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It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_292":439,"_294":440,"_296":441},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_288":375,"_290":376},{"_223":432,"_125":433,"_282":434},{"_272":429,"_274":430,"_276":414,"_278":431},189.9,144.89257842387147,129.89257842387147,{"_284":223,"_123":437,"_154":438,"_140":89},{"_284":125,"_123":370,"_154":371,"_140":372},{"_284":282,"_123":435,"_154":436,"_140":287},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_308":455,"_310":456},{"_308":453,"_310":454},{"_308":451,"_310":452},{"_308":449,"_310":450},{"_308":447,"_310":448},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574","Netherlandish",1533,1574,"Antwerp","ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":509,"_220":510,"_322":511,"_324":460,"_326":200,"_328":512,"_330":513,"_332":514,"_334":-5,"_140":103},"1589","Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[494,495,496,497,498],{"_219":298,"_220":299,"_42":300,"_301":302},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_292":491,"_294":492,"_296":493},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_288":289,"_290":291},{"_223":486,"_125":487,"_282":488},{"_272":275,"_274":484,"_276":279,"_278":485},42.1875,18.1875,{"_284":223,"_123":489,"_154":490,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":435,"_154":436,"_140":287},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_308":507,"_310":508},{"_308":505,"_310":506},{"_308":503,"_310":504},{"_308":501,"_310":502},{"_308":499,"_310":500},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1593,"Mechelen","Amsterdam","adam-and-eve-met-336222","Adam and Eve",{"_42":568,"_220":569,"_322":570,"_324":402,"_326":571,"_328":404,"_330":572,"_332":572,"_334":573,"_140":89},"1504","print","Prints","Engraving","9 7/8 x 7 7/8in. (25.1 x 20cm)",20,25.1,0.7901810202962151,[553,554,555,556,557],{"_219":298,"_220":299,"_42":300,"_301":302},"19.73.1","Albrecht Dürer made this in 1504, aged 33. It is now at The Met in New York.","Adam and Eve stand in the Garden of Eden at the instant before the Fall, as the serpent offers the fruit and Eve reaches to take it. Dürer used the pair to set out his study of ideal human proportions, drawn from classical sculpture, and engraved them with extraordinary precision.","Adam and Eve, by Albrecht Dürer, 1504",{"_292":550,"_294":551,"_296":552},"https://img.ochreeditions.com/m/1000.jpg?dl=1","/art/adam-and-eve-met-336222","/galleries/style/northern-renaissance/adam-and-eve-met-336222",{"_288":289,"_290":291},{"_223":542,"_125":543,"_282":544},{"_272":539,"_274":540,"_276":541,"_278":524},43.833543609435,49.1,19.833543609435,{"_284":223,"_123":548,"_154":549,"_140":89},{"_284":125,"_123":545,"_154":546,"_140":547},{"_284":282,"_123":367,"_154":368,"_140":369},"style/print-16","More prints of the 16th century",54,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1000/480.jpg","https://img.ochreeditions.com/a/1000/960.jpg","https://img.ochreeditions.com/a/1000/1920.jpg",{"_308":566,"_310":567},{"_308":564,"_310":565},{"_308":562,"_310":563},{"_308":560,"_310":561},{"_308":558,"_310":559},"#beb5a5",0.1375,"#928a7e",0.1859,"#e6dece",0.2031,"#6c675f",0.2125,"#4b4843",0.261,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","interior-view-of-the-coliseum-aic-84972","Interior View of the Coliseum",{"_42":629,"_220":630,"_322":631,"_324":325,"_326":-5,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_140":103},"c. 1580","watercolour","Drawing and Watercolor","Pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper","37 × 43 cm (14 5/8 × 16 15/16 in.)",37,1.1673617407071624,[614,615,616,617,618],{"_219":610,"_220":611,"_42":612,"_301":613},"Courtesy of the Art Institute of Chicago","1922.2422","Lodewijk Toeput painted this in about 1580. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.",{"_292":607,"_294":608,"_296":609},"https://img.ochreeditions.com/m/232.jpg?dl=1","/art/interior-view-of-the-coliseum-aic-84972","/galleries/style/northern-renaissance/interior-view-of-the-coliseum-aic-84972",{"_288":289,"_290":291},{"_223":600,"_125":601,"_282":602},{"_272":597,"_274":598,"_276":345,"_278":599},67,60.835197266231745,36.835197266231745,{"_284":223,"_123":605,"_154":606,"_140":89},{"_284":125,"_123":603,"_154":604,"_140":89},{"_284":282,"_123":165,"_154":164,"_140":167},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-lodewijk-toeput","Lodewijk Toeput's contemporaries","https://img.ochreeditions.com/a/232/480.jpg","https://img.ochreeditions.com/a/232/960.jpg","https://img.ochreeditions.com/a/232/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_308":627,"_310":628},{"_308":625,"_310":626},{"_308":623,"_310":624},{"_308":621,"_310":622},{"_308":619,"_310":620},"#dbccb4",0.1105,"#655949",0.1638,"#b2a28c",0.1843,"#988974",0.2237,"#7e6f5c",0.3177,"Lodewijk Toeput","lodewijk-toeput","Flemish, c. 1550–c. 1605","amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","Amya Petitioning Faustus for the Custody of Saint Mamas",{"_42":682,"_220":683,"_322":684,"_324":685,"_326":686,"_328":687,"_330":-5,"_332":-5,"_334":-5,"_140":103},"ca. 1543","france","Pen and brown ink, brush and gray wash, heightened with white, over black chalk","9 1/4 x 12 5/8 in. (23.5 x 32 cm)",32,23.5,1.3384781048097631,[667,668,669,670,671],{"_219":298,"_220":299,"_42":300,"_301":302},"2001.106","Jean Cousin the Elder drew this in about 1543, aged about 53. It is now at The Met in New York.","Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543",{"_292":664,"_294":665,"_296":666},"https://img.ochreeditions.com/m/1042.jpg?dl=1","/art/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","/galleries/style/northern-renaissance/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314",{"_288":289,"_290":291},{"_223":657,"_125":658,"_282":659},{"_272":654,"_274":655,"_276":639,"_278":656},56,47.9077500670421,23.9077500670421,{"_284":223,"_123":662,"_154":663,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":660,"_154":661,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-jean-cousin-the-elder","Jean Cousin the Elder's contemporaries","https://img.ochreeditions.com/a/1042/480.jpg","https://img.ochreeditions.com/a/1042/960.jpg","https://img.ochreeditions.com/a/1042/1920.jpg",{"_308":680,"_310":681},{"_308":678,"_310":679},{"_308":676,"_310":677},{"_308":674,"_310":675},{"_308":672,"_310":673},"#ede2d1",0.0716,"#847669",0.0785,"#9a8878",0.2249,"#b6a38c",0.2855,"#a89582",0.3395,"Jean Cousin the Elder","jean-cousin-the-elder","French, Souci (?) ca. 1490–ca. 1560 Paris (?)","French",1485,1565,"the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":734,"_220":735,"_322":736,"_324":325,"_326":737,"_328":738,"_330":-5,"_332":-5,"_334":-5,"_140":103},"probably 1590 and 1597","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[719,720,721,722,723],{"_219":380,"_220":381,"_42":382,"_301":383},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_292":716,"_294":717,"_296":718},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_288":375,"_290":376},{"_223":711,"_125":712,"_282":713},{"_272":708,"_274":709,"_276":693,"_278":710},97.2,78.97792968750001,63.97792968750001,{"_284":223,"_123":714,"_154":715,"_140":89},{"_284":125,"_123":370,"_154":371,"_140":372},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_308":732,"_310":733},{"_308":730,"_310":731},{"_308":728,"_310":729},{"_308":726,"_310":727},{"_308":724,"_310":725},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,1619,"saint-christopher-nga-6034","Saint Christopher",{"_42":785,"_220":786,"_322":787,"_324":402,"_326":788,"_328":789,"_330":790,"_332":791,"_334":792,"_140":97},"1506","Print","chiaroscuro woodcut printed in brown-orange and black",0.703125,[770,771,772,773,774],{"_219":380,"_220":381,"_42":382,"_301":383},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_292":767,"_294":768,"_296":769},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_288":289,"_290":291},{"_223":762,"_125":763,"_282":764},{"_272":759,"_274":760,"_276":484,"_278":761},66.1875,84,60,{"_284":223,"_123":765,"_154":766,"_140":97},{"_284":125,"_123":545,"_154":546,"_140":547},{"_284":282,"_123":367,"_154":368,"_140":369},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_308":783,"_310":784},{"_308":781,"_310":782},{"_308":779,"_310":780},{"_308":777,"_310":778},{"_308":775,"_310":776},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":847,"_220":848,"_322":849,"_324":325,"_326":850,"_328":851,"_330":-5,"_332":-5,"_334":852,"_140":99},"ca. 