open sea, surrounded by circling sharks, while a waterspout churns on the horizon and a distant ship sails by, apparently unaware of him.","The Gulf Stream, by Winslow Homer, 1899; reworked by 1906",{"_295":561,"_297":562,"_299":563},"https://img.ochreeditions.com/m/832.jpg?dl=1","/art/the-gulf-stream-met-11122","/galleries/style/painting-19/the-gulf-stream-met-11122",{"_291":292,"_293":294},{"_227":550,"_125":551,"_285":552},{"_276":547,"_278":548,"_280":531,"_281":549},139.8,92.0016,77.0016,{"_287":227,"_123":559,"_154":560,"_140":53},{"_287":125,"_123":556,"_154":557,"_140":558},{"_287":285,"_123":553,"_154":554,"_140":555},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age",67,"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/832/480.jpg","https://img.ochreeditions.com/a/832/960.jpg","https://img.ochreeditions.com/a/832/1920.jpg",{"_311":577,"_313":578},{"_311":575,"_313":576},{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},"#5c422e",0.0529,"#3a524c",0.2151,"#233231",0.2167,"#90866d",0.2179,"#151819",0.2974,"Winslow Homer","winslow-homer","American, 1836–1910","American",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","thomas-alva-edison-si-npg-npg-65-23","Thomas Alva Edison",{"_42":638,"_224":639,"_325":640,"_327":-5,"_328":641,"_330":642,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1890","Stretcher: 114.3 x 138.7 x 2.5cm (45 x 54 5/8 x 1\")",138.7,114.3,1.2243648607284972,[623,624,625,626,627],{"_223":301,"_224":302,"_42":303,"_304":305},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.65.23","Abraham Archibald Anderson painted this in 1890, aged 43. It is now at the National Portrait Gallery in Washington, DC.",{"_118":621,"_496":622},"Artist: Abraham Archibald Anderson, Sitter: Thomas Alva Edison, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":618,"_297":619,"_299":620},"https://img.ochreeditions.com/m/1838.jpg?dl=1","/art/thomas-alva-edison-si-npg-npg-65-23","/galleries/style/painting-19/thomas-alva-edison-si-npg-npg-65-23",{"_291":292,"_293":294},{"_227":613,"_125":614,"_285":615},{"_276":610,"_278":611,"_280":593,"_281":612},153.7,128.283225,113.28322499999999,{"_287":227,"_123":616,"_154":617,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abraham-archibald-anderson","Abraham Archibald Anderson's contemporaries","https://img.ochreeditions.com/a/1838/480.jpg","https://img.ochreeditions.com/a/1838/960.jpg","https://img.ochreeditions.com/a/1838/1920.jpg","Born Milan, Ohio","Text from the National Portrait Gallery.",{"_311":636,"_313":637},{"_311":634,"_313":635},{"_311":632,"_313":633},{"_311":630,"_313":631},{"_311":628,"_313":629},"#b7905c",0.0246,"#6a4e26",0.0361,"#444c2f",0.1214,"#342005",0.2446,"#1e1a08",0.5733,"Abraham Archibald Anderson","abraham-archibald-anderson","1847–1940",1847,1940,"auvers-panoramic-view-aic-14556","Auvers, Panoramic View",{"_42":695,"_224":696,"_325":697,"_327":400,"_328":698,"_330":699,"_332":700,"_333":700,"_334":701,"_140":79},"1873–75","post-impressionism","65.2 × 81.3 cm (25 5/8 × 32 in.); Framed: 79.7 × 97.5 × 7.7 cm (31 3/8 × 38 3/8 × 3 in.)",65,1.2596577518188339,[680,681,682,683,684],{"_223":438,"_224":439,"_42":440,"_304":441},"1933.422","Paul Cézanne painted this in 1873–75, aged about 34. It is now at the Art Institute of Chicago.",{"_118":678,"_496":679},"View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds. Thick brushstrokes built up atop each other are visible