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This style is associated with displaying family crests and lineage.",{"_294":438,"_296":439,"_298":440},"https://img.ochreeditions.com/m/1485.jpg?dl=1","/art/hans-roth-reverse-nga-33754","/galleries/style/northern-renaissance/hans-roth-reverse-nga-33754",{"_290":436,"_292":437},{"_225":425,"_125":426,"_284":427},{"_275":421,"_277":422,"_279":423,"_281":424},33.988037109375,40,18.988037109375,25,{"_286":225,"_123":434,"_154":435,"_140":99},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"era/16-germany","16th-century Germany",28,"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1485/480.jpg","https://img.ochreeditions.com/a/1485/960.jpg","https://img.ochreeditions.com/a/1485/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},"#a49f9d",0.0344,"#8a5643",0.1435,"#5a3022",0.2003,"#50463f",0.2643,"#2e251f",0.3575,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528","German",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","bacchanal-met-335240","Bacchanal",{"_42":514,"_222":515,"_324":516,"_326":325,"_327":517,"_328":518,"_330":519,"_331":520,"_332":521,"_140":93},"ca. 1635–36","Pen and brown ink, brush and brown wash, over faint black chalk","5 1/4 x 8 1/8 in. (13.3 x 20.6 cm.)",20.6,13.3,1.5462485113140134,[499,500,501,502,503],{"_221":300,"_222":301,"_42":302,"_303":304},"1998.225","Nicolas Poussin drew this in about 1635–36. It is now at The Met in New York.","Bacchanal, by Nicolas Poussin, ca. 1635–36",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/994.jpg?dl=1","/art/bacchanal-met-335240","/galleries/style/northern-renaissance/bacchanal-met-335240",{"_290":291,"_292":293},{"_225":491,"_125":492,"_284":493},{"_275":488,"_277":489,"_279":424,"_281":490},49,40.16816431322208,16.168164313222082,{"_286":225,"_123":494,"_154":495,"_140":93},{"_286":125,"_123":366,"_154":367,"_140":365},{"_286":284,"_123":165,"_154":164,"_140":89},"artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/994/480.jpg","https://img.ochreeditions.com/a/994/960.jpg","https://img.ochreeditions.com/a/994/1920.jpg",{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},"#5b4b42",0.1349,"#7d6755",0.1593,"#9b836c",0.1684,"#baa389",0.2622,"#d4c1a8",0.2752,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Rome","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","saint-andrew-nga-11916","Saint Andrew",{"_42":569,"_222":570,"_324":571,"_326":572,"_327":573,"_328":574,"_330":575,"_331":576,"_332":577,"_140":91},"probably 1589","Print","engraving",0.678955078125,[554,555,556,557,558],{"_221":441,"_222":442,"_42":443,"_303":444},"1943.3.9401","Hendrick Goltzius made this (probably 1589), aged 31. It is now at the National Gallery of Art in Washington, DC.","Saint Andrew, his lined face resting on one hand and a book tucked under his arm, gazes out of the frame with a melancholy, inward look, set against a background of rugged rocks. Goltzius engraved the plate around 1589 as part of a series of the apostles, each a half-length figure with a Latin inscription below.","The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.",{"_294":551,"_296":552,"_298":553},"https://img.ochreeditions.com/m/1358.jpg?dl=1","/art/saint-andrew-nga-11916","/galleries/style/northern-renaissance/saint-andrew-nga-11916",{"_290":291,"_292":293},{"_225":546,"_125":547,"_284":548},{"_275":542,"_277":543,"_279":544,"_281":545},64.7373046875,84,40.7373046875,60,{"_286":225,"_123":549,"_154":550,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1358/480.jpg","https://img.ochreeditions.com/a/1358/960.jpg","https://img.ochreeditions.com/a/1358/1920.jpg",{"_310":567,"_312":568},{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},"#948676",0.1545,"#6f6457",0.1687,"#b1a18d",0.1761,"#50473e",0.2191,"#cebca4",0.2816,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","diana-and-actaeon-met-337490","Diana and Actaeon",{"_42":625,"_222":626,"_324":627,"_326":391,"_327":628,"_328":629,"_330":394,"_331":630,"_332":-5,"_140":103},"ca. 1580–85","Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink","16 1/4 x 12 5/8in. (41.3 x 