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The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1574.jpg?dl=1","page_url","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","walk_url","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","frame",{"_289":290,"_291":292},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",53.3,"h",42.9205322265625,"image_w","image_h",18.9205322265625,{"_286":224,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":168},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/drawing-16","More drawings of the 16th century","moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1574/480.jpg","960","https://img.ochreeditions.com/a/1574/960.jpg","1920","https://img.ochreeditions.com/a/1574/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#a68f71","weight",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","bio","Netherlandish, 1542–1600","nationality","Netherlandish","birth_year",1542,"death_year",1600,"birth_place","Antwerp","death_place","Vienna","about_excerpt","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","fish-market-met-679844","Fish Market",{"_42":396,"_221":397,"_323":398,"_325":326,"_327":399,"_329":181,"_331":332,"_333":332,"_335":-5,"_140":103},"1568","painting","Paintings","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[381,382,383,384,385],{"_220":377,"_221":378,"_42":379,"_302":380},"Courtesy of The Metropolitan Museum of Art","2015.146","Joachim Beuckelaer painted this in 1568, aged 35. 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It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_293":433,"_295":434,"_297":435},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_289":290,"_291":292},{"_224":424,"_125":425,"_284":426},{"_275":420,"_277":421,"_279":422,"_280":423},64.8251953125,84,40.8251953125,60,{"_286":224,"_123":431,"_154":432,"_140":97},{"_286":125,"_123":429,"_154":430,"_140":53},{"_286":284,"_123":427,"_154":428,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_309":449,"_311":450},{"_309":447,"_311":448},{"_309":445,"_311":446},{"_309":443,"_311":444},{"_309":441,"_311":442},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553","German",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":512,"_221":513,"_323":514,"_325":515,"_327":516,"_329":517,"_331":-5,"_333":-5,"_335":-5,"_140":103},"probably 1590 and 1597","flanders","Painting","oil on panel","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[497,498,499,500,501],{"_220":299,"_221":300,"_42":301,"_302":303},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_293":494,"_295":495,"_297":496},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_289":372,"_291":373},{"_224":486,"_125":487,"_284":488},{"_275":483,"_277":484,"_279":468,"_280":485},97.2,78.97792968750001,63.97792968750001,{"_286":224,"_123":492,"_154":493,"_140":89},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":489,"_154":490,"_140":491},"era/16-flanders","16th-century Flanders",17,"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_309":510,"_311":511},{"_309":508,"_311":509},{"_309":506,"_311":507},{"_309":504,"_311":505},{"_309":502,"_311":503},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619","Flemish",1570,1619,"mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":567,"_221":568,"_323":569,"_325":454,"_327":570,"_329":571,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1553","etching",1.5103244837758112,[552,553,554,555,556],{"_220":299,"_221":300,"_42":301,"_302":303},"1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_293":549,"_295":550,"_297":551},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_289":290,"_291":292},{"_224":538,"_125":539,"_284":540},{"_275":421,"_277":536,"_279":423,"_280":537},63.7265625,39.7265625,{"_286":224,"_123":547,"_154":548,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"era/16-germany","16th-century Germany",28,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg",{"_309":565,"_311":566},{"_309":563,"_311":564},{"_309":561,"_311":562},{"_309":559,"_311":560},{"_309":557,"_311":558},"#524943",0.1756,"#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,"music-making-angels-met-334816","Music-Making Angels",{"_42":620,"_221":621,"_323":622,"_325":454,"_327":623,"_329":624,"_331":625,"_333":625,"_335":626,"_140":89},"1521","Drawings","Pen and brown ink","6 5/8 x 8 3/4 in. (16.9 x 22.3 cm)",22.3,16.9,1.3273231622746187,[606,607,608,609,610],{"_220":377,"_221":378,"_42":379,"_302":380},"61.257","Albrecht Dürer drew this in 1521, aged 50. It is now at The Met in New York.","Music-Making Angels, by Albrecht Dürer, 