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The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_293":428,"_295":429,"_297":430},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_289":290,"_291":292},{"_224":421,"_125":422,"_283":423},{"_273":276,"_275":419,"_277":280,"_279":420},43.854736328125,19.854736328125,{"_285":224,"_123":426,"_154":427,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":424,"_154":425,"_140":288},"era/16-netherlands","16th-century Netherlands","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-harvesters-met-435809","The Harvesters",{"_42":514,"_221":515,"_323":516,"_325":453,"_327":517,"_329":518,"_331":-5,"_333":519,"_335":520,"_140":99},"1565","painting","Paintings","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[499,500,501,502,503],{"_220":299,"_221":300,"_42":301,"_302":303},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_293":496,"_295":497,"_297":498},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_289":494,"_291":495},{"_224":486,"_125":487,"_283":488},{"_273":483,"_275":484,"_277":467,"_279":485},176.9,134.33274731041723,119.33274731041722,{"_285":224,"_123":492,"_154":493,"_140":99},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":424,"_154":425,"_140":288},"style/painting-16","More paintings of the 16th century",95,"artist/pieter-bruegel","More by Pieter Bruegel","natural","ivory","https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_309":512,"_311":513},{"_309":510,"_311":511},{"_309":508,"_311":509},{"_309":506,"_311":507},{"_309":504,"_311":505},"#794c20",0.1692,"#c6b6a3",0.1735,"#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":568,"_221":569,"_323":570,"_325":326,"_327":571,"_329":572,"_331":-5,"_333":-5,"_335":-5,"_140":103},"probably 1590 and 1597","Painting","oil on panel","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[554,555,556,557,558],{"_220":431,"_221":432,"_42":433,"_302":434},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_293":551,"_295":552,"_297":553},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_289":494,"_291":495},{"_224":546,"_125":547,"_283":548},{"_273":543,"_275":544,"_277":528,"_279":545},97.2,78.97792968750001,63.97792968750001,{"_285":224,"_123":549,"_154":550,"_140":89},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_309":566,"_311":567},{"_309":564,"_311":565},{"_309":562,"_311":563},{"_309":561,"_311":507},{"_309":559,"_311":560},"#2b221c",0.1323,"#a9a391","#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,1619,"ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":618,"_221":619,"_323":620,"_325":453,"_327":621,"_329":622,"_331":623,"_333":624,"_335":-5,"_140":103},"1589","Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[603,604,605,606,607],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_293":600,"_295":601,"_297":602},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_289":290,"_291":292},{"_224":595,"_125":596,"_283":597},{"_273":276,"_275":593,"_277":280,"_279":594},42.1875,18.1875,{"_285":224,"_123":598,"_154":599,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":424,"_154":425,"_140":288},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_309":616,"_311":617},{"_309":614,"_311":615},{"_309":612,"_311":613},{"_309":610,"_311":611},{"_309":608,"_311":609},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1534,1593,"Mechelen","Amsterdam","the-judgment-of-paris-met-436037","The Judgment of Paris",{"_42":673,"_221":674,"_323":675,"_325":389,"_327":676,"_329":677,"_331":678,"_333":679,"_335":680,"_140":97},"ca. 1528","Oil on beech","40 1/8 x 28in. (101.9 x 71.1cm)",71.1,101.9,0.7136222910216719,[658,659,660,661,662],{"_220":299,"_221":300,"_42":301,"_302":303},"28.221","Lucas Cranach the Elder painted this in about 1528, aged about 51. It is now at The Met in New York.","Paris, dressed in the armour of a contemporary knight, sits beneath a tree as the three goddesses, Juno, Minerva and Venus, present themselves for his judgement, accompanied by Mercury, while Cupid appears above with his bow.","The Judgment of Paris, by Lucas Cranach the Elder, ca. 1528",{"_293":655,"_295":656,"_297":657},"https://img.ochreeditions.com/m/1080.jpg?dl=1","/art/the-judgment-of-paris-met-436037","/galleries/style/northern-renaissance/the-judgment-of-paris-met-436037",{"_289":494,"_291":495},{"_224":650,"_125":651,"_283":652},{"_273":647,"_275":648,"_277":649,"_279":632},87.71811145510837,116.9,72.71811145510837,{"_285":224,"_123":653,"_154":654,"_140":97},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1080/480.jpg","https://img.ochreeditions.com/a/1080/960.jpg","https://img.ochreeditions.com/a/1080/1920.jpg",{"_309":671,"_311":672},{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},"#6e695a",0.1021,"#9e8269",0.1132,"#5e4934",0.1569,"#403c30",0.2274,"#28231b",0.4004,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","crest-nga-11963","Crest",{"_42":730,"_221":731,"_323":732,"_325":389,"_327":733,"_329":734,"_331":-5,"_333":-5,"_335":-5,"_140":103},"print","Print","engraving",0.656855151045701,[715,716,717,718,719],{"_220":431,"_221":432,"_42":433,"_302":434},"1943.3.9447","Michel