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It is now at The Met in New York.","Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543",{"_295":440,"_297":441,"_299":442},"https://img.ochreeditions.com/m/1042.jpg?dl=1","/art/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","/galleries/style/northern-renaissance/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314",{"_291":292,"_293":294},{"_226":430,"_125":431,"_286":432},{"_277":427,"_279":428,"_281":412,"_283":429},56,47.9077500670421,23.9077500670421,{"_288":226,"_123":438,"_154":439,"_140":89},{"_288":125,"_123":435,"_154":436,"_140":437},{"_288":286,"_123":433,"_154":434,"_140":89},"era/16-france","16th-century France","style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-jean-cousin-the-elder","Jean Cousin the Elder's contemporaries","https://img.ochreeditions.com/a/1042/480.jpg","https://img.ochreeditions.com/a/1042/960.jpg","https://img.ochreeditions.com/a/1042/1920.jpg",{"_311":456,"_313":457},{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},"#ede2d1",0.0716,"#847669",0.0785,"#9a8878",0.2249,"#b6a38c",0.2855,"#a89582",0.3395,"Jean Cousin the Elder","jean-cousin-the-elder","French, Souci (?) ca. 1490–ca. 1560 Paris (?)",1485,1565,"virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":323,"_223":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":334,"_336":337,"_140":89},"probably 1519","painting","Paintings","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,60,0.8386010362694301,[504,505,506,507,508],{"_222":380,"_223":381,"_42":382,"_304":383},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_295":501,"_297":502,"_299":503},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_291":499,"_293":500},{"_226":490,"_125":491,"_286":492},{"_277":487,"_279":488,"_281":489,"_283":472},65.3160621761658,75,50.3160621761658,{"_288":226,"_123":169,"_154":168,"_140":89},{"_288":125,"_123":496,"_154":497,"_140":498},{"_288":286,"_123":493,"_154":494,"_140":495},"era/16-germany","16th-century Germany",28,"style/painting-16","More paintings of the 16th century",95,"natural","ivory","https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},{"_311":509,"_313":510},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"saint-john-on-patmos-met-435600","Saint John on Patmos",{"_42":566,"_223":567,"_325":568,"_327":328,"_329":569,"_331":570,"_333":-5,"_335":571,"_336":-5,"_140":103},"ca. 1511","Oil, gold, and white metal on spruce","Overall 35 1/4 x 30 1/4 in. (89.5 x 76.8 cm); painted surface 34 3/8 x 29 3/4 in. (87.3 x 75.6 cm)",76.8,89.5,0.8605263157894737,[551,552,553,554,555],{"_222":380,"_223":381,"_42":382,"_304":383},"1983.451","Hans Baldung (called Hans Baldung Grien) painted this in about 1511, aged about 22. It is now at The Met in New York.","Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511",{"_295":548,"_297":549,"_299":550},"https://img.ochreeditions.com/m/1059.jpg?dl=1","/art/saint-john-on-patmos-met-435600","/galleries/style/northern-renaissance/saint-john-on-patmos-met-435600",{"_291":499,"_293":500},{"_226":543,"_125":544,"_286":545},{"_277":540,"_279":541,"_281":542,"_283":526},92.0171052631579,104.5,77.0171052631579,{"_288":226,"_123":546,"_154":547,"_140":89},{"_288":125,"_123":496,"_154":497,"_140":498},{"_288":286,"_123":493,"_154":494,"_140":495},"artist/contemporaries-of-hans-baldung-called-hans-baldung-grien","Hans Baldung (called Hans Baldung Grien)'s contemporaries","https://img.ochreeditions.com/a/1059/480.jpg","https://img.ochreeditions.com/a/1059/960.jpg","https://img.ochreeditions.com/a/1059/1920.jpg",{"_311":564,"_313":565},{"_311":562,"_313":563},{"_311":560,"_313":561},{"_311":558,"_313":559},{"_311":556,"_313":557},"#a29264",0.0835,"#6a2420",0.1318,"#4e3e27",0.2116,"#777c73",0.2571,"#202017",0.316,"Hans