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(7.1 x 7.3 cm)",7.3,7.1,1.0037440435670524,[437,438,439,440,441],{"_224":301,"_225":302,"_42":303,"_304":305},"Courtesy of the Smithsonian American Art Museum","1970.355.766","Mary Vaux Walcott painted this in about 1868. It is now at the Smithsonian American Art Museum in Washington, DC.","\"My First Painting\", by Mary Vaux Walcott, ca. 1868",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/1944.jpg?dl=1","/art/my-first-painting-si-saam-1970-355-766","/galleries/style/painting-19/my-first-painting-si-saam-1970-355-766",{"_291":292,"_293":294},{"_228":429,"_125":430,"_285":431},{"_275":361,"_277":427,"_279":363,"_281":428},39.90674805018651,24.906748050186504,{"_287":228,"_123":432,"_154":433,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/mary-vaux-walcott","More by Mary Vaux Walcott","https://img.ochreeditions.com/a/1944/480.jpg","https://img.ochreeditions.com/a/1944/960.jpg","https://img.ochreeditions.com/a/1944/1920.jpg",{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},"#98914a",0.0107,"#cbb485",0.0253,"#d1ac9f",0.064,"#d5c2ae",0.2778,"#d5cab8",0.6222,"Mary Vaux Walcott","mary-vaux-walcott","born Philadelphia, PA 1860-died St. Andrews, New Brunswick, Canada 1940",1860,1940,"Mary Vaux Walcott came from a Philadelphia Quaker family and spent summers in the Canadian Rockies, where she photographed glaciers and began painting wildflowers in watercolour.","the-cliff-at-etretat-cma-110953","The Cliff at Étretat",{"_42":518,"_225":519,"_325":520,"_327":521,"_328":522,"_330":523,"_332":524,"_333":525,"_334":526,"_140":91},"after 1872","france","paris-salon-painting","oil on fabric","Unframed: 54.5 x 65.5 cm (21 7/16 x 25 13/16 in.)",65.5,54.5,1.201838105337575,[503,504,505,506,507],{"_224":499,"_225":500,"_42":501,"_304":502},"Courtesy of the Cleveland Museum of Art","1929.465","Gustave Courbet painted this (after 1872), aged about 53. It is now at the Cleveland Museum of Art.","The Cliff at Étretat, by Gustave Courbet, after 1872",{"_295":496,"_297":497,"_299":498},"https://img.ochreeditions.com/m/524.jpg?dl=1","/art/the-cliff-at-etretat-cma-110953","/galleries/style/painting-19/the-cliff-at-etretat-cma-110953",{"_291":292,"_293":294},{"_228":485,"_125":486,"_285":487},{"_275":482,"_277":483,"_279":466,"_281":484},80.5,69.49985294117647,54.49985294117647,{"_287":228,"_123":494,"_154":495,"_140":91},{"_287":125,"_123":491,"_154":492,"_140":493},{"_287":285,"_123":488,"_154":489,"_140":490},"era/19-france","19th-century France",237,"style/paris-salon-painting","More Paris Salon painting",79,"artist/gustave-courbet","More by Gustave Courbet","https://img.ochreeditions.com/a/524/480.jpg","https://img.ochreeditions.com/a/524/960.jpg","https://img.ochreeditions.com/a/524/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":516,"_313":517},{"_311":514,"_313":515},{"_311":512,"_313":513},{"_311":510,"_313":511},{"_311":508,"_313":509},"#988b6e",0.0926,"#3a3427",0.1975,"#5b5a4d",0.2317,"#54736b",0.2356,"#222018",0.2426,"Gustave Courbet","gustave-courbet","French, 1819–1877","French",1819,1877,"Ornans","La Tour-de-Peilz","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)",{"_42":585,"_225":586,"_325":587,"_327":521,"_328":400,"_330":588,"_332":589,"_333":589,"_334":590,"_140":75},"1865","impressionism","Paintings","Oil on canvas","29 x 36 1/2 in. (73.7 x 92.7 