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The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.","images",{"_288":289,"_290":291,"_292":293},"download_url","https://img.ochreeditions.com/m/1344.jpg?dl=1","page_url","/art/saint-christopher-nga-6034","walk_url","/galleries/style/northern-renaissance/saint-christopher-nga-6034","frame",{"_284":285,"_286":287},{"_220":276,"_125":277,"_278":279},"size",{"_268":269,"_270":271,"_272":273,"_274":275},"w",66.1875,"h",84,"image_w",42.1875,"image_h",60,{"_280":220,"_123":169,"_154":168,"_140":97},{"_280":125,"_123":281,"_154":282,"_140":283},"era",{"_280":278,"_123":165,"_154":164,"_140":167},"facet","style/print-16","More prints of the 16th century",54,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1344/480.jpg","960","https://img.ochreeditions.com/a/1344/960.jpg","1920","https://img.ochreeditions.com/a/1344/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_304":314,"_306":315},{"_304":312,"_306":313},{"_304":310,"_306":311},{"_304":308,"_306":309},{"_304":305,"_306":307},"hex","#af9577","weight",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","bio","German, 1472–1553","nationality","German","birth_year",1472,"death_year",1553,"birth_place","Kronach","death_place","Weimar","about_excerpt","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":391,"_217":392,"_318":393,"_320":321,"_322":394,"_324":395,"_326":396,"_328":397,"_330":-5,"_140":101},"1532","painting","Paintings","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[376,377,378,379,380],{"_216":372,"_217":373,"_42":374,"_297":375},"Courtesy of The Metropolitan Museum of Art","50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. 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(60 x 49.8 cm)",49.8,0.8386010362694301,[430,431,432,433,434],{"_216":372,"_217":373,"_42":374,"_297":375},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_288":427,"_290":428,"_292":429},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_284":367,"_286":368},{"_220":422,"_125":423,"_278":424},{"_268":419,"_270":420,"_272":421,"_274":275},65.3160621761658,75,50.3160621761658,{"_280":220,"_123":425,"_154":426,"_140":89},{"_280":125,"_123":362,"_154":363,"_140":364},{"_280":278,"_123":165,"_154":164,"_140":167},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_304":443,"_306":444},{"_304":441,"_306":442},{"_304":439,"_306":440},{"_304":437,"_306":438},{"_304":435,"_306":436},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":504,"_217":505,"_318":506,"_320":507,"_322":508,"_324":509,"_326":-5,"_328":-5,"_330":-5,"_140":103},"probably 1590 and 1597","flanders","Painting","oil on panel","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[489,490,491,492,493],{"_216":294,"_217":295,"_42":296,"_297":298},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_288":486,"_290":487,"_292":488},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_284":367,"_286":368},{"_220":478,"_125":479,"_278":480},{"_268":475,"_270":476,"_272":460,"_274":477},97.2,78.97792968750001,63.97792968750001,{"_280":220,"_123":484,"_154":485,"_140":89},{"_280":125,"_123":362,"_154":363,"_140":364},{"_280":278,"_123":481,"_154":482,"_140":483},"era/16-flanders","16th-century