throughout.",{"_295":675,"_297":676,"_299":677},"https://img.ochreeditions.com/m/29.jpg?dl=1","/art/auvers-panoramic-view-aic-14556","/galleries/style/painting-19/auvers-panoramic-view-aic-14556",{"_291":292,"_293":294},{"_227":667,"_125":668,"_285":669},{"_276":664,"_278":665,"_280":187,"_281":666},96,79.30318067192711,64.30318067192711,{"_287":227,"_123":673,"_154":674,"_140":79},{"_287":125,"_123":670,"_154":671,"_140":672},{"_287":285,"_123":367,"_154":368,"_140":369},"style/post-impressionism","More Post-Impressionism",62,"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/29/480.jpg","https://img.ochreeditions.com/a/29/960.jpg","https://img.ochreeditions.com/a/29/1920.jpg","Paul Cezanne made this work while being mentored by Impressionist Camille Pissarro. He rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—with blocky, energetic patches of color and areas of ragged brushwork that might seem unfinished.","Text from the Art Institute of Chicago.",{"_311":693,"_313":694},{"_311":691,"_313":692},{"_311":689,"_313":690},{"_311":687,"_313":688},{"_311":685,"_313":686},"#87904e",0.0542,"#8f9994",0.1994,"#8a846c",0.2007,"#5c6759",0.2675,"#67795b",0.2782,"Paul Cézanne","paul-cezanne","French, 1839–1906",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","grover-cleveland-si-npg-npg-71-58","Grover Cleveland",{"_42":751,"_224":752,"_325":753,"_327":-5,"_328":754,"_330":699,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1884","Oil on artist board","Frame: 74.9 x 64.5 x 6.4 cm (29 1/2 x 25 3/8 x 2 1/2\")",64.5,74.9,0.78575,[736,737,738,739,740],{"_223":301,"_224":302,"_42":303,"_304":305},"NPG.71.58","Eastman Johnson painted this in 1884, aged 60. It is now at the National Portrait Gallery in Washington, DC.",{"_118":735,"_496":622},"Artist: Eastman Johnson, Sitter: Grover Cleveland, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":732,"_297":733,"_299":734},"https://img.ochreeditions.com/m/1841.jpg?dl=1","/art/grover-cleveland-si-npg-npg-71-58","/galleries/style/painting-19/grover-cleveland-si-npg-npg-71-58",{"_291":292,"_293":294},{"_227":727,"_125":728,"_285":729},{"_276":724,"_278":725,"_280":726,"_281":709},73.852675,89.9,58.852675,{"_287":227,"_123":730,"_154":731,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-eastman-johnson","Eastman Johnson's contemporaries","https://img.ochreeditions.com/a/1841/480.jpg","https://img.ochreeditions.com/a/1841/960.jpg","https://img.ochreeditions.com/a/1841/1920.jpg","Twenty-fourth president, 1893–1897",{"_311":749,"_313":750},{"_311":747,"_313":748},{"_311":745,"_313":746},{"_311":743,"_313":744},{"_311":741,"_313":742},"#b58a58",0.03,"#91633b",0.0569,"#644429",0.085,"#31241b",0.4088,"#402c18",0.4193,"Eastman Johnson","eastman-johnson","29 Jul 1824 - 5 Apr 1906",1824,"the-towpath-nga-136018","The Towpath",{"_42":807,"_224":808,"_325":809,"_327":810,"_328":811,"_330":812,"_332":-5,"_333":-5,"_334":-5,"_140":101},"netherlands","overall: 34.3 x 47 cm (13 1/2 x 18 1/2 in.) framed: 50.8 x 63.18 x 7.94 cm (20 x 24 7/8 x 3 1/8 in.)",47,34.3,1.3870640027091095,[792,793,794,795,796],{"_223":789,"_224":790,"_42":791,"_304":305},"Courtesy National Gallery of Art, Washington","2006.128.22","Johan Barthold Jongkind painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal. In the center is a dirt path on the other edge of the canal, with a person riding a donkey who looks over their shoulder towards us. On the right side, there are white buildings in the distance, with a grassy field leading towards them. The light blue sky is filled with fluffy clouds, and the water of the canal reflects the sky and trees. The brushstrokes of the painting are thick and visible, especially in the sky.",{"_295":786,"_297":787,"_299":788},"https://img.ochreeditions.com/m/1664.jpg?dl=1","/art/the-towpath-nga-136018","/galleries/style/painting-19/the-towpath-nga-136018",{"_291":292,"_293":294},{"_227":778,"_125":779,"_285":780},{"_276":672,"_278":776,"_280":760,"_281":777},48.884521484375,33.884521484375,{"_287":227,"_123":784,"_154":785,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":781,"_154":782,"_140":783},"era/19-netherlands","19th-century