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It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_297":441,"_299":442,"_301":443},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_293":294,"_295":296},{"_228":432,"_125":433,"_287":434},{"_278":429,"_280":430,"_282":413,"_283":431},66.9,52.58468130690948,28.58468130690948,{"_289":228,"_123":439,"_154":440,"_140":97},{"_289":125,"_123":437,"_154":438,"_140":53},{"_289":287,"_123":435,"_154":436,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg",{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-harvesters-met-435809","The Harvesters",{"_42":523,"_225":524,"_327":525,"_329":398,"_331":526,"_333":527,"_335":-5,"_336":528,"_337":529,"_140":99},"1565","painting","Paintings","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[508,509,510,511,512],{"_224":303,"_225":304,"_42":305,"_306":307},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_297":505,"_299":506,"_301":507},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_293":503,"_295":504},{"_228":495,"_125":496,"_287":497},{"_278":492,"_280":493,"_282":476,"_283":494},176.9,134.33274731041723,119.33274731041722,{"_289":228,"_123":501,"_154":502,"_140":99},{"_289":125,"_123":498,"_154":499,"_140":500},{"_289":287,"_123":369,"_154":370,"_140":292},"style/painting-16","More paintings of the 16th century",95,"artist/pieter-bruegel","More by Pieter Bruegel","natural","ivory","https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_313":521,"_315":522},{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},"#794c20",0.1692,"#c6b6a3",0.1735,"#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","the-rabbit-hunt-cma-168193","The Rabbit Hunt",{"_42":523,"_225":524,"_327":525,"_329":398,"_331":526,"_333":527,"_335":-5,"_336":528,"_337":529,"_140":99},"1560","flanders","Print","etching","Platemark: 22.1 x 29 cm (8 11/16 x 11 7/16 in.); Sheet: 24.3 x 31.8 cm (9 9/16 x 12 1/2 in.)",29,22.1,1.2908124525436597,[577,578,579,580,581],{"_224":573,"_225":574,"_42":575,"_306":576},"Courtesy of the Cleveland Museum of Art","2009.80","Pieter Bruegel made this in 1560, aged 35. It is now at the Cleveland Museum of Art.",{"_118":570,"_571":572},"The Rabbit Hunt, by Pieter Bruegel, 1560",{"_297":567,"_299":568,"_301":569},"https://img.ochreeditions.com/m/770.jpg?dl=1","/art/the-rabbit-hunt-cma-168193","/galleries/style/northern-renaissance/the-rabbit-hunt-cma-168193",{"_293":294,"_295":296},{"_228":558,"_125":559,"_287":560},{"_278":555,"_280":556,"_282":538,"_283":557},53,46.466470588235296,22.466470588235296,{"_289":228,"_123":501,"_154":502,"_140":99},{"_289":125,"_123":564,"_154":565,"_140":566},{"_289":287,"_123":561,"_154":562,"_140":563},"era/16-flanders","16th-century Flanders",17,"style/print-16","More prints of the 16th century",54,"https://img.ochreeditions.com/a/770/480.jpg","https://img.ochreeditions.com/a/770/960.jpg","https://img.ochreeditions.com/a/770/1920.jpg","In this etching considered the artist's only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of his pen-and-ink drawings to evoke a vivid sense of atmosphere and light and create a deep recession into space.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":590,"_315":591},{"_313":588,"_315":589},{"_313":586,"_315":587},{"_313":584,"_315":585},{"_313":582,"_315":583},"#64615a",0.0855,"#e7dfd3",0.1158,"#8e8980",0.192,"#aea79c",0.2465,"#cbc3b9",0.3602,"saint-christopher-nga-6034","Saint Christopher",{"_42":641,"_225":642,"_327":643,"_329":462,"_331":644,"_333":645,"_335":646,"_336":647,"_337":648,"_140":97},"1506","chiaroscuro woodcut printed in brown-orange and