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There is a tall, dark green tree behind the man, and the ground he stands on is brown.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1306.jpg?dl=1","page_url","/art/charles-iv-of-spain-as-huntsman-nga-93","walk_url","/galleries/style/neoclassicism/charles-iv-of-spain-as-huntsman-nga-93","frame",{"_290":291,"_292":293},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":280,"_281":245},"w",44.454931640625006,"h",61.6,"image_w",29.454931640625002,"image_h",{"_286":224,"_123":169,"_154":168,"_140":171},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":85},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1306/480.jpg","960","https://img.ochreeditions.com/a/1306/960.jpg","1920","https://img.ochreeditions.com/a/1306/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#b8b589","weight",0.1188,"#846229",0.1289,"#827b55",0.1508,"#4e4023",0.2285,"#24221a",0.373,"madame-bergeret-nga-32681","Madame Bergeret",{"_42":373,"_221":374,"_375":376,"_377":378,"_379":380,"_381":382,"_383":384,"_385":384,"_386":387,"_140":93},"possibly 1766","france","overall: 143.5 x 105.4 cm (56 1/2 x 41 1/2 in.) framed: 172.4 x 134.3 cm (67 7/8 x 52 7/8 in.)",105.4,143.5,0.732177734375,[358,359,360,361,362],{"_220":300,"_221":301,"_42":302,"_303":304},"1946.7.3","François Boucher painted this (possibly 1766), aged 63. It is now at the National Gallery of Art in Washington, DC.","Madame Bergeret stands in a garden in a gown of shimmering silver-white silk with blue bows, a straw hat trimmed with blue ribbon in one hand and a pink rose in the other, resting on an urn of flowers. Roses lie scattered on a bench and on the ground beside her.","A young woman with light skin stands in a garden, wearing a voluminous, full-length, silvery, shimmering gown in this vertical portrait painting. Her body faces us, as she looks into the distance to our left. She has rosy cheeks, gray-green eyes under gently arched, light brown brows, and her coral-pink, thin, closed lips curve in a slight smile. Her ash-brown hair is pulled back and adorned with tiny shell-pink and azure-blue flowers along the left side top of head, to our right. A pleated lace ruffle encircles her smooth neck. Her gown is parchment white where the light glints off the stiff fabric and is silvery gray in the shadows, creating a silk-like sheen. The dress is cut low across the chest, fits tightly around her narrow waist, and has puffy sleeves tied at the elbows with topaz-blue bows. Another blue bow is tied at her chest, and the ends wrap around her back along her waist. A corsage at her left shoulder, to our right, is a profusion of white flowers around a pale pink rose. In her other hand, to our left, she holds a straw hat with a shallow crown and a wide brim, trimmed with sky-blue ribbon. The arm holding the hat is nearly engulfed in the deep folds of her full skirt. She holds a pink rose in her other hand, which rests on the lip of a shiny, copper-colored urn filled with pink flowers and delicate green leaves. On that wrist she wears a bracelet with four strands of white pearls holding a cameo. She stands on a pale, dirt ground. A teal-blue bench in the lower left corner of the painting is tucked into sage-green shrubbery. Sprigs of pink roses are strewn across the seat and on the ground. The woman is framed to either side with olive and celery-green trees and vegetation, which blend into the hazy distance beyond her head.",{"_294":355,"_296":356,"_298":357},"https://img.ochreeditions.com/m/1477.jpg?dl=1","/art/madame-bergeret-nga-32681","/galleries/style/neoclassicism/madame-bergeret-nga-32681",{"_290":291,"_292":293},{"_224":347,"_125":348,"_284":349},{"_275":344,"_277":345,"_279":346,"_281":329},120.0675048828125,158.5,105.0675048828125,{"_286":224,"_123":353,"_154":354,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":350,"_154":351,"_140":352},"era/18-france","18th-century