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It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_296":443,"_298":444,"_300":445},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_292":293,"_294":295},{"_228":433,"_125":434,"_286":435},{"_276":431,"_278":366,"_280":432,"_282":368},44.40656205420827,20.406562054208273,{"_288":228,"_123":441,"_154":442,"_140":99},{"_288":125,"_123":439,"_154":440,"_140":438},{"_288":286,"_123":436,"_154":437,"_140":438},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_312":459,"_314":460},{"_312":457,"_314":458},{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":523,"_225":524,"_326":525,"_328":526,"_330":333,"_332":527,"_334":-5,"_336":-5,"_338":528,"_140":99},"c. 1598","flanders","Engraving on paper","Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7505114676429417,[509,510,511,512,513],{"_224":505,"_225":506,"_42":507,"_305":508},"Courtesy of the Art Institute of Chicago","2023.3190.3","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_296":502,"_298":503,"_300":504},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_292":293,"_294":295},{"_228":494,"_125":495,"_286":496},{"_276":492,"_278":366,"_280":493,"_282":368},42.76278669107354,18.762786691073543,{"_288":228,"_123":500,"_154":501,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":497,"_154":498,"_140":499},"era/16-flanders","16th-century Flanders",17,"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":521,"_314":522},{"_312":519,"_314":520},{"_312":517,"_314":518},{"_312":515,"_314":516},{"_312":514,"_314":392},"#5c544b","#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[572,573,574,575,576],{"_224":568,"_225":569,"_42":570,"_305":571},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":565,"_566":567},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_296":562,"_298":563,"_300":564},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_292":293,"_294":295},{"_228":555,"_125":556,"_286":557},{"_276":366,"_278":553,"_280":368,"_282":554},40.44117647058823,16.441176470588236,{"_288":228,"_123":560,"_154":561,"_140":87},{"_288":125,"_123":558,"_154":559,"_140":81},{"_288":286,"_123":372,"_154":373,"_140":374},"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":585,"_314":586},{"_312":583,"_314":584},{"_312":581,"_314":582},{"_312":579,"_314":580},{"_312":577,"_314":578},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"landscape-with-a-double-spruce-met-336259","Landscape with a Double Spruce",{"_42":632,"_225":633,"_326":634,"_328":329,"_330":635,"_332":636,"_334":637,"_336":637,"_338":-5,"_140":101},"ca. 1521–22","Prints","Etching","Sheet: 4 5/16 x 6 5/16 in. (11 x 16 cm)",1.4617750439367312,[617,618,619,620,621],{"_224":382,"_225":383,"_42":384,"_305":385},"1993.1097","Albrecht Altdorfer made this in about 1521–22, aged about 36. It is now at The Met in New York.","Landscape with a Double Spruce, by Albrecht Altdorfer, ca. 1521–22",{"_296":614,"_298":615,"_300":616},"https://img.ochreeditions.com/m/1003.jpg?dl=1","/art/landscape-with-a-double-spruce-met-336259","/galleries/style/northern-renaissance/landscape-with-a-double-spruce-met-336259",{"_292":293,"_294":295},{"_228":609,"_125":610,"_286":611},{"_276":366,"_278":607,"_280":368,"_282":608},41.10249474000601,17.102494740006012,{"_288":228,"_123":612,"_154":613,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1003/480.jpg","https://img.ochreeditions.com/a/1003/960.jpg","https://img.ochreeditions.com/a/1003/1920.jpg",{"_312":630,"_314":631},{"_312":628,"_314":629},{"_312":626,"_314":627},{"_312":624,"_314":625},{"_312":622,"_314":623},"#786e61",0.1286,"#928777",0.1974,"#e1d3ba",0.2219,"#aca08d",0.2227,"#c6b9a2",0.2294,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":691,"_225":692,"_326":693,"_328":526,"_330":694,"_332":695,"_334":-5,"_336":-5,"_338":696,"_140":99},"ca. 