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(15 × 21.5 cm)",21.5,1.3745704467353952,[446,447,448,449,450],{"_226":305,"_227":306,"_42":307,"_308":309},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_299":443,"_301":444,"_303":445},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_295":296,"_297":298},{"_230":436,"_125":437,"_289":438},{"_279":282,"_281":434,"_283":286,"_285":435},42.1875,18.1875,{"_291":230,"_123":441,"_154":442,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":439,"_154":440,"_140":294},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_315":459,"_317":460},{"_315":457,"_317":458},{"_315":455,"_317":456},{"_315":453,"_317":454},{"_315":451,"_317":452},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593","Netherlandish",1534,1593,"Mechelen","Amsterdam","the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":526,"_227":527,"_329":528,"_331":332,"_333":529,"_335":530,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1588","print","Print","Engraving in black on cream laid paper","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[511,512,513,514,515],{"_226":507,"_227":508,"_42":509,"_308":510},"Courtesy of the Art Institute of Chicago","2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_299":504,"_301":505,"_303":506},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_295":296,"_297":298},{"_230":496,"_125":497,"_289":498},{"_279":493,"_281":494,"_283":477,"_285":495},69,62.261269549218035,38.261269549218035,{"_291":230,"_123":502,"_154":503,"_140":89},{"_291":125,"_123":499,"_154":500,"_140":501},{"_291":289,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":524,"_317":525},{"_315":522,"_317":523},{"_315":520,"_317":521},{"_315":518,"_317":519},{"_315":516,"_317":517},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600",1550,1600,"head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":577,"_227":578,"_329":579,"_331":580,"_333":581,"_335":582,"_337":583,"_339":584,"_341":585,"_140":91},"Drawing","pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[562,563,564,565,566],{"_226":387,"_227":388,"_42":389,"_308":390},"1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_299":559,"_301":560,"_303":561},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_295":296,"_297":298},{"_230":554,"_125":555,"_289":556},{"_279":550,"_281":551,"_283":552,"_285":553},84,83.51529140219273,60,59.51529140219274,{"_291":230,"_123":557,"_154":558,"_140":91},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":439,"_154":440,"_140":294},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg",{"_315":575,"_317":576},{"_315":573,"_317":574},{"_315":571,"_317":572},{"_315":569,"_317":570},{"_315":567,"_317":568},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","the-martyrdom-of-saint-barbara-nga-6021","The Martyrdom of Saint Barbara",{"_42":632,"_227":633,"_329":634,"_331":409,"_333":635,"_335":636,"_337":637,"_339":638,"_341":639,"_140":97},"woodcut",0.680419921875,[617,618,619,620,621],{"_226":387,"_227":388,"_42":389,"_308":390},"1943.3.2845","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_299":614,"_301":615,"_303":616},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_295":296,"_297":298},{"_230":605,"_125":606,"_289":607},{"_279":603,"_281":550,"_283":604,"_285":552},64.8251953125,40.8251953125,{"_291":230,"_123":612,"_154":613,"_140":97},{"_291":125,"_123":610,"_154":611,"_140":53},{"_291":289,"_123":608,"_154":609,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_315":630,"_317":631},{"_315":628,"_317":629},{"_315":626,"_317":627},{"_315":624,"_317":625},{"_315":622,"_317":623},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff",{"_42":690,"_227":691,"_329":692,"_331":692,"_333":-5,"_335":693,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1544","france","Prints","Engraving; first state of two","Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm) Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm)",30.5,43.5,0.7168852020337169,[676,677,678,679,680],{"_226":305,"_227":306,"_42":307,"_308":309},"2013.963.2","Niccolò della Casa made this in 1544. It is now at The Met in New York.","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544",{"_299":673,"_301":674,"_303":675},"https://img.ochreeditions.com/m/1275.jpg?dl=1","/art/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","/galleries/style/northern-renaissance/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326",{"_295":296,"_297":298},{"_230":666,"_125":667,"_289":668},{"_279":663,"_281":664,"_283":665,"_285":649},55.18450628846668,67.5,31.184506288466682,{"_291":230,"_123":671,"_154":672,"_140":89},{"_291":125,"_123":499,"_154":500,"_140":501},{"_291":289,"_123":669,"_154":670,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-niccolo-della-casa","Niccolò della Casa's