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It is now at The Met in New York.","The Antechamber of the Sala del Maggior Consiglio, by Francesco Guardi, ca. 1765–68",{"_294":376,"_296":377,"_298":378},"https://img.ochreeditions.com/m/1180.jpg?dl=1","/art/the-antechamber-of-the-sala-del-maggior-consiglio-met-438023","/galleries/style/neoclassicism/the-antechamber-of-the-sala-del-maggior-consiglio-met-438023",{"_290":374,"_292":375},{"_224":363,"_125":364,"_284":365},{"_275":360,"_277":361,"_279":344,"_281":362},65.8,48.844450275518234,33.844450275518234,{"_286":224,"_123":372,"_154":373,"_140":97},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"era/18-italy","18th-century Italy",49,"style/painting-18","More paintings of the 18th century",168,"artist/francesco-guardi","More by Francesco Guardi","natural","ivory","https://img.ochreeditions.com/a/1180/480.jpg","https://img.ochreeditions.com/a/1180/960.jpg","https://img.ochreeditions.com/a/1180/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":396,"_312":397},{"_310":394,"_312":395},{"_310":392,"_312":393},{"_310":390,"_312":391},{"_310":388,"_312":389},"#85703b",0.1097,"#292c25",0.1138,"#8b8056",0.1622,"#50472e",0.2597,"#6a5d39",0.3546,"Francesco Guardi","francesco-guardi","Italian, 1712–1793",1712,1793,"Venice","Guardi worked for years in the family studio in Venice led by his elder brother Gianantonio, producing altarpieces and figure paintings, and became chiefly a painter of city views, especially after his brother’s death in 1760.","the-forest-of-rochecardon-aic-273344","The Forest of Rochecardon",{"_42":459,"_221":460,"_324":461,"_326":462,"_328":463,"_330":464,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1800","france","Etching with roulette in black on ivory wove paper","23.2 × 29.6 cm (9 3/16 × 11 11/16 in.)",29,23,1.2890501319261214,[444,445,446,447,448],{"_220":300,"_221":301,"_42":302,"_303":304},"2024.161","Jean-Michel Grobon made this in 1800, aged 30. It is now at the Art Institute of Chicago.","A work made of etching with roulette in black on ivory wove paper.",{"_294":441,"_296":442,"_298":443},"https://img.ochreeditions.com/m/448.jpg?dl=1","/art/the-forest-of-rochecardon-aic-273344","/galleries/style/neoclassicism/the-forest-of-rochecardon-aic-273344",{"_290":291,"_292":293},{"_224":430,"_125":431,"_284":432},{"_275":427,"_277":428,"_279":412,"_281":429},53,46.49718554907379,22.49718554907379,{"_286":224,"_123":439,"_154":440,"_140":89},{"_286":125,"_123":436,"_154":437,"_140":438},{"_286":284,"_123":433,"_154":434,"_140":435},"era/18-france","18th-century France",75,"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-jean-michel-grobon","Jean-Michel Grobon's contemporaries","https://img.ochreeditions.com/a/448/480.jpg","https://img.ochreeditions.com/a/448/960.jpg","https://img.ochreeditions.com/a/448/1920.jpg",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#988e85",0.0577,"#7a7068",0.1387,"#615952",0.1527,"#4c4640",0.1633,"#f2e5dc",0.4876,"Jean-Michel Grobon","jean-michel-grobon","French, 1770–1853","French",1770,1853,"portrait-of-le-roi-marat-aic-255719","Portrait of Le Roi Marat",{"_42":510,"_221":511,"_324":512,"_326":512,"_328":-5,"_330":513,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1795","Etching in black on ivory laid paper","Plate: 12.5 × 9.5 cm (4 15/16 × 3 3/4 in.); Sheet: 13.3 × 12.1 cm (5 1/4 × 4 13/16 in.)",0.9130074565037283,[495,496,497,498,499],{"_220":300,"_221":301,"_42":302,"_303":304},"2020.25","Viller made this in about 1795. It is now at the Art Institute of Chicago.","A work made of etching in black on