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It is now at the National Gallery of Art in Washington, DC.","note","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1338.jpg?dl=1","page_url","/art/trajan-nga-4262","walk_url","/galleries/style/northern-renaissance/trajan-nga-4262","frame",{"_290":291,"_292":293},{"_226":282,"_125":283,"_284":285},"size",{"_274":275,"_276":277,"_278":279,"_280":281},"w",84,"h",83.71391417425227,"image_w",60,"image_h",59.713914174252274,{"_286":226,"_123":169,"_154":168,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":165,"_154":164,"_140":167},"facet","style/print-16","More prints of the 16th century",54,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1338/480.jpg","960","https://img.ochreeditions.com/a/1338/960.jpg","1920","https://img.ochreeditions.com/a/1338/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#655a51","weight",0.0699,"#8b7d6d",0.1158,"#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"Sebald Beham","sebald-beham","bio","German, 1500–1550","nationality","German","birth_year",1500,"death_year",1550,"birth_place","death_place","about_excerpt","Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":392,"_223":393,"_324":394,"_326":395,"_328":396,"_330":397,"_332":-5,"_333":-5,"_334":398,"_140":99},"c. 1598","flanders","Engraving on paper","Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7505114676429417,[377,378,379,380,381],{"_222":373,"_223":374,"_42":375,"_303":376},"Courtesy of the Art Institute of Chicago","2023.3190.3","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_294":370,"_296":371,"_298":372},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_290":291,"_292":293},{"_226":362,"_125":363,"_284":364},{"_274":358,"_276":359,"_278":360,"_280":361},42.76278669107354,49,18.762786691073543,25,{"_286":226,"_123":368,"_154":369,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":365,"_154":366,"_140":367},"era/16-flanders","16th-century Flanders",17,"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":390,"_312":391},{"_310":388,"_312":389},{"_310":386,"_312":387},{"_310":384,"_312":385},{"_310":382,"_312":383},"#5c544b",0.0632,"#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":451,"_223":452,"_324":453,"_326":454,"_328":455,"_330":456,"_332":-5,"_333":457,"_334":458,"_140":99},"1560","netherlands","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[436,437,438,439,440],{"_222":300,"_223":301,"_42":302,"_303":304},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_294":433,"_296":434,"_298":435},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_290":291,"_292":293},{"_226":425,"_125":426,"_284":427},{"_274":422,"_276":423,"_278":406,"_280":424},53.2,45.63623046875,21.63623046875,{"_286":226,"_123":431,"_154":432,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":428,"_154":429,"_140":430},"era/16-netherlands","16th-century Netherlands",35,"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},{"_310":443,"_312":444},{"_310":441,"_312":442},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569","Netherlandish",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":511,"_223":512,"_324":513,"_326":454,"_328":514,"_330":515,"_332":516,"_333":517,"_334":518,"_140":99},"1578","drawing","Drawing","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[496,497,498,499,500],{"_222":300,"_223":301,"_42":302,"_303":304},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_294":493,"_296":494,"_298":495},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_290":291,"_292":293},{"_226":486,"_125":487,"_284":488},{"_274":483,"_276":484,"_278":467,"_280":485},53.3,42.9205322265625,18.9205322265625,{"_286":226,"_123":491,"_154":492,"_140":99},{"_286":125,"_123":489,"_154":490,"_140":430},{"_286":284,"_123":428,"_154":429,"_140":430},"style/drawing-16","More drawings of the 16th century","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":574,"_223":575,"_324":576,"_326":327,"_328":577,"_330":578,"_332":-5,"_333":-5,"_334":579,"_140":99},"1527","painting","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[559,560,561,562,563],{"_222":300,"_223":301,"_42":302,"_303":304},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_294":556,"_296":557,"_298":558},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_290":554,"_292":555},{"_226":546,"_125":547,"_284":548},{"_274":543,"_276":544,"_278":545,"_280":528},44.70947265625,58,29.70947265625,{"_286":226,"_123":552,"_154":553,"_140":99},{"_286":125,"_123":549,"_154":550,"_140":551},{"_286":284,"_123":165,"_154":164,"_140":167},"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_310":572,"_312":573},{"_310":570,"_312":571},{"_310":568,"_312":569},{"_310":566,"_312":567},{"_310":564,"_312":565},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","the-martyrdom-of-saint-barbara-nga-6021","The Martyrdom of Saint