Baldung (called Hans Baldung Grien)","hans-baldung-called-hans-baldung-grien","German, 1484–1545",1484,1545,"Strasbourg","deer-hunt-with-nets-si-chndm-1901-39-128","Deer Hunt with Nets",{"_42":630,"_223":631,"_325":632,"_327":633,"_329":634,"_331":635,"_333":-5,"_335":-5,"_336":636,"_140":99},"ca. 1590 – 1599","flanders","Drawing","Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper","H x W: 11 × 14.9 cm (4 5/16 × 5 7/8 in.)",14.9,1.330243098475484,[615,616,617,618,619],{"_222":612,"_223":613,"_42":614,"_304":383},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-128","Jan van der Straet, called Stradanus drew this in about 1590 – 1599, aged about 67. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":609,"_610":611},"DEER HUNT WITH NETS",{"_295":606,"_297":607,"_299":608},"https://img.ochreeditions.com/m/1702.jpg?dl=1","/art/deer-hunt-with-nets-si-chndm-1901-39-128","/galleries/style/northern-renaissance/deer-hunt-with-nets-si-chndm-1901-39-128",{"_291":292,"_293":294},{"_226":598,"_125":599,"_286":600},{"_277":364,"_279":596,"_281":366,"_283":597},42.793557379588044,18.793557379588044,{"_288":226,"_123":604,"_154":605,"_140":99},{"_288":125,"_123":435,"_154":436,"_140":437},{"_288":286,"_123":601,"_154":602,"_140":603},"era/16-flanders","16th-century Flanders",17,"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1702/480.jpg","https://img.ochreeditions.com/a/1702/960.jpg","https://img.ochreeditions.com/a/1702/1920.jpg","Recto: Landscape with hunters on horseback, accompanied by their hounds. They have driven two stags into a wide net.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_311":628,"_313":629},{"_311":626,"_313":627},{"_311":624,"_313":625},{"_311":622,"_313":623},{"_311":620,"_313":621},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","melencolia-i-met-336228","Melencolia I",{"_42":323,"_223":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":334,"_336":337,"_140":89},"1514","Prints","Engraving","Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.7 cm)",18.7,24.1,0.7919123841617524,[671,672,673,674,675],{"_222":380,"_223":381,"_42":382,"_304":383},"43.106.1","Albrecht Dürer made this in 1514, aged 43. It is now at The Met in New York.","A winged figure sits slumped, chin on fist, surrounded by the tools of measurement and making: a compass in her lap, a plane and saw at her feet, an hourglass, scales and a bell on the wall behind, a ladder, a huge faceted stone and a sphere.","Melencolia I, by Albrecht Dürer, 1514",{"_295":668,"_297":669,"_299":670},"https://img.ochreeditions.com/m/1001.jpg?dl=1","/art/melencolia-i-met-336228","/galleries/style/northern-renaissance/melencolia-i-met-336228",{"_291":292,"_293":294},{"_226":662,"_125":663,"_286":664},{"_277":660,"_279":364,"_281":661,"_283":366},43.797809604043806,19.79780960404381,{"_288":226,"_123":169,"_154":168,"_140":89},{"_288":125,"_123":665,"_154":666,"_140":667},{"_288":286,"_123":493,"_154":494,"_140":495},"style/print-16","More prints of the 16th century",54,"https://img.ochreeditions.com/a/1001/480.jpg","https://img.ochreeditions.com/a/1001/960.jpg","https://img.ochreeditions.com/a/1001/1920.jpg",{"_311":684,"_313":685},{"_311":682,"_313":683},{"_311":680,"_313":681},{"_311":678,"_313":679},{"_311":676,"_313":677},"#f9f1dc",0.1294,"#baab96",0.1419,"#554f48",0.2147,"#908475",0.2359,"#6f665c",0.2781,"forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":737,"_223":738,"_325":739,"_327":740,"_329":741,"_331":742,"_333":743,"_335":744,"_336":745,"_140":99},"1578","netherlands","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[722,723,724,725,726],{"_222":301,"_223":302,"_42":303,"_304":305},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_295":719,"_297":720,"_299":721},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_291":292,"_293":294},{"_226":712,"_125":713,"_286":714},{"_277":709,"_279":710,"_281":693,"_283":711},53.3,42.9205322265625,18.9205322265625,{"_288":226,"_123":717,"_154":718,"_140":99},{"_288":125,"_123":435,"_154":436,"_140":437},{"_288":286,"_123":715,"_154":716,"_140":437},"era/16-netherlands","16th-century