1521",{"_293":603,"_295":604,"_297":605},"https://img.ochreeditions.com/m/993.jpg?dl=1","/art/music-making-angels-met-334816","/galleries/style/northern-renaissance/music-making-angels-met-334816",{"_289":290,"_291":292},{"_224":598,"_125":599,"_284":600},{"_275":594,"_277":595,"_279":596,"_280":597},49,42.83490073145245,25,18.834900731452453,{"_286":224,"_123":601,"_154":602,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":168},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/993/480.jpg","https://img.ochreeditions.com/a/993/960.jpg","https://img.ochreeditions.com/a/993/1920.jpg",{"_309":618,"_311":619},{"_309":616,"_311":617},{"_309":614,"_311":615},{"_309":613,"_311":314},{"_309":611,"_311":612},"#e7e0cc",0.0674,"#baa890","#c9b8a1",0.2461,"#dacec0",0.2874,"#d2c4b1",0.305,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","trajan-nga-4262","Trajan",{"_42":671,"_221":672,"_323":673,"_325":454,"_327":674,"_329":675,"_331":-5,"_333":-5,"_335":676,"_140":99},"1546","engraving",1.0047909407665505,[656,657,658,659,660],{"_220":299,"_221":300,"_42":301,"_302":303},"1943.3.1044","Sebald Beham made this in 1546, aged 46. It is now at the National Gallery of Art in Washington, DC.","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.",{"_293":653,"_295":654,"_297":655},"https://img.ochreeditions.com/m/1338.jpg?dl=1","/art/trajan-nga-4262","/galleries/style/northern-renaissance/trajan-nga-4262",{"_289":290,"_291":292},{"_224":648,"_125":649,"_284":650},{"_275":421,"_277":646,"_279":423,"_280":647},83.71391417425227,59.713914174252274,{"_286":224,"_123":651,"_154":652,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1338/480.jpg","https://img.ochreeditions.com/a/1338/960.jpg","https://img.ochreeditions.com/a/1338/1920.jpg",{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},"#655a51",0.0699,"#8b7d6d",0.1158,"#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","saint-john-on-patmos-met-435600","Saint John on Patmos",{"_42":724,"_221":725,"_323":726,"_325":454,"_327":727,"_329":728,"_331":-5,"_333":729,"_335":-5,"_140":103},"ca. 1511","Oil, gold, and white metal on spruce","Overall 35 1/4 x 30 1/4 in. (89.5 x 76.8 cm); painted surface 34 3/8 x 29 3/4 in. (87.3 x 75.6 cm)",76.8,89.5,0.8605263157894737,[709,710,711,712,713],{"_220":377,"_221":378,"_42":379,"_302":380},"1983.451","Hans Baldung (called Hans Baldung Grien) painted this in about 1511, aged about 22. It is now at The Met in New York.","Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511",{"_293":706,"_295":707,"_297":708},"https://img.ochreeditions.com/m/1059.jpg?dl=1","/art/saint-john-on-patmos-met-435600","/galleries/style/northern-renaissance/saint-john-on-patmos-met-435600",{"_289":372,"_291":373},{"_224":701,"_125":702,"_284":703},{"_275":698,"_277":699,"_279":700,"_280":684},92.0171052631579,104.5,77.0171052631579,{"_286":224,"_123":704,"_154":705,"_140":89},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/contemporaries-of-hans-baldung-called-hans-baldung-grien","Hans Baldung (called Hans Baldung Grien)'s contemporaries","https://img.ochreeditions.com/a/1059/480.jpg","https://img.ochreeditions.com/a/1059/960.jpg","https://img.ochreeditions.com/a/1059/1920.jpg",{"_309":722,"_311":723},{"_309":720,"_311":721},{"_309":718,"_311":719},{"_309":716,"_311":717},{"_309":714,"_311":715},"#a29264",0.0835,"#6a2420",0.1318,"#4e3e27",0.2116,"#777c73",0.2571,"#202017",0.316,"Hans Baldung (called Hans Baldung Grien)","hans-baldung-called-hans-baldung-grien","German, 1484–1545",1484,1545,"Strasbourg","goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":784,"_221":785,"_323":786,"_325":515,"_327":787,"_329":788,"_331":-5,"_333":-5,"_335":789,"_140":99},"ca. 1596-99","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,14.3,1.402575587905935,[769,770,771,772,773],{"_220":766,"_221":767,"_42":768,"_302":380},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":763,"_764":765},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_293":760,"_295":761,"_297":762},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_289":290,"_291":292},{"_224":755,"_125":756,"_284":757},{"_275":594,"_277":753,"_279":596,"_280":754},41.82435129740519,17.82435129740519,{"_286":224,"_123":758,"_154":759,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":168},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_309":782,"_311":783},{"_309":780,"_311":781},{"_309":778,"_311":779},{"_309":776,"_311":777},{"_309":774,"_311":775},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","madonna-and-child-at-a-fountain-nga-30810","Madonna and Child at a Fountain",{"_42":836,"_221":837,"_323":454,"_325":454,"_327":-5,"_329":838,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1501","engraving on laid paper","sheet (trimmed within image at top and sides): 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.)",13.6,16.6,0.8095703125,[821,822,823,824,825],{"_220":299,"_221":300,"_42":301,"_302":303},"1945.5.34","Master MZ made this in 1501. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.",{"_293":818,"_295":819,"_297":820},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_289":290,"_291":292},{"_224":813,"_125":814,"_284":815},{"_275":811,"_277":594,"_279":812,"_280":596},44.2392578125,20.2392578125,{"_286":224,"_123":816,"_154":817,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg",{"_309":834,"_311":835},{"_309":832,"_311":833},{"_309":830,"_311":831},{"_309":828,"_311":829},{"_309":826,"_311":827},"#524a45",0.1163,"#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz",1560,"the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":889,"_221":890,"_323":891,"_325":892,"_327":893,"_329":894,"_331":-5,"_333":895,"_335":-5,"_140":103},"ca. 1606–8","france","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",32.4,20,1.6194653299916457,[874,875,876,877,878],{"_220":377,"_221":378,"_42":379,"_302":380},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_293":871,"_295":872,"_297":873},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_289":290,"_291":292},{"_224":864,"_125":865,"_284":866},{"_275":861,"_277":862,"_279":846,"_280":863},56.4,44.0066030435904,20.006603043590406,{"_286":224,"_123":869,"_154":870,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":168},{"_286":284,"_123":867,"_154":868,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_309":887,"_311":888},{"_309":885,"_311":886},{"_309":883,"_311":884},{"_309":881,"_311":882},{"_309":879,"_311":880},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,"#af9a81",0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616","French",1575,1616,"Nancy","the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","The Seed Received among the Thorns, from the Parable of the Sower",{"_42":951,"_221":952,"_323":953,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1573","Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer","Sheet: 19.7 x 25.5 cm (7 3/4 x 10 1/16 in.)",25.5,19.7,1.2942519984773506,[936,937,938,939,940],{"_220":932,"_221":933,"_42":934,"_302":935},"Courtesy of the Cleveland Museum of Art","2012.4","Gerard P. van Groningen drew this in about 1573. It is now at the Cleveland Museum of Art.",{"_118":930,"_764":931},"The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573",{"_293":927,"_295":928,"_297":929},"https://img.ochreeditions.com/m/779.jpg?dl=1","/art/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","/galleries/style/northern-renaissance/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221",{"_289":290,"_291":292},{"_224":922,"_125":923,"_284":924},{"_275":919,"_277":920,"_279":902,"_280":921},49.5,43.7025,19.7025,{"_286":224,"_123":925,"_154":926,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":168},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/contemporaries-of-gerard-p-van-groningen","Gerard P. van Groningen's contemporaries","https://img.ochreeditions.com/a/779/480.jpg","https://img.ochreeditions.com/a/779/960.jpg","https://img.ochreeditions.com/a/779/1920.jpg","This design for a print is from a suite portraying the biblical parable of the sower. The parable compares types of soil to people in the world: one hardened; one fickle; one distracted by things of the world; and one with an open heart, ready to accept God.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":949,"_311":950},{"_309":947,"_311":948},{"_309":945,"_311":946},{"_309":943,"_311":944},{"_309":941,"_311":942},"#736855",0.0899,"#8f8168",0.1875,"#ccba96",0.1961,"#a69577",0.2395,"#baa684",0.287,"Gerard P. van Groningen","gerard-p-van-groningen","Netherlandish, active late 1500s","marcus-curtius-plunging-into-the-chasm-nga-6020","Marcus Curtius Plunging into the Chasm",{"_42":451,"_221":452,"_323":453,"_325":454,"_327":455,"_329":456,"_331":457,"_333":458,"_335":459,"_140":97},0.70068359375,[978,979,980,981,982],{"_220":299,"_221":300,"_42":301,"_302":303},"1943.3.2844","A Roman knight on horseback plunges into a dark chasm that has opened in the ground before a domed pavilion, while onlookers, some nude in the classical manner, crowd around.","This print features a detailed scene. In the center is a classical-style pavilion with arched openings and a domed roof adorned with intricate designs. A group of mostly-nude people is gathered around the pavilion, with one on horseback, holding a spear, and another holding a flag. In front of the pavilion, a knight on horseback appears to be falling into a dark hole in the ground. Vegetation, including trees and shrubs, is scattered throughout the landscape, and birds are seen flying in the sky above the pavilion. The horizon shows hills leading to a distant castle on a rocky formation on the