32.1cm)",32.1,41.3,0.7808510638297872,[610,611,612,613,614],{"_221":300,"_222":301,"_42":302,"_303":304},"1997.93","Bartholomeus Spranger drew this in about 1580–85, aged about 34. It is now at The Met in New York.","Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85",{"_294":607,"_296":608,"_298":609},"https://img.ochreeditions.com/m/1018.jpg?dl=1","/art/diana-and-actaeon-met-337490","/galleries/style/northern-renaissance/diana-and-actaeon-met-337490",{"_290":291,"_292":293},{"_225":602,"_125":603,"_284":604},{"_275":599,"_277":600,"_279":601,"_281":585},56.24914893617021,65.3,32.24914893617021,{"_286":225,"_123":605,"_154":606,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":365},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-bartholomeus-spranger","Bartholomeus Spranger's contemporaries","https://img.ochreeditions.com/a/1018/480.jpg","https://img.ochreeditions.com/a/1018/960.jpg","https://img.ochreeditions.com/a/1018/1920.jpg",{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},"#786a5a",0.0647,"#a99983",0.2066,"#a59075",0.2391,"#b9a88e",0.2438,"#92816b",0.2458,"Bartholomeus Spranger","bartholomeus-spranger","Netherlandish, 1546–1611",1546,1611,"Prague","ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":676,"_222":677,"_324":678,"_326":391,"_327":202,"_328":679,"_330":680,"_331":681,"_332":-5,"_140":103},"1589","Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[661,662,663,664,665],{"_221":300,"_222":301,"_42":302,"_303":304},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_294":658,"_296":659,"_298":660},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_290":291,"_292":293},{"_225":653,"_125":654,"_284":655},{"_275":488,"_277":651,"_279":424,"_281":652},42.1875,18.1875,{"_286":225,"_123":656,"_154":657,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":365},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1593,"Mechelen","Amsterdam","hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":730,"_222":731,"_324":732,"_326":463,"_327":733,"_328":734,"_330":735,"_331":736,"_332":-5,"_140":101},"1532","Paintings","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[715,716,717,718,719],{"_221":300,"_222":301,"_42":302,"_303":304},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_294":712,"_296":713,"_298":714},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_290":436,"_292":437},{"_225":707,"_125":708,"_284":709},{"_275":704,"_277":705,"_279":706,"_281":690},47.416417519013905,57.2,32.416417519013905,{"_286":225,"_123":710,"_154":711,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":795,"_222":796,"_324":797,"_326":798,"_327":799,"_328":800,"_330":-5,"_331":-5,"_332":801,"_140":99},"ca. 1587 – 1590","flanders","Drawing","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[780,781,782,783,784],{"_221":777,"_222":778,"_42":779,"_303":304},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":774,"_775":776},"TWO GALLEYS AT SEA",{"_294":771,"_296":772,"_298":773},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_290":291,"_292":293},{"_225":763,"_125":764,"_284":765},{"_275":488,"_277":761,"_279":424,"_281":762},41.86612497581737,17.86612497581737,{"_286":225,"_123":769,"_154":770,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":365},{"_286":284,"_123":766,"_154":767,"_140":768},"era/16-flanders","16th-century Flanders",17,"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":793,"_312":794},{"_310":791,"_312":792},{"_310":789,"_312":790},{"_310":787,"_312":788},{"_310":785,"_312":786},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","fides-plate-1-from-the-seven-virtues-aic-271116","Fides, plate 1 from The Seven Virtues",{"_42":852,"_222":853,"_324":854,"_326":798,"_327":855,"_328":856,"_330":-5,"_331":-5,"_332":857,"_140":99},"c. 1598","Engraving on ivory laid paper","Plate: 18.7 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7534128775663764,[837,838,839,840,841],{"_221":833,"_222":834,"_42":835,"_303":836},"Courtesy of the Art Institute of