Barbara",{"_42":626,"_223":627,"_324":628,"_326":327,"_328":629,"_330":396,"_332":630,"_333":631,"_334":632,"_140":97},"woodcut",0.680419921875,[611,612,613,614,615],{"_222":300,"_223":301,"_42":302,"_303":304},"1943.3.2845","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_294":608,"_296":609,"_298":610},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_290":291,"_292":293},{"_226":599,"_125":600,"_284":601},{"_274":597,"_276":275,"_278":598,"_280":279},64.8251953125,40.8251953125,{"_286":226,"_123":606,"_154":607,"_140":97},{"_286":125,"_123":604,"_154":605,"_140":53},{"_286":284,"_123":602,"_154":603,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_310":624,"_312":625},{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},{"_310":616,"_312":617},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":683,"_223":684,"_324":685,"_326":685,"_328":-5,"_330":686,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1536/1540","france","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[668,669,670,671,672],{"_222":300,"_223":301,"_42":302,"_303":304},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_294":665,"_296":666,"_298":667},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_290":554,"_292":555},{"_226":658,"_125":659,"_284":660},{"_274":655,"_276":656,"_278":657,"_280":361},36.368408203125,40,21.368408203125,{"_286":226,"_123":663,"_154":664,"_140":89},{"_286":125,"_123":549,"_154":550,"_140":551},{"_286":284,"_123":661,"_154":662,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":741,"_223":742,"_324":743,"_326":395,"_328":744,"_330":745,"_332":-5,"_333":-5,"_334":746,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[726,727,728,729,730],{"_222":722,"_223":723,"_42":724,"_303":725},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":719,"_720":721},"TWO GALLEYS AT SEA",{"_294":716,"_296":717,"_298":718},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_290":291,"_292":293},{"_226":711,"_125":712,"_284":713},{"_274":359,"_276":709,"_278":361,"_280":710},41.86612497581737,17.86612497581737,{"_286":226,"_123":714,"_154":715,"_140":99},{"_286":125,"_123":489,"_154":490,"_140":430},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_310":739,"_312":740},{"_310":737,"_312":738},{"_310":735,"_312":736},{"_310":733,"_312":734},{"_310":731,"_312":732},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","view-of-heidelberg-met-337489","View of Heidelberg",{"_42":799,"_223":800,"_324":801,"_326":454,"_328":802,"_330":803,"_332":457,"_333":516,"_334":-5,"_140":101},"ca. 1588–89","Drawings","Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink","7 7/8 x 12 in. (20.0 x 30.5 cm)",30.5,20,1.5025125628140703,[784,785,786,787,788],{"_222":781,"_223":782,"_42":783,"_303":725},"Courtesy of The Metropolitan Museum of Art","1995.15","Jan Brueghel the Elder drew this in about 1588–89, aged about 15. It is now at The Met in New York.","View of Heidelberg, by Jan Brueghel the Elder, ca. 1588–89",{"_294":778,"_296":779,"_298":780},"https://img.ochreeditions.com/m/1017.jpg?dl=1","/art/view-of-heidelberg-met-337489","/galleries/style/northern-renaissance/view-of-heidelberg-met-337489",{"_290":291,"_292":293},{"_226":773,"_125":774,"_284":775},{"_274":770,"_276":771,"_278":754,"_280":772},54.5,44.29933110367893,20.29933110367893,{"_286":226,"_123":776,"_154":777,"_140":89},{"_286":125,"_123":489,"_154":490,"_140":430},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/1017/480.jpg","https://img.ochreeditions.com/a/1017/960.jpg","https://img.ochreeditions.com/a/1017/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_310":797,"_312":798},{"_310":795,"_312":796},{"_310":793,"_312":794},{"_310":791,"_312":792},{"_310":789,"_312":790},"#9d8873",0.0476,"#bab3a1",0.167,"#c0ad94",0.1674,"#d5c3ab",0.2675,"#e7d2ba",0.3505,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[849,850,851,852,853],{"_222":845,"_223":846,"_42":847,"_303":848},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":843,"_720":844},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_294":840,"_296":841,"_298":842},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_290":291,"_292":293},{"_226":830,"_125":831,"_284":832},{"_274":359,"_276":828,"_278":361,"_280":829},40.44117647058823,16.441176470588236,{"_286":226,"_123":838,"_154":839,"_140":87},{"_286":125,"_123":836,"_154":837,"_140":81},{"_286":284,"_123":833,"_154":834,"_140":835},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":862,"_312":863},{"_310":860,"_312":861},{"_310":858,"_312":859},{"_310":856,"_312":857},{"_310":854,"_312":855},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"landscape-with-a-double-spruce-met-336259","Landscape with a Double Spruce",{"_42":909,"_223":910,"_324":911,"_326":327,"_328":912,"_330":913,"_332":914,"_333":914,"_334":-5,"_140":101},"ca. 1521–22","Prints","Etching","Sheet: 4 5/16 x 6 5/16 in. (11 x 16 cm)",1.4617750439367312,[894,895,896,897,898],{"_222":781,"_223":782,"_42":783,"_303":725},"1993.1097","Albrecht Altdorfer made this in about 1521–22, aged about 36. It is now at The Met in New York.","Landscape with a Double Spruce, by Albrecht Altdorfer, ca. 