France",75,"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/1477/480.jpg","https://img.ochreeditions.com/a/1477/960.jpg","https://img.ochreeditions.com/a/1477/1920.jpg",{"_310":371,"_312":372},{"_310":369,"_312":370},{"_310":367,"_312":368},{"_310":365,"_312":366},{"_310":363,"_312":364},"#aaa593",0.0844,"#7b735f",0.1556,"#6c5e3b",0.1812,"#414130",0.2806,"#29281d",0.2982,"François Boucher","francois-boucher","bio","French, 1703–1770","nationality","French","birth_year",1703,"death_year",1770,"birth_place","Paris","death_place","about_excerpt","Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","alexander-at-the-tomb-of-cyrus-the-great-aic-100060","Alexander at the Tomb of Cyrus the Great",{"_42":441,"_221":442,"_375":443,"_377":378,"_379":444,"_381":445,"_383":-5,"_385":-5,"_386":446,"_140":97},"1796","Oil on canvas","42 × 91.1 cm (16 9/16 × 35 7/8 in.); Framed: 59.3 × 107.7 cm (23 5/16 × 42 3/8 in.)",91,42,2.2301401869158877,[426,427,428,429,430],{"_220":422,"_221":423,"_42":424,"_303":425},"Courtesy of the Art Institute of Chicago","1983.35","Pierre Henri de Valenciennes painted this in 1796, aged 46. It is now at the Art Institute of Chicago.","Alexander the Great and his soldiers pause among tents and trees before the tomb of Cyrus the Great, founder of the Persian Empire, whose grave at Pasargadae Alexander found plundered and ordered to be restored.","A work made of oil on canvas.",{"_294":419,"_296":420,"_298":421},"https://img.ochreeditions.com/m/259.jpg?dl=1","/art/alexander-at-the-tomb-of-cyrus-the-great-aic-100060","/galleries/style/neoclassicism/alexander-at-the-tomb-of-cyrus-the-great-aic-100060",{"_290":291,"_292":293},{"_224":414,"_125":415,"_284":416},{"_275":411,"_277":412,"_279":394,"_281":413},106,55.804609743321116,40.804609743321116,{"_286":224,"_123":417,"_154":418,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":350,"_154":351,"_140":352},"artist/pierre-henri-de-valenciennes","More by Pierre Henri de Valenciennes","https://img.ochreeditions.com/a/259/480.jpg","https://img.ochreeditions.com/a/259/960.jpg","https://img.ochreeditions.com/a/259/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":439,"_312":440},{"_310":437,"_312":438},{"_310":435,"_312":436},{"_310":433,"_312":434},{"_310":431,"_312":432},"#a09a87",0.1546,"#876233",0.1848,"#46371b",0.201,"#726d62",0.2188,"#583a0f",0.2408,"Pierre Henri de Valenciennes","pierre-henri-de-valenciennes","French, 1750–1819",1750,1819,"Valenciennes was the leading theorist of French historical landscape.","portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130910","Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands",{"_42":506,"_221":507,"_375":508,"_377":509,"_379":-5,"_381":-5,"_383":-5,"_385":-5,"_386":-5,"_140":99},"1826",19,"netherlands","print","Print","Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper","Image/sheet: 37.5 × 27.1 cm (14 13/16 × 10 11/16 in.); Secondary support: 50.7 × 39.3 cm (20 × 15 1/2 in.)",27,37,0.731761814322422,[491,492,493,494,495],{"_220":422,"_221":423,"_42":424,"_303":425},"1940.961","Christian Josi made this in 1826. It is now at the Art Institute of Chicago.","A work made of soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper.",{"_294":488,"_296":489,"_298":490},"https://img.ochreeditions.com/m/312.jpg?dl=1","/art/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130910","/galleries/style/neoclassicism/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130910",{"_290":486,"_292":487},{"_224":475,"_125":476,"_284":477},{"_275":472,"_277":473,"_279":474,"_281":458},51.07518712992962,61,27.075187129929617,{"_286":224,"_123":484,"_154":485,"_140":99},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":478,"_154":479,"_140":480},"era/19-netherlands","19th-century