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It is now at the National Gallery of Art in Washington, DC.","A young woman in a long white dress stands against a white curtain, a lily drooping from her hand and flowers scattered on the animal-skin rug at her feet, whose snarling head stares out at us. The model was Joanna Hiffernan, Whistler’s companion.","A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders. She looks to our left with green eyes, and her pink, full lips are closed. Her dress has puffed shoulders above a white-on-white striped pattern on the long sleeves. She stands on an animal pelt; it is not clear whether it is a wolf or a bear. The pelt spans the width of the painting and overlaps a blue patterned carpet. The animal’s mouth gapes to show sharp teeth. Its glassy eyes are wide open, and it seems to look at us. The edges of the animal skin are red. The woman holds a white lily by her side in her left hand, while yellow and purple flowers lie scattered on the pelt.",{"_293":437,"_295":438,"_297":439},"https://img.ochreeditions.com/m/1367.jpg?dl=1","/art/symphony-in-white-no-1-the-white-girl-nga-12198","/galleries/style/painting-19/symphony-in-white-no-1-the-white-girl-nga-12198",{"_289":290,"_291":292},{"_225":426,"_125":427,"_283":428},{"_274":423,"_276":424,"_278":425,"_280":407},122.072021484375,228,107.072021484375,{"_285":225,"_123":435,"_154":436,"_140":231},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":429,"_154":430,"_140":431},"era/19-united-states","19th-century United States",198,"style/antebellum-america","More Antebellum America",33,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1367/480.jpg","https://img.ochreeditions.com/a/1367/960.jpg","https://img.ochreeditions.com/a/1367/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_309":456,"_311":457},{"_309":454,"_311":455},{"_309":452,"_311":453},{"_309":450,"_311":451},{"_309":448,"_311":449},"#624630",0.0527,"#575752",0.0649,"#907f64",0.2036,"#b0a48a",0.3237,"#c9bea7",0.3551,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","landscape-with-rider-on-white-horse-cma-168366","Landscape with Rider on White Horse",{"_42":526,"_222":527,"_323":528,"_325":396,"_326":529,"_328":530,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1846","paris-salon-painting","Unframed: 35.5 x 53.3 cm (14 x 21 in.)",53.3,35.5,1.5294646873594242,[511,512,513,514,515],{"_221":507,"_222":508,"_42":509,"_302":510},"Courtesy of the Cleveland Museum of Art","2010.19","Jean Achille Benouville painted this in 1846, aged 31. It is now at the Cleveland Museum of Art.",{"_118":504,"_505":506},"Landscape with Rider on White Horse, by Jean Achille Benouville, 1846",{"_293":501,"_295":502,"_297":503},"https://img.ochreeditions.com/m/773.jpg?dl=1","/art/landscape-with-rider-on-white-horse-cma-168366","/galleries/style/painting-19/landscape-with-rider-on-white-horse-cma-168366",{"_289":290,"_291":292},{"_225":493,"_125":494,"_283":495},{"_274":490,"_276":491,"_278":473,"_280":492},68.3,49.84879411764706,34.84879411764706,{"_285":225,"_123":499,"_154":500,"_140":89},{"_285":125,"_123":496,"_154":497,"_140":498},{"_285":283,"_123":363,"_154":364,"_140":365},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-jean-achille-benouville","Jean Achille Benouville's contemporaries","https://img.ochreeditions.com/a/773/480.jpg","https://img.ochreeditions.com/a/773/960.jpg","https://img.ochreeditions.com/a/773/1920.jpg","The darkly shaded trees and turbulent sky introduce a romantic sentiment into this classical or ideal landscape in which a lone rider on horseback gallops through a deep space.