cm)",92.7,73.7,1.2285012285012284,[570,571,572,573,574],{"_224":566,"_225":567,"_42":568,"_304":569},"Courtesy of The Metropolitan Museum of Art","29.100.128","Edgar Degas painted this in 1865, aged 31. It is now at The Met in New York.","An enormous bouquet of late-summer flowers fills the centre of the canvas, and the woman, who might be expected to be the subject, sits pushed to the right edge, her hand raised to her mouth and her gaze turned away out of the picture.","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865",{"_295":563,"_297":564,"_299":565},"https://img.ochreeditions.com/m/1085.jpg?dl=1","/art/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","/galleries/style/painting-19/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121",{"_291":292,"_293":294},{"_228":555,"_125":556,"_285":557},{"_275":552,"_277":553,"_279":535,"_281":554},107.7,90.4578,75.4578,{"_287":228,"_123":561,"_154":562,"_140":75},{"_287":125,"_123":558,"_154":559,"_140":560},{"_287":285,"_123":488,"_154":489,"_140":490},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1085/480.jpg","https://img.ochreeditions.com/a/1085/960.jpg","https://img.ochreeditions.com/a/1085/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":583,"_313":584},{"_311":581,"_313":582},{"_311":579,"_313":580},{"_311":577,"_313":578},{"_311":575,"_313":576},"#0a0909",0.149,"#715434",0.1857,"#52412b",0.1869,"#6a6655",0.2368,"#413c32",0.2416,"Edgar Degas","edgar-degas","French, 1834–1917",1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","bare-knuckles-nga-59902","Bare Knuckles",{"_42":646,"_225":647,"_325":399,"_327":399,"_328":-5,"_330":648,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1870/1885","american-gilded-age","oil on paperboard on wood","overall: 30.5 x 48.6 cm (12 x 19 1/8 in.)",48.6,30.5,1.6279809220985693,[631,632,633,634,635],{"_224":628,"_225":629,"_42":630,"_304":305},"Courtesy National Gallery of Art, Washington","1980.62.9","George A. Hayes painted this in about 1870/1885. It is now at the National Gallery of Art in Washington, DC.","This is a painting depicting a bare-knuckle boxing match with two fighters in a ring surrounded by a crowd. Both fighters are men with light skin, and they wear no shirts. The fighter on the left wears orange pants with black dots, while the fighter on the right wears red pants with white dots. Behind these men are two other shirtless men wearing the same types of pants, as well as two other men wearing more formal attire, including jackets, vests, and hats. Outside the ring, a semi-circle of light-skinned men in formal attire watch the central fight. The setting is outdoors, with grass around the feet of the spectators and green hills in the background. Above the group, the sky is light gray.",{"_295":625,"_297":626,"_299":627},"https://img.ochreeditions.com/m/1596.jpg?dl=1","/art/bare-knuckles-nga-59902","/galleries/style/painting-19/bare-knuckles-nga-59902",{"_291":292,"_293":294},{"_228":617,"_125":618,"_285":619},{"_275":614,"_277":615,"_279":598,"_281":616},63.6,44.852929687499994,29.852929687499998,{"_287":228,"_123":623,"_154":624,"_140":89},{"_287":125,"_123":620,"_154":621,"_140":622},{"_287":285,"_123":367,"_154":368,"_140":369},"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-george-a-hayes","George A. Hayes's