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He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","The Seed Received among the Thorns, from the Parable of the Sower",{"_42":471,"_226":472,"_329":473,"_331":404,"_332":-5,"_333":-5,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1573","flanders","Drawing","Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer","Sheet: 19.7 x 25.5 cm (7 3/4 x 10 1/16 in.)",25.5,19.7,1.2942519984773506,[456,457,458,459,460],{"_225":452,"_226":453,"_42":454,"_308":455},"Courtesy of the Cleveland Museum of Art","2012.4","Gerard P. van Groningen drew this in about 1573. 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The parable compares types of soil to people in the world: one hardened; one fickle; one distracted by things of the world; and one with an open heart, ready to accept God.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":469,"_317":470},{"_315":467,"_317":468},{"_315":465,"_317":466},{"_315":463,"_317":464},{"_315":461,"_317":462},"#736855",0.0899,"#8f8168",0.1875,"#ccba96",0.1961,"#a69577",0.2395,"#baa684",0.287,"Gerard P. van Groningen","gerard-p-van-groningen","Netherlandish, active late 1500s","saint-christopher-nga-6034","Saint Christopher",{"_42":529,"_226":530,"_329":531,"_331":532,"_332":533,"_333":534,"_335":535,"_336":536,"_337":537,"_140":97},"1506","germany","print","Print","chiaroscuro woodcut printed in brown-orange and black",0.703125,[514,515,516,517,518],{"_225":305,"_226":306,"_42":307,"_308":309},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_299":511,"_301":512,"_303":513},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_295":377,"_297":378},{"_229":500,"_125":501,"_289":502},{"_279":496,"_281":497,"_283":498,"_285":499},66.1875,84,42.1875,60,{"_291":229,"_123":509,"_154":510,"_140":97},{"_291":125,"_123":506,"_154":507,"_140":508},{"_291":289,"_123":503,"_154":504,"_140":505},"era/16-germany","16th-century Germany",28,"style/print-16","More prints of the 16th century",54,"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_315":527,"_317":528},{"_315":525,"_317":526},{"_315":523,"_317":524},{"_315":521,"_317":522},{"_315":519,"_317":520},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553","German",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","saint-john-before-god-and-the-elders-nga-52557","Saint John before God and the Elders",{"_42":590,"_226":591,"_329":592,"_331":532,"_332":593,"_333":594,"_335":595,"_336":595,"_337":596,"_140":89},"probably c. 1496/1498","woodcut on laid paper","sheet (trimmed to block): 39.3 × 28.1 cm (15 1/2 × 11 1/16 in.)",28.1,39.3,0.724609375,[575,576,577,578,579],{"_225":305,"_226":306,"_42":307,"_308":309},"1971.39.3","Albrecht Dürer made this (probably c. 1496/1498), aged about 25. It is now at the National Gallery of Art in Washington, DC.","In this woodcut from Dürer’s Apocalypse, Saint John, summoned through a door in heaven, comes before God enthroned among clouds, who holds the book sealed with seven seals.","The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.",{"_299":572,"_301":573,"_303":574},"https://img.ochreeditions.com/m/1557.jpg?dl=1","/art/saint-john-before-god-and-the-elders-nga-52557","/galleries/style/northern-renaissance/saint-john-before-god-and-the-elders-nga-52557",{"_295":377,"_297":378},{"_229":563,"_125":564,"_289":565},{"_279":560,"_281":561,"_283":562,"_285":545},52.4771484375,63.3,28.4771484375,{"_291":229,"_123":570,"_154":571,"_140":89},{"_291":125,"_123":568,"_154":569,"_140":53},{"_291":289,"_123":566,"_154":567,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1557/480.jpg","https://img.ochreeditions.com/a/1557/960.jpg","https://img.ochreeditions.com/a/1557/1920.jpg",{"_315":588,"_317":589},{"_315":586,"_317":587},{"_315":584,"_317":585},{"_315":582,"_317":583},{"_315":580,"_317":581},"#d8cbb4",0.1478,"#72675b",0.1529,"#bcaf9a",0.2024,"#a39784",0.2323,"#8b7f6f",0.2646,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","fish-market-met-679844","Fish