Netherlands",21,"style/print-19","More prints of the 19th century",159,"artist/christian-josi","More by Christian Josi","black","snow","https://img.ochreeditions.com/a/312/480.jpg","https://img.ochreeditions.com/a/312/960.jpg","https://img.ochreeditions.com/a/312/1920.jpg",{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},{"_310":498,"_312":499},{"_310":496,"_312":497},"#cec8c6",0.0725,"#695043",0.1453,"#8c6a57",0.2281,"#b48d75",0.2729,"#d4aa8f",0.2812,"Christian Josi","christian-josi","Dutch, died 1828","Dutch","a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","A Fisherman and Two Children in a Landscape with Thatched Cottages",{"_42":563,"_221":564,"_375":565,"_377":566,"_379":567,"_381":568,"_383":-5,"_385":-5,"_386":569,"_140":99},"1764","switzerland","etching on laid paper","plate: 21.4 x 18.9 cm (8 7/16 x 7 7/16 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",18.9,21.4,0.8924433249370277,[549,550,551,552,553],{"_220":300,"_221":301,"_42":302,"_303":304},"1996.12.2","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows a rustic scene with a house, trees, and a figure washing near a stream. Two children stand in the middle distance next to a ladder. In the background are two thatched houses among trees. The drawing style is detailed with fine lines and cross-hatching, creating texture. The color palette is monochromatic in shades of black and gray, emphasizing light and shadow.",{"_294":546,"_296":547,"_298":548},"https://img.ochreeditions.com/m/1630.jpg?dl=1","/art/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","/galleries/style/neoclassicism/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134",{"_290":486,"_292":487},{"_224":536,"_125":537,"_284":538},{"_275":532,"_277":533,"_279":534,"_281":535},46.31108312342569,49,22.311083123425693,25,{"_286":224,"_123":544,"_154":545,"_140":99},{"_286":125,"_123":541,"_154":542,"_140":543},{"_286":284,"_123":539,"_154":540,"_140":89},"era/18-switzerland","18th-century Switzerland","style/print-18","More prints of the 18th century",129,"artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1630/480.jpg","https://img.ochreeditions.com/a/1630/960.jpg","https://img.ochreeditions.com/a/1630/1920.jpg",{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":558,"_312":434},{"_310":556,"_312":557},{"_310":554,"_312":555},"#ac9b84",0.1357,"#8e7f6d",0.1664,"#76695a","#5e5448",0.1861,"#d7c3a5",0.327,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788","Swiss",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.","farmer-requesting-permission-to-marry-a-nobleman-s-daughter-aic-262600","Farmer Requesting Permission to Marry a Nobleman's Daughter",{"_42":618,"_221":619,"_375":620,"_377":378,"_379":621,"_381":622,"_383":384,"_385":384,"_386":-5,"_140":101},"1761","watercolour","Drawing and Watercolor","Graphite and pen and black ink, with touches of opaque, white watercolor on cream laid paper","12.5 × 7.9 cm (4 15/16 × 3 1/8 in.)",0.63476894881529,[603,604,605,606,607],{"_220":422,"_221":423,"_42":424,"_303":425},"2023.2859","Gabriel de Saint-Aubin painted this in 1761, aged 37. It is now at the Art Institute of Chicago.","A work made of graphite and pen and black ink, with touches of opaque, white watercolor on cream laid