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The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_297":441,"_299":442,"_301":443},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_293":294,"_295":296},{"_227":431,"_125":432,"_287":433},{"_277":280,"_279":429,"_281":284,"_283":430},43.854736328125,19.854736328125,{"_289":227,"_123":439,"_154":440,"_140":99},{"_289":125,"_123":437,"_154":438,"_140":436},{"_289":287,"_123":434,"_154":435,"_140":436},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg",{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":459,"_224":460,"_327":461,"_329":462,"_330":463,"_331":464,"_333":465,"_334":466,"_335":467,"_140":99},"1589","Drawings","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[499,500,501,502,503],{"_223":377,"_224":378,"_42":379,"_306":380},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_297":496,"_299":497,"_301":498},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_293":294,"_295":296},{"_227":493,"_125":494,"_287":495},{"_277":491,"_279":280,"_281":492,"_283":284},44.40656205420827,20.406562054208273,{"_289":227,"_123":439,"_154":440,"_140":99},{"_289":125,"_123":437,"_154":438,"_140":436},{"_289":287,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},{"_313":506,"_315":507},{"_313":504,"_315":505},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":563,"_224":564,"_327":565,"_329":565,"_330":-5,"_331":566,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1536/1540","france","Painting","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",16.5,0.854736328125,[549,550,551,552,553],{"_223":303,"_224":304,"_42":305,"_306":307},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_297":546,"_299":547,"_301":548},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_293":372,"_295":373},{"_227":539,"_125":540,"_287":541},{"_277":536,"_279":537,"_281":538,"_283":284},36.368408203125,40,21.368408203125,{"_289":227,"_123":544,"_154":545,"_140":89},{"_289":125,"_123":367,"_154":368,"_140":369},{"_289":287,"_123":542,"_154":543,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_313":561,"_315":562},{"_313":559,"_315":560},{"_313":558,"_315":316},{"_313":556,"_315":557},{"_313":554,"_315":555},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738","#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"saint-andrew-nga-11916","Saint Andrew",{"_42":613,"_224":614,"_327":615,"_329":616,"_330":206,"_331":617,"_333":618,"_334":619,"_335":620,"_140":91},"probably 1589","engraving",0.678955078125,[598,599,600,601,602],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.3.9401","Hendrick Goltzius made this (probably 1589), aged 31. It is now at the National Gallery of Art in Washington, DC.","Saint Andrew, his lined face resting on one hand and a book tucked under his arm, gazes out of the frame with a melancholy, inward look, set against a background of rugged rocks. Goltzius engraved the plate around 1589 as part of a series of the apostles, each a half-length figure with a Latin inscription below.","The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.",{"_297":595,"_299":596,"_301":597},"https://img.ochreeditions.com/m/1358.jpg?dl=1","/art/saint-andrew-nga-11916","/galleries/style/northern-renaissance/saint-andrew-nga-11916",{"_293":294,"_295":296},{"_227":590,"_125":591,"_287":592},{"_277":586,"_279":587,"_281":588,"_283":589},64.7373046875,84,40.7373046875,60,{"_289":227,"_123":593,"_154":594,"_140":91},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":434,"_154":435,"_140":436},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1358/480.jpg","https://img.ochreeditions.com/a/1358/960.jpg","https://img.ochreeditions.com/a/1358/1920.jpg",{"_313":611,"_315":612},{"_313":609,"_315":610},{"_313":607,"_315":608},{"_313":605,"_315":606},{"_313":603,"_315":604},"#948676",0.1545,"#6f6457",0.1687,"#b1a18d",0.1761,"#50473e",0.2191,"#cebca4",0.2816,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":668,"_224":669,"_327":670,"_329":328,"_330":671,"_331":672,"_333":673,"_334":673,"_335":674,"_140":89},"probably 1519","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,0.8386010362694301,[653,654,655,656,657],{"_223":377,"_224":378,"_42":379,"_306":380},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_297":650,"_299":651,"_301":652},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_293":372,"_295":373},{"_227":645,"_125":646,"_287":647},{"_277":642,"_279":643,"_281":644,"_283":589},65.3160621761658,75,50.3160621761658,{"_289":227,"_123":648,"_154":649,"_140":89},{"_289":125,"_123":367,"_154":368,"_140":369},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_313":666,"_315":667},{"_313":664,"_315":665},{"_313":662,"_315":663},{"_313":660,"_315":661},{"_313":658,"_315":659},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":729,"_224":730,"_327":731,"_329":732,"_330":400,"_331":733,"_333":-5,"_334":-5,"_335":734,"_140":99},"c. 