Netherlands",21,"artist/contemporaries-of-johan-barthold-jongkind","Johan Barthold Jongkind's contemporaries","https://img.ochreeditions.com/a/1664/480.jpg","https://img.ochreeditions.com/a/1664/960.jpg","https://img.ochreeditions.com/a/1664/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_311":805,"_313":806},{"_311":803,"_313":804},{"_311":801,"_313":802},{"_311":799,"_313":800},{"_311":797,"_313":798},"#465643",0.1046,"#78949f",0.1165,"#bbb79e",0.1797,"#7c7f65",0.2038,"#a3ada4",0.3954,"Johan Barthold Jongkind","johan-barthold-jongkind","Dutch, 1819–1891","Dutch",1819,1891,"the-coleman-sisters-nga-33963","The Coleman Sisters",{"_42":864,"_224":865,"_325":866,"_327":582,"_328":867,"_330":868,"_332":869,"_333":870,"_334":871,"_140":91},"1844","antebellum-america","overall: 112.5 x 87.5 cm (44 5/16 x 34 7/16 in.) framed: 146.7 x 121.9 x 14 cm (57 3/4 x 48 x 5 1/2 in.)",87.5,112.5,0.7744140625,[849,850,851,852,853],{"_223":789,"_224":790,"_42":791,"_304":305},"1947.9.3","Thomas Sully painted this in 1844, aged 61. It is now at the National Gallery of Art in Washington, DC.","Three sisters with dark ringlets gather around a small table: one turns to look back at us as she rests her hand on a red book, another, in golden yellow, lays a hand on her shoulder, and the third, seated in pale pink, gazes straight out beside a vase of flowers.","In this painting, three women are depicted standing and sitting closely together. The women have fair complexions and dark hair in ringlets, and they are smiling slightly. The woman on the left appears to be standing, and her body is turned to the right while her head is turned over her shoulder to face us. She wears a light blue dress with a brown shawl, and she is holding the edge of a red book that rests on a small table in the bottom right corner. The woman in the middle also appears to be standing, and she is wearing a golden-yellow off-the-shoulder garment. One of her hands is on the shoulder of the woman on the left. The woman on the right is seated at the small table, and she wears a pale pink off-the-shoulder dress. She looks directly out at us. The small table is covered in a golden cloth, and on the right is a vase of colorful flowers. The wall behind the woman is a blend of brown, tan, and pale blue tones.",{"_295":846,"_297":847,"_299":848},"https://img.ochreeditions.com/m/1490.jpg?dl=1","/art/the-coleman-sisters-nga-33963","/galleries/style/painting-19/the-coleman-sisters-nga-33963",{"_291":292,"_293":294},{"_227":838,"_125":839,"_285":840},{"_276":835,"_278":836,"_280":837,"_281":820},102.12158203125,127.5,87.12158203125,{"_287":227,"_123":844,"_154":845,"_140":91},{"_287":125,"_123":841,"_154":842,"_140":843},{"_287":285,"_123":553,"_154":554,"_140":555},"style/antebellum-america","More Antebellum America",33,"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/1490/480.jpg","https://img.ochreeditions.com/a/1490/960.jpg","https://img.ochreeditions.com/a/1490/1920.jpg",{"_311":862,"_313":863},{"_311":860,"_313":861},{"_311":858,"_313":859},{"_311":856,"_313":857},{"_311":854,"_313":855},"#95613e",0.0973,"#66492f",0.1142,"#c18d5b",0.1215,"#47341e",0.2513,"#3a200f",0.4157,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","view-near-epernon-nga-1150","View near Epernon",{"_42":919,"_224":920,"_325":921,"_327":400,"_328":922,"_330":923,"_332":522,"_333":522,"_334":924,"_140":87},"1850/1860","overall: 33.8 x 55.3 cm (13 5/16 x 21 3/4 