Le Blon made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.",{"_293":712,"_295":713,"_297":714},"https://img.ochreeditions.com/m/1359.jpg?dl=1","/art/crest-nga-11963","/galleries/style/northern-renaissance/crest-nga-11963",{"_289":290,"_291":292},{"_224":704,"_125":705,"_283":706},{"_273":700,"_275":701,"_277":702,"_279":703},63.41130906274206,84,39.41130906274206,60,{"_285":224,"_123":710,"_154":711,"_140":89},{"_285":125,"_123":707,"_154":708,"_140":709},{"_285":283,"_123":363,"_154":364,"_140":365},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-michel-le-blon","Michel Le Blon's contemporaries","https://img.ochreeditions.com/a/1359/480.jpg","https://img.ochreeditions.com/a/1359/960.jpg","https://img.ochreeditions.com/a/1359/1920.jpg",{"_309":728,"_311":729},{"_309":726,"_311":727},{"_309":724,"_311":725},{"_309":722,"_311":723},{"_309":720,"_311":721},"#756759",0.1004,"#938470",0.135,"#ccb99d",0.1358,"#b19f86",0.1477,"#f3e2c5",0.4811,"Michel Le Blon","michel-le-blon","German, 1587–1656",1587,1656,"margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":782,"_221":783,"_323":784,"_325":389,"_327":785,"_329":391,"_331":-5,"_333":-5,"_335":786,"_140":99},"1527","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[767,768,769,770,771],{"_220":431,"_221":432,"_42":433,"_302":434},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_293":764,"_295":765,"_297":766},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_289":494,"_291":495},{"_224":759,"_125":760,"_283":761},{"_273":756,"_275":757,"_277":758,"_279":741},44.70947265625,58,29.70947265625,{"_285":224,"_123":762,"_154":763,"_140":99},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_309":780,"_311":781},{"_309":778,"_311":779},{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":834,"_221":835,"_323":836,"_325":389,"_327":837,"_329":838,"_331":839,"_333":839,"_335":-5,"_140":101},"1519","Prints","Etching","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[819,820,821,822,823],{"_220":299,"_221":300,"_42":301,"_302":303},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_293":816,"_295":817,"_297":818},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_289":290,"_291":292},{"_224":811,"_125":812,"_283":813},{"_273":809,"_275":276,"_277":810,"_279":280},41.52754820936639,17.52754820936639,{"_285":224,"_123":814,"_154":815,"_140":89},{"_285":125,"_123":707,"_154":708,"_140":709},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_309":832,"_311":833},{"_309":830,"_311":831},{"_309":828,"_311":829},{"_309":826,"_311":827},{"_309":824,"_311":825},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","france","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[887,888,889,890,891],{"_220":883,"_221":884,"_42":885,"_302":886},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":880,"_881":882},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_293":877,"_295":878,"_297":879},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_289":290,"_291":292},{"_224":867,"_125":868,"_283":869},{"_273":276,"_275":865,"_277":280,"_279":866},40.44117647058823,16.441176470588236,{"_285":224,"_123":875,"_154":876,"_140":87},{"_285":125,"_123":873,"_154":874,"_140":81},{"_285":283,"_123":870,"_154":871,"_140":872},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":900,"_311":901},{"_309":898,"_311":899},{"_309":896,"_311":897},{"_309":894,"_311":895},{"_309":892,"_311":893},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":954,"_221":955,"_323":956,"_325":326,"_327":957,"_329":455,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1588","Engraving in black on cream laid paper","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[939,940,941,942,943],{"_220":935,"_221":936,"_42":937,"_302":938},"Courtesy of the Art Institute of Chicago","2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":932,"_295":933,"_297":934},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_289":290,"_291":292},{"_224":927,"_125":928,"_283":929},{"_273":924,"_275":925,"_277":908,"_279":926},69,62.261269549218035,38.261269549218035,{"_285":224,"_123":930,"_154":931,"_140":89},{"_285":125,"_123":707,"_154":708,"_140":709},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":952,"_311":953},{"_309":950,"_311":951},{"_309":948,"_311":949},{"_309":946,"_311":947},{"_309":944,"_311":945},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600",1550,"fish-market-met-679844","Fish