1521–22",{"_294":891,"_296":892,"_298":893},"https://img.ochreeditions.com/m/1003.jpg?dl=1","/art/landscape-with-a-double-spruce-met-336259","/galleries/style/northern-renaissance/landscape-with-a-double-spruce-met-336259",{"_290":291,"_292":293},{"_226":886,"_125":887,"_284":888},{"_274":359,"_276":884,"_278":361,"_280":885},41.10249474000601,17.102494740006012,{"_286":226,"_123":889,"_154":890,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1003/480.jpg","https://img.ochreeditions.com/a/1003/960.jpg","https://img.ochreeditions.com/a/1003/1920.jpg",{"_310":907,"_312":908},{"_310":905,"_312":906},{"_310":903,"_312":904},{"_310":901,"_312":902},{"_310":899,"_312":900},"#786e61",0.1286,"#928777",0.1974,"#e1d3ba",0.2219,"#aca08d",0.2227,"#c6b9a2",0.2294,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":960,"_223":961,"_324":962,"_326":454,"_328":190,"_330":963,"_332":964,"_333":965,"_334":-5,"_140":103},"1589","Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[945,946,947,948,949],{"_222":781,"_223":782,"_42":783,"_303":725},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_294":942,"_296":943,"_298":944},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_290":291,"_292":293},{"_226":937,"_125":938,"_284":939},{"_274":359,"_276":935,"_278":361,"_280":936},42.1875,18.1875,{"_286":226,"_123":940,"_154":941,"_140":89},{"_286":125,"_123":489,"_154":490,"_140":430},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_310":958,"_312":959},{"_310":956,"_312":957},{"_310":954,"_312":955},{"_310":952,"_312":953},{"_310":950,"_312":951},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1593,"Mechelen","Amsterdam","hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":1014,"_223":1015,"_324":1016,"_326":327,"_328":1017,"_330":1018,"_332":1019,"_333":1020,"_334":-5,"_140":101},"1532","Paintings","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[999,1000,1001,1002,1003],{"_222":781,"_223":782,"_42":783,"_303":725},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_294":996,"_296":997,"_298":998},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_290":554,"_292":555},{"_226":991,"_125":992,"_284":993},{"_274":988,"_276":989,"_278":990,"_280":974},47.416417519013905,57.2,32.416417519013905,{"_286":226,"_123":994,"_154":995,"_140":89},{"_286":125,"_123":549,"_154":550,"_140":551},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_310":1012,"_312":1013},{"_310":1010,"_312":1011},{"_310":1008,"_312":1009},{"_310":1006,"_312":1007},{"_310":1004,"_312":1005},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":909,"_223":910,"_324":911,"_326":327,"_328":912,"_330":913,"_332":914,"_333":914,"_334":-5,"_140":101},"1519","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[1049,1050,1051,1052,1053],{"_222":781,"_223":782,"_42":783,"_303":725},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_294":1046,"_296":1047,"_298":1048},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_290":291,"_292":293},{"_226":1043,"_125":1044,"_284":1045},{"_274":1041,"_276":359,"_278":1042,"_280":361},41.52754820936639,17.52754820936639,{"_286":226,"_123":889,"_154":890,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_310":1062,"_312":1063},{"_310":1060,"_312":1061},{"_310":1058,"_312":1059},{"_310":1056,"_312":1057},{"_310":1054,"_312":1055},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":1108,"_223":1109,"_324":1110,"_326":395,"_328":1111,"_330":1112,"_332":-5,"_333":-5,"_334":-5,"_140":101},"c. 1590","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",1.3450204019948617,[1093,1094,1095,1096,1097],{"_222":373,"_223":374,"_42":375,"_303":376},"2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":1090,"_296":1091,"_298":1092},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_290":291,"_292":293},{"_226":1085,"_125":1086,"_284":1087},{"_274":359,"_276":1083,"_278":361,"_280":1084},42.58707865168539,18.587078651685392,{"_286":226,"_123":1088,"_154":1089,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg",{"_310":1106,"_312":1107},{"_310":1104,"_312":1105},{"_310":1102,"_312":1103},{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611",1546,1611,"the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":1159,"_223":1160,"_324":1161,"_326":395,"_328":1162,"_330":397,"_332":-5,"_333":-5,"_334":-5,"_140":103},"probably 1590 and 1597","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[1144,1145,1146,1147,1148],{"_222":300,"_223":301,"_42":302,"_303":304},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_294":1141,"_296":1142,"_298":1143},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_290":554,"_292":555},{"_226":1136,"_125":1137,"_284":1138},{"_274":1133,"_276":1134,"_278":1118,"_280":1135},97.2,78.97792968750001,63.97792968750001,{"_286":226,"_123":1139,"_154":1140,"_140":89},{"_286":125,"_123":549,"_154":550,"_140":551},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_310":1157,"_312":1158},{"_310":1155,"_312":1156},{"_310":1153,"_312":1154},{"_310":1151,"_312":1152},{"_310":1149,"_312":1150},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,{"_1164":-5,"_1165":1166,"_1167":1168,"_1169":8,"_1170":1171,"_1172":8},"user","csrf","0985a83f05b9a61fc64f4d880e9a0a9f53155c70","cartCount",0,"dropLive","legal",[1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183,1184],"uploadsEnabled",{"_223":1207,"_20":1208},{"_223":1205,"_20":1206},{"_223":1203,"_20":1204},{"_223":1201,"_20":1202},{"_223":1199,"_20":1200},{"_223":1197,"_20":1198},{"_223":1195,"_20":1196},{"_223":1193,"_20":1194},{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},{"_223":1185,"_20":1186},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]