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It is now at the Art Institute of Chicago.","A work made of pen and brush and brown ink and brush and brown wash on ivory laid paper.",{"_294":443,"_296":444,"_298":445},"https://img.ochreeditions.com/m/251.jpg?dl=1","/art/a-hilly-landscape-with-figures-near-a-ravine-aic-93281","/galleries/style/northern-renaissance/a-hilly-landscape-with-figures-near-a-ravine-aic-93281",{"_290":291,"_292":293},{"_226":433,"_125":434,"_285":435},{"_276":429,"_278":430,"_280":431,"_282":432},49,39.00426257459505,25,15.004262574595055,{"_287":226,"_123":441,"_154":442,"_140":89},{"_287":125,"_123":439,"_154":440,"_140":89},{"_287":285,"_123":436,"_154":437,"_140":438},"era/16-flanders","16th-century Flanders",17,"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/251/480.jpg","https://img.ochreeditions.com/a/251/960.jpg","https://img.ochreeditions.com/a/251/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":463,"_312":464},{"_310":461,"_312":462},{"_310":459,"_312":460},{"_310":457,"_312":458},{"_310":455,"_312":456},"#aba299",0.074,"#916f53",0.0773,"#b59170",0.1912,"#ccac8b",0.2582,"#dac2a7",0.3993,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"Brussels","otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":518,"_223":519,"_324":520,"_326":327,"_328":521,"_330":522,"_332":470,"_334":470,"_336":-5,"_140":103},"1530–35","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[503,504,505,506,507],{"_222":300,"_223":301,"_42":302,"_303":304},"1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_294":500,"_296":501,"_298":502},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_290":291,"_292":293},{"_226":495,"_125":496,"_285":497},{"_276":492,"_278":493,"_280":477,"_282":494},72.3,60.23450537916557,36.23450537916557,{"_287":226,"_123":498,"_154":499,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg",{"_310":516,"_312":517},{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542",1492,1542,"leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","france","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[570,571,572,573,574],{"_222":566,"_223":567,"_42":568,"_303":569},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":563,"_564":565},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_294":560,"_296":561,"_298":562},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_290":291,"_292":293},{"_226":550,"_125":551,"_285":552},{"_276":429,"_278":548,"_280":431,"_282":549},40.44117647058823,16.441176470588236,{"_287":226,"_123":558,"_154":559,"_140":87},{"_287":125,"_123":556,"_154":557,"_140":81},{"_287":285,"_123":553,"_154":554,"_140":555},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":582,"_312":583},{"_310":580,"_312":581},{"_310":578,"_312":579},{"_310":577,"_312":313},{"_310":575,"_312":576},"#4c5e70",0.0443,"#8e6956","#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground",{"_42":629,"_223":630,"_324":631,"_326":632,"_328":633,"_330":634,"_332":635,"_334":636,"_336":-5,"_140":103},"1596–1639","Pen and brown ink; framing lines in pen and brown ink","Sheet: 7 13/16 × 7 13/16 in. (19.8 × 19.8 cm)",19.8,0.9997154240182129,[614,615,616,617,618],{"_222":300,"_223":301,"_42":302,"_303":304},"2024.629.15","Roelandt Savery drew this in 1596–1639, aged about 20. It is now at The Met in New York.","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639",{"_294":611,"_296":612,"_298":613},"https://img.ochreeditions.com/m/1287.jpg?dl=1","/art/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","/galleries/style/northern-renaissance/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758",{"_290":291,"_292":293},{"_226":606,"_125":607,"_285":608},{"_276":604,"_278":429,"_280":605,"_282":431},48.992885600455324,24.992885600455324,{"_287":226,"_123":609,"_154":610,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-roelandt-savery","Roelandt Savery's contemporaries","https://img.ochreeditions.com/a/1287/480.jpg","https://img.ochreeditions.com/a/1287/960.jpg","https://img.ochreeditions.com/a/1287/1920.jpg",{"_310":627,"_312":628},{"_310":625,"_312":626},{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},"#f1e7dd",0.085,"#b39c89",0.0908,"#c4af9c",0.2056,"#deccbd",0.2939,"#d1beac",0.3247,"Roelandt