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":524,"_311":525},{"_309":522,"_311":523},{"_309":520,"_311":521},{"_309":518,"_311":519},{"_309":516,"_311":517},"#ad9e7c",0.061,"#4f4226",0.1555,"#563208",0.192,"#2d2517",0.2868,"#797f72",0.3047,"Jean Achille Benouville","jean-achille-benouville","French, 1815–1891",1815,1891,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":586,"_222":587,"_323":588,"_325":589,"_326":590,"_328":591,"_330":465,"_331":465,"_332":592,"_140":97},"1837–38","britain","georgian-britain","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[571,572,573,574,575],{"_221":374,"_222":375,"_42":376,"_302":377},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":568,"_295":569,"_297":570},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/painting-19/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":290,"_291":292},{"_225":557,"_125":558,"_283":559},{"_274":554,"_276":555,"_278":538,"_280":556},239,188.10233393177737,173.10233393177737,{"_285":225,"_123":566,"_154":567,"_140":97},{"_285":125,"_123":563,"_154":564,"_140":565},{"_285":283,"_123":560,"_154":561,"_140":562},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_309":584,"_311":585},{"_309":582,"_311":583},{"_309":580,"_311":581},{"_309":578,"_311":579},{"_309":576,"_311":577},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-new-bonnet-met-10843","The New Bonnet",{"_42":647,"_222":648,"_323":649,"_325":461,"_326":650,"_328":651,"_330":652,"_331":653,"_332":-5,"_140":103},"1858","realism","25 x 30 1/8 in. (63.5 x 76.5 cm)",76.5,63.5,1.196664568911265,[633,634,635,636,637],{"_221":629,"_222":630,"_42":631,"_302":632},"Courtesy of The Metropolitan Museum of Art","1975.27.1","Francis William Edmonds painted this in 1858, aged 52. It is now at The Met in New York.","The New Bonnet, by Francis William Edmonds, 1858",{"_293":626,"_295":627,"_297":628},"https://img.ochreeditions.com/m/825.jpg?dl=1","/art/the-new-bonnet-met-10843","/galleries/style/painting-19/the-new-bonnet-met-10843",{"_289":290,"_291":292},{"_225":618,"_125":619,"_283":620},{"_274":615,"_276":616,"_278":599,"_280":617},91.5,78.92768866684196,63.927688666841966,{"_285":225,"_123":624,"_154":625,"_140":89},{"_285":125,"_123":621,"_154":622,"_140":623},{"_285":283,"_123":429,"_154":430,"_140":431},"style/realism","More Realism",41,"artist/contemporaries-of-francis-william-edmonds","Francis William Edmonds's contemporaries","https://img.ochreeditions.com/a/825/480.jpg","https://img.ochreeditions.com/a/825/960.jpg","https://img.ochreeditions.com/a/825/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":645,"_311":646},{"_309":643,"_311":644},{"_309":641,"_311":642},{"_309":639,"_311":640},{"_309":638,"_311":386},"#a1885d","#886130",0.1592,"#27190f",0.2093,"#422a14",0.2102,"#614724",0.2789,"Francis William Edmonds","francis-william-edmonds","American, 1806–1863",1806,1863,"Hudson, New York","Bronxville, New York","ruined-church-cma-168352","Ruined Church",{"_42":700,"_222":701,"_323":702,"_325":396,"_326":703,"_328":704,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1840","oil