paper.",{"_294":600,"_296":601,"_298":602},"https://img.ochreeditions.com/m/412.jpg?dl=1","/art/farmer-requesting-permission-to-marry-a-nobleman-s-daughter-aic-262600","/galleries/style/neoclassicism/farmer-requesting-permission-to-marry-a-nobleman-s-daughter-aic-262600",{"_290":486,"_292":487},{"_224":593,"_125":594,"_284":595},{"_275":591,"_277":533,"_279":592,"_281":535},39.86922372038225,15.86922372038225,{"_286":224,"_123":598,"_154":599,"_140":89},{"_286":125,"_123":596,"_154":597,"_140":53},{"_286":284,"_123":350,"_154":351,"_140":352},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-gabriel-de-saint-aubin","Gabriel de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/412/480.jpg","https://img.ochreeditions.com/a/412/960.jpg","https://img.ochreeditions.com/a/412/1920.jpg",{"_310":616,"_312":617},{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},"#f0dfd0",0.0777,"#746a63",0.1113,"#95877b",0.2317,"#c7b098",0.242,"#af9c8a",0.3373,"Gabriel de Saint-Aubin","gabriel-de-saint-aubin","French, 1724–1780",1724,1780,"mount-athos-carved-as-a-monument-to-alexander-the-great-aic-100061","Mount Athos Carved as a Monument to Alexander the Great",{"_42":441,"_221":442,"_375":443,"_377":378,"_379":444,"_381":445,"_383":-5,"_385":-5,"_386":446,"_140":97},"41.9 × 91.4 cm (16 1/2 × 36 in.); Framed: 59.4 × 109 × 7.7 cm (23 3/8 × 42 7/8 × 3 in.)",41,2.213252314814815,[648,649,650,651,652],{"_220":422,"_221":423,"_42":424,"_303":425},"1983.36","The architect Dinocrates is said to have proposed to Alexander the Great that Mount Athos be carved into a colossal statue of the king, holding a city in one hand and in the other a bowl from which a river would pour.",{"_294":645,"_296":646,"_298":647},"https://img.ochreeditions.com/m/260.jpg?dl=1","/art/mount-athos-carved-as-a-monument-to-alexander-the-great-aic-100061","/galleries/style/neoclassicism/mount-athos-carved-as-a-monument-to-alexander-the-great-aic-100061",{"_290":291,"_292":293},{"_224":642,"_125":643,"_284":644},{"_275":411,"_277":640,"_279":394,"_281":641},56.11596287096352,41.11596287096352,{"_286":224,"_123":417,"_154":418,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":350,"_154":351,"_140":352},"https://img.ochreeditions.com/a/260/480.jpg","https://img.ochreeditions.com/a/260/960.jpg","https://img.ochreeditions.com/a/260/1920.jpg",{"_310":661,"_312":662},{"_310":659,"_312":660},{"_310":657,"_312":658},{"_310":655,"_312":656},{"_310":653,"_312":654},"#6e5426",0.1401,"#5a4f31",0.1476,"#887965",0.1638,"#ad997f",0.2532,"#433410",0.2953,"the-lictors-bringing-brutus-the-bodies-of-his-sons-met-371418","The Lictors Bringing Brutus the Bodies of his Sons",{"_42":721,"_221":722,"_375":723,"_377":378,"_379":724,"_381":725,"_383":384,"_385":726,"_386":727,"_140":97},"1787","drawing","Drawings","Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache","Sheet: 13 1/16 x 16 9/16 in. (33.2 x 42.1 cm)",42.1,33.2,1.2644326476443264,[706,707,708,709,710],{"_220":702,"_221":703,"_42":704,"_303":705},"Courtesy of The Metropolitan Museum of Art","2006.264","Jacques-Louis David painted this in 1787, aged 39. It is now at The Met in New York.","Lucius Junius Brutus, founder of the Roman Republic, had condemned his own sons to death for plotting to restore the monarchy; here the lictors carry their bodies home, while the women of his family cry out in grief.","The Lictors Bringing Brutus the Bodies of his Sons, by Jacques-Louis David, 1787",{"_294":699,"_296":700,"_298":701},"https://img.ochreeditions.com/m/1051.jpg?dl=1","/art/the-lictors-bringing-brutus-the-bodies-of-his-sons-met-371418","/galleries/style/neoclassicism/the-lictors-bringing-brutus-the-bodies-of-his-sons-met-371418",{"_290":486,"_292":487},{"_224":691,"_125":692,"_284":693},{"_275":688,"_277":689,"_279":671,"_281":690},66.1,57.29556546838101,33.29556546838101,{"_286":224,"_123":697,"_154":698,"_140":97},{"_286":125,"_123":694,"_154":695,"_140":696},{"_286":284,"_123":350,"_154":351,"_140":352},"style/drawing-18","More drawings of the 18th century",31,"artist/jacques-louis-david","More by Jacques-Louis