Savery","roelandt-savery","Flemish, 1576–1639","Flemish",1576,1639,"Kortrijk","Utrecht","the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","The Seed Received among the Thorns, from the Parable of the Sower",{"_42":687,"_223":688,"_324":689,"_326":327,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1573","Drawing","Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer","Sheet: 19.7 x 25.5 cm (7 3/4 x 10 1/16 in.)",25.5,19.7,1.2942519984773506,[672,673,674,675,676],{"_222":566,"_223":567,"_42":568,"_303":569},"2012.4","Gerard P. van Groningen drew this in about 1573. It is now at the Cleveland Museum of Art.",{"_118":671,"_564":565},"The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573",{"_294":668,"_296":669,"_298":670},"https://img.ochreeditions.com/m/779.jpg?dl=1","/art/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","/galleries/style/northern-renaissance/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221",{"_290":291,"_292":293},{"_226":663,"_125":664,"_285":665},{"_276":660,"_278":661,"_280":644,"_282":662},49.5,43.7025,19.7025,{"_287":226,"_123":666,"_154":667,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-gerard-p-van-groningen","Gerard P. van Groningen's contemporaries","https://img.ochreeditions.com/a/779/480.jpg","https://img.ochreeditions.com/a/779/960.jpg","https://img.ochreeditions.com/a/779/1920.jpg","This design for a print is from a suite portraying the biblical parable of the sower. The parable compares types of soil to people in the world: one hardened; one fickle; one distracted by things of the world; and one with an open heart, ready to accept God.",{"_310":685,"_312":686},{"_310":683,"_312":684},{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},"#736855",0.0899,"#8f8168",0.1875,"#ccba96",0.1961,"#a69577",0.2395,"#baa684",0.287,"Gerard P. van Groningen","gerard-p-van-groningen","Netherlandish, active late 1500s","st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":738,"_223":739,"_324":740,"_326":632,"_328":329,"_330":331,"_332":-5,"_334":-5,"_336":-5,"_140":101},"c. 1590","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",20,1.3450204019948617,[723,724,725,726,727],{"_222":446,"_223":447,"_42":448,"_303":449},"2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":720,"_296":721,"_298":722},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_290":291,"_292":293},{"_226":712,"_125":713,"_285":714},{"_276":429,"_278":710,"_280":431,"_282":711},42.58707865168539,18.587078651685392,{"_287":226,"_123":718,"_154":719,"_140":89},{"_287":125,"_123":715,"_154":716,"_140":717},{"_287":285,"_123":436,"_154":437,"_140":438},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg",{"_310":736,"_312":737},{"_310":734,"_312":735},{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611","the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":788,"_223":789,"_324":790,"_326":632,"_328":791,"_330":792,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1588","Engraving in black on cream laid paper","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[773,774,775,776,777],{"_222":446,"_223":447,"_42":448,"_303":449},"2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_294":770,"_296":771,"_298":772},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_290":291,"_292":293},{"_226":765,"_125":766,"_285":767},{"_276":762,"_278":763,"_280":747,"_282":764},69,62.261269549218035,38.261269549218035,{"_287":226,"_123":768,"_154":769,"_140":89},{"_287":125,"_123":715,"_154":716,"_140":717},{"_287":285,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg",{"_310":786,"_312":787},{"_310":784,"_312":785},{"_310":782,"_312":783},{"_310":780,"_312":781},{"_310":778,"_312":779},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600",1550,1600,"the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":841,"_223":842,"_324":843,"_326":844,"_328":845,"_330":846,"_332":-5,"_334":847,"_336":-5,"_140":103},"ca. 