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(11 x 16 cm)",1.4617750439367312,[431,432,433,434,435],{"_217":372,"_218":373,"_42":374,"_298":375},"1993.1097","Albrecht Altdorfer made this in about 1521–22, aged about 36. It is now at The Met in New York.","Landscape with a Double Spruce, by Albrecht Altdorfer, ca. 1521–22",{"_289":428,"_291":429,"_293":430},"https://img.ochreeditions.com/m/1003.jpg?dl=1","/art/landscape-with-a-double-spruce-met-336259","/galleries/style/northern-renaissance/landscape-with-a-double-spruce-met-336259",{"_285":286,"_287":288},{"_221":423,"_125":424,"_279":425},{"_269":419,"_271":420,"_273":421,"_275":422},49,41.10249474000601,25,17.102494740006012,{"_281":221,"_123":426,"_154":427,"_140":89},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1003/480.jpg","https://img.ochreeditions.com/a/1003/960.jpg","https://img.ochreeditions.com/a/1003/1920.jpg",{"_305":444,"_307":445},{"_305":442,"_307":443},{"_305":440,"_307":441},{"_305":438,"_307":439},{"_305":436,"_307":437},"#786e61",0.1286,"#928777",0.1974,"#e1d3ba",0.2219,"#aca08d",0.2227,"#c6b9a2",0.2294,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":509,"_218":510,"_319":511,"_321":511,"_323":-5,"_325":512,"_327":-5,"_328":-5,"_329":-5,"_140":103},"c. 1536/1540","france","painting","Painting","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[494,495,496,497,498],{"_217":295,"_218":296,"_42":297,"_298":299},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_289":491,"_291":492,"_293":493},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_285":489,"_287":490},{"_221":479,"_125":480,"_279":481},{"_269":476,"_271":477,"_273":478,"_275":421},36.368408203125,40,21.368408203125,{"_281":221,"_123":487,"_154":488,"_140":89},{"_281":125,"_123":484,"_154":485,"_140":486},{"_281":279,"_123":482,"_154":483,"_140":89},"era/16-france","16th-century France","style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_305":507,"_307":508},{"_305":505,"_307":506},{"_305":503,"_307":504},{"_305":501,"_307":502},{"_305":499,"_307":500},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"saint-christopher-nga-6034","Saint Christopher",{"_42":557,"_218":558,"_319":559,"_321":322,"_323":560,"_325":561,"_327":562,"_328":563,"_329":564,"_140":97},"1506","chiaroscuro woodcut printed in brown-orange and black",0.703125,[542,543,544,545,546],{"_217":295,"_218":296,"_42":297,"_298":299},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_289":539,"_291":540,"_293":541},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_285":286,"_287":288},{"_221":534,"_125":535,"_279":536},{"_269":532,"_271":272,"_273":533,"_275":276},66.1875,42.1875,{"_281":221,"_123":537,"_154":538,"_140":97},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":166,"_154":165,"_140":168},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_305":555,"_307":556},{"_305":553,"_307":554},{"_305":551,"_307":552},{"_305":549,"_307":550},{"_305":547,"_307":548},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","saint-john-on-patmos-met-435600","Saint John on Patmos",{"_42":613,"_218":614,"_319":615,"_321":322,"_323":616,"_325":617,"_327":-5,"_328":618,"_329":-5,"_140":103},"ca. 1511","Paintings","Oil, gold, and white metal on spruce","Overall 35 1/4 x 30 1/4 in. (89.5 x 76.8 cm); painted surface 34 3/8 x 29 3/4 in. (87.3 x 75.6 cm)",76.8,89.5,0.8605263157894737,[598,599,600,601,602],{"_217":372,"_218":373,"_42":374,"_298":375},"1983.451","Hans Baldung (called Hans Baldung Grien) painted this in about 1511, aged about 22. It is now at The Met in New York.","Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511",{"_289":595,"_291":596,"_293":597},"https://img.ochreeditions.com/m/1059.jpg?dl=1","/art/saint-john-on-patmos-met-435600","/galleries/style/northern-renaissance/saint-john-on-patmos-met-435600",{"_285":489,"_287":490},{"_221":590,"_125":591,"_279":592},{"_269":587,"_271":588,"_273":589,"_275":573},92.0171052631579,104.5,77.0171052631579,{"_281":221,"_123":593,"_154":594,"_140":89},{"_281":125,"_123":484,"_154":485,"_140":486},{"_281":279,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hans-baldung-called-hans-baldung-grien","Hans