on panel","Unframed: 46.6 x 33.2 cm (18 3/8 x 13 1/16 in.)",33.2,46.6,0.7773529411764706,[686,687,688,689,690],{"_221":507,"_222":508,"_42":509,"_302":510},"2010.18","Adrien Dauzats painted this in about 1840, aged about 31. It is now at the Cleveland Museum of Art.","Ruined Church, by Adrien Dauzats, c. 1840",{"_293":683,"_295":684,"_297":685},"https://img.ochreeditions.com/m/772.jpg?dl=1","/art/ruined-church-cma-168352","/galleries/style/painting-19/ruined-church-cma-168352",{"_289":290,"_291":292},{"_225":678,"_125":679,"_283":680},{"_274":675,"_276":676,"_278":677,"_280":661},51.22464705882353,61.6,36.22464705882353,{"_285":225,"_123":681,"_154":682,"_140":89},{"_285":125,"_123":496,"_154":497,"_140":498},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-adrien-dauzats","Adrien Dauzats's contemporaries","https://img.ochreeditions.com/a/772/480.jpg","https://img.ochreeditions.com/a/772/960.jpg","https://img.ochreeditions.com/a/772/1920.jpg",{"_309":698,"_311":699},{"_309":696,"_311":697},{"_309":695,"_311":388},{"_309":693,"_311":694},{"_309":691,"_311":692},"#d8b173",0.1003,"#efeeef",0.1066,"#4f3520","#a0794b",0.2556,"#7a522e",0.3612,"Adrien Dauzats","adrien-dauzats","French, 1804–1868",1804,1868,"at-the-moulin-rouge-aic-61128","At the Moulin Rouge",{"_42":758,"_222":759,"_323":760,"_325":396,"_326":761,"_328":762,"_330":763,"_331":764,"_332":765,"_140":89},"1892–95","post-impressionism","123 × 141 cm (48 7/16 × 55 1/2 in.); Framed: 136.9 × 154.7 × 8.5 cm (53 7/8 × 60 7/8 × 3 5/16 in.)",141,123,1.1441163508153371,[743,744,745,746,747],{"_221":374,"_222":375,"_42":376,"_302":377},"1928.610","Henri de Toulouse-Lautrec painted this in 1892–95, aged about 28. It is now at the Art Institute of Chicago.",{"_118":741,"_505":742},"Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.",{"_293":738,"_295":739,"_297":740},"https://img.ochreeditions.com/m/177.jpg?dl=1","/art/at-the-moulin-rouge-aic-61128","/galleries/style/painting-19/at-the-moulin-rouge-aic-61128",{"_289":290,"_291":292},{"_225":730,"_125":731,"_283":732},{"_274":727,"_276":728,"_278":711,"_280":729},156,138.23921417565487,123.23921417565485,{"_285":225,"_123":736,"_154":737,"_140":89},{"_285":125,"_123":733,"_154":734,"_140":735},{"_285":283,"_123":363,"_154":364,"_140":365},"style/post-impressionism","More Post-Impressionism",62,"artist/henri-de-toulouse-lautrec","More by Henri de Toulouse-Lautrec","https://img.ochreeditions.com/a/177/480.jpg","https://img.ochreeditions.com/a/177/960.jpg","https://img.ochreeditions.com/a/177/1920.jpg","Toulouse-Lautrec made a career depicting colorful personalities from Parisian cabarets and dance halls like the Moulin Rouge. He populated this painting with that nightclub's regulars, including himself—the diminutive figure in the center background.","Text from the Art Institute of Chicago.",{"_309":756,"_311":757},{"_309":754,"_311":755},{"_309":752,"_311":753},{"_309":750,"_311":751},{"_309":748,"_311":749},"#887d60",0.0377,"#442a19",0.2126,"#4b4b32",0.2196,"#2a2319",0.2503,"#603b0d",0.2798,"Henri de Toulouse-Lautrec","henri-de-toulouse-lautrec","French, 1864–1901",1864,1901,"Albi","Saint-André-du-Bois","Toulouse-Lautrec came from an aristocratic family in Albi; after two leg fractures in his teens his legs stopped