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It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":437,"_438":439},"DEER HUNT WITH NETS",{"_294":434,"_296":435,"_298":436},"https://img.ochreeditions.com/m/1702.jpg?dl=1","/art/deer-hunt-with-nets-si-chndm-1901-39-128","/galleries/style/northern-renaissance/deer-hunt-with-nets-si-chndm-1901-39-128",{"_290":291,"_292":293},{"_226":426,"_125":427,"_284":428},{"_274":361,"_276":424,"_278":363,"_280":425},42.793557379588044,18.793557379588044,{"_286":226,"_123":432,"_154":433,"_140":99},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":367,"_154":368,"_140":369},"style/drawing-16","More drawings of the 16th century",35,"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1702/480.jpg","https://img.ochreeditions.com/a/1702/960.jpg","https://img.ochreeditions.com/a/1702/1920.jpg","Recto: Landscape with hunters on horseback, accompanied by their hounds. They have driven two stags into a wide net.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":511,"_223":512,"_324":513,"_326":397,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1590","Engraving in black on cream laid paper","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[496,497,498,499,500],{"_222":375,"_223":376,"_42":377,"_303":378},"2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_294":493,"_296":494,"_298":495},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_290":291,"_292":293},{"_226":488,"_125":489,"_284":490},{"_274":485,"_276":486,"_278":487,"_280":471},52.650632426216944,66,28.65063242621694,{"_286":226,"_123":491,"_154":492,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg",{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","erasmus-of-rotterdam-met-459080","Erasmus of Rotterdam",{"_42":572,"_223":573,"_324":574,"_326":327,"_328":575,"_330":576,"_332":577,"_334":578,"_336":-5,"_140":101},"ca. 1532","painting","Paintings","Oil on linden panel","7 1/4 x 5 9/16 in. (18.4 x 14.2 cm); painted surface 6 15/16 x 5 1/2 in. (17.6 x 14 cm)",14.2,18.4,0.7727509100364015,[557,558,559,560,561],{"_222":554,"_223":555,"_42":556,"_303":443},"Courtesy of The Metropolitan Museum of Art","1975.1.138","Hans Holbein the Younger painted this in about 1532, aged about 30. It is now at The Met in New York.","Erasmus of Rotterdam, by Hans Holbein the Younger, ca. 1532",{"_294":551,"_296":552,"_298":553},"https://img.ochreeditions.com/m/1255.jpg?dl=1","/art/erasmus-of-rotterdam-met-459080","/galleries/style/northern-renaissance/erasmus-of-rotterdam-met-459080",{"_290":549,"_292":550},{"_226":541,"_125":542,"_284":543},{"_274":538,"_276":539,"_278":540,"_280":363},34.31877275091004,40,19.31877275091004,{"_286":226,"_123":547,"_154":548,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":165,"_154":164,"_140":167},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1255/480.jpg","https://img.ochreeditions.com/a/1255/960.jpg","https://img.ochreeditions.com/a/1255/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_310":570,"_312":571},{"_310":568,"_312":569},{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},"#75583f",0.0568,"#3f2b20",0.0829,"#583622",0.104,"#193e3d",0.2797,"#1b1a17",0.4766,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":624,"_223":625,"_324":626,"_326":397,"_328":627,"_330":628,"_332":-5,"_334":-5,"_336":-5,"_140":101},"c. 1590","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",20,1.3450204019948617,[609,610,611,612,613],{"_222":375,"_223":376,"_42":377,"_303":378},"2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":606,"_296":607,"_298":608},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_290":291,"_292":293},{"_226":601,"_125":602,"_284":603},{"_274":361,"_276":599,"_278":363,"_280":600},42.58707865168539,18.587078651685392,{"_286":226,"_123":604,"_154":605,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg",{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},{"_310":616,"_312":617},{"_310":614,"_312":615},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611",1546,1611,"the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":680,"_223":681,"_324":682,"_326":683,"_328":684,"_330":685,"_332":-5,"_334":686,"_336":687,"_140":99},"1560","netherlands","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[665,666,667,668,669],{"_222":300,"_223":301,"_42":302,"_303":304},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_294":662,"_296":663,"_298":664},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_290":291,"_292":293},{"_226":655,"_125":656,"_284":657},{"_274":652,"_276":653,"_278":636,"_280":654},53.2,45.63623046875,21.63623046875,{"_286":226,"_123":660,"_154":661,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":658,"_154":659,"_140":431},"era/16-netherlands","16th-century