Netherlands","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},{"_311":727,"_313":728},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-holy-family-aic-267846","The Holy Family",{"_42":796,"_223":797,"_325":798,"_327":633,"_329":799,"_331":800,"_333":-5,"_335":-5,"_336":-5,"_140":103},"c. 1585-1595","Engraving on laid paper","Sheet (trimmed): 23.2 × 16.7 cm (9 3/16 × 6 5/8 in.)",23,0.7218736930154747,[781,782,783,784,785],{"_222":777,"_223":778,"_42":779,"_304":780},"Courtesy of the Art Institute of Chicago","2023.218","Pieter de Jode, I made this in about 1585-1595, aged about 15. It is now at the Art Institute of Chicago.","A work made of engraving on laid paper.",{"_295":774,"_297":775,"_299":776},"https://img.ochreeditions.com/m/424.jpg?dl=1","/art/the-holy-family-aic-267846","/galleries/style/northern-renaissance/the-holy-family-aic-267846",{"_291":292,"_293":294},{"_226":769,"_125":770,"_286":771},{"_277":767,"_279":364,"_281":768,"_283":366},42.04684232538686,18.046842325386866,{"_288":226,"_123":772,"_154":773,"_140":89},{"_288":125,"_123":665,"_154":666,"_140":667},{"_288":286,"_123":601,"_154":602,"_140":603},"artist/contemporaries-of-pieter-de-jode-i","Pieter de Jode, I's contemporaries","https://img.ochreeditions.com/a/424/480.jpg","https://img.ochreeditions.com/a/424/960.jpg","https://img.ochreeditions.com/a/424/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":794,"_313":795},{"_311":792,"_313":793},{"_311":790,"_313":791},{"_311":788,"_313":789},{"_311":786,"_313":787},"#585149",0.0958,"#c0b0a1",0.1987,"#e2d0c1",0.2007,"#786e65",0.2371,"#9e9084",0.2677,"Pieter de Jode, I","pieter-de-jode-i","Flemish, 1570–1634",1570,1634,"portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff",{"_42":847,"_223":848,"_325":402,"_327":402,"_329":-5,"_331":849,"_333":-5,"_335":-5,"_336":-5,"_140":103},"1544","Engraving; first state of two","Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm) Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm)",30.5,43.5,0.7168852020337169,[833,834,835,836,837],{"_222":380,"_223":381,"_42":382,"_304":383},"2013.963.2","Niccolò della Casa made this in 1544. It is now at The Met in New York.","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544",{"_295":830,"_297":831,"_299":832},"https://img.ochreeditions.com/m/1275.jpg?dl=1","/art/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","/galleries/style/northern-renaissance/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326",{"_291":292,"_293":294},{"_226":825,"_125":826,"_286":827},{"_277":822,"_279":823,"_281":824,"_283":808},55.18450628846668,67.5,31.184506288466682,{"_288":226,"_123":828,"_154":829,"_140":89},{"_288":125,"_123":665,"_154":666,"_140":667},{"_288":286,"_123":433,"_154":434,"_140":89},"artist/contemporaries-of-niccolo-della-casa","Niccolò della Casa's contemporaries","https://img.ochreeditions.com/a/1275/480.jpg","https://img.ochreeditions.com/a/1275/960.jpg","https://img.ochreeditions.com/a/1275/1920.jpg",{"_311":845,"_313":846},{"_311":843,"_313":844},{"_311":842,"_313":561},{"_311":840,"_313":841},{"_311":838,"_313":839},"#f0e1cb",0.0713,"#b4aba0",0.1546,"#756f68","#9e968c",0.2493,"#8b837b",0.3132,"Niccolò della Casa","niccolo-della-casa",1548,"madonna-and-child-at-a-fountain-nga-30810","Madonna and Child at a Fountain",{"_42":896,"_223":897,"_325":328,"_327":328,"_329":-5,"_331":898,"_333":-5,"_335":-5,"_336":-5,"_140":103},"1501","engraving on laid paper","sheet (trimmed within image at top and sides): 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.)",13.6,16.6,0.8095703125,[881,882,883,884,885],{"_222":301,"_223":302,"_42":303,"_304":305},"1945.5.34","Master MZ made this in 1501. