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It is now at the Art Institute of Chicago.","A work made of pen and brush and brown ink and brush and brown wash on ivory laid paper.",{"_297":433,"_299":434,"_301":435},"https://img.ochreeditions.com/m/251.jpg?dl=1","/art/a-hilly-landscape-with-figures-near-a-ravine-aic-93281","/galleries/style/northern-renaissance/a-hilly-landscape-with-figures-near-a-ravine-aic-93281",{"_293":294,"_295":296},{"_227":426,"_125":427,"_287":428},{"_278":363,"_280":424,"_282":365,"_283":425},39.00426257459505,15.004262574595055,{"_289":227,"_123":431,"_154":432,"_140":89},{"_289":125,"_123":429,"_154":430,"_140":89},{"_289":287,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/251/480.jpg","https://img.ochreeditions.com/a/251/960.jpg","https://img.ochreeditions.com/a/251/1920.jpg",{"_316":449,"_318":450},{"_316":447,"_318":448},{"_316":445,"_318":446},{"_316":443,"_318":444},{"_316":441,"_318":442},"#aba299",0.074,"#916f53",0.0773,"#b59170",0.1912,"#ccac8b",0.2582,"#dac2a7",0.3993,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"Brussels","Antwerp","mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":512,"_224":513,"_330":514,"_332":515,"_334":516,"_335":517,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1553","germany","etching",1.5103244837758112,[497,498,499,500,501],{"_223":493,"_224":494,"_42":495,"_309":496},"Courtesy National Gallery of Art, Washington","1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_297":490,"_299":491,"_301":492},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_293":294,"_295":296},{"_227":482,"_125":483,"_287":484},{"_278":478,"_280":479,"_282":480,"_283":481},84,63.7265625,60,39.7265625,{"_289":227,"_123":488,"_154":489,"_140":89},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":485,"_154":486,"_140":487},"era/16-germany","16th-century Germany",28,"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":510,"_318":511},{"_316":508,"_318":509},{"_316":506,"_318":507},{"_316":504,"_318":505},{"_316":502,"_318":503},"#524943",0.1756,"#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566","German",1524,1566,"ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":572,"_224":573,"_330":574,"_332":333,"_334":575,"_335":576,"_336":577,"_337":578,"_338":-5,"_140":103},"1589","netherlands","Drawings","Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[557,558,559,560,561],{"_223":553,"_224":554,"_42":555,"_309":556},"Courtesy of The Metropolitan Museum of Art","2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_297":550,"_299":551,"_301":552},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_293":294,"_295":296},{"_227":543,"_125":544,"_287":545},{"_278":363,"_280":541,"_282":365,"_283":542},42.1875,18.1875,{"_289":227,"_123":548,"_154":549,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":546,"_154":547,"_140":292},"era/16-netherlands","16th-century Netherlands","artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":570,"_318":571},{"_316":568,"_318":569},{"_316":566,"_318":567},{"_316":564,"_318":565},{"_316":562,"_318":563},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1534,1593,"Mechelen","Amsterdam","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":625,"_224":626,"_330":627,"_332":399,"_334":-5,"_335":-5,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1590","Engraving in black on cream laid paper","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[610,611,612,613,614],{"_223":377,"_224":378,"_42":379,"_309":380},"2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_297":607,"_299":608,"_301":609},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_293":294,"_295":296},{"_227":602,"_125":603,"_287":604},{"_278":599,"_280":600,"_282":601,"_283":585},52.650632426216944,66,28.65063242621694,{"_289":227,"_123":605,"_154":606,"_140":89},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg",{"_316":623,"_318":624},{"_316":621,"_318":622},{"_316":619,"_318":620},{"_316":617,"_318":618},{"_316":615,"_318":616},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","the-rabbit-hunt-cma-168193","The Rabbit Hunt",{"_42":676,"_224":677,"_330":678,"_332":333,"_334":679,"_335":680,"_336":-5,"_337":456,"_338":681,"_140":99},"1560","Platemark: 22.1 x 29 cm (8 11/16 x 11 7/16 in.); Sheet: 