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The color palette is monochromatic in shades of black and gray, emphasizing light and shadow.",{"_296":385,"_298":386,"_300":387},"https://img.ochreeditions.com/m/1630.jpg?dl=1","/art/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","/galleries/style/neoclassicism/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134",{"_292":383,"_294":384},{"_224":373,"_125":374,"_286":375},{"_276":369,"_278":370,"_280":371,"_282":372},46.31108312342569,49,22.311083123425693,25,{"_288":224,"_123":381,"_154":382,"_140":99},{"_288":125,"_123":378,"_154":379,"_140":380},{"_288":286,"_123":376,"_154":377,"_140":89},"era/18-switzerland","18th-century Switzerland","style/print-18","More prints of the 18th century",129,"artist/salomon-gessner","More by Salomon Gessner","black","snow","https://img.ochreeditions.com/a/1630/480.jpg","https://img.ochreeditions.com/a/1630/960.jpg","https://img.ochreeditions.com/a/1630/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":405,"_317":406},{"_315":403,"_317":404},{"_315":401,"_317":402},{"_315":399,"_317":400},{"_315":397,"_317":398},"#ac9b84",0.1357,"#8e7f6d",0.1664,"#76695a",0.1848,"#5e5448",0.1861,"#d7c3a5",0.327,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788","Swiss",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.","sketches-of-algerian-men-aic-110984","Sketches of Algerian Men",{"_42":472,"_221":473,"_329":474,"_331":332,"_333":475,"_335":476,"_337":477,"_339":338,"_341":478,"_140":95},"c. 1832","watercolour","Drawing and Watercolor","Pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper","20.5 × 30.2 cm (8 1/8 × 11 15/16 in.)",30,20,1.4684287812041117,[457,458,459,460,461],{"_220":453,"_221":454,"_42":455,"_308":456},"Courtesy of the Art Institute of Chicago","1988.141.24","Eugène Delacroix painted this in about 1832, aged about 24. It is now at the Art Institute of Chicago.","Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832.","A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_296":450,"_298":451,"_300":452},"https://img.ochreeditions.com/m/275.jpg?dl=1","/art/sketches-of-algerian-men-aic-110984","/galleries/style/neoclassicism/sketches-of-algerian-men-aic-110984",{"_292":383,"_294":384},{"_224":442,"_125":443,"_286":444},{"_276":439,"_278":440,"_280":422,"_282":441},54,44.43,20.43,{"_288":224,"_123":448,"_154":449,"_140":95},{"_288":125,"_123":445,"_154":446,"_140":447},{"_288":286,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/275/480.jpg","https://img.ochreeditions.com/a/275/960.jpg","https://img.ochreeditions.com/a/275/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":470,"_317":471},{"_315":468,"_317":469},{"_315":466,"_317":467},{"_315":464,"_317":465},{"_315":462,"_317":463},"#9b845b",0.0213,"#e7ddbd",0.0813,"#bea879",0.1005,"#d4bf90",0.2152,"#e2d1a2",0.5817,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","the-marquesa-de-pontejos-nga-92","The Marquesa de Pontejos",{"_42":532,"_221":533,"_329":534,"_331":535,"_333":536,"_335":537,"_337":538,"_339":539,"_341":540,"_140":81},"c. 1786","spain","overall: 210.3 x 127 cm (82 13/16 x 50 in.) framed: 231.8 x 146.4 cm (91 1/4 x 57 5/8 in.)",127,210.3,0.60107421875,[517,518,519,520,521],{"_220":388,"_221":389,"_42":390,"_308":391},"1937.1.85","Francisco Goya painted this in about 1786, aged 40. It is now at the National Gallery of Art in Washington, DC.","The Marquesa de Pontejos stands in a parklike landscape in a silvery-grey gown puffed and festooned with pink roses and ribbons, a straw hat tilted on her powdered hair, a carnation in one hand and a closed fan in the other. A pug in a pink collar with bells stands at her feet.","A woman with pale skin, wearing a silvery-gray dress adorned with white ribbons and light pink roses, stands looking out at us with a small, pug dog by her feet in this vertical portrait painting. The woman’s body is angled slightly to our right but she looks at us with dark eyes under faint, arched brows. Her nose is rounded, her cheeks smooth and flushed, and her pale pink lips are closed. Her face is framed in a cloud of nickel-gray hair, and tendrils curl down over her shoulders. She wears a wide-brimmed straw hat with a white ribbon set on the back of