ivory laid paper.",{"_294":492,"_296":493,"_298":494},"https://img.ochreeditions.com/m/390.jpg?dl=1","/art/portrait-of-le-roi-marat-aic-255719","/galleries/style/neoclassicism/portrait-of-le-roi-marat-aic-255719",{"_290":291,"_292":293},{"_224":487,"_125":488,"_284":489},{"_275":484,"_277":368,"_279":485,"_281":486},46.82518641259321,22.825186412593208,25,{"_286":224,"_123":490,"_154":491,"_140":89},{"_286":125,"_123":436,"_154":437,"_140":438},{"_286":284,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-viller","Viller's contemporaries","https://img.ochreeditions.com/a/390/480.jpg","https://img.ochreeditions.com/a/390/960.jpg","https://img.ochreeditions.com/a/390/1920.jpg",{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},"#a49990",0.0363,"#746d65",0.0368,"#524d47",0.0387,"#d3c5ba",0.0755,"#e7d9ce",0.8127,"Viller","viller","probably French",1800,"a-game-of-hot-cockles-nga-32684","A Game of Hot Cockles",{"_42":568,"_221":569,"_324":570,"_326":462,"_328":571,"_330":572,"_332":573,"_333":574,"_334":575,"_140":93},"c. 1775/1780","Painting","oil on canvas","overall: 115.5 x 91.5 cm (45 1/2 x 36 in.) framed: 144.5 x 121.3 cm (56 7/8 x 47 3/4 in.)",91.5,115.5,0.783447265625,[553,554,555,556,557],{"_220":549,"_221":550,"_42":551,"_303":552},"Courtesy National Gallery of Art, Washington","1946.7.6","Jean Honoré Fragonard painted this in about 1775/1780, aged about 43. It is now at the National Gallery of Art in Washington, DC.","Beneath towering trees in a misty park, a party of elegant young people play hot cockles, a game in which one player kneels with his face hidden in another’s lap and must guess who has slapped his hand. A couple sits apart on a bench to the left, absorbed in each other, and statues watch over the scene.","Towering, pale, celery-green trees frame a view of a lush park with about a dozen elegantly dressed, light-skinned men and women in this vertical landscape painting. The color palette is dominated by moss and lemon-lime green, golden yellow, and spruce blue. The men all wear jackets with long tails over knee-breeches, and their long hair is pulled back at the napes of their necks. The women wear long dresses with full skirts and hints of lace at the sleeves and bust, and their brown or white hair is pulled up. Nine of the men and women gather to our right on a stone terrace along the bottom edge of the painting. A man in butter yellow kneels in front of a woman wearing rose pink. Around this pair, people stand, kneel, sit, or recline wearing aquamarine blue, light turquoise, or ivory white. A man and woman sit on a bench to our left, a little removed from the larger group. This woman wears ruby red and the man leaning toward her wears topaz blue. Two people in the park beyond these groups are painted with only a few strokes of pale blue and white paint, and they look over a low hedge row lining the walking path. Beds of red flowers fill the lower corners of the composition in front of a statue of a woman to our left and a person, perhaps on a fountain, to our right. The grassy walking path and trees become more blue as they fade into the hazy distance between the tall tress to either side. The sky fades from pale blue along the horizon to a silvery blue, almost white, at the top.",{"_294":546,"_296":547,"_298":548},"https://img.ochreeditions.com/m/1479.jpg?dl=1","/art/a-game-of-hot-cockles-nga-32684","/galleries/style/neoclassicism/a-game-of-hot-cockles-nga-32684",{"_290":374,"_292":375},{"_224":541,"_125":542,"_284":543},{"_275":538,"_277":539,"_279":540,"_281":522},105.4881591796875,130.5,90.4881591796875,{"_286":224,"_123":544,"_154":545,"_140":93},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":433,"_154":434,"_140":435},"artist/jean-honore-fragonard","More