24.3 x 31.8 cm (9 9/16 x 12 1/2 in.)",29,22.1,1.2908124525436597,[661,662,663,664,665],{"_223":306,"_224":307,"_42":308,"_309":310},"2009.80","Pieter Bruegel made this in 1560, aged 35. It is now at the Cleveland Museum of Art.",{"_118":660,"_304":305},"The Rabbit Hunt, by Pieter Bruegel, 1560",{"_297":657,"_299":658,"_301":659},"https://img.ochreeditions.com/m/770.jpg?dl=1","/art/the-rabbit-hunt-cma-168193","/galleries/style/northern-renaissance/the-rabbit-hunt-cma-168193",{"_293":294,"_295":296},{"_227":652,"_125":653,"_287":654},{"_278":649,"_280":650,"_282":633,"_283":651},53,46.466470588235296,22.466470588235296,{"_289":227,"_123":655,"_154":656,"_140":99},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/770/480.jpg","https://img.ochreeditions.com/a/770/960.jpg","https://img.ochreeditions.com/a/770/1920.jpg","In this etching considered the artist's only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of his pen-and-ink drawings to evoke a vivid sense of atmosphere and light and create a deep recession into space.",{"_316":674,"_318":675},{"_316":672,"_318":673},{"_316":670,"_318":671},{"_316":668,"_318":669},{"_316":666,"_318":667},"#64615a",0.0855,"#e7dfd3",0.1158,"#8e8980",0.192,"#aea79c",0.2465,"#cbc3b9",0.3602,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","the-holy-family-aic-267846","The Holy Family",{"_42":727,"_224":728,"_330":729,"_332":399,"_334":730,"_335":731,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1585-1595","Engraving on laid paper","Sheet (trimmed): 23.2 × 16.7 cm (9 3/16 × 6 5/8 in.)",23,0.7218736930154747,[712,713,714,715,716],{"_223":377,"_224":378,"_42":379,"_309":380},"2023.218","Pieter de Jode, I made this in about 1585-1595, aged about 15. It is now at the Art Institute of Chicago.","A work made of engraving on laid paper.",{"_297":709,"_299":710,"_301":711},"https://img.ochreeditions.com/m/424.jpg?dl=1","/art/the-holy-family-aic-267846","/galleries/style/northern-renaissance/the-holy-family-aic-267846",{"_293":294,"_295":296},{"_227":704,"_125":705,"_287":706},{"_278":702,"_280":363,"_282":703,"_283":365},42.04684232538686,18.046842325386866,{"_289":227,"_123":707,"_154":708,"_140":89},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pieter-de-jode-i","Pieter de Jode, I's contemporaries","https://img.ochreeditions.com/a/424/480.jpg","https://img.ochreeditions.com/a/424/960.jpg","https://img.ochreeditions.com/a/424/1920.jpg",{"_316":725,"_318":726},{"_316":723,"_318":724},{"_316":721,"_318":722},{"_316":719,"_318":720},{"_316":717,"_318":718},"#585149",0.0958,"#c0b0a1",0.1987,"#e2d0c1",0.2007,"#786e65",0.2371,"#9e9084",0.2677,"Pieter de Jode, I","pieter-de-jode-i","Flemish, 1570–1634",1570,1634,"the-judgment-of-paris-met-436037","The Judgment of Paris",{"_42":787,"_224":788,"_330":789,"_332":515,"_334":790,"_335":400,"_336":791,"_337":792,"_338":793,"_140":97},"ca. 1528","painting","Paintings","Oil on beech","40 1/8 x 28in. (101.9 x 71.1cm)",71.1,101.9,0.7136222910216719,[772,773,774,775,776],{"_223":553,"_224":554,"_42":555,"_309":556},"28.221","Lucas Cranach the Elder painted this in about 1528, aged about 51. It is now at The Met in New York.","Paris, dressed in the armour of a contemporary knight, sits beneath a tree as the three goddesses, Juno, Minerva and Venus, present themselves for his judgement, accompanied by Mercury, while Cupid appears above with his bow.","The Judgment of Paris, by Lucas Cranach the Elder, ca. 1528",{"_297":769,"_299":770,"_301":771},"https://img.ochreeditions.com/m/1080.jpg?dl=1","/art/the-judgment-of-paris-met-436037","/galleries/style/northern-renaissance/the-judgment-of-paris-met-436037",{"_293":767,"_295":768},{"_227":759,"_125":760,"_287":761},{"_278":756,"_280":757,"_282":758,"_283":741},87.71811145510837,116.9,72.71811145510837,{"_289":227,"_123":765,"_154":766,"_140":97},{"_289":125,"_123":762,"_154":763,"_140":764},{"_289":287,"_123":485,"_154":486,"_140":487},"style/painting-16","More paintings of the 16th century",95,"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","natural","ivory","https://img.ochreeditions.com/a/1080/480.jpg","https://img.ochreeditions.com/a/1080/960.jpg","https://img.ochreeditions.com/a/1080/1920.jpg",{"_316":785,"_318":786},{"_316":783,"_318":784},{"_316":781,"_318":782},{"_316":779,"_318":780},{"_316":777,"_318":778},"#6e695a",0.1021,"#9e8269",0.1132,"#5e4934",0.1569,"#403c30",0.2274,"#28231b",0.4004,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","melencolia-i-met-336228","Melencolia