her head and slightly off to one side. The bodice of her dress has a low, curving neck. This area is loosely painted to create the impression of layers of lace. A band of intertwined pale pink roses and delicate green leaves borders the outer edge of the lace. The dress has long, tight sleeves with lace at the cuffs and the notably narrow waist is tied with a blush-pink ribbon. The full, silver skirt is picked up to create a row of puffs, like the top of a muffin, around her knees. Bunches of pink roses and white ribbons are nestled into the puffs, and below, the skirt falls in long, vertical pleats to her ankles. She wears white stockings and pointed, petal-pink shoes. In her left arm, on our right, she holds a closed fan loosely at her side, almost lost behind the skirt. She holds a pink carnation with a full bloom and a bud on a long, curving stem in her other hand, by her hip. A caramel-brown pug with a black face, wearing a pink collar lined with three bells, stands facing us with one front paw lifted, to our right of the woman's feet. The landscape is painted in tones of mint and sage green for grass beneath trees enclosing the space the woman stands in, sand brown for the ground, and icy blue for the sky above.",{"_296":514,"_298":515,"_300":516},"https://img.ochreeditions.com/m/1305.jpg?dl=1","/art/the-marquesa-de-pontejos-nga-92","/galleries/style/neoclassicism/the-marquesa-de-pontejos-nga-92",{"_292":293,"_294":295},{"_224":504,"_125":505,"_286":506},{"_276":501,"_278":502,"_280":503,"_282":486},141.40590820312502,225.3,126.40590820312501,{"_288":224,"_123":512,"_154":513,"_140":81},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":507,"_154":508,"_140":85},"era/18-spain","18th-century Spain","style/painting-18","More paintings of the 18th century",168,"artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/1305/480.jpg","https://img.ochreeditions.com/a/1305/960.jpg","https://img.ochreeditions.com/a/1305/1920.jpg",{"_315":530,"_317":531},{"_315":528,"_317":529},{"_315":526,"_317":527},{"_315":524,"_317":525},{"_315":522,"_317":523},"#c4bcb0",0.0794,"#708971",0.1435,"#3c4237",0.2076,"#9ba29f",0.2706,"#7d755e",0.2989,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","friar-pedro-shoots-el-maragato-as-his-horse-runs-off-aic-16362","Friar Pedro Shoots El Maragato as His Horse Runs Off",{"_42":532,"_221":533,"_329":534,"_331":535,"_333":536,"_335":537,"_337":538,"_339":539,"_341":540,"_140":81},"c. 1806","Oil on panel","29.2 × 38.5 cm (11 1/2 × 15 5/8 in.); Framed: 41.3 × 51.4 × 6.4 cm (16 1/4 × 20 1/4 × 2 1/2 in.)",38,29,1.3252415743577657,[576,577,578,579,580],{"_220":453,"_221":454,"_42":455,"_308":456},"1933.1075","Francisco Goya painted this in about 1806, aged about 55. It is now at the Art Institute of Chicago.",{"_118":574,"_303":575},"Small painting, friar shoots man with yellow pants as horse runs off.",{"_296":571,"_298":572,"_300":573},"https://img.ochreeditions.com/m/51.jpg?dl=1","/art/friar-pedro-shoots-el-maragato-as-his-horse-runs-off-aic-16362","/galleries/style/neoclassicism/friar-pedro-shoots-el-maragato-as-his-horse-runs-off-aic-16362",{"_292":293,"_294":295},{"_224":566,"_125":567,"_286":568},{"_276":563,"_278":564,"_280":547,"_282":565},53,43.67401742841899,28.674017428418995,{"_288":224,"_123":512,"_154":513,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":569,"_154":570,"_140":87},"era/19-spain","19th-century Spain","https://img.ochreeditions.com/a/51/480.jpg","https://img.ochreeditions.com/a/51/960.jpg","https://img.ochreeditions.com/a/51/1920.jpg","Francisco de Goya explored satirical and popular aspects of Spanish life. This work, from a series about the notorious criminal El Maragato, features his capture. After escaping prison, El Maragato spent two months stealing food, guns, and money before trying to take Friar Pedro de Saldivia and other people hostage.","Text from the Art Institute of Chicago.",{"_315":589,"_317":590},{"_315":587,"_317":588},{"_315":585,"_317":586},{"_315":583,"_317":584},{"_315":581,"_317":582},"#755528",0.1286,"#66573c",0.1501,"#2b2213",0.18,"#4e3a1f",0.2673,"#968464",0.274,"landscape-with-haystacks-aic-227622","Landscape with Haystacks",{"_42":638,"_221":639,"_329":640,"_331":332,"_333":641,"_335":642,"_337":-5,"_339":-5,"_341":-5,"_140":103},"n.d.","Conté