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It is now at the Cleveland Museum of Art.",{"_118":446,"_447":448},"The Rabbit Hunt, by Pieter Bruegel, 1560",{"_296":443,"_298":444,"_300":445},"https://img.ochreeditions.com/m/770.jpg?dl=1","/art/the-rabbit-hunt-cma-168193","/galleries/style/northern-renaissance/the-rabbit-hunt-cma-168193",{"_292":377,"_294":378},{"_226":437,"_125":438,"_286":439},{"_277":434,"_279":435,"_281":417,"_282":436},53,46.466470588235296,22.466470588235296,{"_288":226,"_123":169,"_154":168,"_140":99},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":440,"_154":441,"_140":442},"era/16-flanders","16th-century Flanders",17,"https://img.ochreeditions.com/a/770/480.jpg","https://img.ochreeditions.com/a/770/960.jpg","https://img.ochreeditions.com/a/770/1920.jpg","In this etching considered the artist's only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of his pen-and-ink drawings to evoke a vivid sense of atmosphere and light and create a deep recession into space.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":466,"_314":467},{"_312":464,"_314":465},{"_312":462,"_314":463},{"_312":460,"_314":461},{"_312":458,"_314":459},"#64615a",0.0855,"#e7dfd3",0.1158,"#8e8980",0.192,"#aea79c",0.2465,"#cbc3b9",0.3602,"saint-andrew-nga-11916","Saint Andrew",{"_42":512,"_223":513,"_326":514,"_328":515,"_330":204,"_332":516,"_334":517,"_335":518,"_337":519,"_140":91},"probably 1589","engraving",0.678955078125,[497,498,499,500,501],{"_222":382,"_223":383,"_42":384,"_305":385},"1943.3.9401","Hendrick Goltzius made this (probably 1589), aged 31. It is now at the National Gallery of Art in Washington, DC.","Saint Andrew, his lined face resting on one hand and a book tucked under his arm, gazes out of the frame with a melancholy, inward look, set against a background of rugged rocks. Goltzius engraved the plate around 1589 as part of a series of the apostles, each a half-length figure with a Latin inscription below.","The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/1358.jpg?dl=1","/art/saint-andrew-nga-11916","/galleries/style/northern-renaissance/saint-andrew-nga-11916",{"_292":377,"_294":378},{"_226":489,"_125":490,"_286":491},{"_277":487,"_279":363,"_281":488,"_282":365},64.7373046875,40.7373046875,{"_288":226,"_123":492,"_154":493,"_140":91},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1358/480.jpg","https://img.ochreeditions.com/a/1358/960.jpg","https://img.ochreeditions.com/a/1358/1920.jpg",{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},"#948676",0.1545,"#6f6457",0.1687,"#b1a18d",0.1761,"#50473e",0.2191,"#cebca4",0.2816,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":567,"_223":568,"_326":569,"_328":404,"_330":570,"_332":571,"_334":572,"_335":572,"_337":573,"_140":89},"probably 1519","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,0.8386010362694301,[552,553,554,555,556],{"_222":302,"_223":303,"_42":304,"_305":306},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_296":549,"_298":550,"_300":551},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_292":293,"_294":295},{"_226":544,"_125":545,"_286":546},{"_277":541,"_279":542,"_281":543,"_282":365},65.3160621761658,75,50.3160621761658,{"_288":226,"_123":547,"_154":548,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},{"_312":557,"_314":558},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","Amya Petitioning Faustus for the Custody of Saint Mamas",{"_42":628,"_223":629,"_326":630,"_328":631,"_330":632,"_332":633,"_334":-5,"_335":-5,"_337":-5,"_140":103},"ca. 1543","france","drawing","Drawings","Pen and brown ink, brush and gray wash, heightened with white, over black chalk","9 1/4 x 12 5/8 in. (23.5 x 32 cm)",32,23.5,1.3384781048097631,[613,614,615,616,617],{"_222":302,"_223":303,"_42":304,"_305":306},"2001.106","Jean Cousin the Elder drew this in about 1543, aged about 53. It is now at The Met in New York.","Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543",{"_296":610,"_298":611,"_300":612},"https://img.ochreeditions.com/m/1042.jpg?dl=1","/art/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","/galleries/style/northern-renaissance/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314",{"_292":377,"_294":378},{"_226":601,"_125":602,"_286":603},{"_277":598,"_279":599,"_281":583,"_282":600},56,47.9077500670421,23.9077500670421,{"_288":226,"_123":608,"_154":609,"_140":89},{"_288":125,"_123":606,"_154":607,"_140":167},{"_288":286,"_123":604,"_154":605,"_140":89},"era/16-france","16th-century