Market",{"_42":645,"_226":646,"_329":647,"_331":404,"_332":648,"_333":649,"_335":407,"_336":407,"_337":-5,"_140":103},"1568","Paintings","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[630,631,632,633,634],{"_225":382,"_226":383,"_42":384,"_308":385},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_299":627,"_301":628,"_303":629},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_295":296,"_297":298},{"_229":622,"_125":623,"_289":624},{"_279":619,"_281":620,"_283":604,"_285":621},189.9,144.89257842387147,129.89257842387147,{"_291":229,"_123":625,"_154":626,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_315":643,"_317":644},{"_315":641,"_317":642},{"_315":639,"_317":640},{"_315":637,"_317":638},{"_315":635,"_317":636},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,1574,"ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":693,"_226":694,"_329":695,"_331":404,"_332":182,"_333":696,"_335":697,"_336":698,"_337":-5,"_140":103},"Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[678,679,680,681,682],{"_225":382,"_226":383,"_42":384,"_308":385},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_299":675,"_301":676,"_303":677},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_295":377,"_297":378},{"_229":670,"_125":671,"_289":672},{"_279":365,"_281":498,"_283":286,"_285":669},18.1875,{"_291":229,"_123":673,"_154":674,"_140":89},{"_291":125,"_123":373,"_154":374,"_140":372},{"_291":289,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_315":691,"_317":692},{"_315":689,"_317":690},{"_315":687,"_317":688},{"_315":685,"_317":686},{"_315":683,"_317":684},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1593,"Mechelen","Amsterdam","plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)",{"_42":401,"_226":402,"_329":403,"_331":404,"_332":405,"_333":406,"_335":407,"_336":408,"_337":409,"_140":99},"c.1575/1590s","watercolor and gold paint on parchment","page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)",18.4,1.2591454042422379,[728,729,730,731,732],{"_225":305,"_226":306,"_42":307,"_308":309},"1987.20.5.14","Joris Hoefnagel painted this in about 1575/1590s, aged about 28. It is now at the National Gallery of Art in Washington, DC.","A yellow swallowtail, a red admiral and a dragonfly are set out symmetrically on the parchment, painted in watercolour with touches of gold so precisely that they could almost be pinned specimens.","Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_299":725,"_301":726,"_303":727},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_295":377,"_297":378},{"_229":722,"_125":723,"_289":724},{"_279":365,"_281":720,"_283":286,"_285":721},43.854736328125,19.854736328125,{"_291":229,"_123":375,"_154":376,"_140":99},{"_291":125,"_123":373,"_154":374,"_140":372},{"_291":289,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg",{"_315":741,"_317":742},{"_315":739,"_317":740},{"_315":737,"_317":738},{"_315":735,"_317":736},{"_315":733,"_317":734},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"madonna-and-child-at-a-fountain-nga-30810","Madonna and Child at a Fountain",{"_42":788,"_226":789,"_329":532,"_331":532,"_332":-5,"_333":790,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1501","engraving on laid paper","sheet (trimmed within image at top and sides): 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.)",13.6,16.6,0.8095703125,[774,775,776,777,778],{"_225":305,"_226":306,"_42":307,"_308":309},"1945.5.34","Master MZ made this in 1501. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.",{"_299":771,"_301":772,"_303":773},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_295":377,"_297":378},{"_229":766,"_125":767,"_289":768},{"_279":764,"_281":365,"_283":765,"_285":286},44.2392578125,20.2392578125,{"_291":229,"_123":769,"_154":770,"_140":89},{"_291":125,"_123":506,"_154":507,"_140":508},{"_291":289,"_123":503,"_154":504,"_140":505},"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg",{"_315":786,"_317":787},{"_315":784,"_317":785},{"_315":782,"_317":783},{"_315":780,"_317":781},{"_315":779,"_317":322},"#524a45","#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz",1560,"the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":843,"_226":844,"_329":845,"_331":846,"_332":847,"_333":406,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1588","Engraving in black on cream laid paper","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[828,829,830,831,832],{"_225":824,"_226":825,"_42":826,"_308":827},"Courtesy of the Art Institute of