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It is now at The Met in New York.","Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening.","Phaeton, from \"The Four Disgracers\", by Hendrick Goltzius, 1588",{"_300":445,"_302":446,"_304":447},"https://img.ochreeditions.com/m/1043.jpg?dl=1","/art/phaeton-from-the-four-disgracers-met-343581","/galleries/style/northern-renaissance/phaeton-from-the-four-disgracers-met-343581",{"_296":297,"_298":299},{"_230":435,"_125":436,"_290":437},{"_280":431,"_282":432,"_284":433,"_286":434},83.68586387434556,84,59.68586387434555,60,{"_292":230,"_123":443,"_154":444,"_140":91},{"_292":125,"_123":440,"_154":441,"_140":442},{"_292":290,"_123":438,"_154":439,"_140":295},"era/16-netherlands","16th-century Netherlands","style/print-16","More prints of the 16th century",54,"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1043/480.jpg","https://img.ochreeditions.com/a/1043/960.jpg","https://img.ochreeditions.com/a/1043/1920.jpg",{"_319":461,"_321":462},{"_319":459,"_321":460},{"_319":457,"_321":458},{"_319":455,"_321":456},{"_319":453,"_321":454},"#5e5c53",0.0686,"#959081",0.0698,"#bcb6a1",0.208,"#f1ecdf",0.293,"#d6ccb6",0.3606,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","head-of-a-young-woman-met-459211","Head of a Young Woman",{"_42":400,"_227":401,"_333":402,"_335":403,"_337":404,"_339":405,"_341":406,"_342":406,"_343":407,"_140":89},"1522","Black chalk highlighted with white chalk (abraded) on green prepared paper.","7 7/8 x 5 15/16 in. (20 x 15.1 cm)",15.1,20,0.7588313413014608,[501,502,503,504,505],{"_226":382,"_227":383,"_42":384,"_312":313},"1975.1.859","Albrecht Dürer drew this in 1522, aged 51. It is now at The Met in New York.","Head of a Young Woman, by Albrecht Dürer, 1522",{"_300":498,"_302":499,"_304":500},"https://img.ochreeditions.com/m/1272.jpg?dl=1","/art/head-of-a-young-woman-met-459211","/galleries/style/northern-renaissance/head-of-a-young-woman-met-459211",{"_296":297,"_298":299},{"_230":495,"_125":496,"_290":497},{"_280":493,"_282":281,"_284":494,"_286":285},42.970783532536515,18.97078353253652,{"_292":230,"_123":377,"_154":378,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/1272/480.jpg","https://img.ochreeditions.com/a/1272/960.jpg","https://img.ochreeditions.com/a/1272/1920.jpg",{"_319":514,"_321":515},{"_319":512,"_321":513},{"_319":510,"_321":511},{"_319":508,"_321":509},{"_319":506,"_321":507},"#d0d1c7",0.0716,"#708176",0.0837,"#7f9689",0.2386,"#75887d",0.2402,"#7a8f84",0.3659,"the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":575,"_227":576,"_333":577,"_335":336,"_337":578,"_339":579,"_341":-5,"_342":-5,"_343":-5,"_140":103},"probably 1590 and 1597","painting","Painting","oil on panel","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[560,561,562,563,564],{"_226":556,"_227":557,"_42":558,"_312":559},"Courtesy National Gallery of Art, Washington","1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_300":553,"_302":554,"_304":555},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_296":551,"_298":552},{"_230":543,"_125":544,"_290":545},{"_280":540,"_282":541,"_284":524,"_286":542},97.2,78.97792968750001,63.97792968750001,{"_292":230,"_123":549,"_154":550,"_140":89},{"_292":125,"_123":546,"_154":547,"_140":548},{"_292":290,"_123":166,"_154":165,"_140":168},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_319":573,"_321":574},{"_319":571,"_321":572},{"_319":569,"_321":570},{"_319":567,"_321":568},{"_319":565,"_321":566},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,1619,"margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":627,"_227":628,"_333":629,"_335":403,"_337":630,"_339":405,"_341":-5,"_342":-5,"_343":631,"_140":99},"1527","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[612,613,614,615,616],{"_226":556,"_227":557,"_42":558,"_312":559},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_300":609,"_302":610,"_304":611},