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The illustration is detailed, capturing textures and elements in the scene.",{"_296":440,"_298":441,"_300":442},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_292":293,"_294":295},{"_227":432,"_125":433,"_286":434},{"_276":430,"_278":279,"_280":431,"_282":283},44.2392578125,20.2392578125,{"_288":227,"_123":438,"_154":439,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":460,"_314":461},{"_312":458,"_314":459},{"_312":456,"_314":457},{"_312":454,"_314":455},{"_312":452,"_314":453},"#524a45",0.1163,"#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz","German",1560,"pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":512,"_224":513,"_326":514,"_328":464,"_330":515,"_332":516,"_334":-5,"_335":-5,"_336":517,"_140":99},"1540","engraving",0.6658470617162527,[497,498,499,500,501],{"_223":443,"_224":444,"_42":445,"_305":446},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_292":293,"_294":295},{"_227":489,"_125":490,"_286":491},{"_276":485,"_278":486,"_280":487,"_282":488},63.950823702975164,84,39.950823702975164,60,{"_288":227,"_123":492,"_154":493,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},"#e3d1b4",0.1756,"#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","christ-carrying-the-cross-met-336162","Christ Carrying the Cross",{"_42":571,"_224":572,"_326":573,"_328":464,"_330":574,"_332":575,"_334":576,"_335":577,"_336":578,"_140":97},"ca. 1475–80","Prints","Engraving","Sheet: 11 3/8 × 16 7/8 in. (28.9 × 42.9 cm)",42.9,28.9,1.5008038585209003,[556,557,558,559,560],{"_223":379,"_224":380,"_42":381,"_305":382},"35.27","Martin Schongauer made this in about 1475–80, aged about 20. It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_296":553,"_298":554,"_300":555},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_292":293,"_294":295},{"_227":544,"_125":545,"_286":546},{"_276":541,"_278":542,"_280":525,"_282":543},66.9,52.58468130690948,28.58468130690948,{"_288":227,"_123":551,"_154":552,"_140":97},{"_288":125,"_123":549,"_154":550,"_140":53},{"_288":286,"_123":547,"_154":548,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg",{"_312":569,"_314":570},{"_312":567,"_314":568},{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":627,"_224":628,"_326":629,"_328":401,"_330":630,"_332":631,"_334":-5,"_335":632,"_336":633,"_140":99},"1560","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[612,613,614,615,616],{"_223":443,"_224":444,"_42":445,"_305":446},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_296":609,"_298":610,"_300":611},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_292":293,"_294":295},{"_227":604,"_125":605,"_286":606},{"_276":601,"_278":602,"_280":585,"_282":603},53.2,45.63623046875,21.63623046875,{"_288":227,"_123":607,"_154":608,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},{"_312":617,"_314":618},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":680,"_224":681,"_326":682,"_328":329,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1590","Engraving in black on cream laid paper","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[665,666,667,668,669],{"_223":302,"_224":303,"_42":304,"_305":306},"2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_296":662,"_298":663,"_300":664},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_292":293,"_294":295},{"_227":657,"_125":658,"_286":659},{"_276":654,"_278":655,"_280":656,"_282":640},52.650632426216944,66,28.65063242621694,{"_288":227,"_123":660,"_154":661,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg",{"_312":678,"_314":679},{"_312":676,"_314":677},{"_312":674,"_314":675},{"_312":672,"_314":673},{"_312":670,"_314":671},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground",{"_42":728,"_224":729,"_326":730,"_328":329,"_330":731,"_332":732,"_334":733,"_335":734,"_336":-5,"_140":103},"1596–1639","Pen and brown ink; framing lines in pen and brown ink","Sheet: 7 13/16 × 7 13/16 in. (19.8 × 19.8 cm)",19.8,0.9997154240182129,[713,714,715,716,717],{"_223":379,"_224":380,"_42":381,"_305":382},"2024.629.15","Roelandt Savery drew this in 1596–1639, aged about 20. It is now at The Met in New York.","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639",{"_296":710,"_298":711,"_300":712},"https://img.ochreeditions.com/m/1287.jpg?dl=1","/art/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","/galleries/style/northern-renaissance/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758",{"_292":293,"_294":295},{"_227":705,"_125":706,"_286":707},{"_276":703,"_278":279,"_280":704,"_282":283},48.992885600455324,24.992885600455324,{"_288":227,"_123":708,"_154":709,"_140":89},{"_288":125,"_123":372,"_154":373,"_140":371},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-roelandt-savery","Roelandt