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It is now at The Met in New York.","Bacchanal, by Nicolas Poussin, ca. 1635–36",{"_301":430,"_303":431,"_305":432},"https://img.ochreeditions.com/m/994.jpg?dl=1","/art/bacchanal-met-335240","/galleries/style/northern-renaissance/bacchanal-met-335240",{"_297":298,"_299":300},{"_231":422,"_125":423,"_291":424},{"_281":284,"_283":420,"_285":288,"_287":421},40.16816431322208,16.168164313222082,{"_293":231,"_123":428,"_154":429,"_140":93},{"_293":125,"_123":425,"_154":426,"_140":427},{"_293":291,"_123":371,"_154":372,"_140":89},"style/drawing-16","More drawings of the 16th century",35,"artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/994/480.jpg","https://img.ochreeditions.com/a/994/960.jpg","https://img.ochreeditions.com/a/994/1920.jpg",{"_317":446,"_319":447},{"_317":444,"_319":445},{"_317":442,"_319":443},{"_317":440,"_319":441},{"_317":438,"_319":439},"#5b4b42",0.1349,"#7d6755",0.1593,"#9b836c",0.1684,"#baa389",0.2622,"#d4c1a8",0.2752,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Rome","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":506,"_228":507,"_331":508,"_333":509,"_335":510,"_337":511,"_339":512,"_341":513,"_342":514,"_140":99},"1589","netherlands","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[491,492,493,494,495],{"_227":307,"_228":308,"_42":309,"_310":311},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_301":488,"_303":489,"_305":490},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_297":298,"_299":300},{"_231":481,"_125":482,"_291":483},{"_281":479,"_283":284,"_285":480,"_287":288},44.40656205420827,20.406562054208273,{"_293":231,"_123":486,"_154":487,"_140":99},{"_293":125,"_123":425,"_154":426,"_140":427},{"_293":291,"_123":484,"_154":485,"_140":427},"era/16-netherlands","16th-century Netherlands","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_317":504,"_319":505},{"_317":502,"_319":503},{"_317":500,"_319":501},{"_317":498,"_319":499},{"_317":496,"_319":497},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","The Seed Received among the Thorns, from the Parable of the Sower",{"_42":576,"_228":577,"_331":578,"_333":509,"_335":-5,"_337":-5,"_339":-5,"_341":-5,"_342":-5,"_140":103},"c. 1573","flanders","Drawing","Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer","Sheet: 19.7 x 25.5 cm (7 3/4 x 10 1/16 in.)",25.5,19.7,1.2942519984773506,[561,562,563,564,565],{"_227":557,"_228":558,"_42":559,"_310":560},"Courtesy of the Cleveland Museum of Art","2012.4","Gerard P. van Groningen drew this in about 1573. It is now at the Cleveland Museum of Art.",{"_118":554,"_555":556},"The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573",{"_301":551,"_303":552,"_305":553},"https://img.ochreeditions.com/m/779.jpg?dl=1","/art/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","/galleries/style/northern-renaissance/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221",{"_297":298,"_299":300},{"_231":543,"_125":544,"_291":545},{"_281":540,"_283":541,"_285":523,"_287":542},49.5,43.7025,19.7025,{"_293":231,"_123":549,"_154":550,"_140":89},{"_293":125,"_123":425,"_154":426,"_140":427},{"_293":291,"_123":546,"_154":547,"_140":548},"era/16-flanders","16th-century Flanders",17,"artist/contemporaries-of-gerard-p-van-groningen","Gerard P. van Groningen's contemporaries","https://img.ochreeditions.com/a/779/480.jpg","https://img.ochreeditions.com/a/779/960.jpg","https://img.ochreeditions.com/a/779/1920.jpg","This design for a print is from a suite portraying the biblical parable of the sower. The parable compares types of soil to people in the world: one hardened; one fickle; one distracted by things of the world; and one with an open heart, ready to accept God.