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_296":551,"_298":552},{"_230":604,"_125":605,"_290":606},{"_280":601,"_282":602,"_284":603,"_286":586},44.70947265625,58,29.70947265625,{"_292":230,"_123":607,"_154":608,"_140":99},{"_292":125,"_123":546,"_154":547,"_140":548},{"_292":290,"_123":374,"_154":375,"_140":376},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_319":625,"_321":626},{"_319":623,"_321":624},{"_319":621,"_321":622},{"_319":619,"_321":620},{"_319":617,"_321":618},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":679,"_227":680,"_333":681,"_335":682,"_337":683,"_339":684,"_341":685,"_342":685,"_343":-5,"_140":103},"1530–35","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[664,665,666,667,668],{"_226":382,"_227":383,"_42":384,"_312":313},"1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_300":661,"_302":662,"_304":663},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_296":297,"_298":299},{"_230":656,"_125":657,"_290":658},{"_280":653,"_282":654,"_284":638,"_286":655},72.3,60.23450537916557,36.23450537916557,{"_292":230,"_123":659,"_154":660,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":295},"artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg",{"_319":677,"_321":678},{"_319":675,"_321":676},{"_319":673,"_321":674},{"_319":671,"_321":672},{"_319":669,"_321":670},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542","Netherlandish",1492,1542,"Brussels","head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":463,"_227":464,"_333":465,"_335":466,"_337":467,"_339":468,"_341":469,"_342":470,"_343":471,"_140":91},"pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[712,713,714,715,716],{"_226":556,"_227":557,"_42":558,"_312":559},"1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_300":709,"_302":710,"_304":711},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_296":297,"_298":299},{"_230":706,"_125":707,"_290":708},{"_280":432,"_282":704,"_284":434,"_286":705},83.51529140219273,59.51529140219274,{"_292":230,"_123":443,"_154":444,"_140":91},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":295},"https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg",{"_319":725,"_321":726},{"_319":723,"_321":724},{"_319":721,"_321":722},{"_319":719,"_321":720},{"_319":717,"_321":718},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":774,"_227":775,"_333":776,"_335":682,"_337":684,"_339":777,"_341":778,"_342":779,"_343":780,"_140":99},"1589","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[759,760,761,762,763],{"_226":382,"_227":383,"_42":384,"_312":313},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_300":756,"_302":757,"_304":758},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_296":297,"_298":299},{"_230":751,"_125":752,"_290":753},{"_280":749,"_282":281,"_284":750,"_286":285},44.40656205420827,20.406562054208273,{"_292":230,"_123":754,"_154":755,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":295},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_319":772,"_321":773},{"_319":770,"_321":771},{"_319":768,"_321":769},{"_319":766,"_321":767},{"_319":764,"_321":765},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":833,"_227":834,"_333":835,"_335":336,"_337":-5,"_339":-5,"_341":-5,"_342":-5,"_343":-5,"_140":103},"1590","Print","Engraving in black on cream laid paper","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[818,819,820,821,822],{"_226":814,"_227":815,"_42":816,"_312":817},"Courtesy of the Art Institute of Chicago","2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_300":811,"_302":812,"_304":813},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_296":297,"_298":299},{"_230":806,"_125":807,"_290":808},{"_280":803,"_282":804,"_284":805,"_286":788},52.650632426216944,66,28.65063242621694,{"_292":230,"_123":809,"_154":810,"_140":89},{"_292":125,"_123":440,"_154":441,"_140":442},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_319":831,"_321":832},{"_319":829,"_321":830},{"_319":827,"_321":828},{"_319":825,"_321":826},{"_319":823,"_321":824},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":400,"_227":401,"_333":402,"_335":403,"_337":404,"_339":405,"_341":406,"_342":406,"_343":407,"_140":89},"probably 