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It is now at the Cleveland Museum of Art.",{"_118":446,"_303":304},"Assembly of Buddhist Deities, 1846",{"_296":443,"_298":444,"_300":445},"https://img.ochreeditions.com/m/494.jpg?dl=1","/art/assembly-of-buddhist-deities-cma-98867","/galleries/style/painting-19/assembly-of-buddhist-deities-cma-98867",{"_292":293,"_294":295},{"_225":434,"_125":435,"_286":436},{"_277":431,"_279":432,"_281":415,"_282":433},231,100.95529411764707,85.95529411764707,{"_288":225,"_123":441,"_154":442,"_140":83},{"_288":125,"_123":439,"_154":440,"_140":231},{"_288":286,"_123":437,"_154":438,"_140":95},"era/19-korea","19th-century Korea","style/korean-painting","More Korean painting","artist/unrecorded-korea","More by unrecorded makers of Korea","https://img.ochreeditions.com/a/494/480.jpg","https://img.ochreeditions.com/a/494/960.jpg","https://img.ochreeditions.com/a/494/1920.jpg","The central deity in this Buddhist painting is Sākyamuni Buddha, given that he is displaying the earth-touching hand gesture. He is surrounded by several bodhisattvas and disciples.",{"_315":460,"_317":461},{"_315":458,"_317":459},{"_315":456,"_317":457},{"_315":454,"_317":455},{"_315":452,"_317":453},"#583e36",0.1613,"#bd9a64",0.1813,"#8a7055",0.1931,"#464137",0.2063,"#6c5b4a",0.258,"the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)",{"_42":519,"_222":520,"_329":521,"_331":332,"_333":522,"_335":523,"_337":524,"_339":525,"_340":526,"_140":81},"1888","impressionism","Paintings","63 3/4 x 51 1/8 in. (161.9 x 129.9 cm)",129.9,161.9,0.8089736700698549,[504,505,506,507,508],{"_221":500,"_222":501,"_42":502,"_308":503},"Courtesy of The Metropolitan Museum of Art","1998.325.3","Pierre-Auguste Renoir painted this in 1888, aged 47. It is now at The Met in New York.","The three daughters of the poet Catulle Mendès and the composer Augusta Holmès gather around a piano, one seated at the keyboard, one holding a violin and the youngest leaning in.","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888",{"_296":497,"_298":498,"_300":499},"https://img.ochreeditions.com/m/1178.jpg?dl=1","/art/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","/galleries/style/painting-19/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014",{"_292":293,"_294":295},{"_225":489,"_125":490,"_286":491},{"_277":486,"_279":487,"_281":488,"_282":470},145.9728371843095,176.9,130.9728371843095,{"_288":225,"_123":495,"_154":496,"_140":81},{"_288":125,"_123":492,"_154":493,"_140":494},{"_288":286,"_123":167,"_154":166,"_140":169},"style/impressionism","More Impressionism",53,"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/1178/480.jpg","https://img.ochreeditions.com/a/1178/960.jpg","https://img.ochreeditions.com/a/1178/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":517,"_317":518},{"_315":515,"_317":516},{"_315":513,"_317":514},{"_315":511,"_317":512},{"_315":509,"_317":510},"#c7bfbc",0.1415,"#40352a",0.1605,"#928d8b",0.165,"#555552",0.1665,"#6b4f2c",0.3665,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":586,"_222":587,"_329":588,"_331":589,"_333":590,"_335":591,"_337":-5,"_339":-5,"_340":-5,"_140":103},"1816","britain","georgian-britain","oil on canvas","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",150,1.522110739502044,[571,572,573,574,575],{"_221":567,"_222":568,"_42":569,"_308":570},"Courtesy National Gallery of