Market",{"_42":1005,"_221":1006,"_323":1007,"_325":453,"_327":1008,"_329":1009,"_331":456,"_333":456,"_335":-5,"_140":103},"1568","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[990,991,992,993,994],{"_220":299,"_221":300,"_42":301,"_302":303},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_293":987,"_295":988,"_297":989},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_289":494,"_291":495},{"_224":982,"_125":983,"_283":984},{"_273":979,"_275":980,"_277":964,"_279":981},189.9,144.89257842387147,129.89257842387147,{"_285":224,"_123":985,"_154":986,"_140":89},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":424,"_154":425,"_140":288},"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_309":1003,"_311":1004},{"_309":1001,"_311":1002},{"_309":999,"_311":1000},{"_309":997,"_311":998},{"_309":995,"_311":996},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,1574,"the-martyrdom-of-saint-barbara-nga-6021","The Martyrdom of Saint Barbara",{"_42":673,"_221":674,"_323":675,"_325":389,"_327":676,"_329":677,"_331":678,"_333":679,"_335":680,"_140":97},"woodcut",0.680419921875,[1039,1040,1041,1042,1043],{"_220":431,"_221":432,"_42":433,"_302":434},"1943.3.2845","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_293":1036,"_295":1037,"_297":1038},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_289":290,"_291":292},{"_224":1029,"_125":1030,"_283":1031},{"_273":1027,"_275":701,"_277":1028,"_279":703},64.8251953125,40.8251953125,{"_285":224,"_123":653,"_154":654,"_140":97},{"_285":125,"_123":1034,"_154":1035,"_140":53},{"_285":283,"_123":1032,"_154":1033,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_309":1052,"_311":1053},{"_309":1050,"_311":1051},{"_309":1048,"_311":1049},{"_309":1046,"_311":1047},{"_309":1044,"_311":1045},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"interior-view-of-the-coliseum-aic-84972","Interior View of the Coliseum",{"_42":1104,"_221":1105,"_323":1106,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1580","watercolour","Drawing and Watercolor","Pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper","37 × 43 cm (14 5/8 × 16 15/16 in.)",37,1.1673617407071624,[1089,1090,1091,1092,1093],{"_220":935,"_221":936,"_42":937,"_302":938},"1922.2422","Lodewijk Toeput painted this in about 1580. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.",{"_293":1086,"_295":1087,"_297":1088},"https://img.ochreeditions.com/m/232.jpg?dl=1","/art/interior-view-of-the-coliseum-aic-84972","/galleries/style/northern-renaissance/interior-view-of-the-coliseum-aic-84972",{"_289":290,"_291":292},{"_224":1079,"_125":1080,"_283":1081},{"_273":1076,"_275":1077,"_277":741,"_279":1078},67,60.835197266231745,36.835197266231745,{"_285":224,"_123":1084,"_154":1085,"_140":89},{"_285":125,"_123":1082,"_154":1083,"_140":89},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-lodewijk-toeput","Lodewijk Toeput's contemporaries","https://img.ochreeditions.com/a/232/480.jpg","https://img.ochreeditions.com/a/232/960.jpg","https://img.ochreeditions.com/a/232/1920.jpg",{"_309":1102,"_311":1103},{"_309":1100,"_311":1101},{"_309":1098,"_311":1099},{"_309":1096,"_311":1097},{"_309":1094,"_311":1095},"#dbccb4",0.1105,"#655949",0.1638,"#b2a28c",0.1843,"#988974",0.2237,"#7e6f5c",0.3177,"Lodewijk Toeput","lodewijk-toeput","Flemish, c. 1550–c. 1605","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":1159,"_221":1160,"_323":1161,"_325":326,"_327":1162,"_329":1163,"_331":-5,"_333":-5,"_335":1164,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[1144,1145,1146,1147,1148],{"_220":1141,"_221":1142,"_42":1143,"_302":303},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1139,"_881":1140},"TWO GALLEYS AT SEA",{"_293":1136,"_295":1137,"_297":1138},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_289":290,"_291":292},{"_224":1131,"_125":1132,"_283":1133},{"_273":276,"_275":1129,"_277":280,"_279":1130},41.86612497581737,17.86612497581737,{"_285":224,"_123":1134,"_154":1135,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_309":1157,"_311":1158},{"_309":1155,"_311":1156},{"_309":1153,"_311":1154},{"_309":1151,"_311":1152},{"_309":1149,"_311":1150},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.",{"_1166":-5,"_1167":1168,"_1169":1170,"_1171":8,"_1172":1173,"_1174":8},"user","csrf","f93aa579b5a585929a3da702605652897538b886","cartCount",0,"dropLive","legal",[1175,1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186],"uploadsEnabled",{"_221":1209,"_20":1210},{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]