Flanders",17,"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_304":502,"_306":503},{"_304":500,"_306":501},{"_304":498,"_306":499},{"_304":496,"_306":497},{"_304":494,"_306":495},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619","Flemish",1570,1619,"leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","france","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[559,560,561,562,563],{"_216":555,"_217":556,"_42":557,"_297":558},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":552,"_553":554},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_288":549,"_290":550,"_292":551},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_284":285,"_286":287},{"_220":539,"_125":540,"_278":541},{"_268":535,"_270":536,"_272":537,"_274":538},49,40.44117647058823,25,16.441176470588236,{"_280":220,"_123":547,"_154":548,"_140":87},{"_280":125,"_123":545,"_154":546,"_140":81},{"_280":278,"_123":542,"_154":543,"_140":544},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_304":572,"_306":573},{"_304":570,"_306":571},{"_304":568,"_306":569},{"_304":566,"_306":567},{"_304":564,"_306":565},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff",{"_42":624,"_217":625,"_318":626,"_320":626,"_322":-5,"_324":627,"_326":-5,"_328":-5,"_330":-5,"_140":103},"1544","Prints","Engraving; first state of two","Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm) Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm)",30.5,43.5,0.7168852020337169,[609,610,611,612,613],{"_216":372,"_217":373,"_42":374,"_297":375},"2013.963.2","Niccolò della Casa made this in 1544. It is now at The Met in New York.","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544",{"_288":606,"_290":607,"_292":608},"https://img.ochreeditions.com/m/1275.jpg?dl=1","/art/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","/galleries/style/northern-renaissance/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326",{"_284":285,"_286":287},{"_220":599,"_125":600,"_278":601},{"_268":596,"_270":597,"_272":598,"_274":582},55.18450628846668,67.5,31.184506288466682,{"_280":220,"_123":604,"_154":605,"_140":89},{"_280":125,"_123":281,"_154":282,"_140":283},{"_280":278,"_123":602,"_154":603,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-niccolo-della-casa","Niccolò della Casa's contemporaries","https://img.ochreeditions.com/a/1275/480.jpg","https://img.ochreeditions.com/a/1275/960.jpg","https://img.ochreeditions.com/a/1275/1920.jpg",{"_304":622,"_306":623},{"_304":620,"_306":621},{"_304":618,"_306":619},{"_304":616,"_306":617},{"_304":614,"_306":615},"#f0e1cb",0.0713,"#b4aba0",0.1546,"#756f68",0.2116,"#9e968c",0.2493,"#8b837b",0.3132,"Niccolò della Casa","niccolo-della-casa","French",1548,"plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)",{"_42":683,"_217":684,"_318":685,"_320":686,"_322":687,"_324":688,"_326":689,"_328":690,"_330":691,"_140":99},"c.1575/1590s","netherlands","drawing","Drawing","watercolor and gold paint on parchment","page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)",18.4,14.3,1.2591454042422379,[668,669,670,671,672],{"_216":294,"_217":295,"_42":296,"_297":298},"1987.20.5.14","Joris Hoefnagel painted this in about 1575/1590s, aged about 28. It is now at the National Gallery of Art in Washington, DC.","A yellow swallowtail, a red admiral and a dragonfly are set out symmetrically on the parchment, painted in watercolour with touches of gold so precisely that they could almost be pinned specimens.","Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_288":665,"_290":666,"_292":667},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_284":285,"_286":287},{"_220":655,"_125":656,"_278":657},{"_268":535,"_270":653,"_272":537,"_274":654},43.854736328125,19.854736328125,{"_280":220,"_123":663,"_154":664,"_140":99},{"_280":125,"_123":661,"_154":662,"_140":660},{"_280":278,"_123":658,"_154":659,"_140":660},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg",{"_304":681,"_306":682},{"_304":679,"_306":680},{"_304":677,"_306":678},{"_304":675,"_306":676},{"_304":673,"_306":674},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","saint-john-before-god-and-the-elders-nga-52557","Saint John before God and the Elders",{"_42":445,"_217":446,"_318":447,"_320":321,"_322":448,"_324":449,"_326":450,"_328":450,"_330":451,"_140":89},"probably c. 1496/1498","woodcut on laid paper","sheet (trimmed to block): 39.3 × 28.1 cm (15 1/2 × 11 1/16 in.)",28.1,39.3,0.724609375,[727,728,729,730,731],{"_216":294,"_217":295,"_42":296,"_297":298},"1971.39.3","Albrecht Dürer made this (probably c. 1496/1498), aged about 25. It is now at the National Gallery of Art in Washington, DC.","In this woodcut from Dürer’s Apocalypse, Saint John, summoned through a door in heaven, comes before God enthroned among clouds, who holds the book sealed with seven seals.","The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.",{"_288":724,"_290":725,"_292":726},"https://img.ochreeditions.com/m/1557.jpg?dl=1","/art/saint-john-before-god-and-the-elders-nga-52557","/galleries/style/northern-renaissance/saint-john-before-god-and-the-elders-nga-52557",{"_284":285,"_286":287},{"_220":717,"_125":718,"_278":719},{"_268":714,"_270":715,"_272":716,"_274":699},52.4771484375,63.3,28.4771484375,{"_280":220,"_123":425,"_154":426,"_140":89},{"_280":125,"_123":722,"_154":723,"_140":53},{"_280":278,"_123":720,"_154":721,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","https://img.ochreeditions.com/a/1557/480.jpg","https://img.ochreeditions.com/a/1557/960.jpg","https://img.ochreeditions.com/a/1557/1920.jpg",{"_304":740,"_306":741},{"_304":738,"_306":739},{"_304":736,"_306":737},{"_304":734,"_306":735},{"_304":732,"_306":733},"#d8cbb4",0.1478,"#72675b",0.1529,"#bcaf9a",0.2024,"#a39784",0.2323,"#8b7f6f",0.2646,"spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":792,"_217":793,"_318":794,"_320":507,"_322":325,"_324":509,"_326":-5,"_328":-5,"_330":795,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7505114676429417,[777,778,779,780,781],{"_216":773,"_217":774,"_42":775,"_297":776},"Courtesy of the Art Institute of Chicago","2023.3190.3","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_288":770,"_290":771,"_292":772},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_284":285,"_286":287},{"_220":765,"_125":766,"_278":767},{"_268":763,"_270":535,"_272":764,"_274":537},42.76278669107354,18.762786691073543,{"_280":220,"_123":768,"_154":769,"_140":99},{"_280":125,"_123":281,"_154":282,"_140":283},{"_280":278,"_123":481,"_154":482,"_140":483},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_304":790,"_306":791},{"_304":788,"_306":789},{"_304":786,"_306":787},{"_304":784,"_306":785},{"_304":782,"_306":783},"#5c544b",0.0632,"#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","diana-and-actaeon-met-337490","Diana and Actaeon",{"_42":843,"_217":844,"_318":845,"_320":686,"_322":846,"_324":847,"_326":689,"_328":848,"_330":-5,"_140":103},"ca. 1580–85","Drawings","Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink","16 1/4 x 12 5/8in. (41.3 x 32.1cm)",32.1,41.3,0.7808510638297872,[829,830,831,832,833],{"_216":372,"_217":373,"_42":374,"_297":375},"1997.93","Bartholomeus Spranger drew this in about 1580–85, aged about 34. It is now at The Met in New York.","Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85",{"_288":826,"_290":827,"_292":828},"https://img.ochreeditions.com/m/1018.jpg?dl=1","/art/diana-and-actaeon-met-337490","/galleries/style/northern-renaissance/diana-and-actaeon-met-337490",{"_284":285,"_286":287},{"_220":821,"_125":822,"_278":823},{"_268":818,"_270":819,"_272":820,"_274":804},56.24914893617021,65.3,32.24914893617021,{"_280":220,"_123":824,"_154":825,"_140":89},{"_280":125,"_123":661,"_154":662,"_140":660},{"_280":278,"_123":658,"_154":659,"_140":660},"artist/contemporaries-of-bartholomeus-spranger","Bartholomeus Spranger's contemporaries","https://img.ochreeditions.com/a/1018/480.jpg","https://img.ochreeditions.com/a/1018/960.jpg","https://img.ochreeditions.com/a/1018/1920.jpg",{"_304":841,"_306":842},{"_304":839,"_306":840},{"_304":837,"_306":838},{"_304":835,"_306":836},{"_304":834,"_306":567},"#786a5a","#a99983",0.2066,"#a59075",0.2391,"#b9a88e",0.2438,"#92816b",0.2458,"Bartholomeus