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It is now at the Art Institute of Chicago.","A work made of pen and brown ink and black ink wash, with brown ink wash, on blued-white laid paper.",{"_296":436,"_298":437,"_300":438},"https://img.ochreeditions.com/m/432.jpg?dl=1","/art/odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366","/galleries/style/neoclassicism/odysseus-at-the-doors-of-hades-meets-the-shades-of-tiresias-aic-270366",{"_292":434,"_294":435},{"_225":425,"_125":426,"_286":427},{"_277":244,"_279":423,"_281":408,"_282":424},71.77613467261905,47.77613467261905,{"_288":225,"_123":432,"_154":433,"_140":89},{"_288":125,"_123":430,"_154":431,"_140":53},{"_288":286,"_123":428,"_154":429,"_140":89},"era/18-switzerland","18th-century Switzerland","style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-johann-heinrich-lips","Johann Heinrich Lips's contemporaries","black","snow","https://img.ochreeditions.com/a/432/480.jpg","https://img.ochreeditions.com/a/432/960.jpg","https://img.ochreeditions.com/a/432/1920.jpg",{"_312":452,"_314":453},{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":446,"_314":447},{"_312":444,"_314":445},"#e3ceba",0.0792,"#bda58d",0.1542,"#836d5c",0.1865,"#ab927a",0.2878,"#97826e",0.2923,"Johann Heinrich Lips","johann-heinrich-lips","Swiss, 1758–1817","Swiss",1758,1817,"self-portrait-met-334004","Self-Portrait",{"_42":521,"_222":522,"_326":523,"_328":524,"_330":525,"_332":526,"_334":527,"_335":528,"_336":529,"_140":81},"ca. 1796","spain","drawing","Drawings","Brush and point of brush, carbon black ink","Sheet: 5 7/8 × 3 9/16 in. (15 × 9.1 cm)",9.1,0.5936022253129346,[506,507,508,509,510],{"_221":502,"_222":503,"_42":504,"_305":505},"Courtesy of The Metropolitan Museum of Art","35.103.1","Francisco Goya drew this in about 1796, aged about 45. It is now at The Met in New York.","Goya portrays himself in carbon black ink, drawing with the point of the brush as well as broader strokes, around 1796, a few years after a serious illness left him profoundly deaf. He models the face with remarkable economy, letting the white of the paper do much of the work.","Self-Portrait, by Francisco Goya, ca. 1796",{"_296":499,"_298":500,"_300":501},"https://img.ochreeditions.com/m/990.jpg?dl=1","/art/self-portrait-met-334004","/galleries/style/neoclassicism/self-portrait-met-334004",{"_292":434,"_294":435},{"_225":489,"_125":490,"_286":491},{"_277":485,"_279":486,"_281":487,"_282":488},38.840055632823365,49,14.840055632823365,25,{"_288":225,"_123":497,"_154":498,"_140":81},{"_288":125,"_123":494,"_154":495,"_140":496},{"_288":286,"_123":492,"_154":493,"_140":85},"era/18-spain","18th-century Spain","style/drawing-18","More drawings of the 18th century",31,"artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/990/480.jpg","https://img.ochreeditions.com/a/990/960.jpg","https://img.ochreeditions.com/a/990/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":519,"_314":520},{"_312":517,"_314":518},{"_312":515,"_314":516},{"_312":513,"_314":514},{"_312":511,"_314":512},"#c5bbae",0.0674,"#746d66",0.0724,"#9d948a",0.0732,"#efe3d4",0.3076,"#f4ebe0",0.4794,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","allegory-of-music-nga-32680","Allegory of Music",{"_42":577,"_222":578,"_326":579,"_328":329,"_330":580,"_332":581,"_334":397,"_335":397,"_336":582,"_140":93},"1764","overall: 103.5 x 130 cm (40 3/4 x 51 3/16 in.) framed: 130.8 x 157.5 cm (51 1/2 x 62 in.)",130,103.5,1.2541334966319657,[562,563,564,565,566],{"_221":372,"_222":373,"_42":374,"_305":375},"1946.7.2","François Boucher painted this in 1764, aged 61. It is now at the National Gallery of Art in Washington, DC.","Seated on clouds, a woman personifying Music points to a lyre propped on her knee, which a putto reaches out to strum, while another hovers above with a flute and a laurel wreath. Around her lie a horn wrapped in laurel, a plumed helmet and a sword, and two white doves support an open book of music.","A woman wearing flowing, pastel-colored robes and two, winged, child-like putti gather on a bank of clouds among musical instruments and sheet music in this horizontal painting. The people all have pale, pink-tinged skin. The woman sits to our right of center, facing our left in profile. She has straight nose, a rounded chin, and her small, pink lips are closed. Her ash-blond hair is pulled back under a yellow band. A voluminous white robe falls away over her left shoulder, to our right, to reveal a firm breast and