France","style/drawing-16","More drawings of the 16th century","artist/contemporaries-of-jean-cousin-the-elder","Jean Cousin the Elder's contemporaries","https://img.ochreeditions.com/a/1042/480.jpg","https://img.ochreeditions.com/a/1042/960.jpg","https://img.ochreeditions.com/a/1042/1920.jpg",{"_312":626,"_314":627},{"_312":624,"_314":625},{"_312":622,"_314":623},{"_312":620,"_314":621},{"_312":618,"_314":619},"#ede2d1",0.0716,"#847669",0.0785,"#9a8878",0.2249,"#b6a38c",0.2855,"#a89582",0.3395,"Jean Cousin the Elder","jean-cousin-the-elder","French, Souci (?) ca. 1490–ca. 1560 Paris (?)","French",1485,1565,"spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":686,"_223":687,"_326":688,"_328":689,"_330":406,"_332":690,"_334":-5,"_335":-5,"_337":691,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7505114676429417,[671,672,673,674,675],{"_222":667,"_223":668,"_42":669,"_305":670},"Courtesy of the Art Institute of Chicago","2023.3190.3","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_296":664,"_298":665,"_300":666},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_292":377,"_294":378},{"_226":659,"_125":660,"_286":661},{"_277":655,"_279":656,"_281":657,"_282":658},42.76278669107354,49,18.762786691073543,25,{"_288":226,"_123":662,"_154":663,"_140":99},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":440,"_154":441,"_140":442},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":684,"_314":685},{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},{"_312":676,"_314":677},"#5c544b",0.0632,"#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":739,"_223":740,"_326":741,"_328":329,"_330":633,"_332":742,"_334":743,"_335":744,"_337":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[724,725,726,727,728],{"_222":302,"_223":303,"_42":304,"_305":306},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_296":721,"_298":722,"_300":723},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_292":377,"_294":378},{"_226":716,"_125":717,"_286":718},{"_277":713,"_279":714,"_281":715,"_282":699},47.47889004149378,55.8,23.478890041493777,{"_288":226,"_123":719,"_154":720,"_140":89},{"_288":125,"_123":606,"_154":607,"_140":167},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_312":737,"_314":738},{"_312":735,"_314":736},{"_312":733,"_314":734},{"_312":731,"_314":732},{"_312":729,"_314":730},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1629,"Antwerp","The Hague","a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground",{"_42":790,"_223":791,"_326":792,"_328":689,"_330":793,"_332":794,"_334":795,"_335":796,"_337":-5,"_140":103},"1596–1639","Pen and brown ink; framing lines in pen and brown ink","Sheet: 7 13/16 × 7 13/16 in. (19.8 × 19.8 cm)",19.8,0.9997154240182129,[775,776,777,778,779],{"_222":302,"_223":303,"_42":304,"_305":306},"2024.629.15","Roelandt Savery drew this in 1596–1639, aged about 20. It is now at The Met in New York.","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639",{"_296":772,"_298":773,"_300":774},"https://img.ochreeditions.com/m/1287.jpg?dl=1","/art/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","/galleries/style/northern-renaissance/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758",{"_292":377,"_294":378},{"_226":767,"_125":768,"_286":769},{"_277":765,"_279":656,"_281":766,"_282":658},48.992885600455324,24.992885600455324,{"_288":226,"_123":770,"_154":771,"_140":89},{"_288":125,"_123":606,"_154":607,"_140":167},{"_288":286,"_123":440,"_154":441,"_140":442},"artist/contemporaries-of-roelandt-savery","Roelandt Savery's contemporaries","https://img.ochreeditions.com/a/1287/480.jpg","https://img.ochreeditions.com/a/1287/960.jpg","https://img.ochreeditions.com/a/1287/1920.jpg",{"_312":788,"_314":789},{"_312":786,"_314":787},{"_312":784,"_314":785},{"_312":782,"_314":783},{"_312":780,"_314":781},"#f1e7dd",0.085,"#b39c89",0.0908,"#c4af9c",0.2056,"#deccbd",0.2939,"#d1beac",0.3247,"Roelandt Savery","roelandt-savery","Flemish, 1576–1639",1576,1639,"Kortrijk","Utrecht","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":849,"_223":850,"_326":851,"_328":689,"_330":852,"_332":853,"_334":-5,"_335":-5,"_337":854,"_140":99},"ca. 