Chicago","2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_299":821,"_301":822,"_303":823},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_295":377,"_297":378},{"_229":816,"_125":817,"_289":818},{"_279":813,"_281":814,"_283":797,"_285":815},69,62.261269549218035,38.261269549218035,{"_291":229,"_123":819,"_154":820,"_140":89},{"_291":125,"_123":506,"_154":507,"_140":508},{"_291":289,"_123":441,"_154":442,"_140":443},"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":841,"_317":842},{"_315":839,"_317":840},{"_315":837,"_317":838},{"_315":835,"_317":836},{"_315":833,"_317":834},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600","Flemish",1550,"the-judgment-of-paris-met-436037","The Judgment of Paris",{"_42":529,"_226":530,"_329":531,"_331":532,"_332":533,"_333":534,"_335":535,"_336":536,"_337":537,"_140":97},"ca. 1528","Oil on beech","40 1/8 x 28in. (101.9 x 71.1cm)",71.1,101.9,0.7136222910216719,[879,880,881,882,883],{"_225":382,"_226":383,"_42":384,"_308":385},"28.221","Lucas Cranach the Elder painted this in about 1528, aged about 51. It is now at The Met in New York.","Paris, dressed in the armour of a contemporary knight, sits beneath a tree as the three goddesses, Juno, Minerva and Venus, present themselves for his judgement, accompanied by Mercury, while Cupid appears above with his bow.","The Judgment of Paris, by Lucas Cranach the Elder, ca. 1528",{"_299":876,"_301":877,"_303":878},"https://img.ochreeditions.com/m/1080.jpg?dl=1","/art/the-judgment-of-paris-met-436037","/galleries/style/northern-renaissance/the-judgment-of-paris-met-436037",{"_295":296,"_297":298},{"_229":873,"_125":874,"_289":875},{"_279":870,"_281":871,"_283":872,"_285":855},87.71811145510837,116.9,72.71811145510837,{"_291":229,"_123":509,"_154":510,"_140":97},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":503,"_154":504,"_140":505},"https://img.ochreeditions.com/a/1080/480.jpg","https://img.ochreeditions.com/a/1080/960.jpg","https://img.ochreeditions.com/a/1080/1920.jpg",{"_315":892,"_317":893},{"_315":890,"_317":891},{"_315":888,"_317":889},{"_315":886,"_317":887},{"_315":884,"_317":885},"#6e695a",0.1021,"#9e8269",0.1132,"#5e4934",0.1569,"#403c30",0.2274,"#28231b",0.4004,"diana-and-actaeon-met-337490","Diana and Actaeon",{"_42":941,"_226":942,"_329":943,"_331":404,"_332":944,"_333":945,"_335":407,"_336":946,"_337":-5,"_140":103},"ca. 1580–85","Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink","16 1/4 x 12 5/8in. (41.3 x 32.1cm)",32.1,41.3,0.7808510638297872,[926,927,928,929,930],{"_225":382,"_226":383,"_42":384,"_308":385},"1997.93","Bartholomeus Spranger drew this in about 1580–85, aged about 34. It is now at The Met in New York.","Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85",{"_299":923,"_301":924,"_303":925},"https://img.ochreeditions.com/m/1018.jpg?dl=1","/art/diana-and-actaeon-met-337490","/galleries/style/northern-renaissance/diana-and-actaeon-met-337490",{"_295":377,"_297":378},{"_229":918,"_125":919,"_289":920},{"_279":915,"_281":916,"_283":917,"_285":901},56.24914893617021,65.3,32.24914893617021,{"_291":229,"_123":921,"_154":922,"_140":89},{"_291":125,"_123":373,"_154":374,"_140":372},{"_291":289,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-bartholomeus-spranger","Bartholomeus Spranger's contemporaries","https://img.ochreeditions.com/a/1018/480.jpg","https://img.ochreeditions.com/a/1018/960.jpg","https://img.ochreeditions.com/a/1018/1920.jpg",{"_315":939,"_317":940},{"_315":937,"_317":938},{"_315":935,"_317":936},{"_315":933,"_317":934},{"_315":931,"_317":932},"#786a5a",0.0647,"#a99983",0.2066,"#a59075",0.2391,"#b9a88e",0.2438,"#92816b",0.2458,"Bartholomeus Spranger","bartholomeus-spranger","Netherlandish, 1546–1611",1546,1611,"Prague","phaeton-from-the-four-disgracers-met-343581","Phaeton, from \"The Four Disgracers\"",{"_42":992,"_226":993,"_329":994,"_331":995,"_332":996,"_333":997,"_335":998,"_336":999,"_337":1000,"_140":91},"Prints","Engraving","Diameter: 13 3/16 in. (33.5 cm)",0.9947643979057592,[977,978,979,980,981],{"_225":382,"_226":383,"_42":384,"_308":385},"53.601.338(5)","Hendrick Goltzius made this in 1588, aged 30. It is now at The Met in New York.","Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening.","Phaeton, from \"The Four Disgracers\", by Hendrick Goltzius, 