contemporaries","https://img.ochreeditions.com/a/1596/480.jpg","https://img.ochreeditions.com/a/1596/960.jpg","https://img.ochreeditions.com/a/1596/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_311":644,"_313":645},{"_311":642,"_313":643},{"_311":640,"_313":641},{"_311":638,"_313":639},{"_311":636,"_313":637},"#87632e",0.0909,"#262c20",0.135,"#c5bfa5",0.226,"#908865",0.248,"#585131",0.3001,"George A. Hayes","george-a-hayes",1930,"the-song-of-the-lark-aic-94841","The Song of the Lark",{"_42":703,"_225":704,"_325":705,"_327":521,"_328":706,"_330":707,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1884","110.6 × 85.8 cm (43 1/2 × 33 3/4 in.); Framed: 142.3 × 116.9 cm (56 × 46 in.)",85,110,0.7710135465970296,[688,689,690,691,692],{"_224":684,"_225":685,"_42":686,"_304":687},"Courtesy of the Art Institute of Chicago","1894.1033","Jules Breton painted this in 1884, aged 57. It is now at the Art Institute of Chicago.",{"_118":682,"_379":683},"A work made of oil on canvas.",{"_295":679,"_297":680,"_299":681},"https://img.ochreeditions.com/m/255.jpg?dl=1","/art/the-song-of-the-lark-aic-94841","/galleries/style/painting-19/the-song-of-the-lark-aic-94841",{"_291":292,"_293":294},{"_228":674,"_125":675,"_285":676},{"_275":671,"_277":672,"_279":673,"_281":655},99.81149012567326,125,84.81149012567326,{"_287":228,"_123":677,"_154":678,"_140":89},{"_287":125,"_123":491,"_154":492,"_140":493},{"_287":285,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-jules-breton","Jules Breton's contemporaries","https://img.ochreeditions.com/a/255/480.jpg","https://img.ochreeditions.com/a/255/960.jpg","https://img.ochreeditions.com/a/255/1920.jpg","This painting by Jules Adolphe Breton was among the first to enter the Art Institute's collection when the museum opened in 1893. It quickly became one of the most popular paintings at the museum. By the 1920s, reproductions were hanging on classroom walls across the United States.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":701,"_313":702},{"_311":699,"_313":700},{"_311":697,"_313":698},{"_311":695,"_313":696},{"_311":693,"_313":694},"#736d61",0.0447,"#daac7a",0.1303,"#ae9d78",0.1516,"#3b352f",0.2625,"#564d3a",0.4109,"Jules Breton","jules-breton","French, 1827–1906",1827,1906,"mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":753,"_225":754,"_325":755,"_327":521,"_328":756,"_330":757,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",80,63,1.2460680423870607,[738,739,740,741,742],{"_224":684,"_225":685,"_42":686,"_304":687},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.",{"_295":735,"_297":736,"_299":737},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/painting-19/mill-of-pont-maupuit-aic-16502",{"_291":292,"_293":294},{"_228":730,"_125":731,"_285":732},{"_275":727,"_277":728,"_279":713,"_281":729},95,79.20195148151464,64.20195148151464,{"_287":228,"_123":733,"_154":734,"_140":89},{"_287":125,"_123":558,"_154":559,"_140":560},{"_287":285,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_311":751,"_313":752},{"_311":749,"_313":750},{"_311":747,"_313":748},{"_311":745,"_313":746},{"_311":743,"_313":744},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1841,1927,"portrait-of-ozora-buzaemon-cma-149943","Portrait of Ōzora Buzaemon",{"_42":816,"_225":817,"_325":818,"_327":819,"_328":820,"_330":756,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1827","japan","japanese-painting","hanging scroll; ink and color on paper","Image: 221.8 x 117.8 cm (87 5/16 x 46 3/8 in.); Overall: 256.8 x 131 cm (101 1/8 x 51 9/16 in.); with knobs: 256.8 x 140.5 cm (101 1/8 x 55 5/16 