1587 – 1590","Drawing","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[676,677,678,679,680],{"_224":673,"_225":674,"_42":675,"_305":385},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":671,"_566":672},"TWO GALLEYS AT SEA",{"_296":668,"_298":669,"_300":670},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_292":293,"_294":295},{"_228":663,"_125":664,"_286":665},{"_276":366,"_278":661,"_280":368,"_282":662},41.86612497581737,17.86612497581737,{"_288":228,"_123":666,"_154":667,"_140":99},{"_288":125,"_123":439,"_154":440,"_140":438},{"_288":286,"_123":497,"_154":498,"_140":499},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_312":689,"_314":690},{"_312":687,"_314":688},{"_312":685,"_314":686},{"_312":683,"_314":684},{"_312":681,"_314":682},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":744,"_225":745,"_326":746,"_328":526,"_330":747,"_332":466,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1588","Engraving in black on cream laid paper","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[729,730,731,732,733],{"_224":505,"_225":506,"_42":507,"_305":508},"2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_296":726,"_298":727,"_300":728},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_292":293,"_294":295},{"_228":721,"_125":722,"_286":723},{"_276":718,"_278":719,"_280":703,"_282":720},69,62.261269549218035,38.261269549218035,{"_288":228,"_123":724,"_154":725,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":497,"_154":498,"_140":499},"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg",{"_312":742,"_314":743},{"_312":740,"_314":741},{"_312":738,"_314":739},{"_312":736,"_314":737},{"_312":734,"_314":735},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600",1550,"amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","Amya Petitioning Faustus for the Custody of Saint Mamas",{"_42":797,"_225":798,"_326":799,"_328":404,"_330":800,"_332":801,"_334":-5,"_336":-5,"_338":-5,"_140":103},"ca. 1543","Pen and brown ink, brush and gray wash, heightened with white, over black chalk","9 1/4 x 12 5/8 in. (23.5 x 32 cm)",32,23.5,1.3384781048097631,[782,783,784,785,786],{"_224":382,"_225":383,"_42":384,"_305":385},"2001.106","Jean Cousin the Elder drew this in about 1543, aged about 53. It is now at The Met in New York.","Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543",{"_296":779,"_298":780,"_300":781},"https://img.ochreeditions.com/m/1042.jpg?dl=1","/art/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","/galleries/style/northern-renaissance/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314",{"_292":293,"_294":295},{"_228":772,"_125":773,"_286":774},{"_276":769,"_278":770,"_280":754,"_282":771},56,47.9077500670421,23.9077500670421,{"_288":228,"_123":777,"_154":778,"_140":89},{"_288":125,"_123":439,"_154":440,"_140":438},{"_288":286,"_123":775,"_154":776,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-jean-cousin-the-elder","Jean Cousin the Elder's contemporaries","https://img.ochreeditions.com/a/1042/480.jpg","https://img.ochreeditions.com/a/1042/960.jpg","https://img.ochreeditions.com/a/1042/1920.jpg",{"_312":795,"_314":796},{"_312":793,"_314":794},{"_312":791,"_314":792},{"_312":789,"_314":790},{"_312":787,"_314":788},"#ede2d1",0.0716,"#847669",0.0785,"#9a8878",0.2249,"#b6a38c",0.2855,"#a89582",0.3395,"Jean Cousin the Elder","jean-cousin-the-elder","French, Souci (?) ca. 1490–ca. 1560 Paris (?)",1485,1565,"study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":849,"_225":850,"_326":851,"_328":464,"_330":801,"_332":852,"_334":467,"_336":853,"_338":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[834,835,836,837,838],{"_224":382,"_225":383,"_42":384,"_305":385},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_296":831,"_298":832,"_300":833},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_292":293,"_294":295},{"_228":826,"_125":827,"_286":828},{"_276":823,"_278":824,"_280":825,"_282":809},47.47889004149378,55.8,23.478890041493777,{"_288":228,"_123":829,"_154":830,"_140":89},{"_288":125,"_123":439,"_154":440,"_140":438},{"_288":286,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_312":847,"_314":848},{"_312":845,"_314":846},{"_312":843,"_314":844},{"_312":841,"_314":842},{"_312":839,"_314":840},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1629,"The Hague","the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":632,"_225":633,"_326":634,"_328":329,"_330":635,"_332":636,"_334":637,"_336":637,"_338":-5,"_140":101},"1519","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[882,883,884,885,886],{"_224":382,"_225":383,"_42":384,"_305":385},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_296":879,"_298":880,"_300":881},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_292":293,"_294":295},{"_228":876,"_125":877,"_286":878},{"_276":874,"_278":366,"_280":875,"_282":368},41.52754820936639,17.52754820936639,{"_288":228,"_123":612,"_154":613,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_312":895,"_314":896},{"_312":893,"_314":894},{"_312":891,"_314":892},{"_312":889,"_314":890},{"_312":887,"_314":888},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"the-agony-in-the-garden-nga-4365","The Agony in the Garden",{"_42":940,"_225":941,"_326":942,"_328":329,"_330":943,"_332":747,"_334":-5,"_336":-5,"_338":944,"_140":99},"1522","woodcut",0.6953125,[925,926,927,928,929],{"_224":302,"_225":303,"_42":304,"_305":306},"1943.3.1147","Sebald Beham made this in 1522, aged 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials \"I.SP\" in the top right corner.",{"_296":922,"_298":923,"_300":924},"https://img.ochreeditions.com/m/1340.jpg?dl=1","/art/the-agony-in-the-garden-nga-4365","/galleries/style/northern-renaissance/the-agony-in-the-garden-nga-4365",{"_292":293,"_294":295},{"_228":917,"_125":918,"_286":919},{"_276":915,"_278":279,"_280":916,"_282":283},65.71875,41.71875,{"_288":228,"_123":920,"_154":921,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1340/480.jpg","https://img.ochreeditions.com/a/1340/960.jpg","https://img.ochreeditions.com/a/1340/1920.jpg",{"_312":938,"_314":939},{"_312":936,"_314":937},{"_312":934,"_314":935},{"_312":932,"_314":933},{"_312":930,"_314":931},"#ddc8a9",0.0849,"#66584c",0.1925,"#b19e85",0.2053,"#95836e",0.2283,"#7e6e5c",0.289,"Sebald Beham","sebald-beham","German, 1500–1550",1500,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":989,"_225":990,"_326":991,"_328":526,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1590","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[974,975,976,977,978],{"_224":505,"_225":506,"_42":507,"_305":508},"2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.",{"_296":971,"_298":972,"_300":973},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_292":293,"_294":295},{"_228":966,"_125":967,"_286":968},{"_276":963,"_278":964,"_280":965,"_282":950},52.650632426216944,66,28.65063242621694,{"_288":228,"_123":969,"_154":970,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":497,"_154":498,"_140":499},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg",{"_312":987,"_314":988},{"_312":985,"_314":986},{"_312":983,"_314":984},{"_312":981,"_314":982},{"_312":979,"_314":980},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":1047,"_225":1048,"_326":1049,"_328":329,"_330":1050,"_332":1051,"_334":-5,"_336":-5,"_338":1052,"_140":99},"1527","painting","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[1032,1033,1034,1035,1036],{"_224":302,"_225":303,"_42":304