Art, Washington","2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":564,"_298":565,"_300":566},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/painting-19/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":293,"_294":295},{"_225":553,"_125":554,"_286":555},{"_277":550,"_279":551,"_281":431,"_282":552},246,166.762939453125,151.762939453125,{"_288":225,"_123":562,"_154":563,"_140":89},{"_288":125,"_123":559,"_154":560,"_140":561},{"_288":286,"_123":556,"_154":557,"_140":558},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":584,"_317":585},{"_315":582,"_317":583},{"_315":580,"_317":581},{"_315":578,"_317":579},{"_315":576,"_317":577},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854","British",1789,1854,"capri-cma-148312","Capri",{"_42":648,"_222":649,"_329":650,"_331":651,"_333":652,"_335":653,"_337":-5,"_339":-5,"_340":654,"_140":99},"1869","united-states","american-gilded-age","Framed: 69.5 x 99.5 x 9 cm (27 3/8 x 39 3/16 x 3 9/16 in.); Unframed: 50 x 80 cm (19 11/16 x 31 1/2 in.)",80,50,1.60075329566855,[633,634,635,636,637],{"_221":305,"_222":306,"_42":307,"_308":309},"1975.4","William Stanley Haseltine painted this in 1869, aged 34. It is now at the Cleveland Museum of Art.",{"_118":632,"_303":304},"Capri, by William Stanley Haseltine, 1869",{"_296":629,"_298":630,"_300":631},"https://img.ochreeditions.com/m/687.jpg?dl=1","/art/capri-cma-148312","/galleries/style/painting-19/capri-cma-148312",{"_292":293,"_294":295},{"_225":618,"_125":619,"_286":620},{"_277":615,"_279":616,"_281":599,"_282":617},95,64.97647058823529,49.976470588235294,{"_288":225,"_123":627,"_154":628,"_140":99},{"_288":125,"_123":624,"_154":625,"_140":626},{"_288":286,"_123":621,"_154":622,"_140":623},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age",67,"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/687/480.jpg","https://img.ochreeditions.com/a/687/960.jpg","https://img.ochreeditions.com/a/687/1920.jpg","The Philadelphia-born Haseltine favored images of coastal rocks, painting them on both sides of the Atlantic throughout his career.",{"_315":646,"_317":647},{"_315":644,"_317":645},{"_315":642,"_317":643},{"_315":640,"_317":641},{"_315":638,"_317":639},"#726253",0.059,"#3e332a",0.1574,"#2d221d",0.1707,"#9b9688",0.2793,"#b89d85",0.3336,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900","American",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World)",{"_42":712,"_222":713,"_329":714,"_331":651,"_333":715,"_335":716,"_337":717,"_339":718,"_340":719,"_140":99},"ca. 1846-1848","hudson-river-school","12 x 18 in. (30.4 x 45.8 cm.)",45.8,30.4,1.5007503751875937,[697,698,699,700,701],{"_221":694,"_222":695,"_42":696,"_308":570},"Courtesy of the Smithsonian American Art Museum","1965.10","Thomas Cole painted this in about 1846-1848, aged about 45. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":692,"_303":693},"The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), by Thomas Cole, ca. 1846-1848",{"_296":689,"_298":690,"_300":691},"https://img.ochreeditions.com/m/1921.jpg?dl=1","/art/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","/galleries/style/painting-19/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10",{"_292":293,"_294":295},{"_225":681,"_125":682,"_286":683},{"_277":678,"_279":679,"_281":661,"_282":680},60.8,45.51806666666667,30.518066666666666,{"_288":225,"_123":687,"_154":688,"_140":99},{"_288":125,"_123":684,"_154":685,"_140":686},{"_288":286,"_123":621,"_154":622,"_140":623},"style/hudson-river-school","More Hudson River School",27,"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/1921/480.jpg","https://img.ochreeditions.com/a/1921/960.jpg","https://img.ochreeditions.com/a/1921/1920.jpg","Thomas Cole died before he was able to complete his final group of