1606–8","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",32.4,1.6194653299916457,[826,827,828,829,830],{"_222":300,"_223":301,"_42":302,"_303":304},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_294":823,"_296":824,"_298":825},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_290":291,"_292":293},{"_226":816,"_125":817,"_285":818},{"_276":813,"_278":814,"_280":799,"_282":815},56.4,44.0066030435904,20.006603043590406,{"_287":226,"_123":821,"_154":822,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":819,"_154":820,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_310":839,"_312":840},{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},{"_310":831,"_312":832},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,"#af9a81",0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616","French",1575,1616,"Nancy","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":906,"_223":907,"_324":908,"_326":400,"_328":909,"_330":402,"_332":-5,"_334":-5,"_336":910,"_140":99},"1527","painting","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[891,892,893,894,895],{"_222":378,"_223":379,"_42":380,"_303":381},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_294":888,"_296":889,"_298":890},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_290":886,"_292":887},{"_226":875,"_125":876,"_285":877},{"_276":872,"_278":873,"_280":874,"_282":857},44.70947265625,58,29.70947265625,{"_287":226,"_123":884,"_154":885,"_140":99},{"_287":125,"_123":881,"_154":882,"_140":883},{"_287":285,"_123":878,"_154":879,"_140":880},"era/16-germany","16th-century Germany",28,"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_310":904,"_312":905},{"_310":902,"_312":903},{"_310":900,"_312":901},{"_310":898,"_312":899},{"_310":896,"_312":897},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","portrait-of-alain-de-coetivy-1407-1474-met-337088","Portrait of Alain de Coëtivy (1407–1474)",{"_42":958,"_223":959,"_324":960,"_326":844,"_328":961,"_330":962,"_332":963,"_334":963,"_336":-5,"_140":103},"ca. 1451–55","Metalpoint, black chalk on white prepared paper","7 13/16 x 5 5/16 in. (19.8 x 13.5 cm.)",13.5,0.6919617762788083,[943,944,945,946,947],{"_222":300,"_223":301,"_42":302,"_303":304},"49.38","Jean Fouquet drew this in about 1451–55, aged about 21. It is now at The Met in New York.","Portrait of Alain de Coëtivy (1407–1474), by Jean Fouquet, ca. 1451–55",{"_294":940,"_296":941,"_298":942},"https://img.ochreeditions.com/m/1013.jpg?dl=1","/art/portrait-of-alain-de-coetivy-1407-1474-met-337088","/galleries/style/northern-renaissance/portrait-of-alain-de-coetivy-1407-1474-met-337088",{"_290":291,"_292":293},{"_226":933,"_125":934,"_285":935},{"_276":931,"_278":429,"_280":932,"_282":431},41.29904440697021,17.299044406970207,{"_287":226,"_123":938,"_154":939,"_140":89},{"_287":125,"_123":936,"_154":937,"_140":91},{"_287":285,"_123":553,"_154":554,"_140":555},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-jean-fouquet","Jean Fouquet's contemporaries","https://img.ochreeditions.com/a/1013/480.jpg","https://img.ochreeditions.com/a/1013/960.jpg","https://img.ochreeditions.com/a/1013/1920.jpg",{"_310":956,"_312":957},{"_310":954,"_312":955},{"_310":952,"_312":953},{"_310":950,"_312":951},{"_310":948,"_312":949},"#bfb1a1",0.0632,"#e9decb",0.0657,"#cfc2b4",0.2266,"#e1d4c9",0.2908,"#dacdbf",0.3537,"Jean Fouquet","jean-fouquet","French, 1425–1478",1425,1478,"Tours","margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":906,"_223":907,"_324":908,"_326":400,"_328":909,"_330":402,"_332":-5,"_334":-5,"_336":910,"_140":99},"overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",0.75244140625,[988,989,990,991,992],{"_222":378,"_223":379,"_42":380,"_303":381},"1947.6.5.b","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_294":985,"_296":986,"_298":987},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_290":886,"_292":887},{"_226":982,"_125":983,"_285":984},{"_276":980,"_278":873,"_280":981,"_282":857},47.35498046875,32.35498046875,{"_287":226,"_123":884,"_154":885,"_140":99},{"_287":125,"_123":881,"_154":882,"_140":883},{"_287":285,"_123":878,"_154":879,"_140":880},"https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_310":1001,"_312":1002},{"_310":999,"_312":1000},{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"marcus-curtius-plunging-into-the-chasm-nga-6020","Marcus Curtius Plunging into the