David","https://img.ochreeditions.com/a/1051/480.jpg","https://img.ochreeditions.com/a/1051/960.jpg","https://img.ochreeditions.com/a/1051/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":719,"_312":720},{"_310":717,"_312":718},{"_310":715,"_312":716},{"_310":713,"_312":714},{"_310":711,"_312":712},"#d1c4af",0.0797,"#b6a890",0.1909,"#6b665d",0.2096,"#887f6e",0.2555,"#9d917d",0.2643,"Jacques-Louis David","jacques-louis-david","French, 1748–1825",1748,1825,"Brussels","David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates.","still-life-with-fish-bread-and-kettle-cma-151555","Still Life with Fish, Bread, and Kettle",{"_42":783,"_221":784,"_375":785,"_377":786,"_379":787,"_381":622,"_383":788,"_385":789,"_386":-5,"_140":101},"c. 1772","Framed: 54 x 67 x 5 cm (21 1/4 x 26 3/8 x 1 15/16 in.); Unframed: 34 x 48 cm (13 3/8 x 18 7/8 in.)",48,34,1.3968775677896468,[768,769,770,771,772],{"_220":764,"_221":765,"_42":766,"_303":767},"Courtesy of the Cleveland Museum of Art","1983.97","Luis Meléndez painted this in about 1772, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":761,"_762":763},"Still Life with Fish, Bread, and Kettle, by Luis Meléndez, c. 1772",{"_294":758,"_296":759,"_298":760},"https://img.ochreeditions.com/m/719.jpg?dl=1","/art/still-life-with-fish-bread-and-kettle-cma-151555","/galleries/style/neoclassicism/still-life-with-fish-bread-and-kettle-cma-151555",{"_290":291,"_292":293},{"_224":753,"_125":754,"_284":755},{"_275":750,"_277":751,"_279":733,"_281":752},63,49.36235294117647,34.36235294117647,{"_286":224,"_123":756,"_154":757,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":85},"artist/contemporaries-of-luis-melendez","Luis Meléndez's contemporaries","https://img.ochreeditions.com/a/719/480.jpg","https://img.ochreeditions.com/a/719/960.jpg","https://img.ochreeditions.com/a/719/1920.jpg","During the 1760s, after painting portraits and portrait miniatures with his father, Meléndez began to specialize in still lifes. Active mainly in Madrid, he is regarded as the finest Spanish still-life painter of the 18th century, but he spent much of his life in poverty.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},"#7d7057",0.0703,"#c29551",0.0856,"#694420",0.1084,"#453522",0.2731,"#231e16",0.4626,"Luis Meléndez","luis-melendez","Spanish, 1716–1780","Spanish",1716,"Naples","Madrid","self-portrait-met-334004","Self-Portrait",{"_42":836,"_221":837,"_375":838,"_377":786,"_379":839,"_381":840,"_383":841,"_385":842,"_386":843,"_140":81},"ca. 1796","Brush and point of brush, carbon black ink","Sheet: 5 7/8 × 3 9/16 in. (15 × 9.1 cm)",9.1,0.5936022253129346,[821,822,823,824,825],{"_220":702,"_221":703,"_42":704,"_303":705},"35.103.1","Francisco Goya drew this in about 1796, aged about 45. It is now at The Met in New York.","Goya portrays himself in carbon black ink, drawing with the point of the brush as well as broader strokes, around 1796, a few years after a serious illness left him profoundly deaf. He models the face with remarkable economy, letting the white of the paper do much of the work.","Self-Portrait, by Francisco Goya, ca. 1796",{"_294":818,"_296":819,"_298":820},"https://img.ochreeditions.com/m/990.jpg?dl=1","/art/self-portrait-met-334004","/galleries/style/neoclassicism/self-portrait-met-334004",{"_290":486,"_292":487},{"_224":813,"_125":814,"_284":815},{"_275":811,"_277":533,"_279":812,"_281":535},38.840055632823365,14.840055632823365,{"_286":224,"_123":816,"_154":817,"_140":81},{"_286":125,"_123":694,"_154":695,"_140":696},{"_286":284,"_123":166,"_154":165,"_140":85},"artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/990/480.jpg","https://img.ochreeditions.com/a/990/960.jpg","https://img.ochreeditions.com/a/990/1920.jpg",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#c5bbae",0.0674,"#746d66",0.0724,"#9d948a",0.0732,"#efe3d4",0.3076,"#f4ebe0",0.4794,"Francisco