by Jean Honoré Fragonard","https://img.ochreeditions.com/a/1479/480.jpg","https://img.ochreeditions.com/a/1479/960.jpg","https://img.ochreeditions.com/a/1479/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},"#715523",0.12,"#6f8d72",0.1409,"#9c9353",0.1644,"#c2c7b0",0.2516,"#717743",0.3231,"Jean Honoré Fragonard","jean-honore-fragonard","French, 1732–1806",1732,1806,"Grasse","Paris","Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este.","joseph-antoine-moltedo-born-1775-met-438818","Joseph-Antoine Moltedo (born 1775)",{"_42":627,"_221":628,"_324":629,"_326":462,"_328":630,"_330":631,"_332":632,"_333":574,"_334":633,"_140":97},"ca. 1810","29 5/8 x 22 7/8 in. (75.2 x 58.1 cm)",58.1,75.2,0.7851196670135275,[612,613,614,615,616],{"_220":379,"_221":380,"_42":381,"_303":382},"29.100.23","Jean Auguste Dominique Ingres painted this in about 1810, aged about 25. It is now at The Met in New York.","Joseph-Antoine Moltedo (born 1775), by Jean Auguste Dominique Ingres, ca. 1810",{"_294":609,"_296":610,"_298":611},"https://img.ochreeditions.com/m/1194.jpg?dl=1","/art/joseph-antoine-moltedo-born-1775-met-438818","/galleries/style/neoclassicism/joseph-antoine-moltedo-born-1775-met-438818",{"_290":374,"_292":375},{"_224":599,"_125":600,"_284":601},{"_275":596,"_277":597,"_279":598,"_281":582},74.04099895941727,90.2,59.04099895941727,{"_286":224,"_123":607,"_154":608,"_140":97},{"_286":125,"_123":605,"_154":606,"_140":197},{"_286":284,"_123":602,"_154":603,"_140":604},"era/19-france","19th-century France",237,"style/painting-19","More paintings of the 19th century","artist/jean-auguste-dominique-ingres","More by Jean Auguste Dominique Ingres","https://img.ochreeditions.com/a/1194/480.jpg","https://img.ochreeditions.com/a/1194/960.jpg","https://img.ochreeditions.com/a/1194/1920.jpg",{"_310":625,"_312":626},{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},"#88826f",0.0913,"#9e6f42",0.1016,"#1f1a17",0.2094,"#3b3c34",0.2756,"#523c25",0.3221,"Jean Auguste Dominique Ingres","jean-auguste-dominique-ingres","French, 1780–1867",1780,1867,"Montauban","Ingres trained under Jacques-Louis David and won the Prix de Rome, then spent nearly two decades in Italy, absorbing Raphael above all. He became the champion of line and classical tradition against Delacroix’s Romanticism, and later directed the French Academy in Rome.","madame-bergeret-nga-32681","Madame Bergeret",{"_42":681,"_221":682,"_324":683,"_326":462,"_328":684,"_330":463,"_332":574,"_333":574,"_334":685,"_140":93},"possibly 1766","overall: 143.5 x 105.4 cm (56 1/2 x 41 1/2 in.) framed: 172.4 x 134.3 cm (67 7/8 x 52 7/8 in.)",105.4,143.5,0.732177734375,[666,667,668,669,670],{"_220":549,"_221":550,"_42":551,"_303":552},"1946.7.3","François Boucher painted this (possibly 1766), aged 63. It is now at the National Gallery of Art in Washington, DC.","Madame Bergeret stands in a garden in a gown of shimmering silver-white silk with blue bows, a straw hat trimmed with blue ribbon in one hand and a pink rose in the other, resting on an urn of flowers. Roses lie scattered on a bench and on the ground beside her.","A young woman with light skin stands in a garden, wearing a voluminous, full-length, silvery, shimmering gown in this vertical portrait painting. Her body faces us, as she looks into the distance to our left. She has rosy cheeks, gray-green eyes under gently arched, light brown brows, and her coral-pink, thin, closed lips