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.",{"_295":878,"_297":879,"_299":880},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_291":292,"_293":294},{"_226":873,"_125":874,"_286":875},{"_277":871,"_279":364,"_281":872,"_283":366},44.2392578125,20.2392578125,{"_288":226,"_123":876,"_154":877,"_140":89},{"_288":125,"_123":665,"_154":666,"_140":667},{"_288":286,"_123":493,"_154":494,"_140":495},"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg",{"_311":894,"_313":895},{"_311":892,"_313":893},{"_311":890,"_313":891},{"_311":888,"_313":889},{"_311":886,"_313":887},"#524a45",0.1163,"#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz",1560,"the-martyrdom-of-saint-barbara-nga-6021","The Martyrdom of Saint Barbara",{"_42":942,"_223":943,"_325":944,"_327":328,"_329":945,"_331":946,"_333":947,"_335":948,"_336":949,"_140":97},"woodcut",0.680419921875,[927,928,929,930,931],{"_222":301,"_223":302,"_42":303,"_304":305},"1943.3.2845","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_295":924,"_297":925,"_299":926},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_291":292,"_293":294},{"_226":919,"_125":920,"_286":921},{"_277":916,"_279":917,"_281":918,"_283":472},64.8251953125,84,40.8251953125,{"_288":226,"_123":922,"_154":923,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":91},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_311":940,"_313":941},{"_311":938,"_313":939},{"_311":936,"_313":937},{"_311":934,"_313":935},{"_311":932,"_313":933},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","view-of-heidelberg-met-337489","View of Heidelberg",{"_42":996,"_223":997,"_325":998,"_327":740,"_329":999,"_331":1000,"_333":1001,"_335":743,"_336":-5,"_140":101},"ca. 1588–89","Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink","7 7/8 x 12 in. (20.0 x 30.5 cm)",20,1.5025125628140703,[981,982,983,984,985],{"_222":380,"_223":381,"_42":382,"_304":383},"1995.15","Jan Brueghel the Elder drew this in about 1588–89, aged about 15. It is now at The Met in New York.","View of Heidelberg, by Jan Brueghel the Elder, ca. 1588–89",{"_295":978,"_297":979,"_299":980},"https://img.ochreeditions.com/m/1017.jpg?dl=1","/art/view-of-heidelberg-met-337489","/galleries/style/northern-renaissance/view-of-heidelberg-met-337489",{"_291":292,"_293":294},{"_226":973,"_125":974,"_286":975},{"_277":970,"_279":971,"_281":807,"_283":972},54.5,44.29933110367893,20.29933110367893,{"_288":226,"_123":976,"_154":977,"_140":89},{"_288":125,"_123":435,"_154":436,"_140":437},{"_288":286,"_123":715,"_154":716,"_140":437},"artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/1017/480.jpg","https://img.ochreeditions.com/a/1017/960.jpg","https://img.ochreeditions.com/a/1017/1920.jpg",{"_311":994,"_313":995},{"_311":992,"_313":993},{"_311":990,"_313":991},{"_311":988,"_313":989},{"_311":986,"_313":987},"#9d8873",0.0476,"#bab3a1",0.167,"#c0ad94",0.1674,"#d5c3ab",0.2675,"#e7d2ba",0.3505,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"Brussels","fides-plate-1-from-the-seven-virtues-aic-271116","Fides, plate 1 from The Seven Virtues",{"_42":1047,"_223":1048,"_325":1049,"_327":633,"_329":946,"_331":1050,"_333":-5,"_335":-5,"_336":1051,"_140":99},"c. 1598","Engraving on ivory laid