Netherlands","artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_310":678,"_312":679},{"_310":676,"_312":677},{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569","Netherlandish",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":736,"_223":737,"_324":738,"_326":397,"_328":739,"_330":398,"_332":-5,"_334":-5,"_336":-5,"_140":103},"probably 1590 and 1597","Painting","oil on panel","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[721,722,723,724,725],{"_222":300,"_223":301,"_42":302,"_303":304},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_294":718,"_296":719,"_298":720},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_290":549,"_292":550},{"_226":713,"_125":714,"_284":715},{"_274":710,"_276":711,"_278":695,"_280":712},97.2,78.97792968750001,63.97792968750001,{"_286":226,"_123":716,"_154":717,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_310":734,"_312":735},{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,"the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":785,"_223":786,"_324":787,"_326":397,"_328":788,"_330":789,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1588","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[770,771,772,773,774],{"_222":375,"_223":376,"_42":377,"_303":378},"2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.",{"_294":767,"_296":768,"_298":769},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_290":291,"_292":293},{"_226":762,"_125":763,"_284":764},{"_274":759,"_276":760,"_278":745,"_280":761},69,62.261269549218035,38.261269549218035,{"_286":226,"_123":765,"_154":766,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg",{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600",1550,1600,"the-harvesters-met-435809","The Harvesters",{"_42":680,"_223":681,"_324":682,"_326":683,"_328":684,"_330":685,"_332":-5,"_334":686,"_336":687,"_140":99},"1565","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[821,822,823,824,825],{"_222":554,"_223":555,"_42":556,"_303":443},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_294":818,"_296":819,"_298":820},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_290":549,"_292":550},{"_226":815,"_125":816,"_284":817},{"_274":812,"_276":813,"_278":796,"_280":814},176.9,134.33274731041723,119.33274731041722,{"_286":226,"_123":660,"_154":661,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":658,"_154":659,"_140":431},"https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_310":833,"_312":834},{"_310":831,"_312":832},{"_310":829,"_312":830},{"_310":828,"_312":729},{"_310":826,"_312":827},"#794c20",0.1692,"#c6b6a3","#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"madonna-and-child-at-a-fountain-nga-30810","Madonna and Child at a Fountain",{"_42":881,"_223":882,"_324":327,"_326":327,"_328":-5,"_330":883,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1501","engraving on laid paper","sheet (trimmed within image at top and sides): 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.)",13.6,16.6,0.8095703125,[866,867,868,869,870],{"_222":300,"_223":301,"_42":302,"_303":304},"1945.5.34","Master MZ made this in 1501. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.",{"_294":863,"_296":864,"_298":865},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_290":291,"_292":293},{"_226":858,"_125":859,"_284":860},{"_274":856,"_276":361,"_278":857,"_280":363},44.2392578125,20.2392578125,{"_286":226,"_123":861,"_154":862,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg",{"_310":879,"_312":880},{"_310":877,"_312":878},{"_310":875,"_312":876},{"_310":873,"_312":874},{"_310":871,"_312":872},"#524a45",0.1163,"#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz",1560,"leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","france","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[930,931,932,933,934],{"_222":926,"_223":927,"_42":928,"_303":929},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":924,"_438":925},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_294":921,"_296":922,"_298":923},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_290":291,"_292":293},{"_226":911,"_125":912,"_284":913},{"_274":361,"_276":909,"_278":363,"_280":910},40.44117647058823,16.441176470588236,{"_286":226,"_123":919,"_154":920,"_140":87},{"_286":125,"_123":917,"_154":918,"_140":81},{"_286":284,"_123":914,"_154":915,"_140":916},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":943,"_312":944},{"_310":941,"_312":942},{"_310":939,"_312":940},{"_310":937,"_312":938},{"_310":935,"_312":936},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":993,"_223":994,"_324":995,"_326":996,"_328":997,"_330":998,"_332":-5,"_334":999,"_336":-5,"_140":103},"ca. 