growing, and he turned to art.","the-song-of-the-lark-aic-94841","The Song of the Lark",{"_42":813,"_222":814,"_323":815,"_325":396,"_326":816,"_328":817,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1884","110.6 × 85.8 cm (43 1/2 × 33 3/4 in.); Framed: 142.3 × 116.9 cm (56 × 46 in.)",85,110,0.7710135465970296,[798,799,800,801,802],{"_221":374,"_222":375,"_42":376,"_302":377},"1894.1033","Jules Breton painted this in 1884, aged 57. It is now at the Art Institute of Chicago.",{"_118":797,"_505":742},{"_293":794,"_295":795,"_297":796},"https://img.ochreeditions.com/m/255.jpg?dl=1","/art/the-song-of-the-lark-aic-94841","/galleries/style/painting-19/the-song-of-the-lark-aic-94841",{"_289":290,"_291":292},{"_225":789,"_125":790,"_283":791},{"_274":786,"_276":787,"_278":788,"_280":772},99.81149012567326,125,84.81149012567326,{"_285":225,"_123":792,"_154":793,"_140":89},{"_285":125,"_123":496,"_154":497,"_140":498},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-jules-breton","Jules Breton's contemporaries","https://img.ochreeditions.com/a/255/480.jpg","https://img.ochreeditions.com/a/255/960.jpg","https://img.ochreeditions.com/a/255/1920.jpg","This painting by Jules Adolphe Breton was among the first to enter the Art Institute's collection when the museum opened in 1893. It quickly became one of the most popular paintings at the museum. By the 1920s, reproductions were hanging on classroom walls across the United States.",{"_309":811,"_311":812},{"_309":809,"_311":810},{"_309":807,"_311":808},{"_309":805,"_311":806},{"_309":803,"_311":804},"#736d61",0.0447,"#daac7a",0.1303,"#ae9d78",0.1516,"#3b352f",0.2625,"#564d3a",0.4109,"Jules Breton","jules-breton","French, 1827–1906",1827,1906,"margaret-fuller-si-npg-npg-2016-123","Margaret Fuller",{"_42":868,"_222":869,"_323":870,"_325":-5,"_326":871,"_328":872,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1848","Stretcher: 41.9 x 31.8cm (16 1/2 x 12 1/2\")",31.8,41.9,0.78375,[853,854,855,856,857],{"_221":299,"_222":300,"_42":301,"_302":303},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.2016.123","Thomas Hicks painted this in 1848, aged 25. It is now at the National Portrait Gallery in Washington, DC.",{"_118":851,"_505":852},"Artist: Thomas Hicks, Sitter: Margaret Fuller, Current owner: National Portrait Gallery, Smithsonian Institution",{"_293":848,"_295":849,"_297":850},"https://img.ochreeditions.com/m/1833.jpg?dl=1","/art/margaret-fuller-si-npg-npg-2016-123","/galleries/style/painting-19/margaret-fuller-si-npg-npg-2016-123",{"_289":290,"_291":292},{"_225":843,"_125":844,"_283":845},{"_274":840,"_276":841,"_278":842,"_280":824},47.839124999999996,56.9,32.839124999999996,{"_285":225,"_123":846,"_154":847,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-thomas-hicks","Thomas Hicks's contemporaries","https://img.ochreeditions.com/a/1833/480.jpg","https://img.ochreeditions.com/a/1833/960.jpg","https://img.ochreeditions.com/a/1833/1920.jpg","Born Cambridgeport, Massachusetts","Text from the National Portrait Gallery.",{"_309":866,"_311":867},{"_309":864,"_311":865},{"_309":862,"_311":863},{"_309":860,"_311":861},{"_309":858,"_311":859},"#5f575c",0.0759,"#837c86",0.0841,"#8e7a5b",0.1225,"#4f4133",0.2613,"#252323",0.4562,"Thomas Hicks","thomas-hicks","18 Oct 1823 - 8 Oct 1890",1823,1890,"the-dream-of-the-shepherd-der-traum-des-hirten-met-634108","The