I",{"_42":842,"_224":843,"_330":844,"_332":515,"_334":845,"_335":846,"_336":847,"_337":847,"_338":848,"_140":89},"1514","Prints","Engraving","Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.7 cm)",18.7,24.1,0.7919123841617524,[827,828,829,830,831],{"_223":553,"_224":554,"_42":555,"_309":556},"43.106.1","Albrecht Dürer made this in 1514, aged 43. It is now at The Met in New York.","A winged figure sits slumped, chin on fist, surrounded by the tools of measurement and making: a compass in her lap, a plane and saw at her feet, an hourglass, scales and a bell on the wall behind, a ladder, a huge faceted stone and a sphere.","Melencolia I, by Albrecht Dürer, 1514",{"_297":824,"_299":825,"_301":826},"https://img.ochreeditions.com/m/1001.jpg?dl=1","/art/melencolia-i-met-336228","/galleries/style/northern-renaissance/melencolia-i-met-336228",{"_293":294,"_295":296},{"_227":819,"_125":820,"_287":821},{"_278":817,"_280":363,"_282":818,"_283":365},43.797809604043806,19.79780960404381,{"_289":227,"_123":822,"_154":823,"_140":89},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":485,"_154":486,"_140":487},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1001/480.jpg","https://img.ochreeditions.com/a/1001/960.jpg","https://img.ochreeditions.com/a/1001/1920.jpg",{"_316":840,"_318":841},{"_316":838,"_318":839},{"_316":836,"_318":837},{"_316":834,"_318":835},{"_316":832,"_318":833},"#f9f1dc",0.1294,"#baab96",0.1419,"#554f48",0.2147,"#908475",0.2359,"#6f665c",0.2781,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":894,"_224":895,"_330":896,"_332":399,"_334":897,"_335":898,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1590","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",20,1.3450204019948617,[879,880,881,882,883],{"_223":377,"_224":378,"_42":379,"_309":380},"2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_297":876,"_299":877,"_301":878},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_293":294,"_295":296},{"_227":871,"_125":872,"_287":873},{"_278":363,"_280":869,"_282":365,"_283":870},42.58707865168539,18.587078651685392,{"_289":227,"_123":874,"_154":875,"_140":89},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg",{"_316":892,"_318":893},{"_316":890,"_318":891},{"_316":888,"_318":889},{"_316":886,"_318":887},{"_316":884,"_318":885},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611",1546,1611,"trajan-nga-4262","Trajan",{"_42":942,"_224":943,"_330":944,"_332":515,"_334":945,"_335":946,"_336":-5,"_337":-5,"_338":947,"_140":99},"1546","engraving",1.0047909407665505,[928,929,930,931,932],{"_223":493,"_224":494,"_42":495,"_309":496},"1943.3.1044","Sebald Beham made this in 1546, aged 46. It is now at the National Gallery of Art in Washington, DC.","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.",{"_297":925,"_299":926,"_301":927},"https://img.ochreeditions.com/m/1338.jpg?dl=1","/art/trajan-nga-4262","/galleries/style/northern-renaissance/trajan-nga-4262",{"_293":294,"_295":296},{"_227":920,"_125":921,"_287":922},{"_278":478,"_280":918,"_282":480,"_283":919},83.71391417425227,59.713914174252274,{"_289":227,"_123":923,"_154":924,"_140":99},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":485,"_154":486,"_140":487},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1338/480.jpg","https://img.ochreeditions.com/a/1338/960.jpg","https://img.ochreeditions.com/a/1338/1920.jpg",{"_316":940,"_318":941},{"_316":938,"_318":939},{"_316":936,"_318":937},{"_316":935,"_318":669},{"_316":933,"_318":934},"#655a51",0.0699,"#8b7d6d","#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":997,"_224":998,"_330":999,"_332":515,"_334":1000,"_335":846,"_336":-5,"_337":-5,"_338":1001,"_140":99},"1527","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[982,983,984,985,986],{"_223":493,"_224":494,"_42":495,"_309":496},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_297":979,"_299":980,"_301":981},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_293":767,"_295":768},{"_227":974,"_125":975,"_287":976},{"_278":971,"_280":972,"_282":973,"_283":956},44.70947265625,58,29.70