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It is now at the Cleveland Museum of Art.",{"_118":306,"_307":308},"note","The Rabbit Hunt, by Pieter Bruegel, 1560","images",{"_300":301,"_302":303,"_304":305},"download_url","https://img.ochreeditions.com/m/770.jpg?dl=1","page_url","/art/the-rabbit-hunt-cma-168193","walk_url","/galleries/style/northern-renaissance/the-rabbit-hunt-cma-168193","frame",{"_296":297,"_298":299},{"_230":288,"_125":289,"_290":291},"size",{"_281":282,"_283":284,"_285":248,"_286":287},"w",53,"h",46.466470588235296,"image_w","image_h",22.466470588235296,{"_292":230,"_123":170,"_154":169,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},"era",{"_292":290,"_123":166,"_154":165,"_140":168},"facet","style/print-16","More prints of the 16th century",54,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/770/480.jpg","960","https://img.ochreeditions.com/a/770/960.jpg","1920","https://img.ochreeditions.com/a/770/1920.jpg","In this etching considered the artist's only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of his pen-and-ink drawings to evoke a vivid sense of atmosphere and light and create a deep recession into space.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_319":329,"_321":330},{"_319":327,"_321":328},{"_319":325,"_321":326},{"_319":323,"_321":324},{"_319":320,"_321":322},"hex","#64615a","weight",0.0855,"#e7dfd3",0.1158,"#8e8980",0.192,"#aea79c",0.2465,"#cbc3b9",0.3602,"Pieter Bruegel","pieter-bruegel","bio","Netherlandish, c. 1525/30–1569","nationality","Netherlandish","birth_year",1525,"death_year",1569,"birth_place","death_place","Brussels","about_excerpt","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","saint-john-before-god-and-the-elders-nga-52557","Saint John before God and the Elders",{"_42":404,"_227":405,"_333":406,"_335":407,"_337":408,"_339":409,"_341":410,"_342":410,"_344":411,"_140":89},"probably c. 1496/1498","germany","woodcut on laid paper","sheet (trimmed to block): 39.3 × 28.1 cm (15 1/2 × 11 1/16 in.)",28.1,39.3,0.724609375,[389,390,391,392,393],{"_226":385,"_227":386,"_42":387,"_312":388},"Courtesy National Gallery of Art, Washington","1971.39.3","Albrecht Dürer made this (probably c. 1496/1498), aged about 25. It is now at the National Gallery of Art in Washington, DC.","In this woodcut from Dürer’s Apocalypse, Saint John, summoned through a door in heaven, comes before God enthroned among clouds, who holds the book sealed with seven seals.","The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.",{"_300":382,"_302":383,"_304":384},"https://img.ochreeditions.com/m/1557.jpg?dl=1","/art/saint-john-before-god-and-the-elders-nga-52557","/galleries/style/northern-renaissance/saint-john-before-god-and-the-elders-nga-52557",{"_296":297,"_298":299},{"_230":373,"_125":374,"_290":375},{"_281":370,"_283":371,"_285":372,"_286":354},52.4771484375,63.3,28.4771484375,{"_292":230,"_123":380,"_154":381,"_140":89},{"_292":125,"_123":378,"_154":379,"_140":53},{"_292":290,"_123":376,"_154":377,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1557/480.jpg","https://img.ochreeditions.com/a/1557/960.jpg","https://img.ochreeditions.com/a/1557/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_319":402,"_321":403},{"_319":400,"_321":401},{"_319":398,"_321":399},{"_319":396,"_321":397},{"_319":394,"_321":395},"#d8cbb4",0.1478,"#72675b",0.1529,"#bcaf9a",0.2024,"#a39784",0.2323,"#8b7f6f",0.2646,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","trajan-nga-4262","Trajan",{"_42":460,"_227":461,"_333":462,"_335":407,"_337":463,"_339":464,"_341":-5,"_342":-5,"_344":465,"_140":99},"1546","engraving",1.0047909407665505,[446,447,448,449,450],{"_226":385,"_227":386,"_42":387,"_312":388},"1943.3.1044","Sebald Beham made this in 1546, aged 46. It is now at the National Gallery of Art in Washington, DC.","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.",{"_300":443,"_302":444,"_304":445},"https://img.ochreeditions.com/m/1338.jpg?dl=1","/art/trajan-nga-4262","/galleries/style/northern-renaissance/trajan-nga-4262",{"_296":297,"_298":299},{"_230":435,"_125":436,"_290":437},{"_281":431,"_283":432,"_285":433,"_286":434},84,83.71391417425227,60,59.713914174252274,{"_292":230,"_123":441,"_154":442,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":440},"era/16-germany","16th-century