curve in a slight smile. Her ash-brown hair is pulled back and adorned with tiny shell-pink and azure-blue flowers along the left side top of head, to our right. A pleated lace ruffle encircles her smooth neck. Her gown is parchment white where the light glints off the stiff fabric and is silvery gray in the shadows, creating a silk-like sheen. The dress is cut low across the chest, fits tightly around her narrow waist, and has puffy sleeves tied at the elbows with topaz-blue bows. Another blue bow is tied at her chest, and the ends wrap around her back along her waist. A corsage at her left shoulder, to our right, is a profusion of white flowers around a pale pink rose. In her other hand, to our left, she holds a straw hat with a shallow crown and a wide brim, trimmed with sky-blue ribbon. The arm holding the hat is nearly engulfed in the deep folds of her full skirt. She holds a pink rose in her other hand, which rests on the lip of a shiny, copper-colored urn filled with pink flowers and delicate green leaves. On that wrist she wears a bracelet with four strands of white pearls holding a cameo. She stands on a pale, dirt ground. A teal-blue bench in the lower left corner of the painting is tucked into sage-green shrubbery. Sprigs of pink roses are strewn across the seat and on the ground. The woman is framed to either side with olive and celery-green trees and vegetation, which blend into the hazy distance beyond her head.",{"_294":663,"_296":664,"_298":665},"https://img.ochreeditions.com/m/1477.jpg?dl=1","/art/madame-bergeret-nga-32681","/galleries/style/neoclassicism/madame-bergeret-nga-32681",{"_290":374,"_292":375},{"_224":658,"_125":659,"_284":660},{"_275":655,"_277":656,"_279":657,"_281":640},120.0675048828125,158.5,105.0675048828125,{"_286":224,"_123":661,"_154":662,"_140":93},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":433,"_154":434,"_140":435},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/1477/480.jpg","https://img.ochreeditions.com/a/1477/960.jpg","https://img.ochreeditions.com/a/1477/1920.jpg",{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},"#aaa593",0.0844,"#7b735f",0.1556,"#6c5e3b",0.1812,"#414130",0.2806,"#29281d",0.2982,"François Boucher","francois-boucher","French, 1703–1770",1703,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","god-save-us-from-such-a-bitter-fate-a-bandit-threatening-a-w-met-334050","God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the \"Black Border Album\" (E)",{"_42":742,"_221":743,"_324":744,"_326":745,"_328":746,"_330":747,"_332":748,"_333":749,"_334":750,"_140":81},"ca. 1816–20","spain","drawing","Drawings","Brush, carbon black gray ink and was, scraper","Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.7 cm)",18.7,26.6,0.7037638776062821,[727,728,729,730,731],{"_220":379,"_221":380,"_42":381,"_303":382},"35.103.50","Francisco Goya drew this in about 1816–20, aged about 65. It is now at The Met in New York.","A bandit raises a knife over a terrified woman and her child, and Goya’s caption pleads, “God save us from such a bitter fate.” The drawing comes from the so-called Black Border Album, one of the private albums Goya filled late in life, named for the black ink borders framing each page.","God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the \"Black Border Album\" (E), by Francisco Goya, ca. 