crayon on gray-blue wove paper","26.5 × 39.4 cm (10 7/16 × 15 9/16 in.)",39,26,1.4848093083387202,[623,624,625,626,627],{"_220":453,"_221":454,"_42":455,"_308":456},"2019.211","Constant Troyon painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of conté crayon on gray-blue wove paper.",{"_296":620,"_298":621,"_300":622},"https://img.ochreeditions.com/m/365.jpg?dl=1","/art/landscape-with-haystacks-aic-227622","/galleries/style/neoclassicism/landscape-with-haystacks-aic-227622",{"_292":383,"_294":384},{"_224":615,"_125":616,"_286":617},{"_276":612,"_278":613,"_280":597,"_282":614},63,50.26599912929909,26.265999129299086,{"_288":224,"_123":618,"_154":619,"_140":89},{"_288":125,"_123":445,"_154":446,"_140":447},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-constant-troyon","Constant Troyon's contemporaries","https://img.ochreeditions.com/a/365/480.jpg","https://img.ochreeditions.com/a/365/960.jpg","https://img.ochreeditions.com/a/365/1920.jpg",{"_315":636,"_317":637},{"_315":634,"_317":635},{"_315":632,"_317":633},{"_315":630,"_317":631},{"_315":628,"_317":629},"#85796f",0.0134,"#a19489",0.0621,"#b6a99d",0.1446,"#c9baab",0.2115,"#d4c5b4",0.5684,"Constant Troyon","constant-troyon","French, 1810–1865",1810,1865,"marie-emilie-coignet-de-courson-1716-1806-with-a-dog-met-436323","Marie Emilie Coignet de Courson (1716–1806) with a Dog",{"_42":699,"_221":700,"_329":701,"_331":332,"_333":702,"_335":703,"_337":704,"_339":338,"_341":705,"_140":93},"ca. 1769","Paintings","Oil on canvas","32 x 25 3/4 in. (81.3 x 65.4 cm)",65.4,81.3,0.80025,[684,685,686,687,688],{"_220":680,"_221":681,"_42":682,"_308":683},"Courtesy of The Metropolitan Museum of Art","37.118","Jean Honoré Fragonard painted this in about 1769, aged about 32. It is now at The Met in New York.","Marie Emilie Coignet de Courson (1716–1806) with a Dog, by Jean Honoré Fragonard, ca. 1769",{"_296":677,"_298":678,"_300":679},"https://img.ochreeditions.com/m/1089.jpg?dl=1","/art/marie-emilie-coignet-de-courson-1716-1806-with-a-dog-met-436323","/galleries/style/neoclassicism/marie-emilie-coignet-de-courson-1716-1806-with-a-dog-met-436323",{"_292":293,"_294":295},{"_224":669,"_125":670,"_286":671},{"_276":666,"_278":667,"_280":668,"_282":651},80.060325,96.3,65.060325,{"_288":224,"_123":675,"_154":676,"_140":93},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":672,"_154":673,"_140":674},"era/18-france","18th-century France",75,"artist/jean-honore-fragonard","More by Jean Honoré Fragonard","https://img.ochreeditions.com/a/1089/480.jpg","https://img.ochreeditions.com/a/1089/960.jpg","https://img.ochreeditions.com/a/1089/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":697,"_317":698},{"_315":695,"_317":696},{"_315":693,"_317":694},{"_315":691,"_317":692},{"_315":689,"_317":690},"#333934",0.057,"#a7927b",0.1599,"#5b3828",0.1829,"#785c47",0.1979,"#736b5c",0.4023,"Jean Honoré Fragonard","jean-honore-fragonard","French, 1732–1806",1732,1806,"Grasse","Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este.","wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","Wealth and Benefits of the Spanish Monarchy under Charles III",{"_42":756,"_221":757,"_329":758,"_331":759,"_333":203,"_335":760,"_337":761,"_339":762,"_341":763,"_140":85},"1762","italy","overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.)",104.3,181.8,0.570556640625,[741,742,743,744,745],{"_220":388,"_221":389,"_42":390,"_308":391},"1943.4.39","Giovanni Battista Tiepolo painted this in 1762, aged 66. It is now at the National Gallery of Art in Washington, DC.","Seen from below through an illusionistic opening, crowds of figures in windswept robes swirl upward on clouds towards a crowned figure enthroned in the blue sky, while stone giants recline beside gold medallions at the corners.","We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting. From a distance, the scene looks like a complete illusion but up close, the people, clouds, and architecture are sketchily painted. The ledge running around the opening has a gold, oval medallion at each corner. Appearing to be carved from white stone, two bearded men with long hair recline against each medallion, flanking them to each