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_317":574,"_319":575},{"_317":572,"_319":573},{"_317":570,"_319":571},{"_317":568,"_319":569},{"_317":566,"_319":567},"#736855",0.0899,"#8f8168",0.1875,"#ccba96",0.1961,"#a69577",0.2395,"#baa684",0.287,"Gerard P. van Groningen","gerard-p-van-groningen","Netherlandish, active late 1500s","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":631,"_228":632,"_331":633,"_333":634,"_335":635,"_337":636,"_339":-5,"_341":-5,"_342":637,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[616,617,618,619,620],{"_227":613,"_228":614,"_42":615,"_310":311},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":611,"_555":612},"TWO GALLEYS AT SEA",{"_301":608,"_303":609,"_305":610},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_297":298,"_299":300},{"_231":603,"_125":604,"_291":605},{"_281":284,"_283":601,"_285":288,"_287":602},41.86612497581737,17.86612497581737,{"_293":231,"_123":606,"_154":607,"_140":99},{"_293":125,"_123":425,"_154":426,"_140":427},{"_293":291,"_123":546,"_154":547,"_140":548},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_317":629,"_319":630},{"_317":627,"_319":628},{"_317":625,"_319":626},{"_317":623,"_319":624},{"_317":621,"_319":622},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":697,"_228":698,"_331":699,"_333":334,"_335":700,"_337":701,"_339":-5,"_341":-5,"_342":702,"_140":99},"1527","painting","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[683,684,685,686,687],{"_227":679,"_228":680,"_42":681,"_310":682},"Courtesy National Gallery of Art, Washington","1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_301":676,"_303":677,"_305":678},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_297":674,"_299":675},{"_231":666,"_125":667,"_291":668},{"_281":663,"_283":664,"_285":665,"_287":647},44.70947265625,58,29.70947265625,{"_293":231,"_123":672,"_154":673,"_140":99},{"_293":125,"_123":669,"_154":670,"_140":671},{"_293":291,"_123":167,"_154":166,"_140":169},"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_317":696,"_319":392},{"_317":694,"_319":695},{"_317":692,"_319":693},{"_317":690,"_319":691},{"_317":688,"_319":689},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b","Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":749,"_228":750,"_331":751,"_333":334,"_335":752,"_337":753,"_339":-5,"_341":-5,"_342":-5,"_140":103},"1553","Print","etching",1.5103244837758112,[734,735,736,737,738],{"_227":679,"_228":680,"_42":681,"_310":682},"1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_301":731,"_303":732,"_305":733},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_297":298,"_299":300},{"_231":726,"_125":727,"_291":728},{"_281":722,"_283":723,"_285":724,"_287":725},84,63.7265625,60,39.7265625,{"_293":231,"_123":729,"_154":730,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg",{"_317":747,"_319":748},{"_317":745,"_319":746},{"_317":743,"_319":744},{"_317":741,"_319":742},{"_317":739,"_319":740},"#524943",0.1756,"#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,"the-carnival-or-the-prodigal-son-aic-272395","The Carnival (or the Prodigal Son)",{"_42":806,"_228":807,"_331":808,"_333":634,"_335":809,"_337":511,"_339":-5,"_341":-5,"_342":-5,"_140":103},"1588","Engraving in black on cream laid paper","38.4 × 45.5 cm (15 1/8 × 17 15/16 in.)",45,38,1.1761240682856455,[791,792,793,794,795],{"_227":787,"_228":788,"_42":789,"_310":790},"Courtesy of the Art Institute of Chicago","2024.42","Jan Sadeler, I made this in 1588, aged 38. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_301":784,"_303":785,"_305":786},"https://img.ochreeditions.com/m/440.jpg?dl=1","/art/the-carnival-or-the-prodigal-son-aic-272395","/galleries/style/northern-renaissance/the-carnival-or-the-prodigal-son-aic-272395",{"_297":298,"_299":300},{"_231":779,"_125":780,"_291":781},{"_281":776,"_283":777,"_285":760,"_287":778},69,62.261269549218035,38.261269549218035,{"_293":231,"_123":782,"_154":783,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":546,"_154":547,"_140":548},"artist/contemporaries-of-jan-sadeler-i","Jan Sadeler, I's contemporaries","https://img.ochreeditions.com/a/440/480.jpg","https://img.ochreeditions.com/a/440/960.jpg","https://img.ochreeditions.com/a/440/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_317":804,"_319":805},{"_317":802,"_319":803},{"_317":800,"_319":801},{"_317":798,"_319":799},{"_317":796,"_319":797},"#c1b1a5",0.0579,"#efddd1",0.1348,"#93887d",0.1811,"#756c62",0.2734,"#5e574d",0.3528,"Jan