Goya","francisco-goya","Spanish, 1746–1828",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","seaside-studies-nga-144396","Seaside Studies",{"_42":898,"_221":899,"_375":900,"_377":378,"_379":901,"_381":902,"_383":-5,"_385":-5,"_386":-5,"_140":103},"1830s","Drawing","charcoal with traces of pen and brown ink and brown wash on laid paper","sheet: 37.1 x 51.4 cm (14 5/8 x 20 1/4 in.)",51.4,37.1,1.3875338753387534,[883,884,885,886,887],{"_220":300,"_221":301,"_42":302,"_303":304},"2009.74.3","Eugène Isabey drew this in the 1830s, aged about 27. It is now at the National Gallery of Art in Washington, DC.","This image is a pencil sketch on paper with a monochrome palette of graphite gray. The viewer sees various scenes without a defined horizon line. The upper section shows figures in period clothing, possibly mid-19th century women's fashion. The middle area has abstract architectural forms. In the lower right corner, a sailing ship or boat is sketched with more detail than the rest. The drawing style consists of quick, expressive strokes. The image conveys multiple narrative or compositional ideas on a single sheet.",{"_294":880,"_296":881,"_298":882},"https://img.ochreeditions.com/m/1675.jpg?dl=1","/art/seaside-studies-nga-144396","/galleries/style/neoclassicism/seaside-studies-nga-144396",{"_290":486,"_292":487},{"_224":869,"_125":870,"_284":871},{"_275":866,"_277":867,"_279":851,"_281":868},75.4,61.044140625,37.044140625,{"_286":224,"_123":878,"_154":879,"_140":89},{"_286":125,"_123":875,"_154":876,"_140":877},{"_286":284,"_123":872,"_154":873,"_140":874},"era/19-france","19th-century France",237,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-eugene-isabey","Eugène Isabey's contemporaries","https://img.ochreeditions.com/a/1675/480.jpg","https://img.ochreeditions.com/a/1675/960.jpg","https://img.ochreeditions.com/a/1675/1920.jpg",{"_310":896,"_312":897},{"_310":894,"_312":895},{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},"#7e776f",0.0132,"#a39d93",0.036,"#bbb6ad",0.089,"#c9c4ba",0.2775,"#cdc9c2",0.5843,"Eugène Isabey","eugene-isabey","French, 1803–1886",1803,1886,"the-nursing-of-jupiter-nga-53150","The Nursing of Jupiter",{"_42":949,"_221":950,"_375":951,"_377":378,"_379":445,"_381":952,"_383":-5,"_385":-5,"_386":-5,"_140":103},"graphite heightened with white on brown paper","overall (approximate): 60.5 x 89.9 cm (23 13/16 x 35 3/8 in.)",89.9,60.5,1.4867513611615244,[934,935,936,937,938],{"_220":300,"_221":301,"_42":302,"_303":304},"1972.18.1","Théodore Chassériau drew this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of mythological figures in a ceremonial scene. The composition features multiple figures in various poses, centered around a symbolic gathering. The drawing is detailed, providing a classical representation of human forms, draped fabrics, and an animal. A plateau with trees is subtly depicted in the background. The figures display expressions ranging from serene to contemplative.",{"_294":931,"_296":932,"_298":933},"https://img.ochreeditions.com/m/1560.jpg?dl=1","/art/the-nursing-of-jupiter-nga-53150","/galleries/style/neoclassicism/the-nursing-of-jupiter-nga-53150",{"_290":486,"_292":487},{"_224":926,"_125":927,"_284":928},{"_275":923,"_277":924,"_279":908,"_281":925},113.9,84.4674072265625,60.46740722656251,{"_286":224,"_123":929,"_154":930,"_140":89},{"_286":125,"_123":875,"_154":876,"_140":877},{"_286":284,"_123":872,"_154":873,"_140":874},"artist/contemporaries-of-theodore-chasseriau","Théodore Chassériau's