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The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/1616.jpg?dl=1","page_url","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","walk_url","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","frame",{"_293":294,"_295":296},{"_227":286,"_125":287,"_288":289},"size",{"_278":279,"_280":281,"_282":283,"_284":285},"w",49,"h",43.854736328125,"image_w",25,"image_h",19.854736328125,{"_290":227,"_123":170,"_154":169,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":168},"era",{"_290":288,"_123":166,"_154":165,"_140":168},"facet","style/drawing-16","More drawings of the 16th century","moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1616/480.jpg","960","https://img.ochreeditions.com/a/1616/960.jpg","1920","https://img.ochreeditions.com/a/1616/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#586068","weight",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"Joris Hoefnagel","joris-hoefnagel","bio","Netherlandish, 1542–1600","nationality","Netherlandish","birth_year",1542,"death_year",1600,"birth_place","Antwerp","death_place","Vienna","about_excerpt","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. 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The parable compares types of soil to people in the world: one hardened; one fickle; one distracted by things of the world; and one with an open heart, ready to accept God.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":458,"_315":459},{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},{"_313":450,"_315":451},"#736855",0.0899,"#8f8168",0.1875,"#ccba96",0.1961,"#a69577",0.2395,"#baa684",0.287,"Gerard P. van Groningen","gerard-p-van-groningen","Netherlandish, active late 1500s","christ-carrying-the-cross-met-336162","Christ Carrying the Cross",{"_42":521,"_224":522,"_327":523,"_329":398,"_331":524,"_333":525,"_335":526,"_337":527,"_339":528,"_140":97},"ca. 1475–80","Prints","Engraving","Sheet: 11 3/8 × 16 7/8 in. (28.9 × 42.9 cm)",42.9,28.9,1.5008038585209003,[506,507,508,509,510],{"_223":502,"_224":503,"_42":504,"_306":505},"Courtesy of The Metropolitan Museum of Art","35.27","Martin Schongauer made this in about 1475–80, aged about 20. It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_297":499,"_299":500,"_301":501},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_293":294,"_295":296},{"_227":490,"_125":491,"_288":492},{"_278":487,"_280":488,"_282":470,"_284":489},66.9,52.58468130690948,28.58468130690948,{"_290":227,"_123":497,"_154":498,"_140":97},{"_290":125,"_123":495,"_154":496,"_140":53},{"_290":288,"_123":493,"_154":494,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},{"_313":511,"_315":512},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","fish-market-met-679844","Fish Market",{"_42":583,"_224":584,"_327":585,"_329":330,"_331":586,"_333":587,"_335":336,"_337":336,"_339":-5,"_140":103},"1568","painting","Paintings","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[568,569,570,571,572],{"_223":502,"_224":503,"_42":504,"_306":505},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_297":565,"_299":566,"_301":567},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_293":563,"_295":564},{"_227":555,"_125":556,"_288":557},{"_278":552,"_280":553,"_282":537,"_284":554},189.9,144.89257842387147,129.89257842387147,{"_290":227,"_123":561,"_154":562,"_140":89},{"_290":125,"_123":558,"_154":559,"_140":560},{"_290":288,"_123":166,"_154":165,"_140":168},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_313":581,"_315":582},{"_313":579,"_315":580},{"_313":577,"_315":578},{"_313":575,"_315":576},{"_313":573,"_315":574},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,1574,"the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":636,"_224":637,"_327":638,"_329":330,"_331":639,"_333":640,"_335":-5,"_337":641,"_339":642,"_140":99},"1560","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[621,622,623,624,625],{"_223":303,"_224":304,"_42":305,"_306":307},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_297":618,"_299":619,"_301":620},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_293":294,"_295":296},{"_227":613,"_125":614,"_288":615},{"_278":610,"_280":611,"_282":594,"_284":612},53.2,45.63623046875,21.63623046875,{"_290":227,"_123":616,"_154":617,"_140":99},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_313":634,"_315":635},{"_313":632,"_315":633},{"_313":630,"_315":631},{"_313":628,"_315":629},{"_313":626,"_315":627},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","saint-andrew-nga-11916","Saint