Germany",28,"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1338/480.jpg","https://img.ochreeditions.com/a/1338/960.jpg","https://img.ochreeditions.com/a/1338/1920.jpg",{"_319":458,"_321":459},{"_319":456,"_321":457},{"_319":454,"_321":455},{"_319":453,"_321":324},{"_319":451,"_321":452},"#655a51",0.0699,"#8b7d6d","#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":331,"_227":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":-5,"_342":343,"_344":345,"_140":99},"netherlands","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[500,501,502,503,504],{"_226":385,"_227":386,"_42":387,"_312":388},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_300":497,"_302":498,"_304":499},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_296":297,"_298":299},{"_230":491,"_125":492,"_290":493},{"_281":488,"_283":489,"_285":472,"_286":490},53.2,45.63623046875,21.63623046875,{"_292":230,"_123":170,"_154":169,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":494,"_154":495,"_140":496},"era/16-netherlands","16th-century Netherlands",35,"https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_319":513,"_321":514},{"_319":511,"_321":512},{"_319":509,"_321":510},{"_319":507,"_321":508},{"_319":505,"_321":506},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"deer-hunt-with-nets-si-chndm-1901-39-128","Deer Hunt with Nets",{"_42":574,"_227":575,"_333":576,"_335":577,"_337":578,"_339":579,"_341":-5,"_342":-5,"_344":580,"_140":99},"ca. 1590 – 1599","drawing","Drawing","Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper","H x W: 11 × 14.9 cm (4 5/16 × 5 7/8 in.)",14.9,1.330243098475484,[559,560,561,562,563],{"_226":555,"_227":556,"_42":557,"_312":558},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-128","Jan van der Straet, called Stradanus drew this in about 1590 – 1599, aged about 67. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":553,"_307":554},"DEER HUNT WITH NETS",{"_300":550,"_302":551,"_304":552},"https://img.ochreeditions.com/m/1702.jpg?dl=1","/art/deer-hunt-with-nets-si-chndm-1901-39-128","/galleries/style/northern-renaissance/deer-hunt-with-nets-si-chndm-1901-39-128",{"_296":297,"_298":299},{"_230":543,"_125":544,"_290":545},{"_281":539,"_283":540,"_285":541,"_286":542},49,42.793557379588044,25,18.793557379588044,{"_292":230,"_123":548,"_154":549,"_140":99},{"_292":125,"_123":546,"_154":547,"_140":496},{"_292":290,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century","artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1702/480.jpg","https://img.ochreeditions.com/a/1702/960.jpg","https://img.ochreeditions.com/a/1702/1920.jpg","Recto: Landscape with hunters on horseback, accompanied by their hounds. They have driven two stags into a wide net.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_319":572,"_321":573},{"_319":570,"_321":571},{"_319":568,"_321":569},{"_319":566,"_321":567},{"_319":564,"_321":565},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","bacchanal-met-335240","Bacchanal",{"_42":635,"_227":636,"_333":637,"_335":638,"_337":639,"_339":640,"_341":641,"_342":642,"_344":643,"_140":93},"ca. 1635–36","france","Drawings","Pen and brown ink, brush and brown wash, over faint black chalk","5 1/4 x 8 1/8 in. (13.3 x 20.6 cm.)",20.6,13.3,1.5462485113140134,[620,621,622,623,624],{"_226":617,"_227":618,"_42":619,"_312":558},"Courtesy of The Metropolitan Museum of Art","1998.225","Nicolas Poussin drew this in about 1635–36. It is now at The Met in New York.","Bacchanal, by Nicolas Poussin, ca. 1635–36",{"_300":614,"_302":615,"_304":616},"https://img.ochreeditions.com/m/994.jpg?dl=1","/art/bacchanal-met-335240","/galleries/style/northern-renaissance/bacchanal-met-335240",{"_296":297,"_298":299},{"_230":607,"_125":608,"_290":609},{"_281":539,"_283":605,"_285":541,"_286":606},40.16816431322208,16.168164313222082,{"_292":230,"_123":612,"_154":613,"_140":93},{"_292":125,"_123":546,"_154":547,"_140":496},{"_292":290,"_123":610,"_154":611,"_140":89},"era/16-france","16th-century