1606–8","Drawings","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",32.4,1.6194653299916457,[979,980,981,982,983],{"_222":554,"_223":555,"_42":556,"_303":443},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_294":976,"_296":977,"_298":978},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_290":291,"_292":293},{"_226":969,"_125":970,"_284":971},{"_274":966,"_276":967,"_278":952,"_280":968},56.4,44.0066030435904,20.006603043590406,{"_286":226,"_123":974,"_154":975,"_140":89},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":972,"_154":973,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_310":991,"_312":992},{"_310":676,"_312":990},{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616","French",1575,1616,"Nancy","hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":572,"_223":573,"_324":574,"_326":327,"_328":575,"_330":576,"_332":577,"_334":578,"_336":-5,"_140":101},"1532","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",42.2,0.7681615525832678,[1029,1030,1031,1032,1033],{"_222":554,"_223":555,"_42":556,"_303":443},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_294":1026,"_296":1027,"_298":1028},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_290":549,"_292":550},{"_226":1023,"_125":1024,"_284":1025},{"_274":1020,"_276":1021,"_278":1022,"_280":1006},47.416417519013905,57.2,32.416417519013905,{"_286":226,"_123":547,"_154":548,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_310":1042,"_312":1043},{"_310":1040,"_312":1041},{"_310":1038,"_312":1039},{"_310":1036,"_312":1037},{"_310":1034,"_312":1035},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":394,"_223":395,"_324":396,"_326":397,"_328":331,"_330":398,"_332":-5,"_334":-5,"_336":399,"_140":99},"Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",0.7551787055919287,[1069,1070,1071,1072,1073],{"_222":375,"_223":376,"_42":377,"_303":378},"2023.3189.1","A work made of engraving on paper.",{"_294":1066,"_296":1067,"_298":1068},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_290":291,"_292":293},{"_226":1063,"_125":1064,"_284":1065},{"_274":1061,"_276":361,"_278":1062,"_280":363},42.87946763979822,18.879467639798218,{"_286":226,"_123":370,"_154":371,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg",{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"adam-and-eve-met-336222","Adam and Eve",{"_42":1132,"_223":1133,"_324":1134,"_326":327,"_328":1135,"_330":1136,"_332":1137,"_334":1137,"_336":1138,"_140":89},"1504","Prints","Engraving","9 7/8 x 7 7/8in. (25.1 x 20cm)",25.1,0.7901810202962151,[1117,1118,1119,1120,1121],{"_222":554,"_223":555,"_42":556,"_303":443},"19.73.1","Albrecht Dürer made this in 1504, aged 33. It is now at The Met in New York.","Adam and Eve stand in the Garden of Eden at the instant before the Fall, as the serpent offers the fruit and Eve reaches to take it. Dürer used the pair to set out his study of ideal human proportions, drawn from classical sculpture, and engraved them with extraordinary precision.","Adam and Eve, by Albrecht Dürer, 1504",{"_294":1114,"_296":1115,"_298":1116},"https://img.ochreeditions.com/m/1000.jpg?dl=1","/art/adam-and-eve-met-336222","/galleries/style/northern-renaissance/adam-and-eve-met-336222",{"_290":291,"_292":293},{"_226":1109,"_125":1110,"_284":1111},{"_274":1106,"_276":1107,"_278":1108,"_280":1091},43.833543609435,49.1,19.833543609435,{"_286":226,"_123":1112,"_154":1113,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1000/480.jpg","https://img.ochreeditions.com/a/1000/960.jpg","https://img.ochreeditions.com/a/1000/1920.jpg",{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},"#beb5a5",0.1375,"#928a7e",0.1859,"#e6dece",0.2031,"#6c675f",0.2125,"#4b4843",0.261,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.",{"_1140":-5,"_1141":1142,"_1143":1144,"_1145":8,"_1146":1147,"_1148":8},"user","csrf","11a58ae0ab6b6f6a454cfe09a6ecf39a3e0c703f","cartCount",0,"dropLive","legal",[1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160],"uploadsEnabled",{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]