in.)",131,256.8,0.5479411764705883,[801,802,803,804,805],{"_224":499,"_225":500,"_42":501,"_304":502},"1980.177","Watanabe Kazan painted this in 1827, aged 34. It is now at the Cleveland Museum of Art.",{"_118":799,"_379":800},"Portrait of Ōzora Buzaemon, by Watanabe Kazan, 1827",{"_295":796,"_297":797,"_299":798},"https://img.ochreeditions.com/m/712.jpg?dl=1","/art/portrait-of-ozora-buzaemon-cma-149943","/galleries/style/painting-19/portrait-of-ozora-buzaemon-cma-149943",{"_291":292,"_293":294},{"_228":785,"_125":786,"_285":787},{"_275":782,"_277":194,"_279":783,"_281":784},146.50588235294117,131.50588235294117,240,{"_287":228,"_123":794,"_154":795,"_140":89},{"_287":125,"_123":791,"_154":792,"_140":793},{"_287":285,"_123":788,"_154":789,"_140":790},"era/19-japan","19th-century Japan",99,"style/japanese-painting","More Japanese painting",76,"artist/contemporaries-of-watanabe-kazan","Watanabe Kazan's contemporaries","https://img.ochreeditions.com/a/712/480.jpg","https://img.ochreeditions.com/a/712/960.jpg","https://img.ochreeditions.com/a/712/1920.jpg","Over seven feet tall, Ōzora Buzaemon became a tabloid sensation when he arrived in Edo (Tokyo) in 1827 . His handprints were cherished souvenirs, and his image was sold on woodblock prints. As inscriptions on the scroll detail, Watanabe Kazan met Buzaemon at the residence of a noted Confucian scholar.","Text from the Cleveland Museum of Art.",{"_311":814,"_313":815},{"_311":812,"_313":813},{"_311":810,"_313":811},{"_311":808,"_313":809},{"_311":806,"_313":807},"#666352",0.1058,"#938364",0.1147,"#a4987d",0.1705,"#837e68",0.1964,"#ccb997",0.4126,"Watanabe Kazan","watanabe-kazan","Japanese, 1793–1841","Japanese",1793,"springtime-and-love-aic-39479","Springtime and Love",{"_42":869,"_225":870,"_325":871,"_327":872,"_328":873,"_330":874,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1878","italy","94.6 × 184.3 cm (37 1/2 × 72 3/4 in.); Framed: 110.2 × 200.7 × 8.9 cm (43 3/8 × 79 × 3 1/2 in.)",184,94,1.9897777777777779,[855,856,857,858,859],{"_224":684,"_225":685,"_42":686,"_304":687},"1901.429","Francesco Paolo Michetti painted this in 1878, aged 27. It is now at the Art Institute of Chicago.","A painting of a large group of people having a picnic on a seaside cliff. It's a clear day, and children climb a tree. Someone holds a drum. A mother sings to her baby, and everyone plays.",{"_295":852,"_297":853,"_299":854},"https://img.ochreeditions.com/m/142.jpg?dl=1","/art/springtime-and-love-aic-39479","/galleries/style/painting-19/springtime-and-love-aic-39479",{"_291":292,"_293":294},{"_228":845,"_125":846,"_285":847},{"_275":842,"_277":843,"_279":827,"_281":844},199,107.47263792718337,92.47263792718337,{"_287":228,"_123":850,"_154":851,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":848,"_154":849,"_140":79},"era/19-italy","19th-century Italy","artist/contemporaries-of-francesco-paolo-michetti","Francesco Paolo Michetti's contemporaries","https://img.ochreeditions.com/a/142/480.jpg","https://img.ochreeditions.com/a/142/960.jpg","https://img.ochreeditions.com/a/142/1920.jpg",{"_311":867,"_313":868},{"_311":865,"_313":866},{"_311":863,"_313":864},{"_311":861,"_313":862},{"_311":860,"_313":809},"#4f482c","#9c8b72",0.1436,"#756431",0.1724,"#8b9ca4",0.2524,"#5a7586",0.3169,"Francesco Paolo Michetti","francesco-paolo-michetti","Italian, 1851–1929","Italian",1851,1929,"white-mare-cma-135323","White