Baldung (called Hans Baldung Grien)'s contemporaries","https://img.ochreeditions.com/a/1059/480.jpg","https://img.ochreeditions.com/a/1059/960.jpg","https://img.ochreeditions.com/a/1059/1920.jpg",{"_305":611,"_307":612},{"_305":609,"_307":610},{"_305":607,"_307":608},{"_305":605,"_307":606},{"_305":603,"_307":604},"#a29264",0.0835,"#6a2420",0.1318,"#4e3e27",0.2116,"#777c73",0.2571,"#202017",0.316,"Hans Baldung (called Hans Baldung Grien)","hans-baldung-called-hans-baldung-grien","German, 1484–1545",1484,1545,"Strasbourg","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":666,"_218":667,"_319":668,"_321":394,"_323":669,"_325":670,"_327":397,"_328":671,"_329":672,"_140":99},"1589","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[651,652,653,654,655],{"_217":372,"_218":373,"_42":374,"_298":375},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_289":648,"_291":649,"_293":650},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_285":286,"_287":288},{"_221":643,"_125":644,"_279":645},{"_269":641,"_271":419,"_273":642,"_275":421},44.40656205420827,20.406562054208273,{"_281":221,"_123":646,"_154":647,"_140":99},{"_281":125,"_123":365,"_154":366,"_140":364},{"_281":279,"_123":362,"_154":363,"_140":364},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_305":664,"_307":665},{"_305":662,"_307":663},{"_305":660,"_307":661},{"_305":658,"_307":659},{"_305":656,"_307":657},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":720,"_218":721,"_319":722,"_321":322,"_323":723,"_325":724,"_327":-5,"_328":-5,"_329":725,"_140":99},"1527","oil on panel","overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",30,43,0.75244140625,[705,706,707,708,709],{"_217":295,"_218":296,"_42":297,"_298":299},"1947.6.5.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_289":702,"_291":703,"_293":704},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_285":489,"_287":490},{"_221":697,"_125":698,"_279":699},{"_269":694,"_271":695,"_273":696,"_275":680},47.35498046875,58,32.35498046875,{"_281":221,"_123":700,"_154":701,"_140":99},{"_281":125,"_123":484,"_154":485,"_140":486},{"_281":279,"_123":166,"_154":165,"_140":168},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_305":718,"_307":719},{"_305":716,"_307":717},{"_305":714,"_307":715},{"_305":712,"_307":713},{"_305":710,"_307":711},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":446,"_218":447,"_319":448,"_321":322,"_323":449,"_325":450,"_327":451,"_328":451,"_329":-5,"_140":101},"1519","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[754,755,756,757,758],{"_217":372,"_218":373,"_42":374,"_298":375},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_289":751,"_291":752,"_293":753},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_285":286,"_287":288},{"_221":748,"_125":749,"_279":750},{"_269":746,"_271":419,"_273":747,"_275":421},41.52754820936639,17.52754820936639,{"_281":221,"_123":426,"_154":427,"_140":89},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_305":767,"_307":768},{"_305":765,"_307":766},{"_305":763,"_307":764},{"_305":761,"_307":762},{"_305":759,"_307":760},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,17,1.520572450805009,[816,817,818,819,820],{"_217":812,"_218":813,"_42":814,"_298":815},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":809,"_810":811},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_289":806,"_291":807,"_293":808},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_285":286,"_287":288},{"_221":796,"_125":797,"_279":798},{"_269":419,"_271":794,"_273":421,"_275":795},40.44117647058823,16.441176470588236,{"_281":221,"_123":804,"_154":805,"_140":87},{"_281":125,"_123":802,"_154":803,"_140":81},{"_281":279,"_123":799,"_154":800,"_140":801},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_305":828,"_307":829},{"_305":826,"_307":827},{"_305":824,"_307":825},{"_305":823,"_307":382},{"_305":821,"_307":822},"#4c5e70",0.0443,"#8e6956","#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"crest-nga-11963","Crest",{"_42":871,"_218":872,"_319":873,"_321":322,"_323":874,"_325":875,"_327":-5,"_328":-5,"_329":-5,"_140":103},0.656855151045701,[856,857,858,859,860],{"_217":295,"_218":296,"_42":297,"_298":299},"1943.3.9447","Michel