,"_305":306},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_296":1029,"_298":1030,"_300":1031},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_292":1027,"_294":1028},{"_228":1019,"_125":1020,"_286":1021},{"_276":1016,"_278":1017,"_280":1018,"_282":1001},44.70947265625,58,29.70947265625,{"_288":228,"_123":1025,"_154":1026,"_140":99},{"_288":125,"_123":1022,"_154":1023,"_140":1024},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_312":1045,"_314":1046},{"_312":1043,"_314":1044},{"_312":1041,"_314":1042},{"_312":1039,"_314":1040},{"_312":1037,"_314":1038},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","deer-hunt-with-nets-si-chndm-1901-39-128","Deer Hunt with Nets",{"_42":691,"_225":692,"_326":693,"_328":526,"_330":694,"_332":695,"_334":-5,"_336":-5,"_338":696,"_140":99},"ca. 1590 – 1599","Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper","H x W: 11 × 14.9 cm (4 5/16 × 5 7/8 in.)",14.9,1.330243098475484,[1083,1084,1085,1086,1087],{"_224":673,"_225":674,"_42":675,"_305":385},"1901-39-128","Jan van der Straet, called Stradanus drew this in about 1590 – 1599, aged about 67. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1082,"_566":672},"DEER HUNT WITH NETS",{"_296":1079,"_298":1080,"_300":1081},"https://img.ochreeditions.com/m/1702.jpg?dl=1","/art/deer-hunt-with-nets-si-chndm-1901-39-128","/galleries/style/northern-renaissance/deer-hunt-with-nets-si-chndm-1901-39-128",{"_292":293,"_294":295},{"_228":1076,"_125":1077,"_286":1078},{"_276":366,"_278":1074,"_280":368,"_282":1075},42.793557379588044,18.793557379588044,{"_288":228,"_123":666,"_154":667,"_140":99},{"_288":125,"_123":439,"_154":440,"_140":438},{"_288":286,"_123":497,"_154":498,"_140":499},"https://img.ochreeditions.com/a/1702/480.jpg","https://img.ochreeditions.com/a/1702/960.jpg","https://img.ochreeditions.com/a/1702/1920.jpg","Recto: Landscape with hunters on horseback, accompanied by their hounds. They have driven two stags into a wide net.",{"_312":1096,"_314":1097},{"_312":1094,"_314":1095},{"_312":1092,"_314":1093},{"_312":1090,"_314":1091},{"_312":1088,"_314":1089},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":1145,"_225":1146,"_326":1147,"_328":404,"_330":1148,"_332":1149,"_334":-5,"_336":1150,"_338":-5,"_140":103},"ca. 1606–8","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",32.4,20,1.6194653299916457,[1130,1131,1132,1133,1134],{"_224":382,"_225":383,"_42":384,"_305":385},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_296":1127,"_298":1128,"_300":1129},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_292":293,"_294":295},{"_228":1122,"_125":1123,"_286":1124},{"_276":1119,"_278":1120,"_280":1104,"_282":1121},56.4,44.0066030435904,20.006603043590406,{"_288":228,"_123":1125,"_154":1126,"_140":89},{"_288":125,"_123":439,"_154":440,"_140":438},{"_288":286,"_123":775,"_154":776,"_140":89},"artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_312":1143,"_314":1144},{"_312":1141,"_314":1142},{"_312":1139,"_314":1140},{"_312":1137,"_314":1138},{"_312":1135,"_314":1136},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,"#af9a81",0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616",1575,1616,"Nancy",{"_1152":-5,"_1153":1154,"_1155":1156,"_1157":8,"_1158":1159,"_1160":8},"user","csrf","d88be53e66dec3c03f3b5f0401cd0adf55856d85","cartCount",0,"dropLive","legal",[1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172],"uploadsEnabled",{"_225":1195,"_20":1196},{"_225":1193,"_20":1194},{"_225":1191,"_20":1192},{"_225":1189,"_20":1190},{"_225":1187,"_20":1188},{"_225":1185,"_20":1186},{"_225":1183,"_20":1184},{"_225":1181,"_20":1182},{"_225":1179,"_20":1180},{"_225":1177,"_20":1178},{"_225":1175,"_20":1176},{"_225":1173,"_20":1174},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]