small pink nipple. Sky-blue drapery wraps over her far arm, and deep rose-pink cloth falls across her lap and onto the clouds around her. Her legs extend to our left, her toes pointed. She leans back on her left elbow, closer to us, and points with that index finger to a lyre she props against her knee with her other hand. One chubby, nude putto reaches forward to strum the strings. The other putto hovers above, holding a ring of laurel leaves up in one hand and a flute in the other. Both putti have chubby limbs and torsos, blond curls lifted as if in a breeze, and short, ice-blue wings. Both look at the woman. In the lower left corner, a helmet with a topaz-blue feather and the gold hilt of a sword sit near the woman’s feet. Beneath the woman’s lower leg, at the bottom center of the painting, is a gold horn encircled by another wreath of laurel leaves. Two white doves with wings spread support an open book of sheet music and two pink roses tucked under the woman’s bent elbow. Fog-gray clouds billow up both sides of the scene against a pale blue sky. The clouds on which the trio gathers are parchment brown shaded with mauve pink. The outer corners of the image are white, indicating that the corners of the canvas were rounded. The artist signed and dated the painting in the lower right corner, “F Boucher 1764.”",{"_296":559,"_298":560,"_300":561},"https://img.ochreeditions.com/m/1476.jpg?dl=1","/art/allegory-of-music-nga-32680","/galleries/style/neoclassicism/allegory-of-music-nga-32680",{"_292":293,"_294":295},{"_225":554,"_125":555,"_286":556},{"_277":551,"_279":552,"_281":535,"_282":553},145,118.6572265625,103.6572265625,{"_288":225,"_123":557,"_154":558,"_140":93},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/1476/480.jpg","https://img.ochreeditions.com/a/1476/960.jpg","https://img.ochreeditions.com/a/1476/1920.jpg",{"_312":575,"_314":576},{"_312":573,"_314":574},{"_312":571,"_314":572},{"_312":569,"_314":570},{"_312":567,"_314":568},"#a35642",0.079,"#b9a69a",0.1789,"#686158",0.1896,"#987a65",0.2246,"#919fa2",0.3279,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","invocation-to-love-cma-123431","Invocation to Love",{"_42":391,"_222":392,"_326":393,"_328":329,"_330":394,"_332":395,"_334":396,"_335":397,"_336":398,"_140":93},"c. 1781","Drawing","Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper","Sheet: 33.5 x 41.6 cm (13 3/16 x 16 3/8 in.); Secondary Support: 37.6 x 47.8 cm (14 13/16 x 18 13/16 in.)",41.6,33.5,1.2336719883889695,[623,624,625,626,627],{"_221":619,"_222":620,"_42":621,"_305":622},"Courtesy of the Cleveland Museum of Art","1943.657","Jean Honoré Fragonard drew this in about 1781, aged about 44. It is now at the Cleveland Museum of Art.",{"_118":616,"_617":618},"Invocation to Love, by Jean Honoré Fragonard, c. 1781",{"_296":613,"_298":614,"_300":615},"https://img.ochreeditions.com/m/561.jpg?dl=1","/art/invocation-to-love-cma-123431","/galleries/style/neoclassicism/invocation-to-love-cma-123431",{"_292":434,"_294":435},{"_225":610,"_125":611,"_286":612},{"_277":607,"_279":608,"_281":590,"_282":609},65.6,57.720470588235294,33.720470588235294,{"_288":225,"_123":367,"_154":368,"_140":93},{"_288":125,"_123":494,"_154":495,"_140":496},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/561/480.jpg","https://img.ochreeditions.com/a/561/960.jpg","https://img.ochreeditions.com/a/561/1920.jpg","Fragonard used gardens as the setting for love and courtship in some of his most important works. One such scene, this drawing depicts a woman pleading for help from a statue of Eros, the god of love.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":636,"_314":637},{"_312":634,"_314":635},{"_312":632,"_314":633},{"_312":630,"_314":631},{"_312":628,"_314":629},"#d8b58d",0.0934,"#6e513d",0.2064,"#ba9671",0.2103,"#9f7d5c",0.2139,"#866549",0.276,"overdoor-painting-cma-123954","Overdoor Painting",{"_42":684,"_222":685,"_326":686,"_328":329,"_330":687,"_332":688,"_334":-5,"_335":-5,"_336":-5,"_140":99},"1790s","Framed: 59.7 x 148.9 x 6 cm (23 1/2 x 58 5/8 x 2 3/8 in.); Unframed: 52 x 151 cm (20 1/2 x 59 7/16 in.)",151,52,2.713487629688747,[669,670,671,672,673],{"_221":619,"_222":620,"_42":621,"_305":622},"1944.466.1","Pierre Rousseau painted this in the 1790s, aged about 39. It is now at the Cleveland Museum of Art.","Overdoor Painting, by Pierre Rousseau, 