1587 – 1590","Drawing","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[835,836,837,838,839],{"_222":832,"_223":833,"_42":834,"_305":306},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":830,"_447":831},"TWO GALLEYS AT SEA",{"_296":827,"_298":828,"_300":829},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_292":377,"_294":378},{"_226":822,"_125":823,"_286":824},{"_277":656,"_279":820,"_281":658,"_282":821},41.86612497581737,17.86612497581737,{"_288":226,"_123":825,"_154":826,"_140":99},{"_288":125,"_123":606,"_154":607,"_140":167},{"_288":286,"_123":440,"_154":441,"_140":442},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_312":847,"_314":848},{"_312":845,"_314":846},{"_312":844,"_314":560},{"_312":842,"_314":843},{"_312":840,"_314":841},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383","#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff",{"_42":903,"_223":904,"_326":631,"_328":631,"_330":-5,"_332":905,"_334":-5,"_335":-5,"_337":-5,"_140":103},"1544","Prints","Engraving; first state of two","Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm) Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm)",30.5,43.5,0.7168852020337169,[888,889,890,891,892],{"_222":302,"_223":303,"_42":304,"_305":306},"2013.963.2","Niccolò della Casa made this in 1544. It is now at The Met in New York.","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544",{"_296":885,"_298":886,"_300":887},"https://img.ochreeditions.com/m/1275.jpg?dl=1","/art/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","/galleries/style/northern-renaissance/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326",{"_292":377,"_294":378},{"_226":880,"_125":881,"_286":882},{"_277":877,"_279":878,"_281":879,"_282":863},55.18450628846668,67.5,31.184506288466682,{"_288":226,"_123":883,"_154":884,"_140":89},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":604,"_154":605,"_140":89},"artist/contemporaries-of-niccolo-della-casa","Niccolò della Casa's contemporaries","https://img.ochreeditions.com/a/1275/480.jpg","https://img.ochreeditions.com/a/1275/960.jpg","https://img.ochreeditions.com/a/1275/1920.jpg",{"_312":901,"_314":902},{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},{"_312":893,"_314":894},"#f0e1cb",0.0713,"#b4aba0",0.1546,"#756f68",0.2116,"#9e968c",0.2493,"#8b837b",0.3132,"Niccolò della Casa","niccolo-della-casa",1548,"interior-view-of-the-coliseum-aic-84972","Interior View of the Coliseum",{"_42":957,"_223":958,"_326":959,"_328":689,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_337":-5,"_140":103},"c. 1580","watercolour","Drawing and Watercolor","Pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper","37 × 43 cm (14 5/8 × 16 15/16 in.)",43,37,1.1673617407071624,[942,943,944,945,946],{"_222":667,"_223":668,"_42":669,"_305":670},"1922.2422","Lodewijk Toeput painted this in about 1580. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.",{"_296":939,"_298":940,"_300":941},"https://img.ochreeditions.com/m/232.jpg?dl=1","/art/interior-view-of-the-coliseum-aic-84972","/galleries/style/northern-renaissance/interior-view-of-the-coliseum-aic-84972",{"_292":377,"_294":378},{"_226":932,"_125":933,"_286":934},{"_277":929,"_279":930,"_281":914,"_282":931},67,60.835197266231745,36.835197266231745,{"_288":226,"_123":937,"_154":938,"_140":89},{"_288":125,"_123":935,"_154":936,"_140":89},{"_288":286,"_123":440,"_154":441,"_140":442},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-lodewijk-toeput","Lodewijk Toeput's contemporaries","https://img.ochreeditions.com/a/232/480.jpg","https://img.ochreeditions.com/a/232/960.jpg","https://img.ochreeditions.com/a/232/1920.jpg",{"_312":955,"_314":956},{"_312":953,"_314":954},{"_312":951,"_314":952},{"_312":949,"_314":950},{"_312":947,"_314":948},"#dbccb4",0.1105,"#655949",0.1638,"#b2a28c",0.1843,"#988974",0.2237,"#7e6f5c",0.3177,"Lodewijk Toeput","lodewijk-toeput","Flemish, c. 1550–c. 