in.)",55.3,33.8,1.6643640796424217,[904,905,906,907,908],{"_223":789,"_224":790,"_42":791,"_304":305},"1942.9.13","Jean Baptiste Camille Corot painted this in 1850/1860, aged about 54. It is now at the National Gallery of Art in Washington, DC.","A ploughman works a field behind his horse while a rider in a red cap crosses the meadow, and a row of houses with tan walls and red roofs lines the far side beyond a small arched bridge.","A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow. The field is carpeted with muted and gold-shaded green, and a grove of trees in the right third of the composition are painted in fern, olive, and dark green. A patch of darker green near us and to left of center is dotted with red and yellow to suggest flowers. The men and horses are small in relation to the composition. The people have brown skin and are painted with a few strokes in dark gray and muted green for the man behind the plow to the left and pale yellow and white and a red cap for the person on horseback. A band of houses with tan or light yellow walls and gray or terracotta red roofs line the far side of the field to the left, and an arched bridge crosses what appears to be a shallow, grassy ravine near the center. The horizon comes about a third of the way up this composition and a few smoke-gray clouds line the upper edge of the otherwise milk-white sky. The artist signed the lower left corner, “COROT.”",{"_295":901,"_297":902,"_299":903},"https://img.ochreeditions.com/m/1330.jpg?dl=1","/art/view-near-epernon-nga-1150","/galleries/style/painting-19/view-near-epernon-nga-1150",{"_291":292,"_293":294},{"_227":896,"_125":897,"_285":898},{"_276":893,"_278":894,"_280":877,"_281":895},70.3,48.2259033203125,33.2259033203125,{"_287":227,"_123":899,"_154":900,"_140":87},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1330/480.jpg","https://img.ochreeditions.com/a/1330/960.jpg","https://img.ochreeditions.com/a/1330/1920.jpg",{"_311":917,"_313":918},{"_311":915,"_313":916},{"_311":913,"_313":914},{"_311":911,"_313":912},{"_311":909,"_313":910},"#5a512b",0.0913,"#373627",0.0917,"#7b6a2d",0.1168,"#988333",0.1447,"#dcd6be",0.5555,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","john-sergeant-si-npg-npg-84-179","John Sergeant",{"_42":864,"_224":865,"_325":866,"_327":582,"_328":867,"_330":868,"_332":869,"_333":870,"_334":871,"_140":91},"1811","american-colonial-and-federal","82.5cm x 66cm (32 1/2\" x 26\"), Accurate",0.81875,[955,956,957,958,959],{"_223":301,"_224":302,"_42":303,"_304":305},"NPG.84.179","Thomas Sully painted this in 1811, aged 28. It is now at the National Portrait Gallery in Washington, DC.","Artist: Thomas Sully, Sitter: John Sergeant, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":952,"_297":953,"_299":954},"https://img.ochreeditions.com/m/1851.jpg?dl=1","/art/john-sergeant-si-npg-npg-84-179","/galleries/style/painting-19/john-sergeant-si-npg-npg-84-179",{"_291":292,"_293":294},{"_227":947,"_125":948,"_285":949},{"_276":944,"_278":945,"_280":946,"_281":467},64.125,75,49.125,{"_287":227,"_123":844,"_154":845,"_140":91},{"_287":125,"_123":950,"_154":951,"_140":190},{"_287":285,"_123":553,"_154":554,"_140":555},"style/american-colonial-and-federal","More American colonial and Federal art","https://img.ochreeditions.com/a/1851/480.jpg","https://img.ochreeditions.com/a/1851/960.jpg","https://img.ochreeditions.com/a/1851/1920.jpg",{"_311":968,"_313":969},{"_311":966,"_313":967},{"_311":964,"_313":965},{"_311":962,"_313":963},{"_311":960,"_313":961},"#c2a384",0.0319,"#947159",0.0469,"#563e2a",0.2464,"#3c2a1d",0.3167,"#271c17",0.3581,"washington-crossing-the-delaware-met-11417","Washington Crossing the