paintings, titled The Cross and the World. In the beginning of the series, two young men each begin a pilgrimage---one to the cross and the other through the world.","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution",{"_315":710,"_317":711},{"_315":708,"_317":709},{"_315":706,"_317":707},{"_315":704,"_317":705},{"_315":702,"_317":703},"#6d4119",0.1205,"#a27650",0.1231,"#391b0d",0.1362,"#ceaa7d",0.2366,"#1b0d0a",0.3836,"Thomas Cole","thomas-cole","American, born England,1801–1848",1801,1848,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":762,"_222":763,"_329":764,"_331":332,"_333":522,"_335":765,"_337":-5,"_339":-5,"_340":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",1.2460680423870607,[747,748,749,750,751],{"_221":382,"_222":383,"_42":384,"_308":385},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.",{"_296":744,"_298":745,"_300":746},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/painting-19/mill-of-pont-maupuit-aic-16502",{"_292":293,"_294":295},{"_225":739,"_125":740,"_286":741},{"_277":615,"_279":737,"_281":599,"_282":738},79.20195148151464,64.20195148151464,{"_288":225,"_123":742,"_154":743,"_140":89},{"_288":125,"_123":492,"_154":493,"_140":494},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_315":760,"_317":761},{"_315":758,"_317":759},{"_315":756,"_317":757},{"_315":754,"_317":755},{"_315":752,"_317":753},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1927,"roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":519,"_222":520,"_329":521,"_331":332,"_333":522,"_335":523,"_337":524,"_339":525,"_340":526,"_140":81},"c. 1890","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[797,798,799,800,801],{"_221":305,"_222":306,"_42":307,"_308":309},"1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":796,"_303":304},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_296":793,"_298":794,"_300":795},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/painting-19/roses-in-a-vase-cma-120286",{"_292":293,"_294":295},{"_225":790,"_125":791,"_286":792},{"_277":787,"_279":788,"_281":771,"_282":789},49,39.69,24.69,{"_288":225,"_123":495,"_154":496,"_140":81},{"_288":125,"_123":492,"_154":493,"_140":494},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, \"'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model.",{"_315":810,"_317":811},{"_315":808,"_317":809},{"_315":806,"_317":807},{"_315":804,"_317":805},{"_315":802,"_317":803},"#816c43",0.1104,"#452a20",0.1216,"#292d22",0.1647,"#664629",0.2255,"#504b2d",0.3778,"the-falls-of-niagara-met-11080","The Falls of Niagara",{"_42":861,"_222":862,"_329":863,"_331":651,"_333":864,"_335":865,"_337":866,"_339":867,"_340":868,"_140":95},"ca. 1825","romanticism","31 1/2 x 38 in. (80 x 96.5 cm)",96.5,1.1970412338684293,[847,848,849,850,851],{"_221":500,"_222":501,"_42":502,"_308":503},"62.256.3","Edward Hicks painted this in about 1825, aged about 42. It is now at The Met in New York.","Niagara Falls pours down at the centre while animals of the American wilderness, among them an eagle and a snake, gather in the foreground as if presenting the wildlife of the continent.","The Falls of Niagara, by Edward Hicks, ca. 1825",{"_296":844,"_298":845,"_300":846},"https://img.ochreeditions.com/m/829.jpg?dl=1","/art/the-falls-of-niagara-met-11080","/galleries/style/painting-19/the-falls-of-niagara-met-11080",{"_292":293,"_294":295},{"_225":836,"_125":837,"_286":838},{"_277":833,"_279":834,"_281":818,"_282":835},111.5,95.61543518275046,80.61543518275046,{"_288":225,"_123":842,"_154":843,"_140":95},{"_288":125,"_123":839,"_154":840,"_140":841},{"_288":286,"_123":621,"_154":622,"_140":623},"style/romanticism","More