Mare",{"_42":928,"_225":929,"_325":930,"_327":399,"_328":931,"_330":932,"_332":933,"_333":934,"_334":935,"_140":53},"c. 1868","antebellum-america","oil on panel","Framed: 32.5 x 45 x 4.5 cm (12 13/16 x 17 11/16 x 1 3/4 in.); Unframed: 20 x 32.6 cm (7 7/8 x 12 13/16 in.)",32.6,20,1.6488845780795345,[913,914,915,916,917],{"_224":499,"_225":500,"_42":501,"_304":502},"1958.33","Winslow Homer painted this in about 1868, aged about 27. It is now at the Cleveland Museum of Art.",{"_118":912,"_379":800},"White Mare, by Winslow Homer, c. 1868",{"_295":909,"_297":910,"_299":911},"https://img.ochreeditions.com/m/624.jpg?dl=1","/art/white-mare-cma-135323","/galleries/style/painting-19/white-mare-cma-135323",{"_291":292,"_293":294},{"_228":901,"_125":902,"_285":903},{"_275":898,"_277":899,"_279":882,"_281":900},47.6,34.770941176470586,19.77094117647059,{"_287":228,"_123":907,"_154":908,"_140":53},{"_287":125,"_123":904,"_154":905,"_140":906},{"_287":285,"_123":367,"_154":368,"_140":369},"style/antebellum-america","More Antebellum America",33,"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/624/480.jpg","https://img.ochreeditions.com/a/624/960.jpg","https://img.ochreeditions.com/a/624/1920.jpg","In August 1868 Winslow Homer, then working as a free-lance illustrator, visited the White Mountains of New Hampshire. As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings.",{"_311":926,"_313":927},{"_311":924,"_313":925},{"_311":922,"_313":923},{"_311":920,"_313":921},{"_311":918,"_313":919},"#bdb29a",0.0765,"#53463c",0.1302,"#746c5c",0.2296,"#928975",0.2444,"#301d1b",0.3193,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","ia-orana-maria-hail-mary-met-438821","Ia Orana Maria (Hail Mary)",{"_42":987,"_225":988,"_325":989,"_327":521,"_328":990,"_330":401,"_332":589,"_333":991,"_334":992,"_140":85},"1891","post-impressionism","44 3/4 x 34 1/2 in. (113.7 x 87.6 cm)",87.6,113.7,0.7866738312735089,[972,973,974,975,976],{"_224":566,"_225":567,"_42":568,"_304":569},"51.112.2","Paul Gauguin painted this in 1891, aged 43. It is now at The Met in New York.","A Tahitian woman in a red pareo carries a child on her shoulder, both crowned with halos, while two women approach with hands joined in prayer, guided by an angel with yellow wings half hidden among flowering shrubs.","Ia Orana Maria (Hail Mary), by Paul Gauguin, 1891",{"_295":969,"_297":970,"_299":971},"https://img.ochreeditions.com/m/1196.jpg?dl=1","/art/ia-orana-maria-hail-mary-met-438821","/galleries/style/painting-19/ia-orana-maria-hail-mary-met-438821",{"_291":292,"_293":294},{"_228":961,"_125":962,"_285":963},{"_275":958,"_277":959,"_279":960,"_281":943},104.44481461579797,128.7,89.44481461579797,{"_287":228,"_123":967,"_154":968,"_140":85},{"_287":125,"_123":964,"_154":965,"_140":966},{"_287":285,"_123":488,"_154":489,"_140":490},"style/post-impressionism","More Post-Impressionism",62,"artist/paul-gauguin","More by Paul Gauguin","https://img.ochreeditions.com/a/1196/480.jpg","https://img.ochreeditions.com/a/1196/960.jpg","https://img.ochreeditions.com/a/1196/1920.jpg",{"_311":985,"_313":986},{"_311":983,"_313":984},{"_311":981,"_313":982},{"_311":979,"_313":980},{"_311":977,"_313":978},"#a76043",0.0606,"#a58f54",0.1428,"#41584a",0.2403,"#787f7d",0.2622,"#777254",0.2941,"Paul Gauguin","paul-gauguin","French, 1848–1903",1848,"Atuona, Hiva Oa, Marquesas Islands","Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions.","the-valley-of-wyoming-met-10586","The Valley of