1598","flanders","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[714,715,716,717,718],{"_223":710,"_224":711,"_42":712,"_306":713},"Courtesy of the Art Institute of Chicago","2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_297":707,"_299":708,"_301":709},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_293":294,"_295":296},{"_227":699,"_125":700,"_287":701},{"_277":697,"_279":280,"_281":698,"_283":284},42.87946763979822,18.879467639798218,{"_289":227,"_123":705,"_154":706,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":702,"_154":703,"_140":704},"era/16-flanders","16th-century Flanders",17,"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":727,"_315":728},{"_313":725,"_315":726},{"_313":723,"_315":724},{"_313":721,"_315":722},{"_313":719,"_315":720},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","saint-christopher-nga-6034","Saint Christopher",{"_42":396,"_224":397,"_327":398,"_329":328,"_330":399,"_331":400,"_333":401,"_334":402,"_335":403,"_140":97},"1506","chiaroscuro woodcut printed in brown-orange and black",0.703125,[762,763,764,765,766],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_297":759,"_299":760,"_301":761},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_293":294,"_295":296},{"_227":756,"_125":757,"_287":758},{"_277":754,"_279":587,"_281":755,"_283":589},66.1875,42.1875,{"_289":227,"_123":370,"_154":371,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_313":775,"_315":776},{"_313":773,"_315":774},{"_313":771,"_315":772},{"_313":769,"_315":770},{"_313":767,"_315":768},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":613,"_224":614,"_327":615,"_329":616,"_330":206,"_331":617,"_333":618,"_334":619,"_335":620,"_140":91},"pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[803,804,805,806,807],{"_223":303,"_224":304,"_42":305,"_306":307},"1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_297":800,"_299":801,"_301":802},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_293":294,"_295":296},{"_227":797,"_125":798,"_287":799},{"_277":587,"_279":795,"_281":589,"_283":796},83.51529140219273,59.51529140219274,{"_289":227,"_123":593,"_154":594,"_140":91},{"_289":125,"_123":437,"_154":438,"_140":436},{"_289":287,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg",{"_313":816,"_315":817},{"_313":814,"_315":815},{"_313":812,"_315":813},{"_313":810,"_315":811},{"_313":808,"_315":809},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":861,"_224":862,"_327":863,"_329":462,"_330":187,"_331":864,"_333":865,"_334":866,"_335":-5,"_140":103},"Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[846,847,848,849,850],{"_223":377,"_224":378,"_42":379,"_306":380},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_297":843,"_299":844,"_301":845},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_293":294,"_295":296},{"_227":838,"_125":839,"_287":840},{"_277":280,"_279":755,"_281":284,"_283":837},18.1875,{"_289":227,"_123":841,"_154":842,"_140":89},{"_289":125,"_123":437,"_154":438,"_140":436},{"_289":287,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_313":859,"_315":860},{"_313":857,"_315":858},{"_313":855,"_315":856},{"_313":853,"_315":854},{"_313":851,"_315":852},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1593,"Mechelen","Amsterdam","the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":914,"_224":915,"_327":916,"_329":328,"_330":917,"_331":918,"_333":919,"_334":919,"_335":-5,"_140":101},"1519","Prints","Etching","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[899,900,901,902,903],{"_223":377,"_224":378,"_42":379,"_306":380},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_297":896,"_299":897,"_301":898},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_293":294,"_295":296},{"_227":891,"_125":892,"_287":893},{"_277":889,"_279":280,"_281":890,"_283":284},41.52754820936639,17.52754820936639,{"_289":227,"_123":894,"_154":895,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_313":912,"_315":913},{"_313":910,"_315":911},{"_313":908,"_315":909},{"_313":906,"_315":907},{"_313":904,"_315":905},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":967,"_224":968,"_327":969,"_329":328,"_330":970,"_331":672,"_333":-5,"_334":-5,"_335":971,"_140":99},"1527","oil on panel","overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",30,43,0.75244140625,[952,953,954,955,956],{"_223":303,"_224":304,"_42":305,"_306":307},"1947.6.5.