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It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_294":439,"_296":440,"_298":441},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_290":291,"_292":293},{"_224":431,"_125":432,"_284":433},{"_275":428,"_277":429,"_279":430,"_280":414},47.416417519013905,57.2,32.416417519013905,{"_286":224,"_123":437,"_154":438,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":434,"_154":435,"_140":436},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},{"_310":447,"_312":448},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543","German",1497,1543,"Augsburg","London","ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":514,"_221":515,"_324":516,"_326":327,"_328":202,"_330":517,"_332":518,"_333":519,"_335":-5,"_140":103},"1589","drawing","Drawings","Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[499,500,501,502,503],{"_220":300,"_221":301,"_42":302,"_303":304},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_290":376,"_292":377},{"_224":489,"_125":490,"_284":491},{"_275":361,"_277":487,"_279":363,"_280":488},42.1875,18.1875,{"_286":224,"_123":494,"_154":495,"_140":89},{"_286":125,"_123":492,"_154":493,"_140":168},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century","artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1593,"Mechelen","Amsterdam","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":565,"_221":566,"_324":567,"_326":403,"_328":568,"_330":569,"_332":-5,"_333":-5,"_335":570,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[550,551,552,553,554],{"_220":381,"_221":382,"_42":383,"_303":384},"2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_294":547,"_296":548,"_298":549},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_290":376,"_292":377},{"_224":542,"_125":543,"_284":544},{"_275":540,"_277":361,"_279":541,"_280":363},42.87946763979822,18.879467639798218,{"_286":224,"_123":545,"_154":546,"_140":99},{"_286":125,"_123":371,"_154":372,"_140":373},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg",{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":619,"_221":620,"_324":621,"_326":460,"_328":622,"_330":623,"_332":624,"_333":624,"_335":625,"_140":89},"probably 1519","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,60,0.8386010362694301,[604,605,606,607,608],{"_220":300,"_221":301,"_42":302,"_303":304},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_294":601,"_296":602,"_298":603},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_290":291,"_292":293},{"_224":596,"_125":597,"_284":598},{"_275":593,"_277":594,"_279":595,"_280":578},65.3160621761658,75,50.3160621761658,{"_286":224,"_123":599,"_154":600,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},{"_310":609,"_312":610},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","erasmus-of-rotterdam-met-459080","Erasmus of Rotterdam",{"_42":457,"_221":458,"_324":459,"_326":460,"_328":461,"_330":462,"_332":463,"_333":464,"_335":-5,"_140":101},"ca. 1532","Oil on linden panel","7 1/4 x 5 9/16 in. (18.4 x 14.2 cm); painted surface 6 15/16 x 5 1/2 in. (17.6 x 14 cm)",14.2,18.4,0.7727509100364015,[656,657,658,659,660],{"_220":300,"_221":301,"_42":302,"_303":304},"1975.1.138","Hans Holbein the Younger painted this in about 1532, aged about 30. It is now at The Met in New York.","Erasmus of Rotterdam, by Hans Holbein the Younger, ca. 1532",{"_294":653,"_296":654,"_298":655},"https://img.ochreeditions.com/m/1255.jpg?dl=1","/art/erasmus-of-rotterdam-met-459080","/galleries/style/northern-renaissance/erasmus-of-rotterdam-met-459080",{"_290":291,"_292":293},{"_224":650,"_125":651,"_284":652},{"_275":647,"_277":648,"_279":649,"_280":363},34.31877275091004,40,19.31877275091004,{"_286":224,"_123":437,"_154":438,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/1255/480.jpg","https://img.ochreeditions.com/a/1255/960.jpg","https://img.ochreeditions.com/a/1255/1920.jpg",{"_310":669,"_312":670},{"_310":667,"_312":668},{"_310":665,"_312":666},{"_310":663,"_312":664},{"_310":661,"_312":662},"#75583f",0.0568,"#3f2b20",0.0829,"#583622",0.104,"#193e3d",0.2797,"#1b1a17",0.4766,"the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":718,"_221":719,"_324":720,"_326":460,"_328":721,"_330":722,"_332":723,"_333":723,"_335":-5,"_140":101},"1519","Prints","Etching","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[703,704,705,706,707],{"_220":300,"_221":301,"_42":302,"_303":304},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_294":700,"_296":701,"_298":702},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_290":376,"_292":377},{"_224":695,"_125":696,"_284":697},{"_275":693,"_277":361,"_279":694,"_280":363},41.52754820936639,17.52754820936639,{"_286":224,"_123":698,"_154":699,"_140":89},{"_286":125,"_123":371,"_154":372,"_140":373},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_310":716,"_312":717},{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},{"_310":708,"_312":709},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":776,"_221":777,"_324":778,"_326":403,"_328":779,"_330":569,"_332":-5,"_333":-5,"_335":-5,"_140":103},"probably 