contemporaries","https://img.ochreeditions.com/a/1275/480.jpg","https://img.ochreeditions.com/a/1275/960.jpg","https://img.ochreeditions.com/a/1275/1920.jpg",{"_315":689,"_317":405},{"_315":687,"_317":688},{"_315":685,"_317":686},{"_315":683,"_317":684},{"_315":681,"_317":682},"#f0e1cb",0.0713,"#b4aba0",0.1546,"#756f68",0.2116,"#9e968c",0.2493,"#8b837b","Niccolò della Casa","niccolo-della-casa","French",1548,"the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":740,"_227":741,"_329":742,"_331":332,"_333":743,"_335":744,"_337":-5,"_339":-5,"_341":-5,"_140":103},"probably 1590 and 1597","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[725,726,727,728,729],{"_226":387,"_227":388,"_42":389,"_308":390},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_299":722,"_301":723,"_303":724},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_295":382,"_297":383},{"_230":717,"_125":718,"_289":719},{"_279":714,"_281":715,"_283":699,"_285":716},97.2,78.97792968750001,63.97792968750001,{"_291":230,"_123":720,"_154":721,"_140":89},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_315":738,"_317":739},{"_315":736,"_317":737},{"_315":734,"_317":735},{"_315":732,"_317":733},{"_315":730,"_317":731},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,1619,"hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":793,"_227":794,"_329":795,"_331":409,"_333":796,"_335":797,"_337":798,"_339":799,"_341":-5,"_140":101},"1532","Paintings","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[778,779,780,781,782],{"_226":305,"_227":306,"_42":307,"_308":309},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_299":775,"_301":776,"_303":777},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_295":382,"_297":383},{"_230":770,"_125":771,"_289":772},{"_279":767,"_281":768,"_283":769,"_285":753},47.416417519013905,57.2,32.416417519013905,{"_291":230,"_123":773,"_154":774,"_140":89},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_315":791,"_317":792},{"_315":789,"_317":790},{"_315":787,"_317":788},{"_315":785,"_317":786},{"_315":783,"_317":784},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":854,"_227":855,"_329":856,"_331":332,"_333":857,"_335":858,"_337":-5,"_339":-5,"_341":859,"_140":99},"ca. 1596-99","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,14.3,1.402575587905935,[839,840,841,842,843],{"_226":836,"_227":837,"_42":838,"_308":309},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":833,"_834":835},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_299":830,"_301":831,"_303":832},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_295":296,"_297":298},{"_230":825,"_125":826,"_289":827},{"_279":282,"_281":823,"_283":286,"_285":824},41.82435129740519,17.82435129740519,{"_291":230,"_123":828,"_154":829,"_140":99},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_315":852,"_317":853},{"_315":850,"_317":851},{"_315":848,"_317":849},{"_315":846,"_317":847},{"_315":844,"_317":845},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":907,"_227":908,"_329":909,"_331":409,"_333":910,"_335":411,"_337":911,"_339":911,"_341":912,"_140":89},"probably 1519","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,0.8386010362694301,[892,893,894,895,896],{"_226":305,"_227":306,"_42":307,"_308":309},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_299":889,"_301":890,"_303":891},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_295":382,"_297":383},{"_230":884,"_125":885,"_289":886},{"_279":881,"_281":882,"_283":883,"_285":552},65.3160621761658,75,50.3160621761658,{"_291":230,"_123":887,"_154":888,"_140":89},{"_291":125,"_123":377,"_154":378,"_140":379},{"_291":289,"_123":374,"_154":375,"_140":376},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_315":905,"_317":906},{"_315":903,"_317":904},{"_315":901,"_317":902},{"_315":899,"_317":900},{"_315":897,"_317":898},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":959,"_227":960,"_329":961,"_331":409,"_333":962,"_335":963,"_337":964,"_339":964,"_341":-5,"_140":101},"1519","Etching","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[944,945,946,947,948],{"_226":305,"_227":306,"_42":307,"_308":309},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_299":941,"_301":942,"_303":943},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_295":296,"_297":298},{"_230":936,"_125":937,"_289":938},{"_279":934,"_281":282,"_283":935,"_285":286},41.52754820936639,17.52754820936639,{"_291":230,"_123":939,"_154":940,"_140":89},{"_291":125,"_123":499,"_154":500,"_140":501},{"_291":289,"_123":374,"_154":375,"_140":376},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_315":957,"_317":958},{"_315":955,"_317":956},{"_315":953,"_317":954},{"_315":951,"_317":952},{"_315":949,"_317":950},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","music-making-angels-met-334816","Music-Making Angels",{"_42":907,"_227":908,"_329":909,"_331":409,"_333":910,"_335":411,"_337":911,"_339":911,"_341":912,"_140":89},"1521","Pen and brown ink","6 5/8 x 8 3/4 in. (16.9 x 22.3 cm)",22.3,16.9,1.3273231622746187,[994,995,996,997,998],{"_226":305,"_227":306,"_42":307,"_308":309},"61.257","Albrecht Dürer drew