Delaware",{"_42":1021,"_224":1022,"_325":1023,"_327":1024,"_328":1025,"_330":1026,"_332":1027,"_333":1028,"_334":-5,"_140":103},"1851","realism","149 x 255 in. (378.5 x 647.7 cm)",647.7,378.5,1.7066079295154184,[1006,1007,1008,1009,1010],{"_223":378,"_224":379,"_42":380,"_304":381},"97.34","Emanuel Leutze painted this in 1851, aged 35. It is now at The Met in New York.","Washington Crossing the Delaware, by Emanuel Leutze, 1851",{"_295":1003,"_297":1004,"_299":1005},"https://img.ochreeditions.com/m/846.jpg?dl=1","/art/washington-crossing-the-delaware-met-11417","/galleries/style/painting-19/washington-crossing-the-delaware-met-11417",{"_291":292,"_293":294},{"_227":995,"_125":996,"_285":997},{"_276":991,"_278":992,"_280":993,"_281":994},255,155.62983995869902,240,140.62983995869902,{"_287":227,"_123":1001,"_154":1002,"_140":89},{"_287":125,"_123":998,"_154":999,"_140":1000},{"_287":285,"_123":553,"_154":554,"_140":555},"style/realism","More Realism",41,"artist/contemporaries-of-emanuel-leutze","Emanuel Leutze's contemporaries","https://img.ochreeditions.com/a/846/480.jpg","https://img.ochreeditions.com/a/846/960.jpg","https://img.ochreeditions.com/a/846/1920.jpg",{"_311":1019,"_313":1020},{"_311":1017,"_313":1018},{"_311":1015,"_313":1016},{"_311":1013,"_313":1014},{"_311":1011,"_313":1012},"#cfbf9a",0.1347,"#95886d",0.1622,"#5b4a36",0.1959,"#3d3329",0.2466,"#6c6757",0.2606,"Emanuel Leutze","emanuel-leutze","German American, 1816–1868","German American",1816,1868,"Schwäbisch Gmünd","Washington, D.C.","the-shepherd-s-song-met-437344","The Shepherd's Song",{"_42":1075,"_224":1076,"_325":1077,"_327":400,"_328":754,"_330":1078,"_332":1079,"_333":522,"_334":1080,"_140":101},"1891","41 1/8 x 43 1/4 in. (104.5 x 109.9 cm)",109.9,104.5,1.0427528675703859,[1060,1061,1062,1063,1064],{"_223":378,"_224":379,"_42":380,"_304":381},"06.177","Pierre Puvis de Chavannes painted this in 1891, aged 67. It is now at The Met in New York.","The Shepherd's Song, by Pierre Puvis de Chavannes, 1891",{"_295":1057,"_297":1058,"_299":1059},"https://img.ochreeditions.com/m/1139.jpg?dl=1","/art/the-shepherd-s-song-met-437344","/galleries/style/painting-19/the-shepherd-s-song-met-437344",{"_291":292,"_293":294},{"_227":1052,"_125":1053,"_285":1054},{"_276":1049,"_278":1050,"_280":1034,"_281":1051},124.9,120.3941,105.3941,{"_287":227,"_123":1055,"_154":1056,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-pierre-puvis-de-chavannes","Pierre Puvis de Chavannes's contemporaries","https://img.ochreeditions.com/a/1139/480.jpg","https://img.ochreeditions.com/a/1139/960.jpg","https://img.ochreeditions.com/a/1139/1920.jpg",{"_311":1073,"_313":1074},{"_311":1071,"_313":1072},{"_311":1069,"_313":1070},{"_311":1067,"_313":1068},{"_311":1065,"_313":1066},"#0b0906",0.0484,"#59554a",0.1588,"#617d92",0.1593,"#777d7e",0.2725,"#948a78",0.361,"Pierre Puvis de Chavannes","pierre-puvis-de-chavannes","French, 1824–1898",1898,"Lyons","Puvis de Chavannes was the leading French mural painter of the later nineteenth century, decorating public buildings such as the Panthéon and the Sorbonne in Paris, the Musée des Beaux-Arts in his native Lyon and the Boston Public Library.","equestrienne-at-the-cirque-fernando-aic-16146","Equestrienne (At the Cirque Fernando)",{"_42":1129,"_224":1130,"_325":1131,"_327":400,"_328":1132,"_330":331,"_332":1133,"_333":1134,"_334":1135,"_140":89},"1887–88","100.3 × 161.3 cm (39 1/2 × 63 1/2 in.); Framed: 123.2 × 181 × 8.3 cm (48 1/2 × 71 1/4 × 3 1/4 in.)",161,100,1.5877668047148774,[1114,1115,1116,1117,1118],{"_223":438,"_224":439,"_42":440,"_304":441},"1925.523","Henri de Toulouse-Lautrec painted this in 1887–88, aged about 23. It is now at the