Chasm",{"_42":1048,"_223":1049,"_324":1050,"_326":400,"_328":1051,"_330":1052,"_332":1053,"_334":1054,"_336":1055,"_140":97},"woodcut",0.70068359375,[1033,1034,1035,1036,1037],{"_222":378,"_223":379,"_42":380,"_303":381},"1943.3.2844","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","A Roman knight on horseback plunges into a dark chasm that has opened in the ground before a domed pavilion, while onlookers, some nude in the classical manner, crowd around.","This print features a detailed scene. In the center is a classical-style pavilion with arched openings and a domed roof adorned with intricate designs. A group of mostly-nude people is gathered around the pavilion, with one on horseback, holding a spear, and another holding a flag. In front of the pavilion, a knight on horseback appears to be falling into a dark hole in the ground. Vegetation, including trees and shrubs, is scattered throughout the landscape, and birds are seen flying in the sky above the pavilion. The horizon shows hills leading to a distant castle on a rocky formation on the right.",{"_294":1030,"_296":1031,"_298":1032},"https://img.ochreeditions.com/m/1342.jpg?dl=1","/art/marcus-curtius-plunging-into-the-chasm-nga-6020","/galleries/style/northern-renaissance/marcus-curtius-plunging-into-the-chasm-nga-6020",{"_290":291,"_292":293},{"_226":1025,"_125":1026,"_285":1027},{"_276":1021,"_278":1022,"_280":1023,"_282":1024},66.041015625,84,42.041015625,60,{"_287":226,"_123":1028,"_154":1029,"_140":97},{"_287":125,"_123":371,"_154":372,"_140":53},{"_287":285,"_123":369,"_154":370,"_140":91},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1342/480.jpg","https://img.ochreeditions.com/a/1342/960.jpg","https://img.ochreeditions.com/a/1342/1920.jpg",{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},{"_310":1042,"_312":1043},{"_310":1040,"_312":1041},{"_310":1038,"_312":1039},"#73675f",0.0663,"#968a7c",0.1736,"#b3a797",0.2257,"#d2c6b5",0.2337,"#f1e6d5",0.3007,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":1104,"_223":1105,"_324":1106,"_326":327,"_328":522,"_330":792,"_332":333,"_334":1107,"_336":1108,"_140":99},"1578","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[1089,1090,1091,1092,1093],{"_222":378,"_223":379,"_42":380,"_303":381},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_294":1086,"_296":1087,"_298":1088},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_290":291,"_292":293},{"_226":1081,"_125":1082,"_285":1083},{"_276":1078,"_278":1079,"_280":1062,"_282":1080},53.3,42.9205322265625,18.9205322265625,{"_287":226,"_123":1084,"_154":1085,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":165,"_154":164,"_140":167},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_310":1102,"_312":1103},{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":1162,"_223":1163,"_324":1164,"_326":632,"_328":1165,"_330":1166,"_332":-5,"_334":-5,"_336":1167,"_140":99},"ca. 1596-99","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,14.3,1.402575587905935,[1147,1148,1149,1150,1151],{"_222":1144,"_223":1145,"_42":1146,"_303":304},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1142,"_564":1143},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_294":1139,"_296":1140,"_298":1141},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_290":291,"_292":293},{"_226":1134,"_125":1135,"_285":1136},{"_276":429,"_278":1132,"_280":431,"_282":1133},41.82435129740519,17.82435129740519,{"_287":226,"_123":1137,"_154":1138,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":436,"_154":437,"_140":438},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":1160,"_312":1161},{"_310":1158,"_312":1159},{"_310":1156,"_312":1157},{"_310":1154,"_312":1155},{"_310":1152,"_312":1153},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.",{"_1169":-5,"_1170":1171,"_1172":1173,"_1174":8,"_1175":1176,"_1177":8},"user","csrf","038211035d5ae8e981b7c448dcc2bd23a286f0d3","cartCount",0,"dropLive","legal",[1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188,1189],"uploadsEnabled",{"_223":1212,"_20":1213},{"_223":1210,"_20":1211},{"_223":1208,"_20":1209},{"_223":1206,"_20":1207},{"_223":1204,"_20":1205},{"_223":1202,"_20":1203},{"_223":1200,"_20":1201},{"_223":1198,"_20":1199},{"_223":1196,"_20":1197},{"_223":1194,"_20":1195},{"_223":1192,"_20":1193},{"_223":1190,"_20":1191},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]