Savery's contemporaries","https://img.ochreeditions.com/a/1287/480.jpg","https://img.ochreeditions.com/a/1287/960.jpg","https://img.ochreeditions.com/a/1287/1920.jpg",{"_312":726,"_314":727},{"_312":724,"_314":725},{"_312":722,"_314":723},{"_312":720,"_314":721},{"_312":718,"_314":719},"#f1e7dd",0.085,"#b39c89",0.0908,"#c4af9c",0.2056,"#deccbd",0.2939,"#d1beac",0.3247,"Roelandt Savery","roelandt-savery","Flemish, 1576–1639",1576,1639,"Kortrijk","Utrecht","view-of-heidelberg-met-337489","View of Heidelberg",{"_42":782,"_224":783,"_326":784,"_328":401,"_330":785,"_332":786,"_334":632,"_335":404,"_336":-5,"_140":101},"ca. 1588–89","Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink","7 7/8 x 12 in. (20.0 x 30.5 cm)",30.5,20,1.5025125628140703,[767,768,769,770,771],{"_223":379,"_224":380,"_42":381,"_305":382},"1995.15","Jan Brueghel the Elder drew this in about 1588–89, aged about 15. It is now at The Met in New York.","View of Heidelberg, by Jan Brueghel the Elder, ca. 1588–89",{"_296":764,"_298":765,"_300":766},"https://img.ochreeditions.com/m/1017.jpg?dl=1","/art/view-of-heidelberg-met-337489","/galleries/style/northern-renaissance/view-of-heidelberg-met-337489",{"_292":293,"_294":295},{"_227":759,"_125":760,"_286":761},{"_276":756,"_278":757,"_280":741,"_282":758},54.5,44.29933110367893,20.29933110367893,{"_288":227,"_123":762,"_154":763,"_140":89},{"_288":125,"_123":372,"_154":373,"_140":371},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/1017/480.jpg","https://img.ochreeditions.com/a/1017/960.jpg","https://img.ochreeditions.com/a/1017/1920.jpg",{"_312":780,"_314":781},{"_312":778,"_314":779},{"_312":776,"_314":777},{"_312":774,"_314":775},{"_312":772,"_314":773},"#9d8873",0.0476,"#bab3a1",0.167,"#c0ad94",0.1674,"#d5c3ab",0.2675,"#e7d2ba",0.3505,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":841,"_224":842,"_326":843,"_328":464,"_330":844,"_332":845,"_334":-5,"_335":-5,"_336":846,"_140":99},"1527","painting","Painting","oil on panel","overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",30,43,0.75244140625,[826,827,828,829,830],{"_223":443,"_224":444,"_42":445,"_305":446},"1947.6.5.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_296":823,"_298":824,"_300":825},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_292":821,"_294":822},{"_227":813,"_125":814,"_286":815},{"_276":810,"_278":811,"_280":812,"_282":796},47.35498046875,58,32.35498046875,{"_288":227,"_123":819,"_154":820,"_140":99},{"_288":125,"_123":816,"_154":817,"_140":818},{"_288":286,"_123":435,"_154":436,"_140":437},"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_312":839,"_314":840},{"_312":837,"_314":838},{"_312":835,"_314":836},{"_312":833,"_314":834},{"_312":831,"_314":832},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":896,"_224":897,"_326":898,"_328":898,"_330":-5,"_332":899,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1536/1540","france","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[882,883,884,885,886],{"_223":443,"_224":444,"_42":445,"_305":446},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_296":879,"_298":880,"_300":881},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_292":821,"_294":822},{"_227":872,"_125":873,"_286":874},{"_276":869,"_278":870,"_280":871,"_282":283},36.368408203125,40,21.368408203125,{"_288":227,"_123":877,"_154":878,"_140":89},{"_288":125,"_123":816,"_154":817,"_140":818},{"_288":286,"_123":875,"_154":876,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_312":894,"_314":895},{"_312":892,"_314":893},{"_312":891,"_314":453},{"_312":889,"_314":890},{"_312":887,"_314":888},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738","#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[946,947,948,949,950],{"_223":942,"_224":943,"_42":944,"_305":945},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":939,"_940":941},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_296":936,"_298":937,"_300":938},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_292":293,"_294":295},{"_227":926,"_125":927,"_286":928},{"_276":279,"_278":924,"_280":283,"_282":925},40.44117647058823,16.441176470588236,{"_288":227,"_123":934,"_154":935,"_140":87},{"_288":125,"_123":932,"_154":933,"_140":81},{"_288":286,"_123":929,"_154":930,"_140":931},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":959,"_314":960},{"_312":957,"_314":958},{"_312":955,"_314":956},{"_312":953,"_314":954},{"_312":951,"_314":952},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"the-harvesters-met-435809","The