1519","Paintings","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,0.8386010362694301,[867,868,869,870,871],{"_226":382,"_227":383,"_42":384,"_312":313},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_300":864,"_302":865,"_304":866},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_296":551,"_298":552},{"_230":861,"_125":862,"_290":863},{"_280":858,"_282":859,"_284":860,"_286":434},65.3160621761658,75,50.3160621761658,{"_292":230,"_123":377,"_154":378,"_140":89},{"_292":125,"_123":546,"_154":547,"_140":548},{"_292":290,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_319":880,"_321":881},{"_319":878,"_321":879},{"_319":876,"_321":877},{"_319":874,"_321":875},{"_319":872,"_321":873},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"portrait-of-alain-de-coetivy-1407-1474-met-337088","Portrait of Alain de Coëtivy (1407–1474)",{"_42":934,"_227":935,"_333":936,"_335":937,"_337":938,"_339":939,"_341":940,"_342":940,"_343":-5,"_140":103},"ca. 1451–55","france","Metalpoint, black chalk on white prepared paper","7 13/16 x 5 5/16 in. (19.8 x 13.5 cm.)",13.5,19.8,0.6919617762788083,[919,920,921,922,923],{"_226":382,"_227":383,"_42":384,"_312":313},"49.38","Jean Fouquet drew this in about 1451–55, aged about 21. It is now at The Met in New York.","Portrait of Alain de Coëtivy (1407–1474), by Jean Fouquet, ca. 1451–55",{"_300":916,"_302":917,"_304":918},"https://img.ochreeditions.com/m/1013.jpg?dl=1","/art/portrait-of-alain-de-coetivy-1407-1474-met-337088","/galleries/style/northern-renaissance/portrait-of-alain-de-coetivy-1407-1474-met-337088",{"_296":297,"_298":299},{"_230":906,"_125":907,"_290":908},{"_280":904,"_282":281,"_284":905,"_286":285},41.29904440697021,17.299044406970207,{"_292":230,"_123":914,"_154":915,"_140":89},{"_292":125,"_123":912,"_154":913,"_140":91},{"_292":290,"_123":909,"_154":910,"_140":911},"era/15","The 15th century",110,"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-jean-fouquet","Jean Fouquet's contemporaries","https://img.ochreeditions.com/a/1013/480.jpg","https://img.ochreeditions.com/a/1013/960.jpg","https://img.ochreeditions.com/a/1013/1920.jpg",{"_319":932,"_321":933},{"_319":930,"_321":931},{"_319":928,"_321":929},{"_319":926,"_321":927},{"_319":924,"_321":925},"#bfb1a1",0.0632,"#e9decb",0.0657,"#cfc2b4",0.2266,"#e1d4c9",0.2908,"#dacdbf",0.3537,"Jean Fouquet","jean-fouquet","French, 1425–1478","French",1425,1478,"Tours","trajan-nga-4262","Trajan",{"_42":985,"_227":986,"_333":987,"_335":403,"_337":988,"_339":989,"_341":-5,"_342":-5,"_343":990,"_140":99},"1546","engraving",1.0047909407665505,[970,971,972,973,974],{"_226":556,"_227":557,"_42":558,"_312":559},"1943.3.1044","Sebald Beham made this in 1546, aged 46. It is now at the National Gallery of Art in Washington, DC.","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.",{"_300":967,"_302":968,"_304":969},"https://img.ochreeditions.com/m/1338.jpg?dl=1","/art/trajan-nga-4262","/galleries/style/northern-renaissance/trajan-nga-4262",{"_296":297,"_298":299},{"_230":962,"_125":963,"_290":964},{"_280":432,"_282":960,"_284":434,"_286":961},83.71391417425227,59.713914174252274,{"_292":230,"_123":965,"_154":966,"_140":99},{"_292":125,"_123":440,"_154":441,"_140":442},{"_292":290,"_123":374,"_154":375,"_140":376},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1338/480.jpg","https://img.ochreeditions.com/a/1338/960.jpg","https://img.ochreeditions.com/a/1338/1920.jpg",{"_319":983,"_321":984},{"_319":981,"_321":982},{"_319":979,"_321":980},{"_319":977,"_321":978},{"_319":975,"_321":976},"#655a51",0.0699,"#8b7d6d",0.1158,"#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","interior-view-of-the-coliseum-aic-84972","Interior View of the Coliseum",{"_42":1041,"_227":1042,"_333":1043,"_335":336,"_337":-5,"_339":-5,"_341":-5,"_342":-5,"_343":-5,"_140":103},"c. 1580","watercolour","Drawing and Watercolor","Pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper","37 × 43 cm (14 5/8 × 16 15/16 in.)",37,1.1673617407071624,[1026,1027,1028,1029,1030],{"_226":814,"_227":815,"_42":816,"_312":817},"1922.2422","Lodewijk Toeput painted this in about 1580. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.",{"_300":1023,"_302":1024,"_304":1025},"https://img.ochreeditions.com/m/232.jpg?dl=1","/art/interior-view-of-the-coliseum-aic-84972","/galleries/style/northern-renaissance/interior-view-of-the-coliseum-aic-84972",{"_296":297,"_298":299},{"_230":1016,"_125":1017,"_290":1018},{"_280":1013,"_282":1014,"_284":586,"_286":1015},67,60.835197266231745,36.835197266231745,{"_292":230,"_123":1021,"_154":1022,"_140":89},{"_292":125,"_123":1019,"_154":1020,"_140":89},{"_292":290,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-lodewijk-toeput","Lodewijk Toeput's contemporaries","https://img.ochreeditions.com/a/232/480.jpg","https://img.ochreeditions.com/a/232/960.jpg","https://img.ochreeditions.com/a/232/1920.jpg",{"_319":1039,"_321":1040},{"_319":1037,"_321":1038},{"_319":1035,"_321":1036},{"_319":1033,"_321":1034},{"_319":1031,"_321":1032},"#dbccb4",0.1105,"#655949",0.1638,"#b2a28c",0.1843,"#988974",0.2237,"#7e6f5c",0.3177,"Lodewijk Toeput","lodewijk-toeput","Flemish, c. 1550–c. 1605","study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":1091,"_227":1092,"_333":1093,"_335":682,"_337":1094,"_339":1095,"_341":778,"_342":1096,"_343":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[1076,1077,1078,1079,1080],{"_226":382,"_227":383,"_42":384,"_312":313},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_300":1073,"_302":1074,"_304":1075},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_296":297,"_298":299},{"_230":1068,"_125":1069,"_290":1070},{"_280":1065,"_282":1066,"_284":1067,"_286":1051},47.47889004149378,55.8,23.478890041493777,{"_292":230,"_123":1071,"_154":1072,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":438,"_154":439,"_140":295},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_319":1089,"_321":1090},{"_319":1087,"_321":1088},{"_319":1085,"_321":1086},{"_319":1083,"_321":1084},{"_319":1081,"_321":1082},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1565,1629,"The Hague","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":1146,"_227":1147,"_333":937,"_335":937,"_337":-5,"_339":1148,"_341":-5,"_342":-5,"_343":-5,"_140":103},"c. 1536/1540","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[1131,1132,1133,1134,1135],{"_226":556,"_227":557,"_42":558,"_312":559},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_300":1128,"_302":1129,"_304":1130},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_296":551,"_298":552},{"_230":1121,"_125":1122,"_290":1123},{"_280":1118,"_282":1119,"_284":1120,"_286":285},36.368408203125,40,21.368408203125,{"_292":230,"_123":1126,"_154":1127,"_140":89},{"_292":125,"_123":546,"_154":547,"_140":548},{"_292":290,"_123":1124,"_154":1125,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_319":1144,"_321":1145},{"_319":1142,"_321":1143},{"_319":1140,"_321":1141},{"_319":1138,"_321":1139},{"_319":1136,"_321":1137},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon",1575,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","0cc6998cbb84b2d661048e6834e9a596d36fd86b","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_227":1193,"_20":1194},{"_227":1191,"_20":1192},{"_227":1189,"_20":1190},{"_227":1187,"_20":1188},{"_227":1185,"_20":1186},{"_227":1183,"_20":1184},{"_227":1181,"_20":1182},{"_227":1179,"_20":1180},{"_227":1177,"_20":1178},{"_227":1175,"_20":1176},{"_227":1173,"_20":1174},{"_227":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]