contemporaries","https://img.ochreeditions.com/a/1560/480.jpg","https://img.ochreeditions.com/a/1560/960.jpg","https://img.ochreeditions.com/a/1560/1920.jpg",{"_310":947,"_312":948},{"_310":945,"_312":946},{"_310":943,"_312":944},{"_310":941,"_312":942},{"_310":939,"_312":940},"#eed7bb",0.0585,"#ceb69a",0.0847,"#dbc0a2",0.218,"#e4c6a3",0.246,"#e6cbab",0.3928,"Théodore Chassériau","theodore-chasseriau","French, 1819–1856",1856,"odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366","Odysseus, at the Doors of Hades, Meets the Shades of Tiresias and Anticlea",{"_42":999,"_221":1000,"_375":1001,"_377":566,"_379":1002,"_381":1003,"_383":-5,"_385":-5,"_386":-5,"_140":103},"1785","Pen and brown ink and black ink wash, with brown ink wash, on blued-white laid paper","45.4 × 67 cm (17 7/8 × 26 7/16 in.)",67,45,1.402373809834355,[984,985,986,987,988],{"_220":422,"_221":423,"_42":424,"_303":425},"2023.3178","Johann Heinrich Lips painted this in 1785, aged 27. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and black ink wash, with brown ink wash, on blued-white laid paper.",{"_294":981,"_296":982,"_298":983},"https://img.ochreeditions.com/m/432.jpg?dl=1","/art/odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366","/galleries/style/neoclassicism/odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366",{"_290":486,"_292":487},{"_224":976,"_125":977,"_284":978},{"_275":394,"_277":974,"_279":959,"_281":975},71.77613467261905,47.77613467261905,{"_286":224,"_123":979,"_154":980,"_140":89},{"_286":125,"_123":596,"_154":597,"_140":53},{"_286":284,"_123":539,"_154":540,"_140":89},"artist/contemporaries-of-johann-heinrich-lips","Johann Heinrich Lips's contemporaries","https://img.ochreeditions.com/a/432/480.jpg","https://img.ochreeditions.com/a/432/960.jpg","https://img.ochreeditions.com/a/432/1920.jpg",{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},{"_310":991,"_312":992},{"_310":989,"_312":990},"#e3ceba",0.0792,"#bda58d",0.1542,"#836d5c",0.1865,"#ab927a",0.2878,"#97826e",0.2923,"Johann Heinrich Lips","johann-heinrich-lips","Swiss, 1758–1817",1758,1817,"george-washington-front-view-from-oeuvre-de-canova-aic-260564","George Washington, Front View, from Oeuvre de Canova",{"_42":1054,"_221":1055,"_375":1056,"_377":1057,"_379":1058,"_381":1059,"_383":-5,"_385":-5,"_386":-5,"_140":99},"1817","italy","Engraving in black on ivory wove paper","Plate: 45 × 32.5 cm (17 3/4 × 12 13/16 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",32,0.7184520471116096,[1039,1040,1041,1042,1043],{"_220":422,"_221":423,"_42":424,"_303":425},"2021.51","Antonio Canova made this in 1817, aged 52. It is now at the Art Institute of Chicago.","Antonio Canova’s statue of George Washington, commissioned by the state of North Carolina for its State House in Raleigh, showed the first American president seated in Roman dress, writing on a tablet.","A work made of engraving in black on ivory wove paper.",{"_294":1036,"_296":1037,"_298":1038},"https://img.ochreeditions.com/m/404.jpg?dl=1","/art/george-washington-front-view-from-oeuvre-de-canova-aic-260564","/galleries/style/neoclassicism/george-washington-front-view-from-oeuvre-de-canova-aic-260564",{"_290":486,"_292":487},{"_224":1029,"_125":1030,"_284":1031},{"_275":1026,"_277":1027,"_279":1028,"_281":960},56.33034212002243,69,32.33034212002243,{"_286":224,"_123":1034,"_154":1035,"_140":99},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":1032,"_154":1033,"_140":79},"era/19-italy","19th-century Italy","artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/404/480.jpg","https://img.ochreeditions.com/a/404/960.jpg","https://img.ochreeditions.com/a/404/1920.jpg",{"_310":1052,"_312":1053},{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},"#6d665e",0.0099,"#958d85",0.0177,"#d5cec8",0.0564,"#bbb3ac",0.0625,"#f5eae4",0.8535,"Antonio Canova","antonio-canova","Italian, 