black",0.703125,[626,627,628,629,630],{"_224":376,"_225":377,"_42":378,"_306":379},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_297":623,"_299":624,"_301":625},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_293":294,"_295":296},{"_228":615,"_125":616,"_287":617},{"_278":611,"_280":612,"_282":613,"_283":614},66.1875,84,42.1875,60,{"_289":228,"_123":621,"_154":622,"_140":97},{"_289":125,"_123":564,"_154":565,"_140":566},{"_289":287,"_123":618,"_154":619,"_140":620},"era/16-germany","16th-century Germany",28,"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_313":639,"_315":640},{"_313":637,"_315":638},{"_313":635,"_315":636},{"_313":633,"_315":634},{"_313":631,"_315":632},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":696,"_225":697,"_327":698,"_329":398,"_331":334,"_333":699,"_335":401,"_336":700,"_337":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[681,682,683,684,685],{"_224":303,"_225":304,"_42":305,"_306":307},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_297":678,"_299":679,"_301":680},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_293":294,"_295":296},{"_228":673,"_125":674,"_287":675},{"_278":670,"_280":671,"_282":672,"_283":656},47.47889004149378,55.8,23.478890041493777,{"_289":228,"_123":676,"_154":677,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":369,"_154":370,"_140":292},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_313":694,"_315":695},{"_313":692,"_315":693},{"_313":690,"_315":691},{"_313":688,"_315":689},{"_313":686,"_315":687},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1629,"The Hague","fish-market-met-679844","Fish Market",{"_42":748,"_225":749,"_327":750,"_329":398,"_331":751,"_333":180,"_335":401,"_336":401,"_337":-5,"_140":103},"1568","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[733,734,735,736,737],{"_224":303,"_225":304,"_42":305,"_306":307},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_297":730,"_299":731,"_301":732},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_293":503,"_295":504},{"_228":725,"_125":726,"_287":727},{"_278":722,"_280":723,"_282":707,"_283":724},189.9,144.89257842387147,129.89257842387147,{"_289":228,"_123":728,"_154":729,"_140":89},{"_289":125,"_123":498,"_154":499,"_140":500},{"_289":287,"_123":369,"_154":370,"_140":292},"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_313":746,"_315":747},{"_313":744,"_315":745},{"_313":742,"_315":743},{"_313":740,"_315":741},{"_313":738,"_315":739},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,"adam-and-eve-met-336222","Adam and Eve",{"_42":799,"_225":800,"_327":801,"_329":462,"_331":802,"_333":803,"_335":804,"_336":804,"_337":805,"_140":89},"1504","9 7/8 x 7 7/8in. (25.1 x 20cm)",20,25.1,0.7901810202962151,[784,785,786,787,788],{"_224":303,"_225":304,"_42":305,"_306":307},"19.73.1","Albrecht Dürer made this in 1504, aged 33. It is now at The Met in New York.","Adam and Eve stand in the Garden of Eden at the instant before the Fall, as the serpent offers the fruit and Eve reaches to take it. Dürer used the pair to set out his study of ideal human proportions, drawn from classical sculpture, and engraved them with extraordinary precision.","Adam and Eve, by Albrecht Dürer, 1504",{"_297":781,"_299":782,"_301":783},"https://img.ochreeditions.com/m/1000.jpg?dl=1","/art/adam-and-eve-met-336222","/galleries/style/northern-renaissance/adam-and-eve-met-336222",{"_293":294,"_295":296},{"_228":776,"_125":777,"_287":778},{"_278":773,"_280":774,"_282":775,"_283":758},43.833543609435,49.1,19.833543609435,{"_289":228,"_123":779,"_154":780,"_140":89},{"_289":125,"_123":564,"_154":565,"_140":566},{"_289":287,"_123":618,"_154":619,"_140":620},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1000/480.jpg","https://img.ochreeditions.com/a/1000/960.jpg","https://img.ochreeditions.com/a/1000/1920.jpg",{"_313":797,"_315":798},{"_313":795,"_315":796},{"_313":793,"_315":