Romanticism",32,"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/829/480.jpg","https://img.ochreeditions.com/a/829/960.jpg","https://img.ochreeditions.com/a/829/1920.jpg",{"_315":859,"_317":860},{"_315":857,"_317":858},{"_315":856,"_317":641},{"_315":854,"_317":855},{"_315":852,"_317":853},"#291f15",0.1315,"#bbae8e",0.133,"#867043","#483113",0.2161,"#674415",0.362,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","portrait-of-ozora-buzaemon-cma-149943","Portrait of Ōzora Buzaemon",{"_42":927,"_222":928,"_329":929,"_331":930,"_333":931,"_335":522,"_337":-5,"_339":-5,"_340":-5,"_140":103},"1827","japan","japanese-painting","hanging scroll; ink and color on paper","Image: 221.8 x 117.8 cm (87 5/16 x 46 3/8 in.); Overall: 256.8 x 131 cm (101 1/8 x 51 9/16 in.); with knobs: 256.8 x 140.5 cm (101 1/8 x 55 5/16 in.)",131,256.8,0.5479411764705883,[912,913,914,915,916],{"_221":305,"_222":306,"_42":307,"_308":309},"1980.177","Watanabe Kazan painted this in 1827, aged 34. It is now at the Cleveland Museum of Art.",{"_118":911,"_303":304},"Portrait of Ōzora Buzaemon, by Watanabe Kazan, 1827",{"_296":908,"_298":909,"_300":910},"https://img.ochreeditions.com/m/712.jpg?dl=1","/art/portrait-of-ozora-buzaemon-cma-149943","/galleries/style/painting-19/portrait-of-ozora-buzaemon-cma-149943",{"_292":293,"_294":295},{"_225":897,"_125":898,"_286":899},{"_277":893,"_279":894,"_281":895,"_282":896},146.50588235294117,255,131.50588235294117,240,{"_288":225,"_123":906,"_154":907,"_140":89},{"_288":125,"_123":903,"_154":904,"_140":905},{"_288":286,"_123":900,"_154":901,"_140":902},"era/19-japan","19th-century Japan",99,"style/japanese-painting","More Japanese painting",76,"artist/contemporaries-of-watanabe-kazan","Watanabe Kazan's contemporaries","https://img.ochreeditions.com/a/712/480.jpg","https://img.ochreeditions.com/a/712/960.jpg","https://img.ochreeditions.com/a/712/1920.jpg","Over seven feet tall, Ōzora Buzaemon became a tabloid sensation when he arrived in Edo (Tokyo) in 1827 . His handprints were cherished souvenirs, and his image was sold on woodblock prints. As inscriptions on the scroll detail, Watanabe Kazan met Buzaemon at the residence of a noted Confucian scholar.",{"_315":925,"_317":926},{"_315":923,"_317":924},{"_315":921,"_317":922},{"_315":919,"_317":920},{"_315":917,"_317":918},"#666352",0.1058,"#938364",0.1147,"#a4987d",0.1705,"#837e68",0.1964,"#ccb997",0.4126,"Watanabe Kazan","watanabe-kazan","Japanese, 1793–1841","Japanese",1793,"by-the-seashore-met-437430","By the Seashore",{"_42":519,"_222":520,"_329":521,"_331":332,"_333":522,"_335":523,"_337":524,"_339":525,"_340":526,"_140":81},"1883","36 1/4 x 28 1/2 in. (92.1 x 72.4 cm)",72.4,92.1,0.7905,[962,963,964,965,966],{"_221":500,"_222":501,"_42":502,"_308":503},"29.100.125","Pierre-Auguste Renoir painted this in 1883, aged 42. It is now at The Met in New York.","A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined.","By the Seashore, by Pierre-Auguste Renoir, 1883",{"_296":959,"_298":960,"_300":961},"https://img.ochreeditions.com/m/1145.jpg?dl=1","/art/by-the-seashore-met-437430","/galleries/style/painting-19/by-the-seashore-met-437430",{"_292":293,"_294":295},{"_225":956,"_125":957,"_286":958},{"_277":953,"_279":954,"_281":955,"_282":938},87.80505,107.1,72.80505,{"_288":225,"_123":495,"_154":496,"_140":81},{"_288":125,"_123":492,"_154":493,"_140":494},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1145/480.jpg","https://img.ochreeditions.com/a/1145/960.jpg","https://img.ochreeditions.com/a/1145/1920.jpg",{"_315":975,"_317":976},{"_315":973,"_317":974},{"_315":971,"_317":972},{"_315":969,"_317":970},{"_315":967,"_317":968},"#797246",0.1225,"#43523e",0.1928,"#4f717b",0.2244,"#84867a",0.2288,"#1d2c33",0.2315,"the-veteran-cma-168420","The