1588",{"_299":974,"_301":975,"_303":976},"https://img.ochreeditions.com/m/1043.jpg?dl=1","/art/phaeton-from-the-four-disgracers-met-343581","/galleries/style/northern-renaissance/phaeton-from-the-four-disgracers-met-343581",{"_295":377,"_297":378},{"_229":969,"_125":970,"_289":971},{"_279":967,"_281":497,"_283":968,"_285":499},83.68586387434556,59.68586387434555,{"_291":229,"_123":972,"_154":973,"_140":91},{"_291":125,"_123":506,"_154":507,"_140":508},{"_291":289,"_123":370,"_154":371,"_140":372},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1043/480.jpg","https://img.ochreeditions.com/a/1043/960.jpg","https://img.ochreeditions.com/a/1043/1920.jpg",{"_315":990,"_317":991},{"_315":988,"_317":989},{"_315":986,"_317":987},{"_315":984,"_317":985},{"_315":982,"_317":983},"#5e5c53",0.0686,"#959081",0.0698,"#bcb6a1",0.208,"#f1ecdf",0.293,"#d6ccb6",0.3606,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","christ-carrying-the-cross-met-336162","Christ Carrying the Cross",{"_42":1048,"_226":1049,"_329":1050,"_331":532,"_332":1051,"_333":1052,"_335":1053,"_336":1054,"_337":1055,"_140":97},"ca. 1475–80","Sheet: 11 3/8 × 16 7/8 in. (28.9 × 42.9 cm)",42.9,28.9,1.5008038585209003,[1033,1034,1035,1036,1037],{"_225":382,"_226":383,"_42":384,"_308":385},"35.27","Martin Schongauer made this in about 1475–80, aged about 20. It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_299":1030,"_301":1031,"_303":1032},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_295":377,"_297":378},{"_229":1025,"_125":1026,"_289":1027},{"_279":1022,"_281":1023,"_283":1006,"_285":1024},66.9,52.58468130690948,28.58468130690948,{"_291":229,"_123":1028,"_154":1029,"_140":97},{"_291":125,"_123":568,"_154":569,"_140":53},{"_291":289,"_123":566,"_154":567,"_140":91},"artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg",{"_315":1046,"_317":1047},{"_315":1044,"_317":1045},{"_315":1042,"_317":1043},{"_315":1040,"_317":1041},{"_315":1038,"_317":1039},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-harvesters-met-435809","The Harvesters",{"_42":1104,"_226":1105,"_329":1106,"_331":404,"_332":1107,"_333":1108,"_335":-5,"_336":1109,"_337":1110,"_140":99},"1565","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[1089,1090,1091,1092,1093],{"_225":382,"_226":383,"_42":384,"_308":385},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_299":1086,"_301":1087,"_303":1088},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_295":296,"_297":298},{"_229":1081,"_125":1082,"_289":1083},{"_279":1078,"_281":1079,"_283":1062,"_285":1080},176.9,134.33274731041723,119.33274731041722,{"_291":229,"_123":1084,"_154":1085,"_140":99},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":370,"_154":371,"_140":372},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_315":1102,"_317":1103},{"_315":1100,"_317":1101},{"_315":1098,"_317":1099},{"_315":1096,"_317":1097},{"_315":1094,"_317":1095},"#794c20",0.1692,"#c6b6a3",0.1735,"#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","the-agony-in-the-garden-nga-4365","The Agony in the Garden",{"_42":1154,"_226":1155,"_329":1156,"_331":532,"_332":1157,"_333":847,"_335":-5,"_336":-5,"_337":1158,"_140":99},"1522","woodcut",0.6953125,[1139,1140,1141,1142,1143],{"_225":305,"_226":306,"_42":307,"_308":309},"1943.3.1147","Sebald Beham made this in 1522, aged 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials \"I.SP\" in the top right corner.",{"_299":1136,"_301":1137,"_303":1138},"https://img.ochreeditions.com/m/1340.jpg?dl=1","/art/the-agony-in-the-garden-nga-4365","/galleries/style/northern-renaissance/the-agony-in-the-garden-nga-4365",{"_295":377,"_297":378},{"_229":1131,"_125":1132,"_289":1133},{"_279":1129,"_281":497,"_283":1130,"_285":499},65.71875,41.71875,{"_291":229,"_123":1134,"_154":1135,"_140":99},{"_291":125,"_123":506,"_154":507,"_140":508},{"_291":289,"_123":503,"_154":504,"_140":505},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1340/480.jpg","https://img.ochreeditions.com/a/1340/960.jpg","https://img.ochreeditions.com/a/1340/1920.jpg",{"_315":1152,"_317":1153},{"_315":1150,"_317":1151},{"_315":1148,"_317":1149},{"_315":1146,"_317":1147},{"_315":1144,"_317":1145},"#ddc8a9",0.0849,"#66584c",0.1925,"#b19e85",0.2053,"#95836e",0.2283,"#7e6e5c",0.289,"Sebald Beham","sebald-beham","German, 1500–1550",1500,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.",{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","978abacc0d025ce9df84b2f88f423ef365bde927","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_226":1203,"_20":1204},{"_226":1201,"_20":1202},{"_226":1199,"_20":1200},{"_226":1197,"_20":1198},{"_226":1195,"_20":1196},{"_226":1193,"_20":1194},{"_226":1191,"_20":1192},{"_226":1189,"_20":1190},{"_226":1187,"_20":1188},{"_226":1185,"_20":1186},{"_226":1183,"_20":1184},{"_226":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]