794},{"_313":791,"_315":792},{"_313":789,"_315":790},"#beb5a5",0.1375,"#928a7e",0.1859,"#e6dece",0.2031,"#6c675f",0.2125,"#4b4843",0.261,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":523,"_225":524,"_327":525,"_329":398,"_331":526,"_333":527,"_335":-5,"_336":528,"_337":529,"_140":99},"etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[836,837,838,839,840],{"_224":376,"_225":377,"_42":378,"_306":379},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_297":833,"_299":834,"_301":835},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_293":294,"_295":296},{"_228":830,"_125":831,"_287":832},{"_278":827,"_280":828,"_282":811,"_283":829},53.2,45.63623046875,21.63623046875,{"_289":228,"_123":501,"_154":502,"_140":99},{"_289":125,"_123":564,"_154":565,"_140":566},{"_289":287,"_123":369,"_154":370,"_140":292},"https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_313":849,"_315":850},{"_313":847,"_315":848},{"_313":845,"_315":846},{"_313":843,"_315":844},{"_313":841,"_315":842},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[892,893,894,895,896],{"_224":573,"_225":574,"_42":575,"_306":576},"2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":891,"_571":572},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_297":888,"_299":889,"_301":890},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_293":294,"_295":296},{"_228":878,"_125":879,"_287":880},{"_278":874,"_280":875,"_282":876,"_283":877},49,40.44117647058823,25,16.441176470588236,{"_289":228,"_123":886,"_154":887,"_140":87},{"_289":125,"_123":884,"_154":885,"_140":81},{"_289":287,"_123":881,"_154":882,"_140":883},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.",{"_313":905,"_315":906},{"_313":903,"_315":904},{"_313":901,"_315":902},{"_313":899,"_315":900},{"_313":897,"_315":898},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":959,"_225":960,"_327":961,"_329":962,"_331":963,"_333":964,"_335":-5,"_336":-5,"_337":965,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[944,945,946,947,948],{"_224":941,"_225":942,"_42":943,"_306":307},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":939,"_571":940},"TWO GALLEYS AT SEA",{"_297":936,"_299":937,"_301":938},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_293":294,"_295":296},{"_228":931,"_125":932,"_287":933},{"_278":874,"_280":929,"_282":876,"_283":930},41.86612497581737,17.86612497581737,{"_289":228,"_123":934,"_154":935,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":561,"_154":562,"_140":563},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},{"_313":951,"_315":952},{"_313":949,"_315":950},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":1017,"_225":1018,"_327":1019,"_329":962,"_331":-5,"_333":-5,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1590","Engraving in black on cream laid paper","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[1002,1003,1004,1005,1006],{"_224":998,"_225":999,"_42":1000,"_306":1001},"Courtesy of the Art Institute of Chicago","2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_297":995,"_299":996,"_301":997},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_293":294,"_295":296},{"_228":990,"_125":991,"_287":992},{"_278":987,"_280":988,"_282":989,"_283":972},52.650632426216944,66,28.65063242621694,{"_289":228,"_123":993,"_154":994,"_140":89},{"_289":125,"_123":564,"_154":565,"_140":566},{"_289":287,"_123":561,"_154":562,"_140":563},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":1015,"_315":1016},{"_313":1013,"_315":1014},{"_313":1011,"_315":1012},{"_313":1009,"_315":1010},{"_313":1007,"_315":1008},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","phaeton-from-the-four-disgracers-met-343581","Phaeton, from \"The Four