Sadeler, I","jan-sadeler-i","Flemish, 1550–1600",1550,"title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":855,"_228":856,"_331":857,"_333":634,"_335":858,"_337":859,"_339":-5,"_341":-5,"_342":860,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[840,841,842,843,844],{"_227":787,"_228":788,"_42":789,"_310":790},"2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_301":837,"_303":838,"_305":839},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_297":298,"_299":300},{"_231":832,"_125":833,"_291":834},{"_281":830,"_283":284,"_285":831,"_287":288},42.87946763979822,18.879467639798218,{"_293":231,"_123":835,"_154":836,"_140":99},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":546,"_154":547,"_140":548},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg",{"_317":853,"_319":854},{"_317":851,"_319":852},{"_317":849,"_319":850},{"_317":847,"_319":848},{"_317":845,"_319":846},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","saint-christopher-nga-6034","Saint Christopher",{"_42":905,"_228":906,"_331":907,"_333":334,"_335":908,"_337":858,"_339":909,"_341":910,"_342":911,"_140":97},"1506","chiaroscuro woodcut printed in brown-orange and black",0.703125,[890,891,892,893,894],{"_227":679,"_228":680,"_42":681,"_310":682},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_301":887,"_303":888,"_305":889},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_297":298,"_299":300},{"_231":882,"_125":883,"_291":884},{"_281":880,"_283":722,"_285":881,"_287":724},66.1875,42.1875,{"_293":231,"_123":885,"_154":886,"_140":97},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":167,"_154":166,"_140":169},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_317":903,"_319":904},{"_317":901,"_319":902},{"_317":899,"_319":900},{"_317":897,"_319":898},{"_317":895,"_319":896},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","music-making-angels-met-334816","Music-Making Angels",{"_42":958,"_228":959,"_331":960,"_333":334,"_335":961,"_337":701,"_339":962,"_341":962,"_342":963,"_140":89},"1521","Pen and brown ink","6 5/8 x 8 3/4 in. (16.9 x 22.3 cm)",22.3,16.9,1.3273231622746187,[943,944,945,946,947],{"_227":307,"_228":308,"_42":309,"_310":311},"61.257","Albrecht Dürer drew this in 1521, aged 50. It is now at The Met in New York.","Music-Making Angels, by Albrecht Dürer, 1521",{"_301":940,"_303":941,"_305":942},"https://img.ochreeditions.com/m/993.jpg?dl=1","/art/music-making-angels-met-334816","/galleries/style/northern-renaissance/music-making-angels-met-334816",{"_297":298,"_299":300},{"_231":935,"_125":936,"_291":937},{"_281":284,"_283":933,"_285":288,"_287":934},42.83490073145245,18.834900731452453,{"_293":231,"_123":938,"_154":939,"_140":89},{"_293":125,"_123":425,"_154":426,"_140":427},{"_293":291,"_123":167,"_154":166,"_140":169},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/993/480.jpg","https://img.ochreeditions.com/a/993/960.jpg","https://img.ochreeditions.com/a/993/1920.jpg",{"_317":956,"_319":957},{"_317":954,"_319":955},{"_317":952,"_319":953},{"_317":950,"_319":951},{"_317":948,"_319":949},"#e7e0cc",0.0674,"#baa890",0.0941,"#c9b8a1",0.2461,"#dacec0",0.2874,"#d2c4b1",0.305,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","melencolia-i-met-336228","Melencolia I",{"_42":958,"_228":959,"_331":960,"_333":334,"_335":961,"_337":701,"_339":962,"_341":962,"_342":963,"_140":89},"1514","Engraving","Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.7 cm)",18.7,24.1,0.7919123841617524,[994,995,996,997,998],{"_227":307,"_228":308,"_42":309,"_310":311},"43.106.1","Albrecht Dürer made this in 1514, aged 43. It is now at The Met in New York.","A winged figure sits slumped, chin on fist, surrounded by the tools of measurement and making: a compass in her lap, a plane and saw at her feet, an hourglass, scales and a bell on the wall behind, a ladder, a huge faceted stone and a sphere.","Melencolia I, by Albrecht Dürer, 