Dream of the Shepherd (Der Traum des Hirten)",{"_42":923,"_222":924,"_323":925,"_325":926,"_326":927,"_328":928,"_330":929,"_331":930,"_332":-5,"_140":103},"1896","switzerland","Paintings","98 1/2 × 51 3/8 in. (250.2 × 130.5 cm)",130.5,250.2,0.5244845360824743,[908,909,910,911,912],{"_221":629,"_222":630,"_42":631,"_302":632},"2013.1134","Ferdinand Hodler painted this in 1896, aged 43. It is now at The Met in New York.","The Dream of the Shepherd (Der Traum des Hirten), by Ferdinand Hodler, 1896",{"_293":905,"_295":906,"_297":907},"https://img.ochreeditions.com/m/1276.jpg?dl=1","/art/the-dream-of-the-shepherd-der-traum-des-hirten-met-634108","/galleries/style/painting-19/the-dream-of-the-shepherd-der-traum-des-hirten-met-634108",{"_289":290,"_291":292},{"_225":898,"_125":899,"_283":900},{"_274":895,"_276":191,"_278":896,"_280":897},140.87628865979383,125.87628865979381,240,{"_285":225,"_123":903,"_154":904,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":901,"_154":902,"_140":95},"era/19-switzerland","19th-century Switzerland","artist/contemporaries-of-ferdinand-hodler","Ferdinand Hodler's contemporaries","https://img.ochreeditions.com/a/1276/480.jpg","https://img.ochreeditions.com/a/1276/960.jpg","https://img.ochreeditions.com/a/1276/1920.jpg",{"_309":921,"_311":922},{"_309":919,"_311":920},{"_309":917,"_311":918},{"_309":915,"_311":916},{"_309":913,"_311":914},"#ad8172",0.0639,"#548172",0.1482,"#cbbdb7",0.1894,"#959a99",0.2514,"#baa69b",0.3471,"Ferdinand Hodler","ferdinand-hodler","Swiss, 1853–1918","Swiss",1853,1918,"Bern","Geneva","rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":978,"_222":979,"_323":980,"_325":461,"_326":981,"_328":982,"_330":-5,"_331":-5,"_332":983,"_140":97},"1864","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[963,964,965,966,967],{"_221":440,"_222":441,"_42":442,"_302":303},"1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_293":960,"_295":961,"_297":962},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/painting-19/rio-de-janeiro-bay-nga-50281",{"_289":290,"_291":292},{"_225":955,"_125":956,"_283":957},{"_274":952,"_276":953,"_278":936,"_280":954},106.1,59.971728515624996,44.971728515624996,{"_285":225,"_123":958,"_154":959,"_140":97},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":429,"_154":430,"_140":431},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg",{"_309":976,"_311":977},{"_309":974,"_311":975},{"_309":972,"_311":973},{"_309":970,"_311":971},{"_309":968,"_311":969},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","senator-thomas-hart-benton-cma-120877","Senator Thomas Hart Benton",{"_42":1035,"_222":1036,"_323":1037,"_325":461,"_326":1038,"_328":816,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1820s","american-colonial-and-federal","oil on wood","Unframed: 71.4 x 59.6 cm (28 1/8 x 23 7/16 in.)",59.6,71.4,0.8123529411764706,[1020,1021,1022,1023,1024],{"_221":507,"_222":508,"_42":509,"_302":510},"1941.597","Matthew Harris Jouett painted this in the 1820s, aged about 33. It is now at the Cleveland Museum of Art.","Senator Thomas Hart Benton, by Matthew Harris Jouett, 