Disgracers\"",{"_42":1064,"_225":1065,"_327":1066,"_329":1067,"_331":196,"_333":1068,"_335":1069,"_336":1070,"_337":1071,"_140":91},"1588","Diameter: 13 3/16 in. (33.5 cm)",0.9947643979057592,[1049,1050,1051,1052,1053],{"_224":303,"_225":304,"_42":305,"_306":307},"53.601.338(5)","Hendrick Goltzius made this in 1588, aged 30. It is now at The Met in New York.","Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening.","Phaeton, from \"The Four Disgracers\", by Hendrick Goltzius, 1588",{"_297":1046,"_299":1047,"_301":1048},"https://img.ochreeditions.com/m/1043.jpg?dl=1","/art/phaeton-from-the-four-disgracers-met-343581","/galleries/style/northern-renaissance/phaeton-from-the-four-disgracers-met-343581",{"_293":294,"_295":296},{"_228":1041,"_125":1042,"_287":1043},{"_278":1039,"_280":612,"_282":1040,"_283":614},83.68586387434556,59.68586387434555,{"_289":228,"_123":1044,"_154":1045,"_140":91},{"_289":125,"_123":564,"_154":565,"_140":566},{"_289":287,"_123":369,"_154":370,"_140":292},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1043/480.jpg","https://img.ochreeditions.com/a/1043/960.jpg","https://img.ochreeditions.com/a/1043/1920.jpg",{"_313":1062,"_315":1063},{"_313":1060,"_315":1061},{"_313":1058,"_315":1059},{"_313":1056,"_315":1057},{"_313":1054,"_315":1055},"#5e5c53",0.0686,"#959081",0.0698,"#bcb6a1",0.208,"#f1ecdf",0.293,"#d6ccb6",0.3606,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":395,"_225":396,"_327":397,"_329":398,"_331":399,"_333":400,"_335":401,"_336":402,"_337":403,"_140":99},"1589","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[1102,1103,1104,1105,1106],{"_224":303,"_225":304,"_42":305,"_306":307},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_297":1099,"_299":1100,"_301":1101},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_293":294,"_295":296},{"_228":1096,"_125":1097,"_287":1098},{"_278":1094,"_280":874,"_282":1095,"_283":876},44.40656205420827,20.406562054208273,{"_289":228,"_123":371,"_154":372,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":369,"_154":370,"_140":292},"https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_313":1115,"_315":1116},{"_313":1113,"_315":1114},{"_313":1111,"_315":1112},{"_313":1109,"_315":1110},{"_313":1107,"_315":1108},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":1163,"_225":1164,"_327":1165,"_329":462,"_331":1166,"_333":1167,"_335":1168,"_336":1168,"_337":-5,"_140":101},"1519","Etching","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[1148,1149,1150,1151,1152],{"_224":303,"_225":304,"_42":305,"_306":307},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_297":1145,"_299":1146,"_301":1147},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_293":294,"_295":296},{"_228":1140,"_125":1141,"_287":1142},{"_278":1138,"_280":874,"_282":1139,"_283":876},41.52754820936639,17.52754820936639,{"_289":228,"_123":1143,"_154":1144,"_140":89},{"_289":125,"_123":564,"_154":565,"_140":566},{"_289":287,"_123":618,"_154":619,"_140":620},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_313":1161,"_315":1162},{"_313":1159,"_315":1160},{"_313":1157,"_315":1158},{"_313":1155,"_315":1156},{"_313":1153,"_315":1154},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg",{"_1170":-5,"_1171":1172,"_1173":1174,"_1175":8,"_1176":1177,"_1178":8},"user","csrf","4e79d6217b3d29daee089f8aba4bc0ed788327df","cartCount",0,"dropLive","legal",[1179,1180,1181,1182,1183,1184,1185,1186,1187,1188,1189,1190],"uploadsEnabled",{"_225":1213,"_20":1214},{"_225":1211,"_20":1212},{"_225":1209,"_20":1210},{"_225":1207,"_20":1208},{"_225":1205,"_20":1206},{"_225":1203,"_20":1204},{"_225":1201,"_20":1202},{"_225":1199,"_20":1200},{"_225":1197,"_20":1198},{"_225":1195,"_20":1196},{"_225":1193,"_20":1194},{"_225":1191,"_20":1192},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]