paper","Plate: 18.7 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7534128775663764,[1032,1033,1034,1035,1036],{"_222":777,"_223":778,"_42":779,"_304":780},"2023.3190.2","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_295":1029,"_297":1030,"_299":1031},"https://img.ochreeditions.com/m/436.jpg?dl=1","/art/fides-plate-1-from-the-seven-virtues-aic-271116","/galleries/style/northern-renaissance/fides-plate-1-from-the-seven-virtues-aic-271116",{"_291":292,"_293":294},{"_226":1024,"_125":1025,"_286":1026},{"_277":1022,"_279":364,"_281":1023,"_283":366},42.835321939159414,18.83532193915941,{"_288":226,"_123":1027,"_154":1028,"_140":99},{"_288":125,"_123":665,"_154":666,"_140":667},{"_288":286,"_123":601,"_154":602,"_140":603},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/436/480.jpg","https://img.ochreeditions.com/a/436/960.jpg","https://img.ochreeditions.com/a/436/1920.jpg",{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},{"_311":1039,"_313":1040},{"_311":1037,"_313":1038},"#60584e",0.0758,"#84786b",0.1038,"#c0ae9e",0.1201,"#a39385",0.1296,"#e8d0be",0.5707,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":630,"_223":631,"_325":632,"_327":633,"_329":634,"_331":635,"_333":-5,"_335":-5,"_336":636,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[1082,1083,1084,1085,1086],{"_222":612,"_223":613,"_42":614,"_304":383},"1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1081,"_610":611},"TWO GALLEYS AT SEA",{"_295":1078,"_297":1079,"_299":1080},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_291":292,"_293":294},{"_226":1075,"_125":1076,"_286":1077},{"_277":364,"_279":1073,"_281":366,"_283":1074},41.86612497581737,17.86612497581737,{"_288":226,"_123":604,"_154":605,"_140":99},{"_288":125,"_123":435,"_154":436,"_140":437},{"_288":286,"_123":601,"_154":602,"_140":603},"https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.",{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},{"_311":1091,"_313":512},{"_311":1089,"_313":1090},{"_311":1087,"_313":1088},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383","#d4bfa7",0.2736,"#e4d2be",0.3729,"the-harvesters-met-435809","The Harvesters",{"_42":1144,"_223":1145,"_325":1146,"_327":740,"_329":1147,"_331":1148,"_333":-5,"_335":1001,"_336":1149,"_140":99},"1565","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[1129,1130,1131,1132,1133],{"_222":380,"_223":381,"_42":382,"_304":383},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_295":1126,"_297":1127,"_299":1128},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_291":499,"_293":500},{"_226":1121,"_125":1122,"_286":1123},{"_277":1118,"_279":1119,"_281":1102,"_283":1120},176.9,134.33274731041723,119.33274731041722,{"_288":226,"_123":1124,"_154":1125,"_140":99},{"_288":125,"_123":496,"_154":497,"_140":498},{"_288":286,"_123":715,"_154":716,"_140":437},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_311":1142,"_313":1143},{"_311":1140,"_313":1141},{"_311":1138,"_313":1139},{"_311":1136,"_313":1137},{"_311":1134,"_313":1135},"#794c20",0.1692,"#c6b6a3",0.1735,"#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.",{"_1151":-5,"_1152":1153,"_1154":1155,"_1156":8,"_1157":1158,"_1159":8},"user","csrf","0d57331600215f78dd55594d04041eac3bbee12e","cartCount",0,"dropLive","legal",[1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171],"uploadsEnabled",{"_223":1194,"_20":1195},{"_223":1192,"_20":1193},{"_223":1190,"_20":1191},{"_223":1188,"_20":1189},{"_223":1186,"_20":1187},{"_223":1184,"_20":1185},{"_223":1182,"_20":1183},{"_223":1180,"_20":1181},{"_223":1178,"_20":1179},{"_223":1176,"_20":1177},{"_223":1174,"_20":1175},{"_223":1172,"_20":1173},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]