side in front of large shells that curve up over the people and frames them. A few architectural structures extend up into the sky, including a pointed obelisk in the lower left corner, a pair of columns at the upper right, and what seems to be the mast of a ship at the top left. Most of the people have pale skin but some have more tan complexions, and a few, including those wearing feather headdresses near the upper left corner, have brown skin. The people wear windswept robes of pale, butter yellow, robin’s egg blue, rose pink, and ivory. The eye may drawn to a few vignettes, such as the man holding a rearing, chestnut-brown horse on the illusionistic ledge near the lower right, a nun wearing a white robe and holding a cross above him in the clouds, and, farthest away, a crowned person sitting on a throne.",{"_296":738,"_298":739,"_300":740},"https://img.ochreeditions.com/m/1366.jpg?dl=1","/art/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","/galleries/style/neoclassicism/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137",{"_292":293,"_294":295},{"_224":731,"_125":732,"_286":733},{"_276":728,"_278":729,"_280":730,"_282":713},118.72719726562501,196.8,103.72719726562501,{"_288":224,"_123":736,"_154":737,"_140":85},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":734,"_154":735,"_140":370},"era/18-italy","18th-century Italy","artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/1366/480.jpg","https://img.ochreeditions.com/a/1366/960.jpg","https://img.ochreeditions.com/a/1366/1920.jpg",{"_315":754,"_317":755},{"_315":752,"_317":753},{"_315":750,"_317":751},{"_315":748,"_317":749},{"_315":746,"_317":747},"#4f3f34",0.1302,"#bccbcd",0.1766,"#baad95",0.1905,"#75614e",0.2348,"#98866e",0.2679,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770","Italian",1770,"Venice","Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","madame-bergeret-nga-32681","Madame Bergeret",{"_42":811,"_221":812,"_329":813,"_331":332,"_333":814,"_335":760,"_337":338,"_339":338,"_341":815,"_140":93},"possibly 1766","overall: 143.5 x 105.4 cm (56 1/2 x 41 1/2 in.) framed: 172.4 x 134.3 cm (67 7/8 x 52 7/8 in.)",105.4,143.5,0.732177734375,[796,797,798,799,800],{"_220":388,"_221":389,"_42":390,"_308":391},"1946.7.3","François Boucher painted this (possibly 1766), aged 63. It is now at the National Gallery of Art in Washington, DC.","Madame Bergeret stands in a garden in a gown of shimmering silver-white silk with blue bows, a straw hat trimmed with blue ribbon in one hand and a pink rose in the other, resting on an urn of flowers. Roses lie scattered on a bench and on the ground beside her.","A young woman with light skin stands in a garden, wearing a voluminous, full-length, silvery, shimmering gown in this vertical portrait painting. Her body faces us, as she looks into the distance to our left. She has rosy cheeks, gray-green eyes under gently arched, light brown brows, and her coral-pink, thin, closed lips curve in a slight smile. Her ash-brown hair is pulled back and adorned with tiny shell-pink and azure-blue flowers along the left side top of head, to our right. A pleated lace ruffle encircles her smooth neck. Her gown is parchment white where the light glints off the stiff fabric and is silvery gray in the shadows, creating a silk-like sheen. The dress is cut low across the chest, fits tightly around her narrow waist, and has puffy sleeves tied at the elbows with topaz-blue bows. Another blue bow is tied at her chest, and the ends wrap around her back along her waist. A corsage at her left shoulder, to our right, is a profusion of white flowers around a pale pink rose. In her other hand, to our left, she holds a straw hat with a shallow crown and a wide brim, trimmed with sky-blue ribbon. The arm holding the hat is nearly engulfed in the deep folds of her full skirt. She holds a pink rose in her other hand, which rests on the lip of a shiny, copper-colored urn filled with pink flowers and delicate green leaves. On that wrist she wears a bracelet with four strands of white pearls holding a cameo. She stands on a pale, dirt ground. A teal-blue bench in the lower left corner of the painting is tucked into sage-green shrubbery. Sprigs of pink roses are strewn across the seat