Harvesters",{"_42":627,"_224":628,"_326":629,"_328":401,"_330":630,"_332":631,"_334":-5,"_335":632,"_336":633,"_140":99},"1565","Paintings","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[993,994,995,996,997],{"_223":379,"_224":380,"_42":381,"_305":382},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_296":990,"_298":991,"_300":992},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_292":821,"_294":822},{"_227":987,"_125":988,"_286":989},{"_276":984,"_278":985,"_280":968,"_282":986},176.9,134.33274731041723,119.33274731041722,{"_288":227,"_123":607,"_154":608,"_140":99},{"_288":125,"_123":816,"_154":817,"_140":818},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_312":1006,"_314":1007},{"_312":1004,"_314":1005},{"_312":1002,"_314":1003},{"_312":1000,"_314":1001},{"_312":998,"_314":999},"#794c20",0.1692,"#c6b6a3",0.1735,"#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":1061,"_224":1062,"_326":1063,"_328":329,"_330":1064,"_332":1065,"_334":-5,"_335":-5,"_336":1066,"_140":99},"ca. 1587 – 1590","Drawing","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[1046,1047,1048,1049,1050],{"_223":1043,"_224":1044,"_42":1045,"_305":382},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1041,"_940":1042},"TWO GALLEYS AT SEA",{"_296":1038,"_298":1039,"_300":1040},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_292":293,"_294":295},{"_227":1033,"_125":1034,"_286":1035},{"_276":279,"_278":1031,"_280":283,"_282":1032},41.86612497581737,17.86612497581737,{"_288":227,"_123":1036,"_154":1037,"_140":99},{"_288":125,"_123":372,"_154":373,"_140":371},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_312":1059,"_314":1060},{"_312":1057,"_314":1058},{"_312":1055,"_314":1056},{"_312":1053,"_314":1054},{"_312":1051,"_314":1052},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":1112,"_224":1113,"_326":1114,"_328":329,"_330":516,"_332":403,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1588","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[1097,1098,1099,1100,1101],{"_223":302,"_224":303,"_42":304,"_305":306},"2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.",{"_296":1094,"_298":1095,"_300":1096},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_292":293,"_294":295},{"_227":1089,"_125":1090,"_286":1091},{"_276":1086,"_278":1087,"_280":1072,"_282":1088},69,62.261269549218035,38.261269549218035,{"_288":227,"_123":1092,"_154":1093,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg",{"_312":1110,"_314":1111},{"_312":1108,"_314":1109},{"_312":1106,"_314":1107},{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600","melencolia-i-met-336228","Melencolia I",{"_42":1161,"_224":1162,"_326":1163,"_328":464,"_330":1164,"_332":845,"_334":1165,"_335":1165,"_336":1166,"_140":89},"1514","Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.7 cm)",18.7,24.1,0.7919123841617524,[1146,1147,1148,1149,1150],{"_223":379,"_224":380,"_42":381,"_305":382},"43.106.1","Albrecht Dürer made this in 1514, aged 43. It is now at The Met in New York.","A winged figure sits slumped, chin on fist, surrounded by the tools of measurement and making: a compass in her lap, a plane and saw at her feet, an hourglass, scales and a bell on the wall behind, a ladder, a huge faceted stone and a sphere.","Melencolia I, by Albrecht Dürer, 1514",{"_296":1143,"_298":1144,"_300":1145},"https://img.ochreeditions.com/m/1001.jpg?dl=1","/art/melencolia-i-met-336228","/galleries/style/northern-renaissance/melencolia-i-met-336228",{"_292":293,"_294":295},{"_227":1138,"_125":1139,"_286":1140},{"_276":1136,"_278":279,"_280":1137,"_282":283},43.797809604043806,19.79780960404381,{"_288":227,"_123":1141,"_154":1142,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1001/480.jpg","https://img.ochreeditions.com/a/1001/960.jpg","https://img.ochreeditions.com/a/1001/1920.jpg",{"_312":1159,"_314":1160},{"_312":1157,"_314":1158},{"_312":1155,"_314":1156},{"_312":1153,"_314":1154},{"_312":1151,"_314":1152},"#f9f1dc",0.1294,"#baab96",0.1419,"#554f48",0.2147,"#908475",0.2359,"#6f665c",0.2781,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.",{"_1168":-5,"_1169":1170,"_1171":1172,"_1173":8,"_1174":1175,"_1176":8},"user","csrf","baf2ff8159151b696f4219ba38fcface38823ce2","cartCount",0,"dropLive","legal",[1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188],"uploadsEnabled",{"_224":1211,"_20":1212},{"_224":1209,"_20":1210},{"_224":1207,"_20":1208},{"_224":1205,"_20":1206},{"_224":1203,"_20":1204},{"_224":1201,"_20":1202},{"_224":1199,"_20":1200},{"_224":1197,"_20":1198},{"_224":1195,"_20":1196},{"_224":1193,"_20":1194},{"_224":1191,"_20":1192},{"_224":1189,"_20":1190},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]