1605","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":1007,"_223":1008,"_326":1009,"_328":404,"_330":1010,"_332":571,"_334":-5,"_335":-5,"_337":1011,"_140":99},"1527","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,0.69091796875,[993,994,995,996,997],{"_222":382,"_223":383,"_42":384,"_305":385},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_296":990,"_298":991,"_300":992},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_292":293,"_294":295},{"_226":985,"_125":986,"_286":987},{"_277":982,"_279":983,"_281":984,"_282":914},44.70947265625,58,29.70947265625,{"_288":226,"_123":988,"_154":989,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_312":1006,"_314":902},{"_312":1004,"_314":1005},{"_312":1002,"_314":1003},{"_312":1000,"_314":1001},{"_312":998,"_314":999},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b","Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":1060,"_223":1061,"_326":1062,"_328":329,"_330":1063,"_332":1064,"_334":743,"_335":1065,"_337":1066,"_140":99},"1578","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[1045,1046,1047,1048,1049],{"_222":382,"_223":383,"_42":384,"_305":385},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_296":1042,"_298":1043,"_300":1044},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_292":377,"_294":378},{"_226":1037,"_125":1038,"_286":1039},{"_277":1034,"_279":1035,"_281":1018,"_282":1036},53.3,42.9205322265625,18.9205322265625,{"_288":226,"_123":1040,"_154":1041,"_140":99},{"_288":125,"_123":606,"_154":607,"_140":167},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_312":1058,"_314":1059},{"_312":1056,"_314":1057},{"_312":1054,"_314":1055},{"_312":1052,"_314":1053},{"_312":1050,"_314":1051},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":-5,"_335":336,"_337":338,"_140":99},"etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[1097,1098,1099,1100,1101],{"_222":382,"_223":383,"_42":384,"_305":385},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_296":1094,"_298":1095,"_300":1096},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_292":377,"_294":378},{"_226":1091,"_125":1092,"_286":1093},{"_277":1088,"_279":1089,"_281":1072,"_282":1090},53.2,45.63623046875,21.63623046875,{"_288":226,"_123":169,"_154":168,"_140":99},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_312":1110,"_314":1111},{"_312":1108,"_314":1109},{"_312":1106,"_314":1107},{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"portrait-of-alain-de-coetivy-1407-1474-met-337088","Portrait of Alain de Coëtivy (1407–1474)",{"_42":1161,"_223":1162,"_326":1163,"_328":631,"_330":1164,"_332":1165,"_334":1166,"_335":1166,"_337":-5,"_140":103},"ca. 1451–55","Metalpoint, black chalk on white prepared paper","7 13/16 x 5 5/16 in. (19.8 x 13.5 cm.)",13.5,0.6919617762788083,[1147,1148,1149,1150,1151],{"_222":302,"_223":303,"_42":304,"_305":306},"49.38","Jean Fouquet drew this in about 1451–55, aged about 21. It is now at The Met in New York.","Portrait of Alain de Coëtivy (1407–1474), by Jean Fouquet, ca. 1451–55",{"_296":1144,"_298":1145,"_300":1146},"https://img.ochreeditions.com/m/1013.jpg?dl=1","/art/portrait-of-alain-de-coetivy-1407-1474-met-337088","/galleries/style/northern-renaissance/portrait-of-alain-de-coetivy-1407-1474-met-337088",{"_292":377,"_294":378},{"_226":1134,"_125":1135,"_286":1136},{"_277":1132,"_279":656,"_281":1133,"_282":658},41.29904440697021,17.299044406970207,{"_288":226,"_123":1142,"_154":1143,"_140":89},{"_288":125,"_123":1140,"_154":1141,"_140":91},{"_288":286,"_123":1137,"_154":1138,"_140":1139},"era/15","The 15th century",110,"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-jean-fouquet","Jean Fouquet's contemporaries","https://img.ochreeditions.com/a/1013/480.jpg","https://img.ochreeditions.com/a/1013/960.jpg","https://img.ochreeditions.com/a/1013/1920.jpg",{"_312":1159,"_314":1160},{"_312":1157,"_314":1158},{"_312":1155,"_314":1156},{"_312":1153,"_314":1154},{"_312":1152,"_314":677},"#bfb1a1","#e9decb",0.0657,"#cfc2b4",0.2266,"#e1d4c9",0.2908,"#dacdbf",0.3537,"Jean Fouquet","jean-fouquet","French, 1425–1478",1425,1478,"Tours",{"_1168":-5,"_1169":1170,"_1171":1172,"_1173":8,"_1174":1175,"_1176":8},"user","csrf","646e289542ef7c3d25edaf143a858041a4591260","cartCount",0,"dropLive","legal",[1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188],"uploadsEnabled",{"_223":1211,"_20":1212},{"_223":1209,"_20":1210},{"_223":1207,"_20":1208},{"_223":1205,"_20":1206},{"_223":1203,"_20":1204},{"_223":1201,"_20":1202},{"_223":1199,"_20":1200},{"_223":1197,"_20":1198},{"_223":1195,"_20":1196},{"_223":1193,"_20":1194},{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]