1816–20",{"_294":724,"_296":725,"_298":726},"https://img.ochreeditions.com/m/991.jpg?dl=1","/art/god-save-us-from-such-a-bitter-fate-a-bandit-threatening-a-w-met-334050","/galleries/style/neoclassicism/god-save-us-from-such-a-bitter-fate-a-bandit-threatening-a-w-met-334050",{"_290":291,"_292":293},{"_224":714,"_125":715,"_284":716},{"_275":711,"_277":712,"_279":713,"_281":696},42.72011914432711,50.6,18.720119144327107,{"_286":224,"_123":722,"_154":723,"_140":81},{"_286":125,"_123":719,"_154":720,"_140":721},{"_286":284,"_123":717,"_154":718,"_140":87},"era/19-spain","19th-century Spain","style/drawing-19","More drawings of the 19th century",92,"artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/991/480.jpg","https://img.ochreeditions.com/a/991/960.jpg","https://img.ochreeditions.com/a/991/1920.jpg",{"_310":740,"_312":741},{"_310":738,"_312":739},{"_310":736,"_312":737},{"_310":734,"_312":735},{"_310":732,"_312":733},"#5c5a54",0.0952,"#c2bbaa",0.1119,"#969184",0.1207,"#757169",0.1864,"#e8dfca",0.4858,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","Monks in the Cloister of the Church of Gesù e Maria, Rome",{"_42":797,"_221":798,"_324":799,"_326":462,"_328":800,"_330":801,"_332":802,"_333":802,"_334":-5,"_140":101},"1808","19 1/2 x 15 3/8 in. (49.5 x 39.1 cm)",39.1,49.5,0.7997930677703052,[782,783,784,785,786],{"_220":379,"_221":380,"_42":381,"_303":382},"2003.42.36","François Marius Granet painted this in 1808, aged 33. It is now at The Met in New York.","Monks in the Cloister of the Church of Gesù e Maria, Rome, by François Marius Granet, 1808",{"_294":779,"_296":780,"_298":781},"https://img.ochreeditions.com/m/1187.jpg?dl=1","/art/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","/galleries/style/neoclassicism/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659",{"_290":374,"_292":375},{"_224":774,"_125":775,"_284":776},{"_275":771,"_277":772,"_279":773,"_281":757},54.58975685463011,64.5,39.58975685463011,{"_286":224,"_123":777,"_154":778,"_140":89},{"_286":125,"_123":605,"_154":606,"_140":197},{"_286":284,"_123":602,"_154":603,"_140":604},"artist/contemporaries-of-francois-marius-granet","François Marius Granet's contemporaries","https://img.ochreeditions.com/a/1187/480.jpg","https://img.ochreeditions.com/a/1187/960.jpg","https://img.ochreeditions.com/a/1187/1920.jpg",{"_310":795,"_312":796},{"_310":793,"_312":794},{"_310":791,"_312":792},{"_310":789,"_312":790},{"_310":787,"_312":788},"#877f6c",0.0362,"#645d4d",0.1615,"#4e4739",0.1743,"#383329",0.2917,"#25231e",0.3363,"François Marius Granet","francois-marius-granet","French, 1775–1849",1775,1849,"Aix-en-Provence","manuel-godoy-aic-80579","Manuel Godoy",{"_42":850,"_221":851,"_324":852,"_326":745,"_328":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1800–8","117 × 84.2 cm (46 1/16 × 33 1/8 in.); Framed: 126.1 × 93.7 × 5.8 cm (49 5/8 × 36 7/8 × 2 1/4 in.)",117,0.6747920517560074,[835,836,837,838,839],{"_220":300,"_221":301,"_42":302,"_303":304},"1954.312","Agustin Esteve y Marqués painted this in 1800–8. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":832,"_296":833,"_298":834},"https://img.ochreeditions.com/m/214.jpg?dl=1","/art/manuel-godoy-aic-80579","/galleries/style/neoclassicism/manuel-godoy-aic-80579",{"_290":374,"_292":375},{"_224":825,"_125":826,"_284":827},{"_275":822,"_277":823,"_279":824,"_281":808},93.95067005545287,132,78.95067005545287,{"_286":224,"_123":830,"_154":831,"_140":89},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":828,"_154":829,"_140":85},"era/18-spain","18th-century Spain","artist/contemporaries-of-agustin-esteve-y-marques","Agustin Esteve y Marqués's contemporaries","https://img.ochreeditions.com/a/214/480.jpg","https://img.ochreeditions.com/a/214/960.jpg","https://img.ochreeditions.com/a/214/1920.jpg",{"_310":848,"_312":849},{"_310":846,"_312":847},{"_310":844,"_312":845},{"_310":842,"_312":843},{"_310":840,"_312":841},"#293537",0.0251,"#97755c",0.0552,"#8d531c",0.1355,"#4a3219",0.2115,"#19100d",0.5727,"Agustin