1765–1820","Italian",1765,1820,"monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","Monks in the Cloister of the Church of Gesù e Maria, Rome",{"_42":1109,"_221":1110,"_375":1111,"_377":378,"_379":1112,"_381":1113,"_383":1114,"_385":1114,"_386":-5,"_140":101},"1808","Paintings","19 1/2 x 15 3/8 in. (49.5 x 39.1 cm)",39.1,49.5,0.7997930677703052,[1094,1095,1096,1097,1098],{"_220":702,"_221":703,"_42":704,"_303":705},"2003.42.36","François Marius Granet painted this in 1808, aged 33. It is now at The Met in New York.","Monks in the Cloister of the Church of Gesù e Maria, Rome, by François Marius Granet, 1808",{"_294":1091,"_296":1092,"_298":1093},"https://img.ochreeditions.com/m/1187.jpg?dl=1","/art/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","/galleries/style/neoclassicism/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659",{"_290":291,"_292":293},{"_224":1084,"_125":1085,"_284":1086},{"_275":1081,"_277":1082,"_279":1083,"_281":1067},54.58975685463011,64.5,39.58975685463011,{"_286":224,"_123":1089,"_154":1090,"_140":89},{"_286":125,"_123":1087,"_154":1088,"_140":203},{"_286":284,"_123":872,"_154":873,"_140":874},"style/painting-19","More paintings of the 19th century","artist/contemporaries-of-francois-marius-granet","François Marius Granet's contemporaries","https://img.ochreeditions.com/a/1187/480.jpg","https://img.ochreeditions.com/a/1187/960.jpg","https://img.ochreeditions.com/a/1187/1920.jpg",{"_310":1107,"_312":1108},{"_310":1105,"_312":1106},{"_310":1103,"_312":1104},{"_310":1101,"_312":1102},{"_310":1099,"_312":1100},"#877f6c",0.0362,"#645d4d",0.1615,"#4e4739",0.1743,"#383329",0.2917,"#25231e",0.3363,"François Marius Granet","francois-marius-granet","French, 1775–1849",1775,1849,"Aix-en-Provence","sketch-for-the-revolt-of-cairo-aic-152851","Sketch for The Revolt of Cairo",{"_42":1160,"_221":1161,"_375":1162,"_377":378,"_379":1163,"_381":1164,"_383":-5,"_385":-5,"_386":-5,"_140":103},"c. 1810","Oil and ink on paper, laid down on canvas","30.8 × 45.1 cm (12 1/8 × 17 3/4 in.); Framed: 43.2 × 58.5 × 6.4 cm (17 × 23 × 2 1/2 in.)",1.5200074794315632,[1145,1146,1147,1148,1149],{"_220":422,"_221":423,"_42":424,"_303":425},"1999.384","Anne-Louis Girodet de Roussy-Trioson painted this in about 1810, aged about 38. It is now at the Art Institute of Chicago.","A work made of oil and ink on paper, laid down on canvas.",{"_294":1142,"_296":1143,"_298":1144},"https://img.ochreeditions.com/m/335.jpg?dl=1","/art/sketch-for-the-revolt-of-cairo-aic-152851","/galleries/style/neoclassicism/sketch-for-the-revolt-of-cairo-aic-152851",{"_290":291,"_292":293},{"_224":1137,"_125":1138,"_284":1139},{"_275":1134,"_277":1135,"_279":960,"_281":1136},60,44.605117480624926,29.605117480624923,{"_286":224,"_123":1140,"_154":1141,"_140":89},{"_286":125,"_123":1087,"_154":1088,"_140":203},{"_286":284,"_123":872,"_154":873,"_140":874},"artist/contemporaries-of-anne-louis-girodet-de-roussy-trioson","Anne-Louis Girodet de Roussy-Trioson's contemporaries","https://img.ochreeditions.com/a/335/480.jpg","https://img.ochreeditions.com/a/335/960.jpg","https://img.ochreeditions.com/a/335/1920.jpg",{"_310":1158,"_312":1159},{"_310":1156,"_312":1157},{"_310":1154,"_312":1155},{"_310":1152,"_312":1153},{"_310":1150,"_312":1151},"#873f22",0.1153,"#bc9259",0.1414,"#855f36",0.208,"#2d2218",0.2645,"#553520",0.2708,"Anne-Louis Girodet de Roussy-Trioson","anne-louis-girodet-de-roussy-trioson","French, 1767–1824",1767,1824,{"_1166":-5,"_1167":1168,"_1169":1170,"_1171":8,"_1172":1173,"_1174":8},"user","csrf","58680a8927273a406c2733c465250b87ff7cc0e4","cartCount",0,"dropLive","legal",[1175,1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186],"uploadsEnabled",{"_221":1209,"_20":1210},{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]