Le Blon made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.",{"_289":853,"_291":854,"_293":855},"https://img.ochreeditions.com/m/1359.jpg?dl=1","/art/crest-nga-11963","/galleries/style/northern-renaissance/crest-nga-11963",{"_285":286,"_287":288},{"_221":848,"_125":849,"_279":850},{"_269":846,"_271":272,"_273":847,"_275":276},63.41130906274206,39.41130906274206,{"_281":221,"_123":851,"_154":852,"_140":89},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-michel-le-blon","Michel Le Blon's contemporaries","https://img.ochreeditions.com/a/1359/480.jpg","https://img.ochreeditions.com/a/1359/960.jpg","https://img.ochreeditions.com/a/1359/1920.jpg",{"_305":869,"_307":870},{"_305":867,"_307":868},{"_305":865,"_307":866},{"_305":863,"_307":864},{"_305":861,"_307":862},"#756759",0.1004,"#938470",0.135,"#ccb99d",0.1358,"#b19f86",0.1477,"#f3e2c5",0.4811,"Michel Le Blon","michel-le-blon","German, 1587–1656",1587,1656,"deer-hunt-with-nets-si-chndm-1901-39-128","Deer Hunt with Nets",{"_42":932,"_218":933,"_319":934,"_321":935,"_323":936,"_325":937,"_327":-5,"_328":-5,"_329":938,"_140":99},"ca. 1590 – 1599","flanders","Drawing","Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper","H x W: 11 × 14.9 cm (4 5/16 × 5 7/8 in.)",14.9,1.330243098475484,[917,918,919,920,921],{"_217":914,"_218":915,"_42":916,"_298":375},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-128","Jan van der Straet, called Stradanus drew this in about 1590 – 1599, aged about 67. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":912,"_810":913},"DEER HUNT WITH NETS",{"_289":909,"_291":910,"_293":911},"https://img.ochreeditions.com/m/1702.jpg?dl=1","/art/deer-hunt-with-nets-si-chndm-1901-39-128","/galleries/style/northern-renaissance/deer-hunt-with-nets-si-chndm-1901-39-128",{"_285":286,"_287":288},{"_221":902,"_125":903,"_279":904},{"_269":419,"_271":900,"_273":421,"_275":901},42.793557379588044,18.793557379588044,{"_281":221,"_123":907,"_154":908,"_140":99},{"_281":125,"_123":365,"_154":366,"_140":364},{"_281":279,"_123":905,"_154":906,"_140":778},"era/16-flanders","16th-century Flanders","artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1702/480.jpg","https://img.ochreeditions.com/a/1702/960.jpg","https://img.ochreeditions.com/a/1702/1920.jpg","Recto: Landscape with hunters on horseback, accompanied by their hounds. They have driven two stags into a wide net.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_305":930,"_307":931},{"_305":928,"_307":929},{"_305":926,"_307":927},{"_305":924,"_307":925},{"_305":922,"_307":923},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","trajan-nga-4262","Trajan",{"_42":317,"_218":318,"_319":320,"_321":322,"_323":324,"_325":326,"_327":-5,"_328":-5,"_329":330,"_140":99},"1546",1.0047909407665505,[965,966,967,968,969],{"_217":295,"_218":296,"_42":297,"_298":299},"1943.3.1044","Sebald Beham made this in 1546, aged 46. It is now at the National Gallery of Art in Washington, DC.","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.",{"_289":962,"_291":963,"_293":964},"https://img.ochreeditions.com/m/1338.jpg?dl=1","/art/trajan-nga-4262","/galleries/style/northern-renaissance/trajan-nga-4262",{"_285":286,"_287":288},{"_221":959,"_125":960,"_279":961},{"_269":272,"_271":957,"_273":276,"_275":958},83.71391417425227,59.713914174252274,{"_281":221,"_123":170,"_154":169,"_140":99},{"_281":125,"_123":282,"_154":283,"_140":284},{"_281":279,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1338/480.jpg","https://img.ochreeditions.com/a/1338/960.jpg","https://img.ochreeditions.com/a/1338/1920.jpg",{"_305":978,"_307":979},{"_305":976,"_307":977},{"_305":974,"_307":975},{"_305":972,"_307":973},{"_305":970,"_307":971},"#655a51",0.0699,"#8b7d6d",0.1158,"#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":1026,"_218":1027,"_319":1028,"_321":935,"_323":1029,"_325":1030,"_327":-5,"_328":-5,"_329":-5,"_140":103},"probably 