1820s",{"_293":1017,"_295":1018,"_297":1019},"https://img.ochreeditions.com/m/547.jpg?dl=1","/art/senator-thomas-hart-benton-cma-120877","/galleries/style/painting-19/senator-thomas-hart-benton-cma-120877",{"_289":290,"_291":292},{"_225":1009,"_125":1010,"_283":1011},{"_274":1006,"_276":1007,"_278":1008,"_280":992},73.00200000000001,86.4,58.00200000000001,{"_285":225,"_123":1015,"_154":1016,"_140":89},{"_285":125,"_123":1012,"_154":1013,"_140":1014},{"_285":283,"_123":429,"_154":430,"_140":431},"style/american-colonial-and-federal","More American colonial and Federal art",29,"artist/contemporaries-of-matthew-harris-jouett","Matthew Harris Jouett's contemporaries","https://img.ochreeditions.com/a/547/480.jpg","https://img.ochreeditions.com/a/547/960.jpg","https://img.ochreeditions.com/a/547/1920.jpg",{"_309":1033,"_311":1034},{"_309":1031,"_311":1032},{"_309":1029,"_311":1030},{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},"#b0a598",0.0349,"#8a6a5d",0.0523,"#544a41",0.2671,"#36302a",0.3188,"#171513",0.3269,"Matthew Harris Jouett","matthew-harris-jouett","American, 1787/88–1827",1787,"mountains-in-colorado-si-saam-1967-136-6","Mountains in Colorado",{"_42":1093,"_222":1094,"_323":1095,"_325":461,"_326":1096,"_328":1097,"_330":1098,"_331":632,"_332":1099,"_140":93},"1870","hudson-river-school","oil on paper mounted on paperboard","10 1/4 x 14 in. (25.9 x 35.7 cm)",35.7,25.9,1.4814814814814814,[1078,1079,1080,1081,1082],{"_221":299,"_222":300,"_42":301,"_302":303},"1967.136.6","John Frederick Kensett painted this in 1870, aged 54. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1076,"_505":1077},"Mountains in Colorado, by John Frederick Kensett, 1870",{"_293":1073,"_295":1074,"_297":1075},"https://img.ochreeditions.com/m/1928.jpg?dl=1","/art/mountains-in-colorado-si-saam-1967-136-6","/galleries/style/painting-19/mountains-in-colorado-si-saam-1967-136-6",{"_289":290,"_291":292},{"_225":1065,"_125":1066,"_283":1067},{"_274":1062,"_276":1063,"_278":1046,"_280":1064},50.7,39.097500000000004,24.097500000000004,{"_285":225,"_123":1071,"_154":1072,"_140":93},{"_285":125,"_123":1068,"_154":1069,"_140":1070},{"_285":283,"_123":429,"_154":430,"_140":431},"style/hudson-river-school","More Hudson River School",27,"artist/john-frederick-kensett","More by John Frederick Kensett","https://img.ochreeditions.com/a/1928/480.jpg","https://img.ochreeditions.com/a/1928/960.jpg","https://img.ochreeditions.com/a/1928/1920.jpg","John Frederick Kensett painted peaceful views in muted colors to express a sense of quiet reflection. American artists in the nineteenth century often painted the mountains of the American West rising dramatically from the Great Plains.","Text from the Smithsonian American Art Museum.",{"_309":1091,"_311":1092},{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},"#433522",0.0763,"#7b6236",0.1588,"#604a27",0.1802,"#b08e63",0.1824,"#c6af8e",0.4023,"John Frederick Kensett","john-frederick-kensett","American, 1816–1872",1816,1872,"Cheshire, Connecticut","Kensett trained as an engraver before spending seven years in Europe, sketching in England and Italy. Back in New York in 1847 he became a leading figure of the second generation of the Hudson River School.","prancing-horse-aic-51541","Prancing Horse",{"_42":1144,"_222":1145,"_323":1146,"_325":396,"_326":1147,"_328":1148,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1808–12","26.4 × 39.5 cm (10 3/8 × 15 1/2 in.); Framed: 46.4 × 59.1 × 7.3 cm (18 1/4 × 23 1/4 × 2 7/8 