Wyoming",{"_42":1042,"_225":1043,"_325":1044,"_327":399,"_328":329,"_330":1045,"_332":1046,"_333":1047,"_334":-5,"_140":101},"hudson-river-school","48 1/2 x 84 in. (123.2 x 213.4 cm)",213.4,123.2,1.7312414733969987,[1027,1028,1029,1030,1031],{"_224":566,"_225":567,"_42":568,"_304":569},"66.113","Jasper Francis Cropsey painted this in 1865, aged 42. It is now at The Met in New York.","The Valley of Wyoming, by Jasper Francis Cropsey, 1865",{"_295":1024,"_297":1025,"_299":1026},"https://img.ochreeditions.com/m/818.jpg?dl=1","/art/the-valley-of-wyoming-met-10586","/galleries/style/painting-19/the-valley-of-wyoming-met-10586",{"_291":292,"_293":294},{"_228":1016,"_125":1017,"_285":1018},{"_275":1013,"_277":1014,"_279":998,"_281":1015},228.4,138.26414499605988,123.26414499605988,{"_287":228,"_123":1022,"_154":1023,"_140":89},{"_287":125,"_123":1019,"_154":1020,"_140":1021},{"_287":285,"_123":367,"_154":368,"_140":369},"style/hudson-river-school","More Hudson River School",27,"artist/contemporaries-of-jasper-francis-cropsey","Jasper Francis Cropsey's contemporaries","https://img.ochreeditions.com/a/818/480.jpg","https://img.ochreeditions.com/a/818/960.jpg","https://img.ochreeditions.com/a/818/1920.jpg",{"_311":1040,"_313":1041},{"_311":1038,"_313":1039},{"_311":1036,"_313":1037},{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},"#504823",0.1254,"#a4a392",0.1508,"#878262",0.1807,"#837036",0.1862,"#cfc8b5",0.3569,"Jasper Francis Cropsey","jasper-francis-cropsey","American, 1823–1900",1900,"Rossville, New York","Hastings-on-Hudson, New York","melanesian-man-si-saam-1985-66-165-728","Melanesian Man",{"_42":1095,"_225":1096,"_325":1097,"_327":-5,"_328":1098,"_330":1099,"_332":-5,"_333":-5,"_334":-5,"_140":101},"ca. 1890-1899","oil on canvas","42 x 28 3/4 in. (106.7 x 73.0 cm.)",73,106.7,0.667,[1080,1081,1082,1083,1084],{"_224":301,"_225":302,"_42":303,"_304":305},"1985.66.165,728","Antonion Zeno Shindler painted this in about 1890-1899, aged about 77. It is now at the Smithsonian American Art Museum in Washington, DC.","Melanesian Man, by Antonion Zeno Shindler, ca. 1890-1899",{"_295":1077,"_297":1078,"_299":1079},"https://img.ochreeditions.com/m/1977.jpg?dl=1","/art/melanesian-man-si-saam-1985-66-165-728","/galleries/style/painting-19/melanesian-man-si-saam-1985-66-165-728",{"_291":292,"_293":294},{"_228":1072,"_125":1073,"_285":1074},{"_275":1069,"_277":1070,"_279":1071,"_281":1055},86.16890000000001,121.7,71.16890000000001,{"_287":228,"_123":1075,"_154":1076,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-antonion-zeno-shindler","Antonion Zeno Shindler's contemporaries","https://img.ochreeditions.com/a/1977/480.jpg","https://img.ochreeditions.com/a/1977/960.jpg","https://img.ochreeditions.com/a/1977/1920.jpg",{"_311":1093,"_313":1094},{"_311":1091,"_313":1092},{"_311":1089,"_313":1090},{"_311":1087,"_313":1088},{"_311":1085,"_313":1086},"#7d4224",0.1086,"#453221",0.1563,"#8b694a",0.2128,"#bea38c",0.2396,"#848584",0.2827,"Antonion Zeno Shindler","antonion-zeno-shindler","1813 Bulgaria-died Washington, DC 1899",1813,1899,"edouard-blau-nga-46556","Edouard Blau",{"_42":1146,"_225":1147,"_325":1148,"_327":521,"_328":756,"_330":1149,"_332":-5,"_333":-5,"_334":-5,"_140":101},"probably 1869","overall: 59.5 x 43.2 cm (23 7/16 x 17 in.) framed: 69.5 x 53 x 5.1 cm (27 3/8 x 20 7/8 x 2 in.)",43.2,59.5,0.7275390625,[1131,1132,1133,1134,1135],{"_224":628,"_225":629,"_42":630,"_304":305},"1963.10.81","Frédéric Bazille painted this (probably 1869), aged 28. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”",{"_295":1128,"_297":1129,"_299":1130},"https://img.ochreeditions.com/m/1523.jpg?dl=1","/art/edouard-blau-nga-46556","/galleries/style/painting-19/edouard-blau-nga-46556",{"_291":292,"_293":294},{"_228":1123,"_125":1124,"_285":1125},{"_275":1120,"_277":1121,"_279":1122,"_281":1106},58.28857421875,74.5,43.28857421875,{"_287":228,"_123":1126,"_154":1127,"_140":89},{"_287":125,"_123":558,"_154":559,"_140":560},{"_287":285,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-frederic-bazille","Frédéric Bazille's contemporaries","https://img.ochreeditions.com/a/1523/480.jpg","https://img.ochreeditions.com/a/1523/960.jpg","https://img.ochreeditions.com/a/1523/1920.jpg",{"_311":1144,"_313":1145},{"_311":1142,"_313":1143},{"_311":1140,"_313":1141},{"_311":1138,"_313":1139},{"_311":1136,"_313":1137},"#592f1e",0.0635,"#0b2815",0.071,"#a3785b",0.0747,"#28231e",0.3132,"#12100d",0.4776,"Frédéric Bazille","frederic-bazille","French, 1841–1870",1870,"wheat-field-with-cypresses-met-436535","Wheat Field with Cypresses",{"_42":1201,"_225":1202,"_325":1203,"_327":1204,"_328":1205,"_330":331,"_332":1206,"_333":1207,"_334":1208,"_140":77},"1889","netherlands","28 13/16 × 36 3/4 in. (73.2 × 93.4 cm)",93.4,73.2,1.256281407035176,[1186,1187,1188,1189,1190],{"_224":566,"_225":567,"_42":568,"_304":569},"1993.132","Vincent van Gogh painted this in 1889, aged 36. It is now at The Met in New York.","Ripe wheat sways under a sky of swirling white clouds, while dark cypresses rise like green flames at the right and blue hills roll in the distance. Van Gogh painted the scene outdoors near the asylum at Saint-Rémy in the summer of 1889; he thought highly of it and later made two further versions in his studio.","Wheat Field with Cypresses, by Vincent van Gogh, 1889",{"_295":1183,"_297":1184,"_299":1185},"https://img.ochreeditions.com/m/1095.jpg?dl=1","/art/wheat-field-with-cypresses-met-436535","/galleries/style/painting-19/wheat-field-with-cypresses-met-436535",{"_291":292,"_293":294},{"_228":1175,"_125":1176,"_285":1177},{"_275":1172,"_277":1173,"_279":1156,"_281":1174},108.4,89.3464,74.3464,{"_287":228,"_123":1181,"_154":1182,"_140":77},{"_287":125,"_123":964,"_154":965,"_140":966},{"_287":285,"_123":1178,"_154":1179,"_140":1180},"era/19-netherlands","19th-century Netherlands",21,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/1095/480.jpg","https://img.ochreeditions.com/a/1095/960.jpg","https://img.ochreeditions.com/a/1095/1920.jpg",{"_311":1199,"_313":1200},{"_311":1197,"_313":1198},{"_311":1195,"_313":1196},{"_311":1193,"_313":1194},{"_311":1191,"_313":1192},"#1c1f1b",0.1422,"#8e7736",0.1697,"#536246",0.1976,"#728b96",0.2237,"#98a197",0.2668,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.",{"_1210":-5,"_1211":1212,"_1213":1214,"_1215":8,"_1216":1217,"_1218":8},"user","csrf","39a9d7d232dad70faafd573ec84d4ba98dd6dc5f","cartCount",0,"dropLive","legal",[1219,1220,1221,1222,1223,1224,1225,1226,1227,1228,1229,1230],"uploadsEnabled",{"_225":1253,"_20":1254},{"_225":1251,"_20":1252},{"_225":1249,"_20":1250},{"_225":1247,"_20":1248},{"_225":1245,"_20":1246},{"_225":1243,"_20":1244},{"_225":1241,"_20":1242},{"_225":1239,"_20":1240},{"_225":1237,"_20":1238},{"_225":1235,"_20":1236},{"_225":1233,"_20":1234},{"_225":1231,"_20":1232},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]