and on the ground. The woman is framed to either side with olive and celery-green trees and vegetation, which blend into the hazy distance beyond her head.",{"_296":793,"_298":794,"_300":795},"https://img.ochreeditions.com/m/1477.jpg?dl=1","/art/madame-bergeret-nga-32681","/galleries/style/neoclassicism/madame-bergeret-nga-32681",{"_292":293,"_294":295},{"_224":788,"_125":789,"_286":790},{"_276":785,"_278":786,"_280":787,"_282":770},120.0675048828125,158.5,105.0675048828125,{"_288":224,"_123":791,"_154":792,"_140":93},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":672,"_154":673,"_140":674},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/1477/480.jpg","https://img.ochreeditions.com/a/1477/960.jpg","https://img.ochreeditions.com/a/1477/1920.jpg",{"_315":809,"_317":810},{"_315":807,"_317":808},{"_315":805,"_317":806},{"_315":803,"_317":804},{"_315":801,"_317":802},"#aaa593",0.0844,"#7b735f",0.1556,"#6c5e3b",0.1812,"#414130",0.2806,"#29281d",0.2982,"François Boucher","francois-boucher","French, 1703–1770",1703,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","love-the-sentinel-nga-52256","Love the Sentinel",{"_42":699,"_221":700,"_329":701,"_331":332,"_333":702,"_335":703,"_337":704,"_339":338,"_341":705,"_140":93},"c. 1773/1776","overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.) framed: 77.5 x 62.9 x 8.3 cm (30 1/2 x 24 3/4 x 3 1/4 in.)",47.3,56.2,0.841796875,[846,847,848,849,850],{"_220":388,"_221":389,"_42":390,"_308":391},"1970.17.112","Jean Honoré Fragonard painted this in about 1773/1776, aged about 41. It is now at the National Gallery of Art in Washington, DC.","Cupid stands in a flowering garden with a golden arrow in his hand, his quiver lying in the grass and two white doves flying overhead, as if keeping watch over lovers just out of sight.","This oval painting depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back. The child has light skin, curly blond hair, rosy cheeks, and a playful expression. They are mostly nude, except for a cloth that wraps around their back and covers their groin. The child is holding a golden arrow. They are standing in front of a light green bush with pink flowers. In the bottom left, there is a dark blue object in the green grass that looks like a torch or cylindrical quiver. The setting includes lush greenery and more clusters of pink and white flowers. The background features a pastel blue sky with soft pink clouds and two white doves flying above.",{"_296":843,"_298":844,"_300":845},"https://img.ochreeditions.com/m/1547.jpg?dl=1","/art/love-the-sentinel-nga-52256","/galleries/style/neoclassicism/love-the-sentinel-nga-52256",{"_292":293,"_294":295},{"_224":840,"_125":841,"_286":842},{"_276":837,"_278":838,"_280":839,"_282":822},62.308984375,71.2,47.308984375,{"_288":224,"_123":675,"_154":676,"_140":93},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":672,"_154":673,"_140":674},"https://img.ochreeditions.com/a/1547/480.jpg","https://img.ochreeditions.com/a/1547/960.jpg","https://img.ochreeditions.com/a/1547/1920.jpg",{"_315":859,"_317":860},{"_315":857,"_317":858},{"_315":855,"_317":856},{"_315":853,"_317":854},{"_315":851,"_317":852},"#755232",0.0885,"#c5ae89",0.1687,"#9ea998",0.1811,"#fbfbfb",0.2101,"#857348",0.3516,"martyrdom-of-st-andrew-si-chndm-1901-39-48","Martyrdom of St. Andrew",{"_42":923,"_221":924,"_329":925,"_331":759,"_333":926,"_335":927,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1825–50","drawing","Drawing","Pen and brown ink, black chalk on cream laid paper, lined","30.1 x 23.6 cm (11 7/8 x 9 5/16 in.)",23.6,30.1,1.2385847477886684,[908,909,910,911,912],{"_220":905,"_221":906,"_42":907,"_308":683},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-48","Francesco Coghetti drew this in 1825–50, aged 21. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":903,"_303":904},"MARTYRDOM OF ST. ANDREW",{"_296":900,"_298":901,"_300":902},"https://img.ochreeditions.com/m/1707.jpg?dl=1","/art/martyrdom-of-st-andrew-si-chndm-1901-39-48","/galleries/style/neoclassicism/martyrdom-of-st-andrew-si-chndm-1901-39-48",{"_292":383,"_294":384},{"_224":890,"_125":891,"_286":892},{"_276":886,"_278":887,"_280":888,"_282":889},53.66211491851447,47.94839349626443,29.66211491851447,23.94839349626443,{"_288":224,"_123":898,"_154":899,"_140":89},{"_288":125,"_123":895,"_154":896,"_140":897},{"_288":286,"_123":893,"_154":894,"_140":79},"era/19-italy","19th-century Italy","style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-francesco-coghetti","Francesco Coghetti's contemporaries","https://img.ochreeditions.com/a/1707/480.jpg","https://img.ochreeditions.com/a/1707/960.jpg","https://img.ochreeditions.com/a/1707/1920.jpg","In a spacious Roman hall, three men are raising the cross with the Apostle. Meanwhile, a soldier is trying to corral an excited crowd at left, and the praetor and two more soldiers watch the scene in the background.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_315":921,"_317":922},{"_315":919,"_317":920},{"_315":917,"_317":918},{"_315":915,"_317":916},{"_315":913,"_317":914},"#bfaf95",0.1002,"#cbbda6",0.1238,"#e5d7bc",0.2074,"#cfbfa3",0.2445,"#d9caaf",0.3241,"Francesco Coghetti","francesco-coghetti","Italian, 1804–1875",1804,1875,"senora-sabasa-garcia-nga-95","Señora Sabasa Garcia",{"_42":532,"_221":533,"_329":534,"_331":535,"_333":536,"_335":537,"_337":538,"_339":539,"_341":540,"_140":81},"c. 1806/1811","overall: 71 x 58 cm (27 15/16 x 22 13/16 in.) framed: 94.6 x 81.3 x 7.6 cm (37 1/4 x 32 x 3 in.)",58,71,0.81103515625,[958,959,960,961,962],{"_220":388,"_221":389,"_42":390,"_308":391},"1937.1.88","Francisco Goya painted this in about 1806/1811, aged about 60. It is now at the National Gallery of Art in Washington, DC.","A young woman looks over her shoulder directly at us, her curly brown hair half hidden under a white lace mantilla and a wide orange and black shawl wrapped about her shoulders, her gloved hands clasped at her waist.","Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.",{"_296":955,"_298":956,"_300":957},"https://img.ochreeditions.com/m/1307.jpg?dl=1","/art/senora-sabasa-garcia-nga-95","/galleries/style/neoclassicism/senora-sabasa-garcia-nga-95",{"_292":293,"_294":295},{"_224":952,"_125":953,"_286":954},{"_276":949,"_278":950,"_280":951,"_282":934},72.58349609375,86,57.58349609375,{"_288":224,"_123":512,"_154":513,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":569,"_154":570,"_140":87},"https://img.ochreeditions.com/a/1307/480.jpg","https://img.ochreeditions.com/a/1307/960.jpg","https://img.ochreeditions.com/a/1307/1920.jpg",{"_315":971,"_317":972},{"_315":969,"_317":970},{"_315":967,"_317":968},{"_315":965,"_317":966},{"_315":963,"_317":964},"#845b1b",0.0403,"#a29068",0.0604,"#604928",0.1037,"#3f3625",0.1316,"#1c1c17",0.664,"designs-for-ornamental-arabesque-motifs-si-chndm-1911-28-199","Designs for Ornamental Arabesque Motifs",{"_42":1024,"_221":1025,"_329":1026,"_331":332,"_333":1027,"_335":1028,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1770","Drawings","Pen and brown ink, brush and brown watercolor, graphite on paper","31 × 19 cm (12 3/16 × 7 1/2 in.)",31,0.7097308488612837,[1009,1010,1011,1012,1013],{"_220":905,"_221":906,"_42":907,"_308":683},"1911-28-199","Etienne de Lavallée-Poussin painted this in 1770, aged 35. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1008,"_303":904},"DESIGNS FOR ORNAMENTAL ARABESQUE MOTIFS",{"_296":1005,"_298":1006,"_300":1007},"https://img.ochreeditions.com/m/1712.jpg?dl=1","/art/designs-for-ornamental-arabesque-motifs-si-chndm-1911-28-199","/galleries/style/neoclassicism/designs-for-ornamental-arabesque-motifs-si-chndm-1911-28-199",{"_292":383,"_294":384},{"_224":998,"_125":999,"_286":1000},{"_276":995,"_278":996,"_280":997,"_282":980},46.001656314699794,55,22.001656314699794,{"_288":224,"_123":1003,"_154":1004,"_140":89},{"_288":125,"_123":1001,"_154":1002,"_140":980},{"_288":286,"_123":672,"_154":673,"_140":674},"style/drawing-18","More drawings of the 18th century","artist/contemporaries-of-etienne-de-lavallee-poussin","Etienne de Lavallée-Poussin's contemporaries","https://img.ochreeditions.com/a/1712/480.jpg","https://img.ochreeditions.com/a/1712/960.jpg","https://img.ochreeditions.com/a/1712/1920.jpg","Top left, a mask of a human figure with horns from which are suspended tassels. Under it, a nude female figure seen frontally, seated on a sheet held in both hands, arms