Andrew",{"_42":689,"_224":690,"_327":691,"_329":692,"_331":191,"_333":693,"_335":694,"_337":695,"_339":696,"_140":91},"probably 1589","engraving",0.678955078125,[674,675,676,677,678],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.3.9401","Hendrick Goltzius made this (probably 1589), aged 31. It is now at the National Gallery of Art in Washington, DC.","Saint Andrew, his lined face resting on one hand and a book tucked under his arm, gazes out of the frame with a melancholy, inward look, set against a background of rugged rocks. Goltzius engraved the plate around 1589 as part of a series of the apostles, each a half-length figure with a Latin inscription below.","The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.",{"_297":671,"_299":672,"_301":673},"https://img.ochreeditions.com/m/1358.jpg?dl=1","/art/saint-andrew-nga-11916","/galleries/style/northern-renaissance/saint-andrew-nga-11916",{"_293":294,"_295":296},{"_227":666,"_125":667,"_288":668},{"_278":662,"_280":663,"_282":664,"_284":665},64.7373046875,84,40.7373046875,60,{"_290":227,"_123":669,"_154":670,"_140":91},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1358/480.jpg","https://img.ochreeditions.com/a/1358/960.jpg","https://img.ochreeditions.com/a/1358/1920.jpg",{"_313":687,"_315":688},{"_313":685,"_315":686},{"_313":683,"_315":684},{"_313":681,"_315":682},{"_313":679,"_315":680},"#948676",0.1545,"#6f6457",0.1687,"#b1a18d",0.1761,"#50473e",0.2191,"#cebca4",0.2816,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":749,"_224":750,"_327":751,"_329":752,"_331":753,"_333":754,"_335":-5,"_337":-5,"_339":755,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[734,735,736,737,738],{"_223":731,"_224":732,"_42":733,"_306":505},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":729,"_439":730},"TWO GALLEYS AT SEA",{"_297":726,"_299":727,"_301":728},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_293":294,"_295":296},{"_227":721,"_125":722,"_288":723},{"_278":279,"_280":719,"_282":283,"_284":720},41.86612497581737,17.86612497581737,{"_290":227,"_123":724,"_154":725,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":168},{"_290":288,"_123":430,"_154":431,"_140":432},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_313":747,"_315":748},{"_313":745,"_315":746},{"_313":743,"_315":744},{"_313":741,"_315":742},{"_313":739,"_315":740},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":806,"_224":807,"_327":808,"_329":752,"_331":809,"_333":810,"_335":-5,"_337":-5,"_339":811,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[791,792,793,794,795],{"_223":787,"_224":788,"_42":789,"_306":790},"Courtesy of the Art Institute of Chicago","2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_297":784,"_299":785,"_301":786},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_293":294,"_295":296},{"_227":779,"_125":780,"_288":781},{"_278":777,"_280":279,"_282":778,"_284":283},42.87946763979822,18.879467639798218,{"_290":227,"_123":782,"_154":783,"_140":99},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":430,"_154":431,"_140":432},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":804,"_315":805},{"_313":802,"_315":803},{"_313":800,"_315":801},{"_313":798,"_315":799},{"_313":796,"_315":797},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":860,"_224":861,"_327":862,"_329":330,"_331":863,"_333":332,"_335":641,"_337":641,"_339":-5,"_140":103},"1530–35","Drawings","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[845,846,847,848,849],{"_223":502,"_224":503,"_42":504,"_306":505},"1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_297":842,"_299":843,"_301":844},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_293":294,"_295":296},{"_227":837,"_125":838,"_288":839},{"_278":834,"_280":835,"_282":819,"_284":836},72.3,60.23450537916557,36.23450537916557,{"_290":227,"_123":840,"_154":841,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":168},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg",{"_313":858,"_315":859},{"_313":856,"_315":857},{"_313":854,"_315":855},{"_313":852,"_315":853},{"_313":850,"_315":851},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542",1492,"portrait-of-alain-de-coetivy-1407-1474-met-337088","Portrait