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It is now at the Art Institute of Chicago.","A work made of engraving on laid paper.",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/424.jpg?dl=1","/art/the-holy-family-aic-267846","/galleries/style/northern-renaissance/the-holy-family-aic-267846",{"_291":292,"_293":294},{"_226":429,"_125":430,"_285":431},{"_275":427,"_277":278,"_279":428,"_281":282},42.04684232538686,18.046842325386866,{"_287":226,"_123":432,"_154":433,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-pieter-de-jode-i","Pieter de Jode, I's contemporaries","https://img.ochreeditions.com/a/424/480.jpg","https://img.ochreeditions.com/a/424/960.jpg","https://img.ochreeditions.com/a/424/1920.jpg",{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},"#585149",0.0958,"#c0b0a1",0.1987,"#e2d0c1",0.2007,"#786e65",0.2371,"#9e9084",0.2677,"Pieter de Jode, I","pieter-de-jode-i","Flemish, 1570–1634",1570,1634,"otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":517,"_223":518,"_325":519,"_327":520,"_329":521,"_331":522,"_333":523,"_334":523,"_335":-5,"_140":103},"1530–35","netherlands","drawing","Drawings","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[502,503,504,505,506],{"_222":498,"_223":499,"_42":500,"_304":501},"Courtesy of The Metropolitan Museum of Art","1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_295":495,"_297":496,"_299":497},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_291":292,"_293":294},{"_226":485,"_125":486,"_285":487},{"_275":482,"_277":483,"_279":466,"_281":484},72.3,60.23450537916557,36.23450537916557,{"_287":226,"_123":493,"_154":494,"_140":89},{"_287":125,"_123":491,"_154":492,"_140":490},{"_287":285,"_123":488,"_154":489,"_140":490},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},{"_311":509,"_313":510},{"_311":507,"_313":508},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542","Netherlandish",1492,1542,"Brussels","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":400,"_223":401,"_325":402,"_327":403,"_329":404,"_331":405,"_333":-5,"_334":-5,"_335":406,"_140":99},"overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[552,553,554,555,556],{"_222":381,"_223":382,"_42":383,"_304":384},"1947.6.5.a","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_295":549,"_297":550,"_299":551},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_291":376,"_293":377},{"_226":546,"_125":547,"_285":548},{"_275":543,"_277":544,"_279":545,"_281":529},44.70947265625,58,29.70947265625,{"_287":226,"_123":374,"_154":375,"_140":99},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_311":565,"_313":566},{"_311":563,"_313":564},{"_311":561,"_313":562},{"_311":559,"_313":560},{"_311":557,"_313":558},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":613,"_223":614,"_325":615,"_327":403,"_329":616,"_331":617,"_333":-5,"_334":-5,"_335":618,"_140":99},"1540","engraving",0.6658470617162527,[598,599,600,601,602],{"_222":381,"_223":382,"_42":383,"_304":384},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_295":595,"_297":596,"_299":597},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_291":292,"_293":294},{"_226":590,"_125":591,"_285":592},{"_275":586,"_277":587,"_279":588,"_281":589},63.950823702975164,84,39.950823702975164,60,{"_287":226,"_123":593,"_154":594,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_311":611,"_313":612},{"_311":609,"_313":610},{"_311":607,"_313":608},{"_311":605,"_313":606},{"_311":603,"_313":604},"#e3d1b4",0.1756,"#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","france","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[666,667,668,669,670],{"_222":662,"_223":663,"_42":664,"_304":665},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":659,"_660":661},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_295":656,"_297":657,"_299":658},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_291":292,"_293":294},{"_226":646,"_125":647,"_285":648},{"_275":278,"_277":644,"_279":282,"_281":645},40.44117647058823,16.441176470588236,{"_287":226,"_123":654,"_154":655,"_140":87},{"_287":125,"_123":652,"_154":653,"_140":81},{"_287":285,"_123":649,"_154":650,"_140":651},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":679,"_313":680},{"_311":677,"_313":678},{"_311":675,"_313":676},{"_311":673,"_313":674},{"_311":671,"_313":672},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"the-agony-in-the-garden-nga-4365","The Agony in the Garden",{"_42":613,"_223":614,"_325":615,"_327":403,"_329":616,"_331":617,"_333":-5,"_334":-5,"_335":618,"_140":99},"1522","woodcut",0.6953125,[707,708,709,710,711],{"_222":381,"_223":382,"_42":383,"_304":384},"1943.3.1147","Sebald Beham made this in 1522, aged 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials \"I.SP\" in the top right