Chicago","2023.3190.2","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_294":830,"_296":831,"_298":832},"https://img.ochreeditions.com/m/436.jpg?dl=1","/art/fides-plate-1-from-the-seven-virtues-aic-271116","/galleries/style/northern-renaissance/fides-plate-1-from-the-seven-virtues-aic-271116",{"_290":291,"_292":293},{"_225":825,"_125":826,"_284":827},{"_275":823,"_277":488,"_279":824,"_281":424},42.835321939159414,18.83532193915941,{"_286":225,"_123":828,"_154":829,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":766,"_154":767,"_140":768},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/436/480.jpg","https://img.ochreeditions.com/a/436/960.jpg","https://img.ochreeditions.com/a/436/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":850,"_312":851},{"_310":848,"_312":849},{"_310":846,"_312":847},{"_310":844,"_312":845},{"_310":842,"_312":843},"#60584e",0.0758,"#84786b",0.1038,"#c0ae9e",0.1201,"#a39385",0.1296,"#e8d0be",0.5707,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":904,"_222":905,"_324":906,"_326":391,"_327":907,"_328":908,"_330":394,"_331":909,"_332":910,"_140":99},"Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[889,890,891,892,893],{"_221":300,"_222":301,"_42":302,"_303":304},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_294":886,"_296":887,"_298":888},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_290":291,"_292":293},{"_225":881,"_125":882,"_284":883},{"_275":879,"_277":488,"_279":880,"_281":424},44.40656205420827,20.406562054208273,{"_286":225,"_123":884,"_154":885,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":365},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_310":902,"_312":903},{"_310":900,"_312":901},{"_310":898,"_312":899},{"_310":896,"_312":897},{"_310":894,"_312":895},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":957,"_222":958,"_324":959,"_326":798,"_327":960,"_328":856,"_330":-5,"_331":-5,"_332":-5,"_140":103},"probably 1590 and 1597","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[942,943,944,945,946],{"_221":441,"_222":442,"_42":443,"_303":444},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_294":939,"_296":940,"_298":941},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_290":436,"_292":437},{"_225":934,"_125":935,"_284":936},{"_275":931,"_277":932,"_279":916,"_281":933},97.2,78.97792968750001,63.97792968750001,{"_286":225,"_123":937,"_154":938,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":766,"_154":767,"_140":768},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_310":955,"_312":956},{"_310":953,"_312":954},{"_310":951,"_312":952},{"_310":949,"_312":950},{"_310":947,"_312":948},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619",1570,"spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":852,"_222":853,"_324":854,"_326":798,"_327":855,"_328":856,"_330":-5,"_331":-5,"_332":857,"_140":99},"Engraving on paper","Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",0.7505114676429417,[986,987,988,989,990],{"_221":833,"_222":834,"_42":835,"_303":836},"2023.3190.3","A work made of engraving on paper.",{"_294":983,"_296":984,"_298":985},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_290":291,"_292":293},{"_225":980,"_125":981,"_284":982},{"_275":978,"_277":488,"_279":979,"_281":424},42.76278669107354,18.762786691073543,{"_286":225,"_123":828,"_154":829,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":766,"_154":767,"_140":768},"https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg",{"_310":999,"_312":1000},{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},{"_310":991,"_312":992},"#5c544b",0.0632,"#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","The Seed Received among the Thorns, from the Parable of the Sower",{"_42":1056,"_222":1057,"_324":1058,"_326":391,"_327":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1573","Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer","Sheet: 19.7 x 25.5 cm (7 3/4 x 10 1/16 in.)",25.5,19.7,1.2942519984773506,[1041,1042,1043,1044,1045],{"_221":1037,"_222":1038,"_42":1039,"_303":1040},"Courtesy of the Cleveland Museum of Art","2012.4","Gerard P. van Groningen drew this in about 1573. It is now at the Cleveland Museum of Art.",{"_118":1035,"_775":1036},"The Seed Received among the Thorns, from the Parable of the Sower, by Gerard P. van Groningen, c. 