in.)",39,26,1.533487297921478,[1129,1130,1131,1132,1133],{"_221":374,"_222":375,"_42":376,"_302":377},"1944.687","Follower of Jean Louis André Théodore Géricault painted this in 1808–12, aged about 17. It is now at the Art Institute of Chicago.",{"_293":1126,"_295":1127,"_297":1128},"https://img.ochreeditions.com/m/162.jpg?dl=1","/art/prancing-horse-aic-51541","/galleries/style/painting-19/prancing-horse-aic-51541",{"_289":290,"_291":292},{"_225":1121,"_125":1122,"_283":1123},{"_274":342,"_276":1119,"_278":1105,"_280":1120},40.43222891566265,25.43222891566265,{"_285":225,"_123":1124,"_154":1125,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-follower-of-jean-louis-andre-theodore-gericault","Follower of Jean Louis André Théodore Géricault's contemporaries","https://img.ochreeditions.com/a/162/480.jpg","https://img.ochreeditions.com/a/162/960.jpg","https://img.ochreeditions.com/a/162/1920.jpg",{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},"#5b6762",0.0621,"#989a85",0.1194,"#575030",0.1819,"#201c1b",0.3158,"#343324",0.3208,"Follower of Jean Louis André Théodore Géricault","follower-of-jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"near-ariccia-italy-si-saam-2020-20-106","Near Ariccia, Italy",{"_42":1195,"_222":1196,"_323":1197,"_325":-5,"_326":871,"_328":1198,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1868","(framed): 17 3/8 × 20 3/8 × 2 3/4 in. (44.1 × 51.8 × 7 cm) 6 3/4 × 9 1/2 in. (17.1 × 24.1 cm)",51.8,44.1,1.4450867052023122,[1180,1181,1182,1183,1184],{"_221":299,"_222":300,"_42":301,"_302":303},"2020.20.106","Sanford Robinson Gifford painted this in 1868, aged 45. It is now at the Smithsonian American Art Museum in Washington, DC.","Near Ariccia, Italy, by Sanford Robinson Gifford, 1868",{"_293":1177,"_295":1178,"_297":1179},"https://img.ochreeditions.com/m/1999.jpg?dl=1","/art/near-ariccia-italy-si-saam-2020-20-106","/galleries/style/painting-19/near-ariccia-italy-si-saam-2020-20-106",{"_289":290,"_291":292},{"_225":1172,"_125":1173,"_283":1174},{"_274":1169,"_276":1170,"_278":1154,"_280":1171},66.8,50.8456,35.8456,{"_285":225,"_123":1175,"_154":1176,"_140":89},{"_285":125,"_123":1068,"_154":1069,"_140":1070},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-sanford-robinson-gifford","Sanford Robinson Gifford's contemporaries","https://img.ochreeditions.com/a/1999/480.jpg","https://img.ochreeditions.com/a/1999/960.jpg","https://img.ochreeditions.com/a/1999/1920.jpg",{"_309":1193,"_311":1194},{"_309":1191,"_311":1192},{"_309":1189,"_311":1190},{"_309":1187,"_311":1188},{"_309":1185,"_311":1186},"#714825",0.1602,"#1e0f08",0.1772,"#4b2b13",0.1893,"#341c0e",0.2056,"#9c7e5a",0.2677,"Sanford Robinson Gifford","sanford-robinson-gifford","born Greenfield, NY 1823-died New York City 1880",1880,{"_1200":-5,"_1201":1202,"_1203":1204,"_1205":8,"_1206":1207,"_1208":8},"user","csrf","e3fde5f41334fa7e2f45132f86be4317592901c4","cartCount",0,"dropLive","legal",[1209,1210,1211,1212,1213,1214,1215,1216,1217,1218,1219,1220],"uploadsEnabled",{"_222":1243,"_20":1244},{"_222":1241,"_20":1242},{"_222":1239,"_20":1240},{"_222":1237,"_20":1238},{"_222":1235,"_20":1236},{"_222":1233,"_20":1234},{"_222":1231,"_20":1232},{"_222":1229,"_20":1230},{"_222":1227,"_20":1228},{"_222":1225,"_20":1226},{"_222":1223,"_20":1224},{"_222":1221,"_20":1222},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]