Spranger","bartholomeus-spranger","Netherlandish, 1546–1611",1546,1611,"Prague","phaeton-from-the-four-disgracers-met-343581","Phaeton, from \"The Four Disgracers\"",{"_42":894,"_217":895,"_318":896,"_320":897,"_322":190,"_324":898,"_326":899,"_328":900,"_330":901,"_140":91},"1588","Engraving","Diameter: 13 3/16 in. (33.5 cm)",0.9947643979057592,[879,880,881,882,883],{"_216":372,"_217":373,"_42":374,"_297":375},"53.601.338(5)","Hendrick Goltzius made this in 1588, aged 30. It is now at The Met in New York.","Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening.","Phaeton, from \"The Four Disgracers\", by Hendrick Goltzius, 1588",{"_288":876,"_290":877,"_292":878},"https://img.ochreeditions.com/m/1043.jpg?dl=1","/art/phaeton-from-the-four-disgracers-met-343581","/galleries/style/northern-renaissance/phaeton-from-the-four-disgracers-met-343581",{"_284":285,"_286":287},{"_220":871,"_125":872,"_278":873},{"_268":869,"_270":271,"_272":870,"_274":275},83.68586387434556,59.68586387434555,{"_280":220,"_123":874,"_154":875,"_140":91},{"_280":125,"_123":281,"_154":282,"_140":283},{"_280":278,"_123":658,"_154":659,"_140":660},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1043/480.jpg","https://img.ochreeditions.com/a/1043/960.jpg","https://img.ochreeditions.com/a/1043/1920.jpg",{"_304":892,"_306":893},{"_304":890,"_306":891},{"_304":888,"_306":889},{"_304":886,"_306":887},{"_304":884,"_306":885},"#5e5c53",0.0686,"#959081",0.0698,"#bcb6a1",0.208,"#f1ecdf",0.293,"#d6ccb6",0.3606,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":950,"_217":951,"_318":952,"_320":686,"_322":953,"_324":954,"_326":-5,"_328":955,"_330":956,"_140":99},"1560","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[935,936,937,938,939],{"_216":294,"_217":295,"_42":296,"_297":298},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_288":932,"_290":933,"_292":934},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_284":285,"_286":287},{"_220":927,"_125":928,"_278":929},{"_268":924,"_270":925,"_272":908,"_274":926},53.2,45.63623046875,21.63623046875,{"_280":220,"_123":930,"_154":931,"_140":99},{"_280":125,"_123":281,"_154":282,"_140":283},{"_280":278,"_123":658,"_154":659,"_140":660},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_304":948,"_306":949},{"_304":946,"_306":947},{"_304":944,"_306":945},{"_304":942,"_306":943},{"_304":940,"_306":941},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":1001,"_217":1002,"_318":1003,"_320":321,"_322":1004,"_324":1005,"_326":-5,"_328":-5,"_330":1006,"_140":99},"1540","engraving",0.6658470617162527,[986,987,988,989,990],{"_216":294,"_217":295,"_42":296,"_297":298},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_288":983,"_290":984,"_292":985},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_284":285,"_286":287},{"_220":978,"_125":979,"_278":980},{"_268":976,"_270":271,"_272":977,"_274":275},63.950823702975164,39.950823702975164,{"_280":220,"_123":981,"_154":982,"_140":99},{"_280":125,"_123":281,"_154":282,"_140":283},{"_280":278,"_123":165,"_154":164,"_140":167},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_304":999,"_306":1000},{"_304":997,"_306":998},{"_304":995,"_306":996},{"_304":993,"_306":994},{"_304":991,"_306":992},"#e3d1b4",0.1756,"#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":1058,"_217":1059,"_318":1060,"_320":507,"_322":1061,"_324":1062,"_326":-5,"_328":-5,"_330":1063,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[1044,1045,1046,1047,1048],{"_216":1041,"_217":1042,"_42":1043,"_297":375},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1039,"_553":1040},"TWO GALLEYS AT