1514",{"_301":991,"_303":992,"_305":993},"https://img.ochreeditions.com/m/1001.jpg?dl=1","/art/melencolia-i-met-336228","/galleries/style/northern-renaissance/melencolia-i-met-336228",{"_297":298,"_299":300},{"_231":988,"_125":989,"_291":990},{"_281":986,"_283":284,"_285":987,"_287":288},43.797809604043806,19.79780960404381,{"_293":231,"_123":938,"_154":939,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1001/480.jpg","https://img.ochreeditions.com/a/1001/960.jpg","https://img.ochreeditions.com/a/1001/1920.jpg",{"_317":1007,"_319":1008},{"_317":1005,"_319":1006},{"_317":1003,"_319":1004},{"_317":1001,"_319":1002},{"_317":999,"_319":1000},"#f9f1dc",0.1294,"#baab96",0.1419,"#554f48",0.2147,"#908475",0.2359,"#6f665c",0.2781,"fish-market-met-679844","Fish Market",{"_42":1057,"_228":1058,"_331":1059,"_333":509,"_335":1060,"_337":1061,"_339":512,"_341":512,"_342":-5,"_140":103},"1568","Paintings","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[1042,1043,1044,1045,1046],{"_227":307,"_228":308,"_42":309,"_310":311},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_301":1039,"_303":1040,"_305":1041},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_297":674,"_299":675},{"_231":1034,"_125":1035,"_291":1036},{"_281":1031,"_283":1032,"_285":1016,"_287":1033},189.9,144.89257842387147,129.89257842387147,{"_293":231,"_123":1037,"_154":1038,"_140":89},{"_293":125,"_123":669,"_154":670,"_140":671},{"_293":291,"_123":484,"_154":485,"_140":427},"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_317":1055,"_319":1056},{"_317":1053,"_319":1054},{"_317":1051,"_319":1052},{"_317":1049,"_319":1050},{"_317":1047,"_319":1048},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,1574,"the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":1109,"_228":1110,"_331":1111,"_333":395,"_335":1112,"_337":1113,"_339":-5,"_341":1114,"_342":-5,"_140":103},"ca. 1606–8","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",32.4,20,1.6194653299916457,[1094,1095,1096,1097,1098],{"_227":307,"_228":308,"_42":309,"_310":311},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_301":1091,"_303":1092,"_305":1093},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_297":298,"_299":300},{"_231":1086,"_125":1087,"_291":1088},{"_281":1083,"_283":1084,"_285":1068,"_287":1085},56.4,44.0066030435904,20.006603043590406,{"_293":231,"_123":1089,"_154":1090,"_140":89},{"_293":125,"_123":425,"_154":426,"_140":427},{"_293":291,"_123":371,"_154":372,"_140":89},"artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_317":1107,"_319":1108},{"_317":1105,"_319":1106},{"_317":1103,"_319":1104},{"_317":1101,"_319":1102},{"_317":1099,"_319":1100},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,"#af9a81",0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616",1575,1616,"Nancy","margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":697,"_228":698,"_331":699,"_333":334,"_335":700,"_337":701,"_339":-5,"_341":-5,"_342":702,"_140":99},"overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",0.75244140625,[1139,1140,1141,1142,1143],{"_227":679,"_228":680,"_42":681,"_310":682},"1947.6.5.b","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_301":1136,"_303":1137,"_305":1138},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_297":674,"_299":675},{"_231":1133,"_125":1134,"_291":1135},{"_281":1131,"_283":664,"_285":1132,"_287":647},47.35498046875,32.35498046875,{"_293":231,"_123":672,"_154":673,"_140":99},{"_293":125,"_123":669,"_154":670,"_140":671},{"_293":291,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_317":1152,"_319":1153},{"_317":1150,"_319":1151},{"_317":1148,"_319":1149},{"_317":1146,"_319":1147},{"_317":1144,"_319":1145},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,{"_1155":-5,"_1156":1157,"_1158":1159,"_1160":8,"_1161":1162,"_1163":8},"user","csrf","513048dfa3acf85a8e364dd689cd5c5ef66c880e","cartCount",0,"dropLive","legal",[1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175],"uploadsEnabled",{"_228":1198,"_20":1199},{"_228":1196,"_20":1197},{"_228":1194,"_20":1195},{"_228":1192,"_20":1193},{"_228":1190,"_20":1191},{"_228":1188,"_20":1189},{"_228":1186,"_20":1187},{"_228":1184,"_20":1185},{"_228":1182,"_20":1183},{"_228":1180,"_20":1181},{"_228":1178,"_20":1179},{"_228":1176,"_20":1177},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]