corner.",{"_295":704,"_297":705,"_299":706},"https://img.ochreeditions.com/m/1340.jpg?dl=1","/art/the-agony-in-the-garden-nga-4365","/galleries/style/northern-renaissance/the-agony-in-the-garden-nga-4365",{"_291":292,"_293":294},{"_226":701,"_125":702,"_285":703},{"_275":699,"_277":587,"_279":700,"_281":589},65.71875,41.71875,{"_287":226,"_123":593,"_154":594,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1340/480.jpg","https://img.ochreeditions.com/a/1340/960.jpg","https://img.ochreeditions.com/a/1340/1920.jpg",{"_311":720,"_313":721},{"_311":718,"_313":719},{"_311":716,"_313":717},{"_311":714,"_313":715},{"_311":712,"_313":713},"#ddc8a9",0.0849,"#66584c",0.1925,"#b19e85",0.2053,"#95836e",0.2283,"#7e6e5c",0.289,"spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":323,"_223":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":99},"Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",0.7505114676429417,[745,746,747,748,749],{"_222":301,"_223":302,"_42":303,"_304":305},"2023.3190.3",{"_295":742,"_297":743,"_299":744},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_291":292,"_293":294},{"_226":739,"_125":740,"_285":741},{"_275":737,"_277":278,"_279":738,"_281":282},42.76278669107354,18.762786691073543,{"_287":226,"_123":169,"_154":168,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg",{"_311":758,"_313":759},{"_311":756,"_313":757},{"_311":754,"_313":755},{"_311":752,"_313":753},{"_311":750,"_313":751},"#5c544b",0.0632,"#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":807,"_223":808,"_325":809,"_327":520,"_329":810,"_331":811,"_333":812,"_334":813,"_335":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[792,793,794,795,796],{"_222":498,"_223":499,"_42":500,"_304":501},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_295":789,"_297":790,"_299":791},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_291":292,"_293":294},{"_226":784,"_125":785,"_285":786},{"_275":781,"_277":782,"_279":783,"_281":767},47.47889004149378,55.8,23.478890041493777,{"_287":226,"_123":787,"_154":788,"_140":89},{"_287":125,"_123":491,"_154":492,"_140":490},{"_287":285,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_311":805,"_313":806},{"_311":803,"_313":804},{"_311":801,"_313":802},{"_311":799,"_313":800},{"_311":797,"_313":798},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1565,1629,"Antwerp","The Hague","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":861,"_223":862,"_325":863,"_327":520,"_329":522,"_331":864,"_333":812,"_334":865,"_335":866,"_140":99},"1589","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[846,847,848,849,850],{"_222":498,"_223":499,"_42":500,"_304":501},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_295":843,"_297":844,"_299":845},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_291":292,"_293":294},{"_226":838,"_125":839,"_285":840},{"_275":836,"_277":278,"_279":837,"_281":282},44.40656205420827,20.406562054208273,{"_287":226,"_123":841,"_154":842,"_140":99},{"_287":125,"_123":491,"_154":492,"_140":490},{"_287":285,"_123":488,"_154":489,"_140":490},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_311":859,"_313":860},{"_311":857,"_313":858},{"_311":855,"_313":856},{"_311":853,"_313":854},{"_311":851,"_313":852},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1600,"Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":915,"_223":916,"_325":917,"_327":403,"_329":918,"_331":919,"_333":920,"_334":921,"_335":-5,"_140":101},"1532","Paintings","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[900,901,902,903,904],{"_222":498,"_223":499,"_42":500,"_304":501},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_295":897,"_297":898,"_299":899},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_291":376,"_293":377},{"_226":892,"_125":893,"_285":894},{"_275":889,"_277":890,"_279":891,"_281":875},47.416417519013905,57.2,32.416417519013905,{"_287":226,"_123":895,"_154":896,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_311":913,"_313":914},{"_311":911,"_313":912},{"_311":909,"_313":910},{"_311":907,"_313":908},{"_311":905,"_313":906},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","music-making-angels-met-334816","Music-Making Angels",{"_42":968,"_223":969,"_325":970,"_327":403,"_329":971,"_331":405,"_333":972,"_334":972,"_335":973,"_140":89},"1521","Pen and brown ink","6 5/8 x 8 3/4 in. (16.9 x 22.3 cm)",22.3,16.9,1.3273231622746187,[953,954,955,956,957],{"_222":498,"_223":499,"_42":500,"_304":501},"61.257","Albrecht Dürer drew this in 1521, aged 50. It is now at The Met in New York.","Music-Making Angels, by Albrecht Dürer, 