SEA",{"_288":1036,"_290":1037,"_292":1038},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_284":285,"_286":287},{"_220":1031,"_125":1032,"_278":1033},{"_268":535,"_270":1029,"_272":537,"_274":1030},41.86612497581737,17.86612497581737,{"_280":220,"_123":1034,"_154":1035,"_140":99},{"_280":125,"_123":661,"_154":662,"_140":660},{"_280":278,"_123":481,"_154":482,"_140":483},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_304":1056,"_306":1057},{"_304":1054,"_306":1055},{"_304":1053,"_306":438},{"_304":1051,"_306":1052},{"_304":1049,"_306":1050},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383","#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":1110,"_217":1111,"_318":1112,"_320":321,"_322":1113,"_324":449,"_326":-5,"_328":-5,"_330":1114,"_140":99},"1527","overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",30,43,0.75244140625,[1095,1096,1097,1098,1099],{"_216":294,"_217":295,"_42":296,"_297":298},"1947.6.5.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_288":1092,"_290":1093,"_292":1094},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_284":367,"_286":368},{"_220":1087,"_125":1088,"_278":1089},{"_268":1084,"_270":1085,"_272":1086,"_274":1070},47.35498046875,58,32.35498046875,{"_280":220,"_123":1090,"_154":1091,"_140":99},{"_280":125,"_123":362,"_154":363,"_140":364},{"_280":278,"_123":165,"_154":164,"_140":167},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_304":1108,"_306":1109},{"_304":1106,"_306":1107},{"_304":1104,"_306":1105},{"_304":1102,"_306":1103},{"_304":1100,"_306":1101},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","saint-john-on-patmos-met-435600","Saint John on Patmos",{"_42":1161,"_217":1162,"_318":1163,"_320":321,"_322":1164,"_324":1165,"_326":-5,"_328":1166,"_330":-5,"_140":103},"ca. 1511","Oil, gold, and white metal on spruce","Overall 35 1/4 x 30 1/4 in. (89.5 x 76.8 cm); painted surface 34 3/8 x 29 3/4 in. (87.3 x 75.6 cm)",76.8,89.5,0.8605263157894737,[1147,1148,1149,1150,1151],{"_216":372,"_217":373,"_42":374,"_297":375},"1983.451","Hans Baldung (called Hans Baldung Grien) painted this in about 1511, aged about 22. It is now at The Met in New York.","Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511",{"_288":1144,"_290":1145,"_292":1146},"https://img.ochreeditions.com/m/1059.jpg?dl=1","/art/saint-john-on-patmos-met-435600","/galleries/style/northern-renaissance/saint-john-on-patmos-met-435600",{"_284":367,"_286":368},{"_220":1139,"_125":1140,"_278":1141},{"_268":1136,"_270":1137,"_272":1138,"_274":1122},92.0171052631579,104.5,77.0171052631579,{"_280":220,"_123":1142,"_154":1143,"_140":89},{"_280":125,"_123":362,"_154":363,"_140":364},{"_280":278,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-hans-baldung-called-hans-baldung-grien","Hans Baldung (called Hans Baldung Grien)'s contemporaries","https://img.ochreeditions.com/a/1059/480.jpg","https://img.ochreeditions.com/a/1059/960.jpg","https://img.ochreeditions.com/a/1059/1920.jpg",{"_304":1159,"_306":1160},{"_304":1157,"_306":1158},{"_304":1156,"_306":619},{"_304":1154,"_306":1155},{"_304":1152,"_306":1153},"#a29264",0.0835,"#6a2420",0.1318,"#4e3e27","#777c73",0.2571,"#202017",0.316,"Hans Baldung (called Hans Baldung Grien)","hans-baldung-called-hans-baldung-grien","German, 1484–1545",1484,1545,"Strasbourg",{"_1168":-5,"_1169":1170,"_1171":1172,"_1173":8,"_1174":1175,"_1176":8},"user","csrf","f681169631ba52037b86e800ae28fa1ae2663995","cartCount",0,"dropLive","legal",[1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188],"uploadsEnabled",{"_217":1211,"_20":1212},{"_217":1209,"_20":1210},{"_217":1207,"_20":1208},{"_217":1205,"_20":1206},{"_217":1203,"_20":1204},{"_217":1201,"_20":1202},{"_217":1199,"_20":1200},{"_217":1197,"_20":1198},{"_217":1195,"_20":1196},{"_217":1193,"_20":1194},{"_217":1191,"_20":1192},{"_217":1189,"_20":1190},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]