France","artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/994/480.jpg","https://img.ochreeditions.com/a/994/960.jpg","https://img.ochreeditions.com/a/994/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_319":633,"_321":634},{"_319":631,"_321":632},{"_319":629,"_321":630},{"_319":627,"_321":628},{"_319":625,"_321":626},"#5b4b42",0.1349,"#7d6755",0.1593,"#9b836c",0.1684,"#baa389",0.2622,"#d4c1a8",0.2752,"Nicolas Poussin","nicolas-poussin","French, 1594–1665","French",1594,1665,"Les Andelys","Rome","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","head-of-a-young-woman-met-459211","Head of a Young Woman",{"_42":404,"_227":405,"_333":406,"_335":407,"_337":408,"_339":409,"_341":410,"_342":410,"_344":411,"_140":89},"1522","Black chalk highlighted with white chalk (abraded) on green prepared paper.","7 7/8 x 5 15/16 in. (20 x 15.1 cm)",15.1,20,0.7588313413014608,[673,674,675,676,677],{"_226":617,"_227":618,"_42":619,"_312":558},"1975.1.859","Albrecht Dürer drew this in 1522, aged 51. It is now at The Met in New York.","Head of a Young Woman, by Albrecht Dürer, 1522",{"_300":670,"_302":671,"_304":672},"https://img.ochreeditions.com/m/1272.jpg?dl=1","/art/head-of-a-young-woman-met-459211","/galleries/style/northern-renaissance/head-of-a-young-woman-met-459211",{"_296":297,"_298":299},{"_230":667,"_125":668,"_290":669},{"_281":665,"_283":539,"_285":666,"_286":541},42.970783532536515,18.97078353253652,{"_292":230,"_123":380,"_154":381,"_140":89},{"_292":125,"_123":546,"_154":547,"_140":496},{"_292":290,"_123":438,"_154":439,"_140":440},"https://img.ochreeditions.com/a/1272/480.jpg","https://img.ochreeditions.com/a/1272/960.jpg","https://img.ochreeditions.com/a/1272/1920.jpg",{"_319":686,"_321":687},{"_319":684,"_321":685},{"_319":682,"_321":683},{"_319":680,"_321":681},{"_319":678,"_321":679},"#d0d1c7",0.0716,"#708176",0.0837,"#7f9689",0.2386,"#75887d",0.2402,"#7a8f84",0.3659,"hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":742,"_227":743,"_333":744,"_335":407,"_337":745,"_339":746,"_341":747,"_342":748,"_344":-5,"_140":101},"1532","painting","Paintings","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[727,728,729,730,731],{"_226":617,"_227":618,"_42":619,"_312":558},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_300":724,"_302":725,"_304":726},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_296":722,"_298":723},{"_230":714,"_125":715,"_290":716},{"_281":711,"_283":712,"_285":713,"_286":697},47.416417519013905,57.2,32.416417519013905,{"_292":230,"_123":720,"_154":721,"_140":89},{"_292":125,"_123":717,"_154":718,"_140":719},{"_292":290,"_123":438,"_154":439,"_140":440},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_319":740,"_321":741},{"_319":738,"_321":739},{"_319":736,"_321":737},{"_319":734,"_321":735},{"_319":732,"_321":733},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":460,"_227":461,"_333":462,"_335":407,"_337":463,"_339":464,"_341":-5,"_342":-5,"_344":465,"_140":99},"1540",0.6658470617162527,[775,776,777,778,779],{"_226":385,"_227":386,"_42":387,"_312":388},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_300":772,"_302":773,"_304":774},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_296":297,"_298":299},{"_230":769,"_125":770,"_290":771},{"_281":767,"_283":431,"_285":768,"_286":433},63.950823702975164,39.950823702975164,{"_292":230,"_123":441,"_154":442,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":440},"https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_319":788,"_321":789},{"_319":786,"_321":787},{"_319":784,"_321":785},{"_319":782,"_321":783},{"_319":780,"_321":781},"#e3d1b4",0.1756,"#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":833,"_227":834,"_333":835,"_335":836,"_337":188,"_339":837,"_341":838,"_342":839,"_344":840,"_140":91},"pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[818,819,820,821,822],{"_226":385,"_227":386,"_42":387,"_312":388},"1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_300":815,"_302":816,"_304":817},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_296":297,"_298":299},{"_230":810,"_125":811,"_290":812},{"_281":431,"_283":808,"_285":433,"_286":809},83.51529140219273,59.51529140219274,{"_292":230,"_123":813,"_154":814,"_140":91},{"_292":125,"_123":546,"_154":547,"_140":496},{"_292":290,"_123":494,"_154":495,"_140":496},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg",{"_319":831,"_321":832},{"_319":829,"_321":830},{"_319":827,"_321":828},{"_319":825,"_321":826},{"_319":823,"_321":824},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","Amya