of Alain de Coëtivy (1407–1474)",{"_42":916,"_224":917,"_327":918,"_329":919,"_331":920,"_333":921,"_335":922,"_337":922,"_339":-5,"_140":103},"ca. 1451–55","france","Metalpoint, black chalk on white prepared paper","7 13/16 x 5 5/16 in. (19.8 x 13.5 cm.)",13.5,19.8,0.6919617762788083,[901,902,903,904,905],{"_223":502,"_224":503,"_42":504,"_306":505},"49.38","Jean Fouquet drew this in about 1451–55, aged about 21. It is now at The Met in New York.","Portrait of Alain de Coëtivy (1407–1474), by Jean Fouquet, ca. 1451–55",{"_297":898,"_299":899,"_301":900},"https://img.ochreeditions.com/m/1013.jpg?dl=1","/art/portrait-of-alain-de-coetivy-1407-1474-met-337088","/galleries/style/northern-renaissance/portrait-of-alain-de-coetivy-1407-1474-met-337088",{"_293":294,"_295":296},{"_227":888,"_125":889,"_288":890},{"_278":886,"_280":279,"_282":887,"_284":283},41.29904440697021,17.299044406970207,{"_290":227,"_123":896,"_154":897,"_140":89},{"_290":125,"_123":894,"_154":895,"_140":91},{"_290":288,"_123":891,"_154":892,"_140":893},"era/15","The 15th century",110,"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-jean-fouquet","Jean Fouquet's contemporaries","https://img.ochreeditions.com/a/1013/480.jpg","https://img.ochreeditions.com/a/1013/960.jpg","https://img.ochreeditions.com/a/1013/1920.jpg",{"_313":914,"_315":915},{"_313":912,"_315":913},{"_313":910,"_315":911},{"_313":908,"_315":909},{"_313":906,"_315":907},"#bfb1a1",0.0632,"#e9decb",0.0657,"#cfc2b4",0.2266,"#e1d4c9",0.2908,"#dacdbf",0.3537,"Jean Fouquet","jean-fouquet","French, 1425–1478","French",1425,1478,"Tours","a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground",{"_42":967,"_224":968,"_327":969,"_329":752,"_331":970,"_333":971,"_335":972,"_337":973,"_339":-5,"_140":103},"1596–1639","Pen and brown ink; framing lines in pen and brown ink","Sheet: 7 13/16 × 7 13/16 in. (19.8 × 19.8 cm)",0.9997154240182129,[952,953,954,955,956],{"_223":502,"_224":503,"_42":504,"_306":505},"2024.629.15","Roelandt Savery drew this in 1596–1639, aged about 20. It is now at The Met in New York.","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639",{"_297":949,"_299":950,"_301":951},"https://img.ochreeditions.com/m/1287.jpg?dl=1","/art/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","/galleries/style/northern-renaissance/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758",{"_293":294,"_295":296},{"_227":944,"_125":945,"_288":946},{"_278":942,"_280":279,"_282":943,"_284":283},48.992885600455324,24.992885600455324,{"_290":227,"_123":947,"_154":948,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":168},{"_290":288,"_123":430,"_154":431,"_140":432},"artist/contemporaries-of-roelandt-savery","Roelandt Savery's contemporaries","https://img.ochreeditions.com/a/1287/480.jpg","https://img.ochreeditions.com/a/1287/960.jpg","https://img.ochreeditions.com/a/1287/1920.jpg",{"_313":965,"_315":966},{"_313":963,"_315":964},{"_313":961,"_315":962},{"_313":959,"_315":960},{"_313":957,"_315":958},"#f1e7dd",0.085,"#b39c89",0.0908,"#c4af9c",0.2056,"#deccbd",0.2939,"#d1beac",0.3247,"Roelandt Savery","roelandt-savery","Flemish, 1576–1639",1576,1639,"Kortrijk","Utrecht","saint-christopher-nga-6034","Saint Christopher",{"_42":1018,"_224":1019,"_327":1020,"_329":398,"_331":1021,"_333":809,"_335":1022,"_337":1023,"_339":1024,"_140":97},"1506","chiaroscuro woodcut printed in brown-orange and