extended.",{"_315":1022,"_317":1023},{"_315":1020,"_317":1021},{"_315":1018,"_317":1019},{"_315":1016,"_317":1017},{"_315":1014,"_317":1015},"#b39c85",0.0208,"#ccb7a1",0.0583,"#d0c4b5",0.1274,"#e4d5c2",0.2892,"#ede0cf",0.5043,"Etienne de Lavallée-Poussin","etienne-de-lavallee-poussin","French, 1735–1802",1735,1802,"moonlight-nga-214332","Moonlight",{"_42":1075,"_221":1076,"_329":1077,"_331":332,"_333":1078,"_335":1079,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1772","overall: 114.94 × 163.2 cm (45 1/4 × 64 1/4 in.)",163.2,114.9,1.4382022471910112,[1060,1061,1062,1063,1064],{"_220":388,"_221":389,"_42":390,"_308":391},"2018.13.1","Claude-Joseph Vernet painted this in 1772, aged 58. It is now at the National Gallery of Art in Washington, DC.","Moonlight falls across several masted ships near a rocky shoreline in this horizontal painting. The sky fills the top three-quarters of the picture. A veil of slate-gray clouds is lit to pearl white around the crisp, full moon at the center of the composition. Patches of denim-blue sky are seen through breaks in the blanket of clouds. Moonlight reflects down the center of rippling, silvery-gray water that laps against a beach close to us, along the bottom edge of the painting. A tent is set up in the lower left corner of the composition. There, two women and one man stand looking at a glowing fire next to the tent. One woman holds a basket on her head, the other tucks a flat basket under one arm. The man stands between the two women, and a fourth man crouches near the fire, his back to us. In the opening of the tent, another woman kneels over a large bowl as she looks at the fire. A fifth person, a man, gazes at the fire as he sits smoking a long-stemmed pipe on a boulder. At the foot of the boulders, a man lies back against some bundles, one arm thrown up over his head. A dog curls up next to his hip. Not far from the sleeping man and in the center of the foreground, a man carries several long wooden objects, possibly oars, over one shoulder while a dog beyond him barks at the lapping surf. The beach curves like a C away from us, along the left. At the point of the curve in the middle distance, a structure like a city wall and gate jut out to the water’s edge. More buildings atop steep cliffs rise vertically beyond the gate. The shoreline curves into the distance again, and more buildings, including a lighthouse, and masted ships there are smoke-gray silhouettes. Near the lower right corner of the painting, four men pull on ropes tied around the prow of a small wooden boat while three others push it toward the land. Another man stands in the far end. A short distance beyond that boat is a tall wooden ship with three masts and rigging outlined against the night sky. Windows along the decks of that boat’s wide stern, angled toward us, glow with golden light. Beyond it and a bit to our left, another ship, smaller in scale, sails away from us. Several more ships move back to the horizon until we only see strokes of white and gray to indicate their unfurled sails.",{"_296":1057,"_298":1058,"_300":1059},"https://img.ochreeditions.com/m/1696.jpg?dl=1","/art/moonlight-nga-214332","/galleries/style/neoclassicism/moonlight-nga-214332",{"_292":293,"_294":295},{"_224":1052,"_125":1053,"_286":1054},{"_276":1049,"_278":1050,"_280":1034,"_282":1051},178.2,128.475,113.475,{"_288":224,"_123":1055,"_154":1056,"_140":89},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":672,"_154":673,"_140":674},"artist/contemporaries-of-claude-joseph-vernet","Claude-Joseph Vernet's contemporaries","https://img.ochreeditions.com/a/1696/480.jpg","https://img.ochreeditions.com/a/1696/960.jpg","https://img.ochreeditions.com/a/1696/1920.jpg",{"_315":1073,"_317":1074},{"_315":1071,"_317":1072},{"_315":1069,"_317":1070},{"_315":1067,"_317":1068},{"_315":1065,"_317":1066},"#8b8164",0.0742,"#616153",0.1563,"#4a4237",0.2045,"#2e241d",0.2337,"#2c2f2e",0.3313,"Claude-Joseph Vernet","claude-joseph-vernet","French, 1714–1789",1714,1789,"study-of-clouds-over-the-roman-campagna-nga-98872","Study of Clouds over the Roman Campagna",{"_42":1126,"_221":1127,"_329":1128,"_331":332,"_333":1129,"_335":1130,"_337":-5,"_339":-5,"_341":1131,"_140":97},"c. 1782/1785","oil on paper on cardboard","overall (paper support): 19 x 32.1 cm (7 1/2 x 12 