1521",{"_295":950,"_297":951,"_299":952},"https://img.ochreeditions.com/m/993.jpg?dl=1","/art/music-making-angels-met-334816","/galleries/style/northern-renaissance/music-making-angels-met-334816",{"_291":292,"_293":294},{"_226":945,"_125":946,"_285":947},{"_275":278,"_277":943,"_279":282,"_281":944},42.83490073145245,18.834900731452453,{"_287":226,"_123":948,"_154":949,"_140":89},{"_287":125,"_123":491,"_154":492,"_140":490},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/993/480.jpg","https://img.ochreeditions.com/a/993/960.jpg","https://img.ochreeditions.com/a/993/1920.jpg",{"_311":966,"_313":967},{"_311":964,"_313":965},{"_311":962,"_313":963},{"_311":960,"_313":961},{"_311":958,"_313":959},"#e7e0cc",0.0674,"#baa890",0.0941,"#c9b8a1",0.2461,"#dacec0",0.2874,"#d2c4b1",0.305,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":1022,"_223":1023,"_325":1024,"_327":1025,"_329":1026,"_331":1027,"_333":-5,"_334":1028,"_335":-5,"_140":103},"ca. 1606–8","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",20,1.6194653299916457,[1007,1008,1009,1010,1011],{"_222":498,"_223":499,"_42":500,"_304":501},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_295":1004,"_297":1005,"_299":1006},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_291":292,"_293":294},{"_226":997,"_125":998,"_285":999},{"_275":994,"_277":995,"_279":874,"_281":996},56.4,44.0066030435904,20.006603043590406,{"_287":226,"_123":1002,"_154":1003,"_140":89},{"_287":125,"_123":491,"_154":492,"_140":490},{"_287":285,"_123":1000,"_154":1001,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_311":1020,"_313":1021},{"_311":1018,"_313":1019},{"_311":1016,"_313":1017},{"_311":1014,"_313":1015},{"_311":1012,"_313":1013},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,"#af9a81",0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616","French",1575,1616,"Nancy","head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":1073,"_223":1074,"_325":1075,"_327":1076,"_329":1077,"_331":1078,"_333":1079,"_334":1080,"_335":1081,"_140":91},"Drawing","pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[1058,1059,1060,1061,1062],{"_222":381,"_223":382,"_42":383,"_304":384},"1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_295":1055,"_297":1056,"_299":1057},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_291":292,"_293":294},{"_226":1050,"_125":1051,"_285":1052},{"_275":587,"_277":1048,"_279":589,"_281":1049},83.51529140219273,59.51529140219274,{"_287":226,"_123":1053,"_154":1054,"_140":91},{"_287":125,"_123":491,"_154":492,"_140":490},{"_287":285,"_123":488,"_154":489,"_140":490},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg",{"_311":1071,"_313":1072},{"_311":1069,"_313":1070},{"_311":1067,"_313":1068},{"_311":1065,"_313":1066},{"_311":1063,"_313":1064},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","saint-john-before-god-and-the-elders-nga-52557","Saint John before God and the Elders",{"_42":968,"_223":969,"_325":970,"_327":403,"_329":971,"_331":405,"_333":972,"_334":972,"_335":973,"_140":89},"probably c. 1496/1498","woodcut on laid paper","sheet (trimmed to block): 39.3 × 28.1 cm (15 1/2 × 11 1/16 in.)",28.1,39.3,0.724609375,[1117,1118,1119,1120,1121],{"_222":381,"_223":382,"_42":383,"_304":384},"1971.39.3","Albrecht Dürer made this (probably c. 1496/1498), aged about 25. It is now at the National Gallery of Art in Washington, DC.","In this woodcut from Dürer’s Apocalypse, Saint John, summoned through a door in heaven, comes before God enthroned among clouds, who holds the book sealed with seven seals.","The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.",{"_295":1114,"_297":1115,"_299":1116},"https://img.ochreeditions.com/m/1557.jpg?dl=1","/art/saint-john-before-god-and-the-elders-nga-52557","/galleries/style/northern-renaissance/saint-john-before-god-and-the-elders-nga-52557",{"_291":292,"_293":294},{"_226":1107,"_125":1108,"_285":1109},{"_275":1104,"_277":1105,"_279":1106,"_281":1089},52.4771484375,63.3,28.4771484375,{"_287":226,"_123":948,"_154":949,"_140":89},{"_287":125,"_123":1112,"_154":1113,"_140":53},{"_287":285,"_123":1110,"_154":1111,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","https://img.ochreeditions.com/a/1557/480.jpg","https://img.ochreeditions.com/a/1557/960.jpg","https://img.ochreeditions.com/a/1557/1920.jpg",{"_311":1130,"_313":1131},{"_311":1128,"_313":1129},{"_311":1126,"_313":1127},{"_311":1124,"_313":1125},{"_311":1122,"_313":1123},"#d8cbb4",0.1478,"#72675b",0.1529,"#bcaf9a",0.2024,"#a39784",0.2323,"#8b7f6f",0.2646,{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","3db28a866bc4eb33728e00f67c08f7b338f63350","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_223":1176,"_20":1177},{"_223":1174,"_20":1175},{"_223":1172,"_20":1173},{"_223":1170,"_20":1171},{"_223":1168,"_20":1169},{"_223":1166,"_20":1167},{"_223":1164,"_20":1165},{"_223":1162,"_20":1163},{"_223":1160,"_20":1161},{"_223":1158,"_20":1159},{"_223":1156,"_20":1157},{"_223":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]