1587 – 1590","Drawing","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[832,833,834,835,836],{"_219":829,"_220":830,"_42":831,"_301":302},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":826,"_827":828},"TWO GALLEYS AT SEA",{"_292":823,"_294":824,"_296":825},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_288":289,"_290":291},{"_223":818,"_125":819,"_282":820},{"_272":275,"_274":816,"_276":279,"_278":817},41.86612497581737,17.86612497581737,{"_284":223,"_123":821,"_154":822,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_308":845,"_310":846},{"_308":843,"_310":844},{"_308":841,"_310":842},{"_308":839,"_310":840},{"_308":837,"_310":838},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","madonna-and-child-at-a-fountain-nga-30810","Madonna and Child at a Fountain",{"_42":899,"_220":900,"_322":402,"_324":402,"_326":-5,"_328":901,"_330":-5,"_332":-5,"_334":-5,"_140":103},"1501","engraving on laid paper","sheet (trimmed within image at top and sides): 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.)",13.6,16.6,0.8095703125,[884,885,886,887,888],{"_219":380,"_220":381,"_42":382,"_301":383},"1945.5.34","Master MZ made this in 1501. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.",{"_292":881,"_294":882,"_296":883},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_288":289,"_290":291},{"_223":876,"_125":877,"_282":878},{"_272":874,"_274":275,"_276":875,"_278":279},44.2392578125,20.2392578125,{"_284":223,"_123":879,"_154":880,"_140":89},{"_284":125,"_123":545,"_154":546,"_140":547},{"_284":282,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg",{"_308":897,"_310":898},{"_308":895,"_310":896},{"_308":893,"_310":894},{"_308":891,"_310":892},{"_308":889,"_310":890},"#524a45",0.1163,"#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz",1560,"phaeton-from-the-four-disgracers-met-343581","Phaeton, from \"The Four Disgracers\"",{"_42":946,"_220":947,"_322":948,"_324":949,"_326":950,"_328":951,"_330":952,"_332":953,"_334":954,"_140":91},"1588","Diameter: 13 3/16 in. (33.5 cm)",0.9947643979057592,[931,932,933,934,935],{"_219":298,"_220":299,"_42":300,"_301":302},"53.601.338(5)","Hendrick Goltzius made this in 1588, aged 30. It is now at The Met in New York.","Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening.","Phaeton, from \"The Four Disgracers\", by Hendrick Goltzius, 1588",{"_292":928,"_294":929,"_296":930},"https://img.ochreeditions.com/m/1043.jpg?dl=1","/art/phaeton-from-the-four-disgracers-met-343581","/galleries/style/northern-renaissance/phaeton-from-the-four-disgracers-met-343581",{"_288":289,"_290":291},{"_223":923,"_125":924,"_282":925},{"_272":921,"_274":760,"_276":922,"_278":761},83.68586387434556,59.68586387434555,{"_284":223,"_123":926,"_154":927,"_140":91},{"_284":125,"_123":545,"_154":546,"_140":547},{"_284":282,"_123":435,"_154":436,"_140":287},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1043/480.jpg","https://img.ochreeditions.com/a/1043/960.jpg","https://img.ochreeditions.com/a/1043/1920.jpg",{"_308":944,"_310":945},{"_308":942,"_310":943},{"_308":940,"_310":941},{"_308":938,"_310":939},{"_308":936,"_310":937},"#5e5c53",0.0686,"#959081",0.0698,"#bcb6a1",0.208,"#f1ecdf",0.293,"#d6ccb6",0.3606,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[1000,1001,1002,1003,1004],{"_219":996,"_220":997,"_42":998,"_301":999},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":994,"_827":995},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_292":991,"_294":992,"_296":993},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_288":289,"_290":291},{"_223":981,"_125":982,"_282":983},{"_272":275,"_274":979,"_276":279,"_278":980},40.44117647058823,16.441176470588236,{"_284":223,"_123":989,"_154":990,"_140":87},{"_284":125,"_123":987,"_154":988,"_140":81},{"_284":282,"_123":984,"_154":985,"_140":986},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":1013,"_310":1014},{"_308":1011,"_310":1012},{"_308":1009,"_310":1010},{"_308":1007,"_310":1008},{"_308":1005,"_310":1006},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"the-harvesters-met-435809","The