Art Institute of Chicago.",{"_118":1113,"_496":679},"Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.",{"_295":1110,"_297":1111,"_299":1112},"https://img.ochreeditions.com/m/42.jpg?dl=1","/art/equestrienne-at-the-cirque-fernando-aic-16146","/galleries/style/painting-19/equestrienne-at-the-cirque-fernando-aic-16146",{"_291":292,"_293":294},{"_227":1105,"_125":1106,"_285":1107},{"_276":1102,"_278":1103,"_280":1086,"_281":1104},176,116.4002808988764,101.4002808988764,{"_287":227,"_123":1108,"_154":1109,"_140":89},{"_287":125,"_123":670,"_154":671,"_140":672},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/henri-de-toulouse-lautrec","More by Henri de Toulouse-Lautrec","https://img.ochreeditions.com/a/42/480.jpg","https://img.ochreeditions.com/a/42/960.jpg","https://img.ochreeditions.com/a/42/1920.jpg","This work, set at a circus, captures the tense moment in which a female trick rider prepares to stand up on her horse and leap through a paper hoop held by a clown.",{"_311":1127,"_313":1128},{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1119,"_313":1120},"#87554b",0.0828,"#646260",0.1496,"#a69e92",0.2039,"#867f77",0.2281,"#c7beb3",0.3356,"Henri de Toulouse-Lautrec","henri-de-toulouse-lautrec","French, 1864–1901",1864,"Albi","Saint-André-du-Bois","Toulouse-Lautrec came from an aristocratic family in Albi; after two leg fractures in his teens his legs stopped growing, and he turned to art.","yellow-dancers-in-the-wings-aic-18951","Yellow Dancers (In the Wings)",{"_42":1188,"_224":1189,"_325":1190,"_327":400,"_328":1191,"_330":1192,"_332":522,"_333":522,"_334":1193,"_140":75},"1874–76","impressionism","73.5 × 59.5 cm (28 15/16 × 23 7/16 in.); Framed: 91.5 × 78.2 × 7 cm (36 × 30 3/4 × 2 3/4 in.)",59,73,0.8066455167807647,[1173,1174,1175,1176,1177],{"_223":438,"_224":439,"_42":440,"_304":441},"1963.923","Edgar Degas painted this in 1874–76, aged about 40. It is now at the Art Institute of Chicago.",{"_118":1172,"_496":679},"Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.",{"_295":1169,"_297":1170,"_299":1171},"https://img.ochreeditions.com/m/71.jpg?dl=1","/art/yellow-dancers-in-the-wings-aic-18951","/galleries/style/painting-19/yellow-dancers-in-the-wings-aic-18951",{"_291":292,"_293":294},{"_227":1161,"_125":1162,"_285":1163},{"_276":1158,"_278":1159,"_280":1160,"_281":1143},73.88512272499582,88,58.885122724995824,{"_287":227,"_123":1167,"_154":1168,"_140":75},{"_287":125,"_123":1164,"_154":1165,"_140":1166},{"_287":285,"_123":367,"_154":368,"_140":369},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/71/480.jpg","https://img.ochreeditions.com/a/71/960.jpg","https://img.ochreeditions.com/a/71/1920.jpg","Edgar Degas first painted dancers as an independent subject in 1871. He would go on to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra.",{"_311":1186,"_313":1187},{"_311":1184,"_313":1185},{"_311":1182,"_313":1183},{"_311":1180,"_313":1181},{"_311":1178,"_313":1179},"#3a3d2c",0.1253,"#7f6a3b",0.1605,"#2e251f",0.1905,"#564633",0.2425,"#635939",0.2812,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.",{"_1195":-5,"_1196":1197,"_1198":1199,"_1200":8,"_1201":1202,"_1203":8},"user","csrf","15b4fccca49f5aca4a81c1859520e55e47ed9022","cartCount",0,"dropLive","legal",[1204,1205,1206,1207,1208,1209,1210,1211,1212,1213,1214,1215],"uploadsEnabled",{"_224":1238,"_20":1239},{"_224":1236,"_20":1237},{"_224":1234,"_20":1235},{"_224":1232,"_20":1233},{"_224":1230,"_20":1231},{"_224":1228,"_20":1229},{"_224":1226,"_20":1227},{"_224":1224,"_20":1225},{"_224":1222,"_20":1223},{"_224":1220,"_20":1221},{"_224":1218,"_20":1219},{"_224":1216,"_20":1217},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]