Veteran",{"_42":1026,"_222":1027,"_329":1028,"_331":332,"_333":1029,"_335":192,"_337":-5,"_339":-5,"_340":-5,"_140":103},"1870","paris-salon-painting","Unframed: 43 x 30.3 cm (16 15/16 x 11 15/16 in.)",30.3,43,0.7908823529411765,[1011,1012,1013,1014,1015],{"_221":305,"_222":306,"_42":307,"_308":309},"2010.20","Marie-François Firmin-Girard painted this in 1870, aged 32. It is now at the Cleveland Museum of Art.","The Veteran, by Marie-François Firmin-Girard, 1870",{"_296":1008,"_298":1009,"_300":1010},"https://img.ochreeditions.com/m/774.jpg?dl=1","/art/the-veteran-cma-168420","/galleries/style/painting-19/the-veteran-cma-168420",{"_292":293,"_294":295},{"_225":1000,"_125":1001,"_286":1002},{"_277":998,"_279":191,"_281":999,"_282":984},49.00794117647059,34.00794117647059,{"_288":225,"_123":1006,"_154":1007,"_140":89},{"_288":125,"_123":1003,"_154":1004,"_140":1005},{"_288":286,"_123":167,"_154":166,"_140":169},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-marie-francois-firmin-girard","Marie-François Firmin-Girard's contemporaries","https://img.ochreeditions.com/a/774/480.jpg","https://img.ochreeditions.com/a/774/960.jpg","https://img.ochreeditions.com/a/774/1920.jpg",{"_315":1024,"_317":1025},{"_315":1022,"_317":1023},{"_315":1020,"_317":1021},{"_315":1018,"_317":1019},{"_315":1016,"_317":1017},"#807763",0.1268,"#ded9d2",0.1792,"#352f24",0.1887,"#846343",0.2475,"#af885b",0.2578,"Marie-François Firmin-Girard","marie-francois-firmin-girard","French, 1838–1921",1838,"peaceful-valley-nga-50295","Peaceful Valley",{"_42":1076,"_222":1077,"_329":1078,"_331":651,"_333":1079,"_335":1080,"_337":-5,"_339":-5,"_340":-5,"_140":103},"c. 1872","overall: 17.7 x 31.1 cm (6 15/16 x 12 1/4 in.) framed: 36.8 x 49.5 x 4.8 cm (14 1/2 x 19 1/2 x 1 7/8 in.)",31.1,17.7,1.7333897587812104,[1061,1062,1063,1064,1065],{"_221":567,"_222":568,"_42":569,"_308":570},"1965.10.1","Alexander Helwig Wyant painted this in about 1872, aged 36. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a rural landscape at sunset or sunrise. The horizon is slightly above the center, showing distant pale-pink and purple mountains against the sky. Closest to us is an area with dark green bushes and vegetation, leading to a lighter green field surrounded by green-and-brown trees. The palette is warm and earthy, with greens and browns in the bottom transitioning to purples and pinks in the distance. The sky is a pale-yellow color that fades into light blue towards the top left corner, and faint yellow and gray clouds drift across it.",{"_296":1058,"_298":1059,"_300":1060},"https://img.ochreeditions.com/m/1535.jpg?dl=1","/art/peaceful-valley-nga-50295","/galleries/style/painting-19/peaceful-valley-nga-50295",{"_292":293,"_294":295},{"_225":1053,"_125":1054,"_286":1055},{"_277":1050,"_279":1051,"_281":1035,"_282":1052},46.1,32.9417236328125,17.9417236328125,{"_288":225,"_123":1056,"_154":1057,"_140":89},{"_288":125,"_123":624,"_154":625,"_140":626},{"_288":286,"_123":621,"_154":622,"_140":623},"artist/contemporaries-of-alexander-helwig-wyant","Alexander Helwig Wyant's contemporaries","https://img.ochreeditions.com/a/1535/480.jpg","https://img.ochreeditions.com/a/1535/960.jpg","https://img.ochreeditions.com/a/1535/1920.jpg",{"_315":1074,"_317":1075},{"_315":1072,"_317":1073},{"_315":1070,"_317":1071},{"_315":1068,"_317":1069},{"_315":1066,"_317":1067},"#4c3923",0.1376,"#815b28",0.1693,"#322a1e",0.1879,"#cba885",0.2339,"#e8bc81",0.2713,"Alexander