1590 and 1597","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[1011,1012,1013,1014,1015],{"_217":295,"_218":296,"_42":297,"_298":299},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_289":1008,"_291":1009,"_293":1010},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_285":489,"_287":490},{"_221":1003,"_125":1004,"_279":1005},{"_269":1000,"_271":1001,"_273":985,"_275":1002},97.2,78.97792968750001,63.97792968750001,{"_281":221,"_123":1006,"_154":1007,"_140":89},{"_281":125,"_123":484,"_154":485,"_140":486},{"_281":279,"_123":905,"_154":906,"_140":778},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_305":1024,"_307":1025},{"_305":1022,"_307":1023},{"_305":1020,"_307":1021},{"_305":1018,"_307":1019},{"_305":1016,"_307":1017},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,1619,"plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)",{"_42":666,"_218":667,"_319":668,"_321":394,"_323":669,"_325":670,"_327":397,"_328":671,"_329":672,"_140":99},"c.1575/1590s","watercolor and gold paint on parchment","page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)",18.4,1.2591454042422379,[1060,1061,1062,1063,1064],{"_217":295,"_218":296,"_42":297,"_298":299},"1987.20.5.14","Joris Hoefnagel painted this in about 1575/1590s, aged about 28. It is now at the National Gallery of Art in Washington, DC.","A yellow swallowtail, a red admiral and a dragonfly are set out symmetrically on the parchment, painted in watercolour with touches of gold so precisely that they could almost be pinned specimens.","Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_289":1057,"_291":1058,"_293":1059},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_285":286,"_287":288},{"_221":1054,"_125":1055,"_279":1056},{"_269":419,"_271":1052,"_273":421,"_275":1053},43.854736328125,19.854736328125,{"_281":221,"_123":646,"_154":647,"_140":99},{"_281":125,"_123":365,"_154":366,"_140":364},{"_281":279,"_123":362,"_154":363,"_140":364},"https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg",{"_305":1073,"_307":1074},{"_305":1071,"_307":1072},{"_305":1069,"_307":1070},{"_305":1067,"_307":1068},{"_305":1065,"_307":1066},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":1122,"_218":1123,"_319":1124,"_321":322,"_323":1125,"_325":1126,"_327":1127,"_328":1128,"_329":-5,"_140":101},"1532","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[1107,1108,1109,1110,1111],{"_217":372,"_218":373,"_42":374,"_298":375},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_289":1104,"_291":1105,"_293":1106},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_285":489,"_287":490},{"_221":1099,"_125":1100,"_279":1101},{"_269":1096,"_271":1097,"_273":1098,"_275":1082},47.416417519013905,57.2,32.416417519013905,{"_281":221,"_123":1102,"_154":1103,"_140":89},{"_281":125,"_123":484,"_154":485,"_140":486},{"_281":279,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_305":1120,"_307":1121},{"_305":1118,"_307":1119},{"_305":1116,"_307":1117},{"_305":1114,"_307":1115},{"_305":1112,"_307":1113},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London",{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","a2d54466a34bf76533acde260fd080fb2c00956f","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_218":1173,"_20":1174},{"_218":1171,"_20":1172},{"_218":1169,"_20":1170},{"_218":1167,"_20":1168},{"_218":1165,"_20":1166},{"_218":1163,"_20":1164},{"_218":1161,"_20":1162},{"_218":1159,"_20":1160},{"_218":1157,"_20":1158},{"_218":1155,"_20":1156},{"_218":1153,"_20":1154},{"_218":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]