5/8 in.) overall (paperboard support): 19.6 x 33 cm (7 11/16 x 13 in.) framed: 30.5 x 43.2 x 2.1 cm (12 x 17 x 13/16 in.)",32.1,1.714524905818334,[1112,1113,1114,1115,1116],{"_220":388,"_221":389,"_42":390,"_308":391},"1997.23.1","Pierre Henri de Valenciennes painted this in about 1782/1785, aged about 32. It is now at the National Gallery of Art in Washington, DC.","A procession of grey and white clouds sweeps across a vivid blue sky above a thin strip of land, painted quickly in oil on paper.","A sliver of land across the bottom of this composition gives way to a procession of puffy gray and white clouds sweeping up across a vivid blue, panoramic sky in this horizontal landscape painting. An area of darker gray beyond the brown land could be a valley, mountain, or shadows from the billowing clouds. About one-fifth of the way up the composition, the horizon glows the faintest peach. The clouds trundle from our left up and to our right. The view is loosely painted, especially in the land.",{"_296":1109,"_298":1110,"_300":1111},"https://img.ochreeditions.com/m/1637.jpg?dl=1","/art/study-of-clouds-over-the-roman-campagna-nga-98872","/galleries/style/neoclassicism/study-of-clouds-over-the-roman-campagna-nga-98872",{"_292":293,"_294":295},{"_224":1104,"_125":1105,"_286":1106},{"_276":1101,"_278":1102,"_280":1086,"_282":1103},47.1,33.722387695312506,18.722387695312502,{"_288":224,"_123":1107,"_154":1108,"_140":97},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":672,"_154":673,"_140":674},"artist/pierre-henri-de-valenciennes","More by Pierre Henri de Valenciennes","https://img.ochreeditions.com/a/1637/480.jpg","https://img.ochreeditions.com/a/1637/960.jpg","https://img.ochreeditions.com/a/1637/1920.jpg",{"_315":1124,"_317":1125},{"_315":1122,"_317":1123},{"_315":1121,"_317":751},{"_315":1119,"_317":1120},{"_315":1117,"_317":1118},"#73573d",0.0895,"#62686b",0.1529,"#778f9d","#a8a294",0.223,"#81817d",0.3441,"Pierre Henri de Valenciennes","pierre-henri-de-valenciennes","French, 1750–1819",1750,1819,"Valenciennes was the leading theorist of French historical landscape.","the-destruction-of-pharaoh-s-army-aic-111615","The Destruction of Pharaoh's Army",{"_42":1177,"_221":1178,"_329":1179,"_331":332,"_333":1180,"_335":1181,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1792","127 × 102.3 cm (50 × 40 1/2 in.)",102,0.8006446221797779,[1162,1163,1164,1165,1166],{"_220":453,"_221":454,"_42":455,"_308":456},"1991.5","Philippe Jacques de Loutherbourg, II painted this in 1792, aged 52. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":1159,"_298":1160,"_300":1161},"https://img.ochreeditions.com/m/284.jpg?dl=1","/art/the-destruction-of-pharaoh-s-army-aic-111615","/galleries/style/neoclassicism/the-destruction-of-pharaoh-s-army-aic-111615",{"_292":293,"_294":295},{"_224":1154,"_125":1155,"_286":1156},{"_276":1151,"_278":1152,"_280":1153,"_282":485},116.6818670168318,142,101.6818670168318,{"_288":224,"_123":1157,"_154":1158,"_140":89},{"_288":125,"_123":509,"_154":510,"_140":511},{"_288":286,"_123":672,"_154":673,"_140":674},"artist/contemporaries-of-philippe-jacques-de-loutherbourg-ii","Philippe Jacques de Loutherbourg, II's contemporaries","https://img.ochreeditions.com/a/284/480.jpg","https://img.ochreeditions.com/a/284/960.jpg","https://img.ochreeditions.com/a/284/1920.jpg",{"_315":1175,"_317":1176},{"_315":1173,"_317":1174},{"_315":1171,"_317":1172},{"_315":1169,"_317":1170},{"_315":1167,"_317":1168},"#876334",0.0892,"#97927d",0.114,"#4d351c",0.1584,"#292318",0.2901,"#4c4d44",0.3483,"Philippe Jacques de Loutherbourg, II","philippe-jacques-de-loutherbourg-ii","French, 1740–1812",1740,1812,{"_1183":-5,"_1184":1185,"_1186":1187,"_1188":8,"_1189":1190,"_1191":8},"user","csrf","7551fd45e968ff8ce6d717b2e48602f5e3c0144f","cartCount",0,"dropLive","legal",[1192,1193,1194,1195,1196,1197,1198,1199,1200,1201,1202,1203],"uploadsEnabled",{"_221":1226,"_20":1227},{"_221":1224,"_20":1225},{"_221":1222,"_20":1223},{"_221":1220,"_20":1221},{"_221":1218,"_20":1219},{"_221":1216,"_20":1217},{"_221":1214,"_20":1215},{"_221":1212,"_20":1213},{"_221":1210,"_20":1211},{"_221":1208,"_20":1209},{"_221":1206,"_20":1207},{"_221":1204,"_20":1205},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]