1590 and 1597","Painting","oil on panel","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[762,763,764,765,766],{"_220":758,"_221":759,"_42":760,"_303":761},"Courtesy National Gallery of Art, Washington","1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_294":755,"_296":756,"_298":757},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_290":291,"_292":293},{"_224":750,"_125":751,"_284":752},{"_275":747,"_277":748,"_279":731,"_280":749},97.2,78.97792968750001,63.97792968750001,{"_286":224,"_123":753,"_154":754,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":774,"_312":775},{"_310":772,"_312":773},{"_310":770,"_312":771},{"_310":769,"_312":315},{"_310":767,"_312":768},"#2b221c",0.1323,"#a9a391","#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,"forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":829,"_221":830,"_324":831,"_326":327,"_328":832,"_330":833,"_332":834,"_333":835,"_335":836,"_140":99},"1578","Drawing","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[814,815,816,817,818],{"_220":758,"_221":759,"_42":760,"_303":761},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_294":811,"_296":812,"_298":813},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_290":376,"_292":377},{"_224":806,"_125":807,"_284":808},{"_275":803,"_277":804,"_279":787,"_280":805},53.3,42.9205322265625,18.9205322265625,{"_286":224,"_123":809,"_154":810,"_140":99},{"_286":125,"_123":492,"_154":493,"_140":168},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_310":827,"_312":828},{"_310":825,"_312":826},{"_310":823,"_312":824},{"_310":821,"_312":822},{"_310":819,"_312":820},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff",{"_42":887,"_221":888,"_324":889,"_326":889,"_328":-5,"_330":890,"_332":-5,"_333":-5,"_335":-5,"_140":103},"1544","france","Engraving; first state of two","Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm) Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm)",30.5,43.5,0.7168852020337169,[872,873,874,875,876],{"_220":300,"_221":301,"_42":302,"_303":304},"2013.963.2","Niccolò della Casa made this in 1544. It is now at The Met in New York.","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544",{"_294":869,"_296":870,"_298":871},"https://img.ochreeditions.com/m/1275.jpg?dl=1","/art/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","/galleries/style/northern-renaissance/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326",{"_290":376,"_292":377},{"_224":862,"_125":863,"_284":864},{"_275":859,"_277":860,"_279":861,"_280":845},55.18450628846668,67.5,31.184506288466682,{"_286":224,"_123":867,"_154":868,"_140":89},{"_286":125,"_123":371,"_154":372,"_140":373},{"_286":284,"_123":865,"_154":866,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-niccolo-della-casa","Niccolò della Casa's contemporaries","https://img.ochreeditions.com/a/1275/480.jpg","https://img.ochreeditions.com/a/1275/960.jpg","https://img.ochreeditions.com/a/1275/1920.jpg",{"_310":885,"_312":886},{"_310":883,"_312":884},{"_310":881,"_312":882},{"_310":879,"_312":880},{"_310":877,"_312":878},"#f0e1cb",0.0713,"#b4aba0",0.1546,"#756f68",0.2116,"#9e968c",0.2493,"#8b837b",0.3132,"Niccolò della Casa","niccolo-della-casa","French",1548,"goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":945,"_221":946,"_324":947,"_326":403,"_328":948,"_330":949,"_332":-5,"_333":-5,"_335":950,"_140":99},"ca. 1596-99","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,14.3,1.402575587905935,[930,931,932,933,934],{"_220":927,"_221":928,"_42":929,"_303":304},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":924,"_925":926},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_294":921,"_296":922,"_298":923},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_290":376,"_292":377},{"_224":916,"_125":917,"_284":918},{"_275":361,"_277":914,"_279":363,"_280":915},41.82435129740519,17.82435129740519,{"_286":224,"_123":919,"_154":920,"_140":99},{"_286":125,"_123":492,"_154":493,"_140":168},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":943,"_312":944},{"_310":941,"_312":942},{"_310":939,"_312":940},{"_310":937,"_312":938},{"_310":935,"_312":936},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":996,"_221":997,"_324":998,"_326":889,"_328":999,"_330":1000,"_332":-5,"_333":1001,"_335":-5,"_140":103},"ca. 