black",0.703125,[1003,1004,1005,1006,1007],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_297":1000,"_299":1001,"_301":1002},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_293":294,"_295":296},{"_227":995,"_125":996,"_288":997},{"_278":993,"_280":663,"_282":994,"_284":665},66.1875,42.1875,{"_290":227,"_123":998,"_154":999,"_140":97},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":370,"_154":371,"_140":372},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_313":1016,"_315":1017},{"_313":1014,"_315":1015},{"_313":1012,"_315":1013},{"_313":1010,"_315":1011},{"_313":1008,"_315":1009},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":1068,"_224":1069,"_327":1070,"_329":398,"_331":1071,"_333":1072,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1553","etching",1.5103244837758112,[1053,1054,1055,1056,1057],{"_223":303,"_224":304,"_42":305,"_306":307},"1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_297":1050,"_299":1051,"_301":1052},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_293":294,"_295":296},{"_227":1045,"_125":1046,"_288":1047},{"_278":663,"_280":1043,"_282":665,"_284":1044},63.7265625,39.7265625,{"_290":227,"_123":1048,"_154":1049,"_140":89},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg",{"_313":1066,"_315":1067},{"_313":1064,"_315":1065},{"_313":1062,"_315":1063},{"_313":1060,"_315":1061},{"_313":1058,"_315":1059},"#524943",0.1756,"#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,"erasmus-of-rotterdam-met-459080","Erasmus of Rotterdam",{"_42":1119,"_224":1120,"_327":1121,"_329":398,"_331":1122,"_333":1123,"_335":1124,"_337":1125,"_339":-5,"_140":101},"ca. 1532","Oil on linden panel","7 1/4 x 5 9/16 in. (18.4 x 14.2 cm); painted surface 6 15/16 x 5 1/2 in. (17.6 x 14 cm)",14.2,0.7727509100364015,[1104,1105,1106,1107,1108],{"_223":502,"_224":503,"_42":504,"_306":505},"1975.1.138","Hans Holbein the Younger painted this in about 1532, aged about 30. It is now at The Met in New York.","Erasmus of Rotterdam, by Hans Holbein the Younger, ca. 1532",{"_297":1101,"_299":1102,"_301":1103},"https://img.ochreeditions.com/m/1255.jpg?dl=1","/art/erasmus-of-rotterdam-met-459080","/galleries/style/northern-renaissance/erasmus-of-rotterdam-met-459080",{"_293":563,"_295":564},{"_227":1096,"_125":1097,"_288":1098},{"_278":1093,"_280":1094,"_282":1095,"_284":283},34.31877275091004,40,19.31877275091004,{"_290":227,"_123":1099,"_154":1100,"_140":89},{"_290":125,"_123":558,"_154":559,"_140":560},{"_290":288,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1255/480.jpg","https://img.ochreeditions.com/a/1255/960.jpg","https://img.ochreeditions.com/a/1255/1920.jpg",{"_313":1117,"_315":1118},{"_313":1115,"_315":1116},{"_313":1113,"_315":1114},{"_313":1111,"_315":1112},{"_313":1109,"_315":1110},"#75583f",0.0568,"#3f2b20",0.0829,"#583622",0.104,"#193e3d",0.2797,"#1b1a17",0.4766,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":1175,"_224":1176,"_327":1177,"_329":398,"_331":1178,"_333":1179,"_335":-5,"_337":-5,"_339":1180,"_140":99},"1527","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[1160,1161,1162,1163,1164],{"_223":303,"_224":304,"_42":305,"_306":307},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_297":1157,"_299":1158,"_301":1159},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_293":563,"_295":564},{"_227":1152,"_125":1153,"_288":1154},{"_278":1149,"_280":1150,"_282":1151,"_284":1134},44.70947265625,58,29.70947265625,{"_290":227,"_123":1155,"_154":1156,"_140":99},{"_290":125,"_123":558,"_154":559,"_140":560},{"_290":288,"_123":370,"_154":371,"_140":372},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_313":1173,"_315":1174},{"_313":1171,"_315":1172},{"_313":1169,"_315":1170},{"_313":1167,"_315":1168},{"_313":1165,"_315":1166},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.",{"_1182":-5,"_1183":1184,"_1185":1186,"_1187":8,"_1188":1189,"_1190":8},"user","csrf","f3e578344e66ea617f2cc31bba77c72b617df7c9","cartCount",0,"dropLive","legal",[1191,1192,1193,1194,1195,1196,1197,1198,1199,1200,1201,1202],"uploadsEnabled",{"_224":1225,"_20":1226},{"_224":1223,"_20":1224},{"_224":1221,"_20":1222},{"_224":1219,"_20":1220},{"_224":1217,"_20":1218},{"_224":1215,"_20":1216},{"_224":1213,"_20":1214},{"_224":1211,"_20":1212},{"_224":1209,"_20":1210},{"_224":1207,"_20":1208},{"_224":1205,"_20":1206},{"_224":1203,"_20":1204},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]