947265625,{"_289":227,"_123":977,"_154":978,"_140":99},{"_289":125,"_123":762,"_154":763,"_140":764},{"_289":287,"_123":485,"_154":486,"_140":487},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_316":995,"_318":996},{"_316":993,"_318":994},{"_316":991,"_318":992},{"_316":989,"_318":990},{"_316":987,"_318":988},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":1049,"_224":1050,"_330":1051,"_332":333,"_334":1052,"_335":1053,"_336":457,"_337":1054,"_338":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[1034,1035,1036,1037,1038],{"_223":553,"_224":554,"_42":555,"_309":556},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_297":1031,"_299":1032,"_301":1033},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_293":294,"_295":296},{"_227":1026,"_125":1027,"_287":1028},{"_278":1023,"_280":1024,"_282":1025,"_283":1009},47.47889004149378,55.8,23.478890041493777,{"_289":227,"_123":1029,"_154":1030,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":546,"_154":547,"_140":292},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_316":1047,"_318":1048},{"_316":1045,"_318":1046},{"_316":1043,"_318":1044},{"_316":1041,"_318":1042},{"_316":1039,"_318":1040},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1565,1629,"The Hague","portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff",{"_42":1104,"_224":1105,"_330":1106,"_332":1106,"_334":-5,"_335":1107,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1544","france","Engraving; first state of two","Sheet: 17 1/8 in. × 12 in. (43.5 × 30.5 cm) Plate: 16 13/16 × 11 9/16 in. (42.7 × 29.4 cm)",30.5,43.5,0.7168852020337169,[1090,1091,1092,1093,1094],{"_223":553,"_224":554,"_42":555,"_309":556},"2013.963.2","Niccolò della Casa made this in 1544. It is now at The Met in New York.","Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544",{"_297":1087,"_299":1088,"_301":1089},"https://img.ochreeditions.com/m/1275.jpg?dl=1","/art/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326","/galleries/style/northern-renaissance/portrait-of-cosimo-de-medici-in-full-armor-his-left-hand-res-met-627326",{"_293":294,"_295":296},{"_227":1080,"_125":1081,"_287":1082},{"_278":1077,"_280":1078,"_282":1079,"_283":1063},55.18450628846668,67.5,31.184506288466682,{"_289":227,"_123":1085,"_154":1086,"_140":89},{"_289":125,"_123":369,"_154":370,"_140":371},{"_289":287,"_123":1083,"_154":1084,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-niccolo-della-casa","Niccolò della Casa's contemporaries","https://img.ochreeditions.com/a/1275/480.jpg","https://img.ochreeditions.com/a/1275/960.jpg","https://img.ochreeditions.com/a/1275/1920.jpg",{"_316":1103,"_318":996},{"_316":1101,"_318":1102},{"_316":1099,"_318":1100},{"_316":1097,"_318":1098},{"_316":1095,"_318":1096},"#f0e1cb",0.0713,"#b4aba0",0.1546,"#756f68",0.2116,"#9e968c",0.2493,"#8b837b","Niccolò della Casa","niccolo-della-casa","French",1548,"two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":1160,"_224":1161,"_330":1162,"_332":399,"_334":1163,"_335":1164,"_336":-5,"_337":-5,"_338":1165,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[1145,1146,1147,1148,1149],{"_223":1142,"_224":1143,"_42":1144,"_309":556},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1140,"_304":1141},"TWO GALLEYS AT SEA",{"_297":1137,"_299":1138,"_301":1139},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_293":294,"_295":296},{"_227":1132,"_125":1133,"_287":1134},{"_278":363,"_280":1130,"_282":365,"_283":1131},41.86612497581737,17.86612497581737,{"_289":227,"_123":1135,"_154":1136,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_316":1158,"_318":1159},{"_316":1156,"_318":1157},{"_316":1154,"_318":1155},{"_316":1152,"_318":1153},{"_316":1150,"_318":1151},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.",{"_1167":-5,"_1168":1169,"_1170":1171,"_1172":8,"_1173":1174,"_1175":8},"user","csrf","bef49868abc2ea1d331004053898b0a51dc2a300","cartCount",0,"dropLive","legal",[1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187],"uploadsEnabled",{"_224":1210,"_20":1211},{"_224":1208,"_20":1209},{"_224":1206,"_20":1207},{"_224":1204,"_20":1205},{"_224":1202,"_20":1203},{"_224":1200,"_20":1201},{"_224":1198,"_20":1199},{"_224":1196,"_20":1197},{"_224":1194,"_20":1195},{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]