1606–8","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",1.6194653299916457,[981,982,983,984,985],{"_220":300,"_221":301,"_42":302,"_303":304},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_294":978,"_296":979,"_298":980},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_290":376,"_292":377},{"_224":973,"_125":974,"_284":975},{"_275":970,"_277":971,"_279":413,"_280":972},56.4,44.0066030435904,20.006603043590406,{"_286":224,"_123":976,"_154":977,"_140":89},{"_286":125,"_123":492,"_154":493,"_140":168},{"_286":284,"_123":865,"_154":866,"_140":89},"artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_310":994,"_312":995},{"_310":992,"_312":993},{"_310":990,"_312":991},{"_310":988,"_312":989},{"_310":986,"_312":987},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,"#af9a81",0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616",1575,1616,"Nancy","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":1047,"_221":1048,"_324":889,"_326":889,"_328":-5,"_330":999,"_332":-5,"_333":-5,"_335":-5,"_140":103},"c. 1536/1540","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",16.5,0.854736328125,[1032,1033,1034,1035,1036],{"_220":758,"_221":759,"_42":760,"_303":761},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_294":1029,"_296":1030,"_298":1031},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_290":291,"_292":293},{"_224":1024,"_125":1025,"_284":1026},{"_275":1022,"_277":648,"_279":1023,"_280":363},36.368408203125,21.368408203125,{"_286":224,"_123":1027,"_154":1028,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":865,"_154":866,"_140":89},"artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},{"_310":1041,"_312":1042},{"_310":1039,"_312":1040},{"_310":1037,"_312":1038},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","the-rabbit-hunt-cma-168193","The Rabbit Hunt",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":334,"_335":336,"_140":99},"1560","etching","Platemark: 22.1 x 29 cm (8 11/16 x 11 7/16 in.); Sheet: 24.3 x 31.8 cm (9 9/16 x 12 1/2 in.)",29,22.1,1.2908124525436597,[1087,1088,1089,1090,1091],{"_220":1083,"_221":1084,"_42":1085,"_303":1086},"Courtesy of the Cleveland Museum of Art","2009.80","Pieter Bruegel made this in 1560, aged 35. It is now at the Cleveland Museum of Art.",{"_118":1081,"_925":1082},"The Rabbit Hunt, by Pieter Bruegel, 1560",{"_294":1078,"_296":1079,"_298":1080},"https://img.ochreeditions.com/m/770.jpg?dl=1","/art/the-rabbit-hunt-cma-168193","/galleries/style/northern-renaissance/the-rabbit-hunt-cma-168193",{"_290":376,"_292":377},{"_224":1075,"_125":1076,"_284":1077},{"_275":1072,"_277":1073,"_279":1055,"_280":1074},53,46.466470588235296,22.466470588235296,{"_286":224,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":371,"_154":372,"_140":373},{"_286":284,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/770/480.jpg","https://img.ochreeditions.com/a/770/960.jpg","https://img.ochreeditions.com/a/770/1920.jpg","In this etching considered the artist's only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of his pen-and-ink drawings to evoke a vivid sense of atmosphere and light and create a deep recession into space.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},{"_310":1092,"_312":1093},"#64615a",0.0855,"#e7dfd3",0.1158,"#8e8980",0.192,"#aea79c",0.2465,"#cbc3b9",0.3602,"still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":829,"_221":830,"_324":831,"_326":327,"_328":832,"_330":833,"_332":834,"_333":835,"_335":836,"_140":99},"Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[1131,1132,1133,1134,1135],{"_220":300,"_221":301,"_42":302,"_303":304},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_294":1128,"_296":1129,"_298":1130},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_290":376,"_292":377},{"_224":1125,"_125":1126,"_284":1127},{"_275":1123,"_277":361,"_279":1124,"_280":363},44.40656205420827,20.406562054208273,{"_286":224,"_123":809,"_154":810,"_140":99},{"_286":125,"_123":492,"_154":493,"_140":168},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_310":1144,"_312":1145},{"_310":1142,"_312":1143},{"_310":1140,"_312":1141},{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","ef78a6327ab943b069199ccdc21c7b87257ed46a","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]