Petitioning Faustus for the Custody of Saint Mamas",{"_42":887,"_227":888,"_333":889,"_335":638,"_337":890,"_339":891,"_341":-5,"_342":-5,"_344":-5,"_140":103},"ca. 1543","Pen and brown ink, brush and gray wash, heightened with white, over black chalk","9 1/4 x 12 5/8 in. (23.5 x 32 cm)",32,23.5,1.3384781048097631,[873,874,875,876,877],{"_226":617,"_227":618,"_42":619,"_312":558},"2001.106","Jean Cousin the Elder drew this in about 1543, aged about 53. It is now at The Met in New York.","Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543",{"_300":870,"_302":871,"_304":872},"https://img.ochreeditions.com/m/1042.jpg?dl=1","/art/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","/galleries/style/northern-renaissance/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314",{"_296":297,"_298":299},{"_230":865,"_125":866,"_290":867},{"_281":862,"_283":863,"_285":847,"_286":864},56,47.9077500670421,23.9077500670421,{"_292":230,"_123":868,"_154":869,"_140":89},{"_292":125,"_123":546,"_154":547,"_140":496},{"_292":290,"_123":610,"_154":611,"_140":89},"artist/contemporaries-of-jean-cousin-the-elder","Jean Cousin the Elder's contemporaries","https://img.ochreeditions.com/a/1042/480.jpg","https://img.ochreeditions.com/a/1042/960.jpg","https://img.ochreeditions.com/a/1042/1920.jpg",{"_319":885,"_321":886},{"_319":883,"_321":884},{"_319":881,"_321":882},{"_319":879,"_321":880},{"_319":878,"_321":679},"#ede2d1","#847669",0.0785,"#9a8878",0.2249,"#b6a38c",0.2855,"#a89582",0.3395,"Jean Cousin the Elder","jean-cousin-the-elder","French, Souci (?) ca. 1490–ca. 1560 Paris (?)",1485,1565,"plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)",{"_42":939,"_227":940,"_333":941,"_335":336,"_337":942,"_339":943,"_341":944,"_342":945,"_344":946,"_140":99},"c.1575/1590s","watercolor and gold paint on parchment","page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)",18.4,14.3,1.2591454042422379,[924,925,926,927,928],{"_226":385,"_227":386,"_42":387,"_312":388},"1987.20.5.14","Joris Hoefnagel painted this in about 1575/1590s, aged about 28. It is now at the National Gallery of Art in Washington, DC.","A yellow swallowtail, a red admiral and a dragonfly are set out symmetrically on the parchment, painted in watercolour with touches of gold so precisely that they could almost be pinned specimens.","Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_300":921,"_302":922,"_304":923},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_296":297,"_298":299},{"_230":916,"_125":917,"_290":918},{"_281":539,"_283":914,"_285":541,"_286":915},43.854736328125,19.854736328125,{"_292":230,"_123":919,"_154":920,"_140":99},{"_292":125,"_123":546,"_154":547,"_140":496},{"_292":290,"_123":494,"_154":495,"_140":496},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg",{"_319":937,"_321":938},{"_319":935,"_321":936},{"_319":933,"_321":934},{"_319":931,"_321":932},{"_319":929,"_321":930},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","interior-view-of-the-coliseum-aic-84972","Interior View of the Coliseum",{"_42":1003,"_227":1004,"_333":1005,"_335":577,"_337":-5,"_339":-5,"_341":-5,"_342":-5,"_344":-5,"_140":103},"c. 1580","watercolour","Drawing and Watercolor","Pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper","37 × 43 cm (14 5/8 × 16 15/16 in.)",43,37,1.1673617407071624,[988,989,990,991,992],{"_226":984,"_227":985,"_42":986,"_312":987},"Courtesy of the Art Institute of Chicago","1922.2422","Lodewijk Toeput painted this in about 1580. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.",{"_300":981,"_302":982,"_304":983},"https://img.ochreeditions.com/m/232.jpg?dl=1","/art/interior-view-of-the-coliseum-aic-84972","/galleries/style/northern-renaissance/interior-view-of-the-coliseum-aic-84972",{"_296":297,"_298":299},{"_230":974,"_125":975,"_290":976},{"_281":971,"_283":972,"_285":955,"_286":973},67,60.835197266231745,36.835197266231745,{"_292":230,"_123":979,"_154":980,"_140":89},{"_292":125,"_123":977,"_154":978,"_140":89},{"_292":290,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-lodewijk-toeput","Lodewijk Toeput's contemporaries","https://img.ochreeditions.com/a/232/480.jpg","https://img.ochreeditions.com/a/232/960.jpg","https://img.ochreeditions.com/a/232/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_319":1001,"_321":1002},{"_319":999,"_321":1000},{"_319":997,"_321":998},{"_319":995,"_321":996},{"_319":993,"_321":994},"#dbccb4",0.1105,"#655949",0.1638,"#b2a28c",0.1843,"#988974",0.2237,"#7e6f5c",0.3177,"Lodewijk Toeput","lodewijk-toeput","Flemish, c. 1550–c. 1605","otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":1053,"_227":1054,"_333":1055,"_335":336,"_337":1056,"_339":942,"_341":343,"_342":343,"_344":-5,"_140":103},"1530–35","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[1038,1039,1040,1041,1042],{"_226":617,"_227":618,"_42":619,"_312":558},"1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_300":1035,"_302":1036,"_304":1037},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_296":297,"_298":299},{"_230":1030,"_125":1031,"_290":1032},{"_281":1027,"_283":1028,"_285":1012,"_286":1029},72.3,60.23450537916557,36.23450537916557,{"_292":230,"_123":1033,"_154":1034,"_140":89},{"_292":125,"_123":546,"_154":547,"_140":496},{"_292":290,"_123":494,"_154":495,"_140":496},"artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg",{"_319":1051,"_321":1052},{"_319":1049,"_321":1050},{"_319":1047,"_321":1048},{"_319":1045,"_321":1046},{"_319":1043,"_321":1044},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542",1492,"crest-nga-11963","Crest",{"_42":1098,"_227":1099,"_333":1100,"_335":407,"_337":1101,"_339":1102,"_341":-5,"_342":-5,"_344":-5,"_140":103},0.656855151045701,[1083,1084,1085,1086,1087],{"_226":385,"_227":386,"_42":387,"_312":388},"1943.3.9447","Michel Le Blon made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.",{"_300":1080,"_302":1081,"_304":1082},"https://img.ochreeditions.com/m/1359.jpg?dl=1","/art/crest-nga-11963","/galleries/style/northern-renaissance/crest-nga-11963",{"_296":297,"_298":299},{"_230":1075,"_125":1076,"_290":1077},{"_281":1073,"_283":431,"_285":1074,"_286":433},63.41130906274206,39.41130906274206,{"_292":230,"_123":1078,"_154":1079,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":440},"artist/contemporaries-of-michel-le-blon","Michel Le Blon's contemporaries","https://img.ochreeditions.com/a/1359/480.jpg","https://img.ochreeditions.com/a/1359/960.jpg","https://img.ochreeditions.com/a/1359/1920.jpg",{"_319":1096,"_321":1097},{"_319":1094,"_321":1095},{"_319":1092,"_321":1093},{"_319":1090,"_321":1091},{"_319":1088,"_321":1089},"#756759",0.1004,"#938470",0.135,"#ccb99d",0.1358,"#b19f86",0.1477,"#f3e2c5",0.4811,"Michel Le Blon","michel-le-blon","German, 1587–1656",1587,1656,"mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":1144,"_227":1145,"_333":1146,"_335":407,"_337":1147,"_339":1148,"_341":-5,"_342":-5,"_344":-5,"_140":103},"1553",1.5103244837758112,[1130,1131,1132,1133,1134],{"_226":385,"_227":386,"_42":387,"_312":388},"1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_300":1127,"_302":1128,"_304":1129},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_296":297,"_298":299},{"_230":1122,"_125":1123,"_290":1124},{"_281":431,"_283":1120,"_285":433,"_286":1121},63.7265625,39.7265625,{"_292":230,"_123":1125,"_154":1126,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":440},"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg",{"_319":1142,"_321":1143},{"_319":1140,"_321":1141},{"_319":1138,"_321":1139},{"_319":1136,"_321":1137},{"_319":1135,"_321":781},"#524943","#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","855c1c3002003fa12218c401f6001eced081f3b2","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_227":1193,"_20":1194},{"_227":1191,"_20":1192},{"_227":1189,"_20":1190},{"_227":1187,"_20":1188},{"_227":1185,"_20":1186},{"_227":1183,"_20":1184},{"_227":1181,"_20":1182},{"_227":1179,"_20":1180},{"_227":1177,"_20":1178},{"_227":1175,"_20":1176},{"_227":1173,"_20":1174},{"_227":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]