Esteve y Marqués","agustin-esteve-y-marques","Spanish, 1753–c. 1820","odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366","Odysseus, at the Doors of Hades, Meets the Shades of Tiresias and Anticlea",{"_42":907,"_221":908,"_324":909,"_326":910,"_328":911,"_330":912,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1785","switzerland","watercolour","Drawing and Watercolor","Pen and brown ink and black ink wash, with brown ink wash, on blued-white laid paper","45.4 × 67 cm (17 7/8 × 26 7/16 in.)",67,45,1.402373809834355,[892,893,894,895,896],{"_220":300,"_221":301,"_42":302,"_303":304},"2023.3178","Johann Heinrich Lips painted this in 1785, aged 27. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and black ink wash, with brown ink wash, on blued-white laid paper.",{"_294":889,"_296":890,"_298":891},"https://img.ochreeditions.com/m/432.jpg?dl=1","/art/odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366","/galleries/style/neoclassicism/odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366",{"_290":291,"_292":293},{"_224":880,"_125":881,"_284":882},{"_275":877,"_277":878,"_279":862,"_281":879},91,71.77613467261905,47.77613467261905,{"_286":224,"_123":887,"_154":888,"_140":89},{"_286":125,"_123":885,"_154":886,"_140":53},{"_286":284,"_123":883,"_154":884,"_140":89},"era/18-switzerland","18th-century Switzerland","style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-johann-heinrich-lips","Johann Heinrich Lips's contemporaries","https://img.ochreeditions.com/a/432/480.jpg","https://img.ochreeditions.com/a/432/960.jpg","https://img.ochreeditions.com/a/432/1920.jpg",{"_310":905,"_312":906},{"_310":903,"_312":904},{"_310":901,"_312":902},{"_310":899,"_312":900},{"_310":897,"_312":898},"#e3ceba",0.0792,"#bda58d",0.1542,"#836d5c",0.1865,"#ab927a",0.2878,"#97826e",0.2923,"Johann Heinrich Lips","johann-heinrich-lips","Swiss, 1758–1817","Swiss",1758,1817,"a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","A Fisherman and Two Children in a Landscape with Thatched Cottages",{"_42":959,"_221":960,"_324":961,"_326":910,"_328":962,"_330":963,"_332":-5,"_333":-5,"_334":964,"_140":99},"1764","etching on laid paper","plate: 21.4 x 18.9 cm (8 7/16 x 7 7/16 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",18.9,21.4,0.8924433249370277,[944,945,946,947,948],{"_220":549,"_221":550,"_42":551,"_303":552},"1996.12.2","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows a rustic scene with a house, trees, and a figure washing near a stream. Two children stand in the middle distance next to a ladder. In the background are two thatched houses among trees. The drawing style is detailed with fine lines and cross-hatching, creating texture. The color palette is monochromatic in shades of black and gray, emphasizing light and shadow.",{"_294":941,"_296":942,"_298":943},"https://img.ochreeditions.com/m/1630.jpg?dl=1","/art/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","/galleries/style/neoclassicism/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134",{"_290":291,"_292":293},{"_224":936,"_125":937,"_284":938},{"_275":934,"_277":368,"_279":935,"_281":486},46.31108312342569,22.311083123425693,{"_286":224,"_123":939,"_154":940,"_140":99},{"_286":125,"_123":436,"_154":437,"_140":438},{"_286":284,"_123":883,"_154":884,"_140":89},"artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1630/480.jpg","https://img.ochreeditions.com/a/1630/960.jpg","https://img.ochreeditions.com/a/1630/1920.jpg",{"_310":957,"_312":958},{"_310":955,"_312":956},{"_310":953,"_312":954},{"_310":951,"_312":952},{"_310":949,"_312":950},"#ac9b84",0.1357,"#8e7f6d",0.1664,"#76695a",0.1848,"#5e5448",0.1861,"#d7c3a5",0.327,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.","shipwreck-aic-57854","Shipwreck",{"_42":1010,"_221":1011,"_324":1012,"_326":462,"_328":1013,"_330":1014,"_332":-5,"_333":-5,"_334":-5,"_140":103},"19th