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_297":949,"_299":950,"_301":951},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_293":372,"_295":373},{"_227":944,"_125":945,"_287":946},{"_277":941,"_279":942,"_281":943,"_283":927},47.35498046875,58,32.35498046875,{"_289":227,"_123":947,"_154":948,"_140":99},{"_289":125,"_123":367,"_154":368,"_140":369},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_313":965,"_315":966},{"_313":963,"_315":964},{"_313":961,"_315":962},{"_313":959,"_315":960},{"_313":957,"_315":958},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","phaeton-from-the-four-disgracers-met-343581","Phaeton, from \"The Four Disgracers\"",{"_42":613,"_224":614,"_327":615,"_329":616,"_330":206,"_331":617,"_333":618,"_334":619,"_335":620,"_140":91},"1588","Engraving","Diameter: 13 3/16 in. (33.5 cm)",0.9947643979057592,[1000,1001,1002,1003,1004],{"_223":377,"_224":378,"_42":379,"_306":380},"53.601.338(5)","Hendrick Goltzius made this in 1588, aged 30. It is now at The Met in New York.","Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening.","Phaeton, from \"The Four Disgracers\", by Hendrick Goltzius, 1588",{"_297":997,"_299":998,"_301":999},"https://img.ochreeditions.com/m/1043.jpg?dl=1","/art/phaeton-from-the-four-disgracers-met-343581","/galleries/style/northern-renaissance/phaeton-from-the-four-disgracers-met-343581",{"_293":294,"_295":296},{"_227":994,"_125":995,"_287":996},{"_277":992,"_279":587,"_281":993,"_283":589},83.68586387434556,59.68586387434555,{"_289":227,"_123":593,"_154":594,"_140":91},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/1043/480.jpg","https://img.ochreeditions.com/a/1043/960.jpg","https://img.ochreeditions.com/a/1043/1920.jpg",{"_313":1013,"_315":1014},{"_313":1011,"_315":1012},{"_313":1009,"_315":1010},{"_313":1007,"_315":1008},{"_313":1005,"_315":1006},"#5e5c53",0.0686,"#959081",0.0698,"#bcb6a1",0.208,"#f1ecdf",0.293,"#d6ccb6",0.3606,"the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":1063,"_224":1064,"_327":1065,"_329":462,"_330":1066,"_331":1067,"_333":-5,"_334":1068,"_335":1069,"_140":99},"1560","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[1048,1049,1050,1051,1052],{"_223":303,"_224":304,"_42":305,"_306":307},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_297":1045,"_299":1046,"_301":1047},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_293":294,"_295":296},{"_227":1040,"_125":1041,"_287":1042},{"_277":1037,"_279":1038,"_281":1021,"_283":1039},53.2,45.63623046875,21.63623046875,{"_289":227,"_123":1043,"_154":1044,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":434,"_154":435,"_140":436},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_313":1061,"_315":1062},{"_313":1059,"_315":1060},{"_313":1057,"_315":1058},{"_313":1055,"_315":1056},{"_313":1053,"_315":1054},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":1122,"_224":1123,"_327":1124,"_329":732,"_330":1125,"_331":1126,"_333":-5,"_334":-5,"_335":1127,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[1108,1109,1110,1111,1112],{"_223":1105,"_224":1106,"_42":1107,"_306":380},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1102,"_1103":1104},"TWO GALLEYS AT SEA",{"_297":1099,"_299":1100,"_301":1101},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_293":294,"_295":296},{"_227":1094,"_125":1095,"_287":1096},{"_277":280,"_279":1092,"_281":284,"_283":1093},41.86612497581737,17.86612497581737,{"_289":227,"_123":1097,"_154":1098,"_140":99},{"_289":125,"_123":437,"_154":438,"_140":436},{"_289":287,"_123":702,"_154":703,"_140":704},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_313":1120,"_315":1121},{"_313":1118,"_315":1119},{"_313":1117,"_315":661},{"_313":1115,"_315":1116},{"_313":1113,"_315":1114},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383","#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.",{"_1129":-5,"_1130":1131,"_1132":1133,"_1134":8,"_1135":1136,"_1137":8},"user","csrf","308a674a2a31526a01c8163fafabc253d32faaf9","cartCount",0,"dropLive","legal",[1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149],"uploadsEnabled",{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},{"_224":1156,"_20":1157},{"_224":1154,"_20":1155},{"_224":1152,"_20":1153},{"_224":1150,"_20":1151},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]