Helwig Wyant","alexander-helwig-wyant","American, 1836–1892",1836,1892,"dante-s-bark-aic-81501","Dante's Bark",{"_42":1124,"_222":1125,"_329":1126,"_331":332,"_333":1127,"_335":1128,"_337":-5,"_339":-5,"_340":-5,"_140":103},"c. 1840–60","34 × 40.2 cm (13 1/2 × 15 1/2 in.); Framed: 45.9 × 51.8 cm (18 1/16 × 20 3/8 in.)",1.1807719298245614,[1109,1110,1111,1112,1113],{"_221":382,"_222":383,"_42":384,"_308":385},"1922.402","After Eugène Delacroix painted this in about 1840–60, aged about 37. It is now at the Art Institute of Chicago.",{"_296":1106,"_298":1107,"_300":1108},"https://img.ochreeditions.com/m/218.jpg?dl=1","/art/dante-s-bark-aic-81501","/galleries/style/painting-19/dante-s-bark-aic-81501",{"_292":293,"_294":295},{"_225":1101,"_125":1102,"_286":1103},{"_277":1098,"_279":1099,"_281":558,"_282":1100},55,48.87614406276001,33.87614406276001,{"_288":225,"_123":1104,"_154":1105,"_140":89},{"_288":125,"_123":1003,"_154":1004,"_140":1005},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-after-eugene-delacroix","After Eugène Delacroix's contemporaries","https://img.ochreeditions.com/a/218/480.jpg","https://img.ochreeditions.com/a/218/960.jpg","https://img.ochreeditions.com/a/218/1920.jpg",{"_315":1122,"_317":1123},{"_315":1120,"_317":1121},{"_315":1118,"_317":1119},{"_315":1116,"_317":1117},{"_315":1114,"_317":1115},"#6b5e41",0.0284,"#43392a",0.088,"#36241a",0.1921,"#1e1b18",0.3302,"#26231d",0.3613,"After Eugène Delacroix","after-eugene-delacroix","French, 1798–1863",1798,1863,"seventeenth-century-lady-met-10475","Seventeenth Century Lady",{"_42":1174,"_222":1175,"_329":1176,"_331":651,"_333":865,"_335":1177,"_337":1178,"_339":503,"_340":1179,"_140":93},"ca. 1895","36 1/2 x 23 3/4in. (92.7 x 60.3cm)",60.3,92.7,0.6552258064516129,[1160,1161,1162,1163,1164],{"_221":500,"_222":501,"_42":502,"_308":503},"06.1220","William Merritt Chase painted this in about 1895, aged about 43. It is now at The Met in New York.","Seventeenth Century Lady, by William Merritt Chase, ca. 1895",{"_296":1157,"_298":1158,"_300":1159},"https://img.ochreeditions.com/m/810.jpg?dl=1","/art/seventeenth-century-lady-met-10475","/galleries/style/painting-19/seventeenth-century-lady-met-10475",{"_292":293,"_294":295},{"_225":1152,"_125":1153,"_286":1154},{"_277":1149,"_279":1150,"_281":1151,"_282":1135},75.73943225806451,107.7,60.73943225806452,{"_288":225,"_123":1155,"_154":1156,"_140":93},{"_288":125,"_123":624,"_154":625,"_140":626},{"_288":286,"_123":621,"_154":622,"_140":623},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/810/480.jpg","https://img.ochreeditions.com/a/810/960.jpg","https://img.ochreeditions.com/a/810/1920.jpg",{"_315":1172,"_317":1173},{"_315":1170,"_317":1171},{"_315":1168,"_317":1169},{"_315":1167,"_317":1067},{"_315":1165,"_317":1166},"#6a603f",0.1027,"#433625","#8f8157",0.1522,"#312a20",0.1581,"#221f18",0.4494,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.",{"_1181":-5,"_1182":1183,"_1184":1185,"_1186":8,"_1187":1188,"_1189":8},"user","csrf","6acdd91855d913237da46a71b4bcc2b1f6277d49","cartCount",0,"dropLive","legal",[1190,1191,1192,1193,1194,1195,1196,1197,1198,1199,1200,1201],"uploadsEnabled",{"_222":1224,"_20":1225},{"_222":1222,"_20":1223},{"_222":1220,"_20":1221},{"_222":1218,"_20":1219},{"_222":1216,"_20":1217},{"_222":1214,"_20":1215},{"_222":1212,"_20":1213},{"_222":1210,"_20":1211},{"_222":1208,"_20":1209},{"_222":1206,"_20":1207},{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]