this in 1521, aged 50. It is now at The Met in New York.","Music-Making Angels, by Albrecht Dürer, 1521",{"_299":991,"_301":992,"_303":993},"https://img.ochreeditions.com/m/993.jpg?dl=1","/art/music-making-angels-met-334816","/galleries/style/northern-renaissance/music-making-angels-met-334816",{"_295":296,"_297":298},{"_230":988,"_125":989,"_289":990},{"_279":282,"_281":986,"_283":286,"_285":987},42.83490073145245,18.834900731452453,{"_291":230,"_123":887,"_154":888,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/993/480.jpg","https://img.ochreeditions.com/a/993/960.jpg","https://img.ochreeditions.com/a/993/1920.jpg",{"_315":1007,"_317":1008},{"_315":1005,"_317":1006},{"_315":1003,"_317":1004},{"_315":1001,"_317":1002},{"_315":999,"_317":1000},"#e7e0cc",0.0674,"#baa890",0.0941,"#c9b8a1",0.2461,"#dacec0",0.2874,"#d2c4b1",0.305,"otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":1056,"_227":1057,"_329":1058,"_331":464,"_333":1059,"_335":1060,"_337":1061,"_339":1061,"_341":-5,"_140":103},"1530–35","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[1041,1042,1043,1044,1045],{"_226":305,"_227":306,"_42":307,"_308":309},"1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_299":1038,"_301":1039,"_303":1040},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_295":296,"_297":298},{"_230":1033,"_125":1034,"_289":1035},{"_279":1030,"_281":1031,"_283":1015,"_285":1032},72.3,60.23450537916557,36.23450537916557,{"_291":230,"_123":1036,"_154":1037,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":439,"_154":440,"_140":294},"artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg",{"_315":1054,"_317":1055},{"_315":1052,"_317":1053},{"_315":1050,"_317":1051},{"_315":1048,"_317":1049},{"_315":1046,"_317":1047},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542",1492,1542,"Brussels","portrait-of-alain-de-coetivy-1407-1474-met-337088","Portrait of Alain de Coëtivy (1407–1474)",{"_42":1112,"_227":1113,"_329":1114,"_331":692,"_333":1115,"_335":1116,"_337":1117,"_339":1117,"_341":-5,"_140":103},"ca. 1451–55","Metalpoint, black chalk on white prepared paper","7 13/16 x 5 5/16 in. (19.8 x 13.5 cm.)",13.5,0.6919617762788083,[1097,1098,1099,1100,1101],{"_226":305,"_227":306,"_42":307,"_308":309},"49.38","Jean Fouquet drew this in about 1451–55, aged about 21. It is now at The Met in New York.","Portrait of Alain de Coëtivy (1407–1474), by Jean Fouquet, ca. 1451–55",{"_299":1094,"_301":1095,"_303":1096},"https://img.ochreeditions.com/m/1013.jpg?dl=1","/art/portrait-of-alain-de-coetivy-1407-1474-met-337088","/galleries/style/northern-renaissance/portrait-of-alain-de-coetivy-1407-1474-met-337088",{"_295":296,"_297":298},{"_230":1084,"_125":1085,"_289":1086},{"_279":1082,"_281":282,"_283":1083,"_285":286},41.29904440697021,17.299044406970207,{"_291":230,"_123":1092,"_154":1093,"_140":89},{"_291":125,"_123":1090,"_154":1091,"_140":91},{"_291":289,"_123":1087,"_154":1088,"_140":1089},"era/15","The 15th century",110,"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-jean-fouquet","Jean Fouquet's contemporaries","https://img.ochreeditions.com/a/1013/480.jpg","https://img.ochreeditions.com/a/1013/960.jpg","https://img.ochreeditions.com/a/1013/1920.jpg",{"_315":1110,"_317":1111},{"_315":1108,"_317":1109},{"_315":1106,"_317":1107},{"_315":1104,"_317":1105},{"_315":1102,"_317":1103},"#bfb1a1",0.0632,"#e9decb",0.0657,"#cfc2b4",0.2266,"#e1d4c9",0.2908,"#dacdbf",0.3537,"Jean Fouquet","jean-fouquet","French, 1425–1478",1425,1478,"Tours","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":1163,"_227":1164,"_329":1165,"_331":332,"_333":636,"_335":744,"_337":-5,"_339":-5,"_341":1166,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[1148,1149,1150,1151,1152],{"_226":507,"_227":508,"_42":509,"_308":510},"2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_299":1145,"_301":1146,"_303":1147},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_295":296,"_297":298},{"_230":1140,"_125":1141,"_289":1142},{"_279":1138,"_281":282,"_283":1139,"_285":286},42.87946763979822,18.879467639798218,{"_291":230,"_123":1143,"_154":1144,"_140":99},{"_291":125,"_123":499,"_154":500,"_140":501},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg",{"_315":1161,"_317":1162},{"_315":1159,"_317":1160},{"_315":1157,"_317":1158},{"_315":1155,"_317":1156},{"_315":1153,"_317":1154},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.",{"_1168":-5,"_1169":1170,"_1171":1172,"_1173":8,"_1174":1175,"_1176":8},"user","csrf","2c3c735b02a3a8eb6a239258334c6c31cca6e238","cartCount",0,"dropLive","legal",[1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188],"uploadsEnabled",{"_227":1211,"_20":1212},{"_227":1209,"_20":1210},{"_227":1207,"_20":1208},{"_227":1205,"_20":1206},{"_227":1203,"_20":1204},{"_227":1201,"_20":1202},{"_227":1199,"_20":1200},{"_227":1197,"_20":1198},{"_227":1195,"_20":1196},{"_227":1193,"_20":1194},{"_227":1191,"_20":1192},{"_227":1189,"_20":1190},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]