right.",{"_293":975,"_295":976,"_297":977},"https://img.ochreeditions.com/m/1342.jpg?dl=1","/art/marcus-curtius-plunging-into-the-chasm-nga-6020","/galleries/style/northern-renaissance/marcus-curtius-plunging-into-the-chasm-nga-6020",{"_289":290,"_291":292},{"_224":972,"_125":973,"_284":974},{"_275":970,"_277":421,"_279":971,"_280":423},66.041015625,42.041015625,{"_286":224,"_123":431,"_154":432,"_140":97},{"_286":125,"_123":429,"_154":430,"_140":53},{"_286":284,"_123":427,"_154":428,"_140":91},"https://img.ochreeditions.com/a/1342/480.jpg","https://img.ochreeditions.com/a/1342/960.jpg","https://img.ochreeditions.com/a/1342/1920.jpg",{"_309":991,"_311":992},{"_309":989,"_311":990},{"_309":987,"_311":988},{"_309":985,"_311":986},{"_309":983,"_311":984},"#73675f",0.0663,"#968a7c",0.1736,"#b3a797",0.2257,"#d2c6b5",0.2337,"#f1e6d5",0.3007,"portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff",{"_42":1040,"_221":1041,"_323":892,"_325":892,"_327":-5,"_329":1042,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1544","Prints","Engraving; first state of two","Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm) Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm)",30.5,43.5,0.7168852020337169,[1026,1027,1028,1029,1030],{"_220":377,"_221":378,"_42":379,"_302":380},"2013.963.2","Niccolò della Casa made this in 1544. It is now at The Met in New York.","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544",{"_293":1023,"_295":1024,"_297":1025},"https://img.ochreeditions.com/m/1275.jpg?dl=1","/art/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","/galleries/style/northern-renaissance/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326",{"_289":290,"_291":292},{"_224":1018,"_125":1019,"_284":1020},{"_275":1015,"_277":1016,"_279":1017,"_280":1001},55.18450628846668,67.5,31.184506288466682,{"_286":224,"_123":1021,"_154":1022,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":867,"_154":868,"_140":89},"artist/contemporaries-of-niccolo-della-casa","Niccolò della Casa's contemporaries","https://img.ochreeditions.com/a/1275/480.jpg","https://img.ochreeditions.com/a/1275/960.jpg","https://img.ochreeditions.com/a/1275/1920.jpg",{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1035,"_311":719},{"_309":1033,"_311":1034},{"_309":1031,"_311":1032},"#f0e1cb",0.0713,"#b4aba0",0.1546,"#756f68","#9e968c",0.2493,"#8b837b",0.3132,"Niccolò della Casa","niccolo-della-casa",1548,"crest-nga-11963","Crest",{"_42":1084,"_221":1085,"_323":1086,"_325":454,"_327":1087,"_329":1088,"_331":-5,"_333":-5,"_335":-5,"_140":103},0.656855151045701,[1069,1070,1071,1072,1073],{"_220":299,"_221":300,"_42":301,"_302":303},"1943.3.9447","Michel Le Blon made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.",{"_293":1066,"_295":1067,"_297":1068},"https://img.ochreeditions.com/m/1359.jpg?dl=1","/art/crest-nga-11963","/galleries/style/northern-renaissance/crest-nga-11963",{"_289":290,"_291":292},{"_224":1061,"_125":1062,"_284":1063},{"_275":1059,"_277":421,"_279":1060,"_280":423},63.41130906274206,39.41130906274206,{"_286":224,"_123":1064,"_154":1065,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/contemporaries-of-michel-le-blon","Michel Le Blon's contemporaries","https://img.ochreeditions.com/a/1359/480.jpg","https://img.ochreeditions.com/a/1359/960.jpg","https://img.ochreeditions.com/a/1359/1920.jpg",{"_309":1082,"_311":1083},{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},{"_309":1074,"_311":1075},"#756759",0.1004,"#938470",0.135,"#ccb99d",0.1358,"#b19f86",0.1477,"#f3e2c5",0.4811,"Michel Le Blon","michel-le-blon","German, 1587–1656",1587,1656,"christ-carrying-the-cross-met-336162","Christ Carrying the Cross",{"_42":1137,"_221":1138,"_323":1139,"_325":454,"_327":1140,"_329":1141,"_331":1142,"_333":1143,"_335":1144,"_140":97},"ca. 1475–80","Engraving","Sheet: 11 3/8 × 16 7/8 in. (28.9 × 42.9 cm)",42.9,28.9,1.5008038585209003,[1122,1123,1124,1125,1126],{"_220":377,"_221":378,"_42":379,"_302":380},"35.27","Martin Schongauer made this in about 1475–80, aged about 20. It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_293":1119,"_295":1120,"_297":1121},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_289":290,"_291":292},{"_224":1114,"_125":1115,"_284":1116},{"_275":1111,"_277":1112,"_279":1095,"_280":1113},66.9,52.58468130690948,28.58468130690948,{"_286":224,"_123":1117,"_154":1118,"_140":97},{"_286":125,"_123":429,"_154":430,"_140":53},{"_286":284,"_123":427,"_154":428,"_140":91},"artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg",{"_309":1135,"_311":1136},{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},{"_309":1127,"_311":1128},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.",{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","e3d4c52c07e78207e88e309fa58b6f156ba18988","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]