century","54 × 65.3 cm (21 1/4 × 25 11/16 in.)",65,54,1.2084870848708487,[995,996,997,998,999],{"_220":300,"_221":301,"_42":302,"_303":304},"1975.667","After Eugène Isabey painted this in 19th century. It is now at the Art Institute of Chicago.",{"_294":992,"_296":993,"_298":994},"https://img.ochreeditions.com/m/171.jpg?dl=1","/art/shipwreck-aic-57854","/galleries/style/neoclassicism/shipwreck-aic-57854",{"_290":374,"_292":375},{"_224":987,"_125":988,"_284":989},{"_275":984,"_277":985,"_279":970,"_281":986},80,68.78625954198473,53.786259541984734,{"_286":224,"_123":990,"_154":991,"_140":89},{"_286":125,"_123":605,"_154":606,"_140":197},{"_286":284,"_123":602,"_154":603,"_140":604},"artist/contemporaries-of-after-eugene-isabey","After Eugène Isabey's contemporaries","https://img.ochreeditions.com/a/171/480.jpg","https://img.ochreeditions.com/a/171/960.jpg","https://img.ochreeditions.com/a/171/1920.jpg",{"_310":1008,"_312":1009},{"_310":1006,"_312":1007},{"_310":1004,"_312":1005},{"_310":1002,"_312":1003},{"_310":1000,"_312":1001},"#b6aa6f",0.1389,"#959983",0.1424,"#716444",0.1763,"#44372c",0.2403,"#26191c",0.3021,"After Eugène Isabey","after-eugene-isabey","French, 1803–1886",1803,1886,"self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840","Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788)",{"_42":1060,"_221":1061,"_324":1062,"_326":462,"_328":1063,"_330":1013,"_332":574,"_333":574,"_334":-5,"_140":101},"83 x 59 1/2 in. (210.8 x 151.1 cm)",151.1,210.8,0.7406266050333847,[1045,1046,1047,1048,1049],{"_220":379,"_221":380,"_42":381,"_303":382},"53.225.5","Adélaïde Labille-Guiard painted this in 1785, aged 36. It is now at The Met in New York.","Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), by Adélaïde Labille-Guiard, 1785",{"_294":1042,"_296":1043,"_298":1044},"https://img.ochreeditions.com/m/1112.jpg?dl=1","/art/self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840","/galleries/style/neoclassicism/self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840",{"_290":374,"_292":375},{"_224":1037,"_125":1038,"_284":1039},{"_275":1034,"_277":1035,"_279":1036,"_281":1020},171.12408834103752,225.8,156.12408834103752,{"_286":224,"_123":1040,"_154":1041,"_140":89},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-adelaide-labille-guiard","Adélaïde Labille-Guiard's contemporaries","https://img.ochreeditions.com/a/1112/480.jpg","https://img.ochreeditions.com/a/1112/960.jpg","https://img.ochreeditions.com/a/1112/1920.jpg",{"_310":1058,"_312":1059},{"_310":1056,"_312":1057},{"_310":1054,"_312":1055},{"_310":1052,"_312":1053},{"_310":1050,"_312":1051},"#6a685f",0.125,"#7d5c3e",0.1609,"#5f432c",0.2178,"#1f1d13",0.2457,"#3d2f22",0.2506,"Adélaïde Labille-Guiard","adelaide-labille-guiard","French, 1749–1803",1749,"martyrdom-of-st-andrew-si-chndm-1901-39-48","Martyrdom of St. Andrew",{"_42":1121,"_221":1122,"_324":1123,"_326":327,"_328":1124,"_330":1125,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1825–50","Drawing","Pen and brown ink, black chalk on cream laid paper, lined","30.1 x 23.6 cm (11 7/8 x 9 5/16 in.)",23.6,30.1,1.2385847477886684,[1106,1107,1108,1109,1110],{"_220":1103,"_221":1104,"_42":1105,"_303":382},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-48","Francesco Coghetti drew this in 1825–50, aged 21. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1100,"_1101":1102},"MARTYRDOM OF ST. ANDREW",{"_294":1097,"_296":1098,"_298":1099},"https://img.ochreeditions.com/m/1707.jpg?dl=1","/art/martyrdom-of-st-andrew-si-chndm-1901-39-48","/galleries/style/neoclassicism/martyrdom-of-st-andrew-si-chndm-1901-39-48",{"_290":291,"_292":293},{"_224":1092,"_125":1093,"_284":1094},{"_275":1088,"_277":1089,"_279":1090,"_281":1091},53.66211491851447,47.94839349626443,29.66211491851447,23.94839349626443,{"_286":224,"_123":1095,"_154":1096,"_140":89},{"_286":125,"_123":719,"_154":720,"_140":721},{"_286":284,"_123":167,"_154":166,"_140":79},"artist/contemporaries-of-francesco-coghetti","Francesco Coghetti's contemporaries","https://img.ochreeditions.com/a/1707/480.jpg","https://img.ochreeditions.com/a/1707/960.jpg","https://img.ochreeditions.com/a/1707/1920.jpg","In a spacious Roman hall, three men are raising the cross with the Apostle. Meanwhile, a soldier is trying to corral an excited crowd at left, and the praetor and two more soldiers watch the scene in the background.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":1119,"_312":1120},{"_310":1117,"_312":1118},{"_310":1115,"_312":1116},{"_310":1113,"_312":1114},{"_310":1111,"_312":1112},"#bfaf95",0.1002,"#cbbda6",0.1238,"#e5d7bc",0.2074,"#cfbfa3",0.2445,"#d9caaf",0.3241,"Francesco Coghetti","francesco-coghetti","Italian, 1804–1875",1804,1875,"the-hanged-monk-aic-22808","The Hanged Monk",{"_42":742,"_221":743,"_324":744,"_326":745,"_328":746,"_330":747,"_332":748,"_333":749,"_334":750,"_140":81},"c. 1810","Oil on panel","31 × 39.2 cm (12 3/16 × 15 5/16 in.); Framed: 48.3 × 56.2 × 6.7 cm (19 × 22 1/8 × 2 5/8 in.)",39,31,1.254309427537774,[1156,1157,1158,1159,1160],{"_220":300,"_221":301,"_42":302,"_303":304},"1936.225","Francisco Goya painted this in about 1810, aged about 59. It is now at the Art Institute of Chicago.","A monk hangs lifeless in a desolate mountain setting in this small panel, painted around 1810, when the Peninsular War was tearing Spain apart. In these years Goya made a number of small pictures for himself, alongside the etchings later published as The Disasters of War, recording cruelty committed by all sides.","A work made of oil on panel.",{"_294":1153,"_296":1154,"_298":1155},"https://img.ochreeditions.com/m/96.jpg?dl=1","/art/the-hanged-monk-aic-22808","/galleries/style/neoclassicism/the-hanged-monk-aic-22808",{"_290":374,"_292":375},{"_224":1150,"_125":1151,"_284":1152},{"_275":971,"_277":1148,"_279":1132,"_281":1149},46.0928062436376,31.092806243637597,{"_286":224,"_123":722,"_154":723,"_140":81},{"_286":125,"_123":605,"_154":606,"_140":197},{"_286":284,"_123":717,"_154":718,"_140":87},"https://img.ochreeditions.com/a/96/480.jpg","https://img.ochreeditions.com/a/96/960.jpg","https://img.ochreeditions.com/a/96/1920.jpg",{"_310":1169,"_312":1170},{"_310":1167,"_312":1168},{"_310":1165,"_312":1166},{"_310":1163,"_312":1164},{"_310":1161,"_312":1162},"#b19265",0.0322,"#77491e",0.038,"#614f34",0.1945,"#392916",0.22,"#1f170d",0.5153,{"_1172":-5,"_1173":1174,"_1175":1176,"_1177":8,"_1178":1179,"_1180":8},"user","csrf","101531f0d98cffb5a7f2929e5ffa46c87f7f8513","cartCount",0,"dropLive","legal",[1181,1182,1183,1184,1185,1186,1187,1188,1189,1190,1191,1192],"uploadsEnabled",{"_221":1215,"_20":1216},{"_221":1213,"_20":1214},{"_221":1211,"_20":1212},{"_221":1209,"_20":1210},{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]