Harvesters",{"_42":1062,"_220":1063,"_322":1064,"_324":460,"_326":1065,"_328":1066,"_330":-5,"_332":1067,"_334":1068,"_140":99},"1565","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[1048,1049,1050,1051,1052],{"_219":298,"_220":299,"_42":300,"_301":302},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_292":1045,"_294":1046,"_296":1047},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_288":375,"_290":376},{"_223":1040,"_125":1041,"_282":1042},{"_272":1037,"_274":1038,"_276":1021,"_278":1039},176.9,134.33274731041723,119.33274731041722,{"_284":223,"_123":1043,"_154":1044,"_140":99},{"_284":125,"_123":370,"_154":371,"_140":372},{"_284":282,"_123":435,"_154":436,"_140":287},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_308":1060,"_310":1061},{"_308":1058,"_310":1059},{"_308":1056,"_310":1057},{"_308":1055,"_310":727},{"_308":1053,"_310":1054},"#794c20",0.1692,"#c6b6a3","#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":1115,"_220":1116,"_322":685,"_324":685,"_326":-5,"_328":1117,"_330":-5,"_332":-5,"_334":-5,"_140":103},"c. 1536/1540","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[1101,1102,1103,1104,1105],{"_219":380,"_220":381,"_42":382,"_301":383},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_292":1098,"_294":1099,"_296":1100},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_288":375,"_290":376},{"_223":1093,"_125":1094,"_282":1095},{"_272":1090,"_274":1091,"_276":1092,"_278":279},36.368408203125,40,21.368408203125,{"_284":223,"_123":1096,"_154":1097,"_140":89},{"_284":125,"_123":370,"_154":371,"_140":372},{"_284":282,"_123":660,"_154":661,"_140":89},"artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_308":1113,"_310":1114},{"_308":1111,"_310":1112},{"_308":1110,"_310":890},{"_308":1108,"_310":1109},{"_308":1106,"_310":1107},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738","#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon",1575,"erasmus-of-rotterdam-met-459080","Erasmus of Rotterdam",{"_42":1164,"_220":1165,"_322":1166,"_324":402,"_326":1167,"_328":1168,"_330":1169,"_332":1170,"_334":-5,"_140":101},"ca. 1532","Oil on linden panel","7 1/4 x 5 9/16 in. (18.4 x 14.2 cm); painted surface 6 15/16 x 5 1/2 in. (17.6 x 14 cm)",14.2,18.4,0.7727509100364015,[1149,1150,1151,1152,1153],{"_219":298,"_220":299,"_42":300,"_301":302},"1975.1.138","Hans Holbein the Younger painted this in about 1532, aged about 30. It is now at The Met in New York.","Erasmus of Rotterdam, by Hans Holbein the Younger, ca. 1532",{"_292":1146,"_294":1147,"_296":1148},"https://img.ochreeditions.com/m/1255.jpg?dl=1","/art/erasmus-of-rotterdam-met-459080","/galleries/style/northern-renaissance/erasmus-of-rotterdam-met-459080",{"_288":375,"_290":376},{"_223":1141,"_125":1142,"_282":1143},{"_272":1139,"_274":1091,"_276":1140,"_278":279},34.31877275091004,19.31877275091004,{"_284":223,"_123":1144,"_154":1145,"_140":89},{"_284":125,"_123":370,"_154":371,"_140":372},{"_284":282,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1255/480.jpg","https://img.ochreeditions.com/a/1255/960.jpg","https://img.ochreeditions.com/a/1255/1920.jpg",{"_308":1162,"_310":1163},{"_308":1160,"_310":1161},{"_308":1158,"_310":1159},{"_308":1156,"_310":1157},{"_308":1154,"_310":1155},"#75583f",0.0568,"#3f2b20",0.0829,"#583622",0.104,"#193e3d",0.2797,"#1b1a17",0.4766,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London",{"_1172":-5,"_1173":1174,"_1175":1176,"_1177":8,"_1178":1179,"_1180":8},"user","csrf","97f7f9b959d9e51c1b39f3e2a6f8d2dca58d44d1","cartCount",0,"dropLive","legal",[1181,1182,1183,1184,1185,1186,1187,1188,1189,1190,1191,1192],"uploadsEnabled",{"_220":1215,"_20":1216},{"_220":1213,"_20":1214},{"_220":1211,"_20":1212},{"_220":1209,"_20":1210},{"_220":1207,"_20":1208},{"_220":1205,"_20":1206},{"_220":1203,"_20":1204},{"_220":1201,"_20":1202},{"_220":1199,"_20":1200},{"_220":1197,"_20":1198},{"_220":1195,"_20":1196},{"_220":1193,"_20":1194},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]