1573",{"_294":1032,"_296":1033,"_298":1034},"https://img.ochreeditions.com/m/779.jpg?dl=1","/art/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221","/galleries/style/northern-renaissance/the-seed-received-among-the-thorns-from-the-parable-of-the-s-cma-170221",{"_290":291,"_292":293},{"_225":1027,"_125":1028,"_284":1029},{"_275":1024,"_277":1025,"_279":1007,"_281":1026},49.5,43.7025,19.7025,{"_286":225,"_123":1030,"_154":1031,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":365},{"_286":284,"_123":766,"_154":767,"_140":768},"artist/contemporaries-of-gerard-p-van-groningen","Gerard P. van Groningen's contemporaries","https://img.ochreeditions.com/a/779/480.jpg","https://img.ochreeditions.com/a/779/960.jpg","https://img.ochreeditions.com/a/779/1920.jpg","This design for a print is from a suite portraying the biblical parable of the sower. The parable compares types of soil to people in the world: one hardened; one fickle; one distracted by things of the world; and one with an open heart, ready to accept God.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":1054,"_312":1055},{"_310":1052,"_312":1053},{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},"#736855",0.0899,"#8f8168",0.1875,"#ccba96",0.1961,"#a69577",0.2395,"#baa684",0.287,"Gerard P. van Groningen","gerard-p-van-groningen","Netherlandish, active late 1500s","amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","Amya Petitioning Faustus for the Custody of Saint Mamas",{"_42":1106,"_222":1107,"_324":1108,"_326":325,"_327":185,"_328":392,"_330":-5,"_331":-5,"_332":-5,"_140":103},"ca. 1543","Pen and brown ink, brush and gray wash, heightened with white, over black chalk","9 1/4 x 12 5/8 in. (23.5 x 32 cm)",32,23.5,1.3384781048097631,[1091,1092,1093,1094,1095],{"_221":300,"_222":301,"_42":302,"_303":304},"2001.106","Jean Cousin the Elder drew this in about 1543, aged about 53. It is now at The Met in New York.","Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543",{"_294":1088,"_296":1089,"_298":1090},"https://img.ochreeditions.com/m/1042.jpg?dl=1","/art/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314","/galleries/style/northern-renaissance/amya-petitioning-faustus-for-the-custody-of-saint-mamas-met-343314",{"_290":291,"_292":293},{"_225":1083,"_125":1084,"_284":1085},{"_275":1080,"_277":1081,"_279":1065,"_281":1082},56,47.9077500670421,23.9077500670421,{"_286":225,"_123":1086,"_154":1087,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":365},{"_286":284,"_123":165,"_154":164,"_140":89},"artist/contemporaries-of-jean-cousin-the-elder","Jean Cousin the Elder's contemporaries","https://img.ochreeditions.com/a/1042/480.jpg","https://img.ochreeditions.com/a/1042/960.jpg","https://img.ochreeditions.com/a/1042/1920.jpg",{"_310":1104,"_312":1105},{"_310":1102,"_312":1103},{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},"#ede2d1",0.0716,"#847669",0.0785,"#9a8878",0.2249,"#b6a38c",0.2855,"#a89582",0.3395,"Jean Cousin the Elder","jean-cousin-the-elder","French, Souci (?) ca. 1490–ca. 1560 Paris (?)","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":1155,"_222":1156,"_324":325,"_326":325,"_327":-5,"_328":1157,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1536/1540","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[1140,1141,1142,1143,1144],{"_221":441,"_222":442,"_42":443,"_303":444},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_294":1137,"_296":1138,"_298":1139},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_290":436,"_292":437},{"_225":1132,"_125":1133,"_284":1134},{"_275":1130,"_277":422,"_279":1131,"_281":424},36.368408203125,21.368408203125,{"_286":225,"_123":1135,"_154":1136,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":165,"_154":164,"_140":89},"artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_310":1153,"_312":1154},{"_310":1151,"_312":1152},{"_310":1149,"_312":1150},{"_310":1147,"_312":1148},{"_310":1145,"_312":1146},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon",1575,{"_1159":-5,"_1160":1161,"_1162":1163,"_1164":8,"_1165":1166,"_1167":8},"user","csrf","f4f1fd0ff8a692aac710c4d69d563f2910a9b662","cartCount",0,"dropLive","legal",[1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179],"uploadsEnabled",{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]