1790s",{"_296":666,"_298":667,"_300":668},"https://img.ochreeditions.com/m/568.jpg?dl=1","/art/overdoor-painting-cma-123954","/galleries/style/neoclassicism/overdoor-painting-cma-123954",{"_292":293,"_294":295},{"_225":661,"_125":662,"_286":663},{"_277":658,"_279":659,"_281":643,"_282":660},166,70.6479411764706,55.64794117647059,{"_288":225,"_123":664,"_154":665,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/pierre-rousseau","More by Pierre Rousseau","https://img.ochreeditions.com/a/568/480.jpg","https://img.ochreeditions.com/a/568/960.jpg","https://img.ochreeditions.com/a/568/1920.jpg",{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},{"_312":676,"_314":677},{"_312":674,"_314":675},"#a07246",0.1033,"#a78964",0.1583,"#ac9878",0.2058,"#b6aa90",0.2154,"#b68b59",0.3172,"Pierre Rousseau","pierre-rousseau","French, 1751–1829",1751,1829,"charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969","Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent",{"_42":742,"_222":743,"_326":744,"_328":329,"_330":581,"_332":745,"_334":746,"_335":397,"_336":-5,"_140":103},"1808",19,"Paintings","83 7/8 x 57 7/8 in. (213 x 147 cm)",147,213,0.6846193682030036,[727,728,729,730,731],{"_221":502,"_222":503,"_42":504,"_305":505},"2012.348","baron François Gérard painted this in 1808, aged 38. It is now at The Met in New York.","Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent, by baron François Gérard, 1808",{"_296":724,"_298":725,"_300":726},"https://img.ochreeditions.com/m/1203.jpg?dl=1","/art/charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969","/galleries/style/neoclassicism/charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969",{"_292":293,"_294":295},{"_225":714,"_125":715,"_286":716},{"_277":711,"_279":712,"_281":713,"_282":697},160.82392542723977,228,145.82392542723977,{"_288":225,"_123":722,"_154":723,"_140":89},{"_288":125,"_123":720,"_154":721,"_140":182},{"_288":286,"_123":717,"_154":718,"_140":719},"era/19-france","19th-century France",237,"style/painting-19","More paintings of the 19th century","artist/contemporaries-of-baron-francois-gerard","baron François Gérard's contemporaries","https://img.ochreeditions.com/a/1203/480.jpg","https://img.ochreeditions.com/a/1203/960.jpg","https://img.ochreeditions.com/a/1203/1920.jpg",{"_312":740,"_314":741},{"_312":738,"_314":739},{"_312":736,"_314":737},{"_312":734,"_314":735},{"_312":732,"_314":733},"#787469",0.0196,"#5a3d24",0.0614,"#896137",0.0658,"#33231b",0.2068,"#1a1513",0.6464,"baron François Gérard","baron-francois-gerard","French, 1770–1837",1837,"Rome","the-hanged-monk-aic-22808","The Hanged Monk",{"_42":521,"_222":522,"_326":523,"_328":524,"_330":525,"_332":526,"_334":527,"_335":528,"_336":529,"_140":81},"c. 1810","Oil on panel","31 × 39.2 cm (12 3/16 × 15 5/16 in.); Framed: 48.3 × 56.2 × 6.7 cm (19 × 22 1/8 × 2 5/8 in.)",39,1.254309427537774,[779,780,781,782,783],{"_221":302,"_222":303,"_42":304,"_305":306},"1936.225","Francisco Goya painted this in about 1810, aged about 59. It is now at the Art Institute of Chicago.","A monk hangs lifeless in a desolate mountain setting in this small panel, painted around 1810, when the Peninsular War was tearing Spain apart. In these years Goya made a number of small pictures for himself, alongside the etchings later published as The Disasters of War, recording cruelty committed by all sides.","A work made of oil on panel.",{"_296":776,"_298":777,"_300":778},"https://img.ochreeditions.com/m/96.jpg?dl=1","/art/the-hanged-monk-aic-22808","/galleries/style/neoclassicism/the-hanged-monk-aic-22808",{"_292":293,"_294":295},{"_225":771,"_125":772,"_286":773},{"_277":768,"_279":769,"_281":753,"_282":770},54,46.0928062436376,31.092806243637597,{"_288":225,"_123":497,"_154":498,"_140":81},{"_288":125,"_123":720,"_154":721,"_140":182},{"_288":286,"_123":774,"_154":775,"_140":87},"era/19-spain","19th-century Spain","https://img.ochreeditions.com/a/96/480.jpg","https://img.ochreeditions.com/a/96/960.jpg","https://img.ochreeditions.com/a/96/1920.jpg",{"_312":792,"_314":793},{"_312":790,"_314":791},{"_312":788,"_314":789},{"_312":786,"_314":787},{"_312":784,"_314":785},"#b19265",0.0322,"#77491e",0.038,"#614f34",0.1945,"#392916",0.22,"#1f170d",0.5153,"portrait-of-a-boy-si-saam-1956-11-41","Portrait of a Boy","Unrecorded Italian maker","ca. 1800","italy","27 x 25 in. (68.6 x 63.5 cm.)",63.5,68.6,0.8583333333333333,[835,836,837,838,839],{"_221":832,"_222":833,"_42":834,"_305":375},"Courtesy of the Smithsonian American Art Museum","1956.11.41","An unrecorded Italian artist painted this in about 1800. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":830,"_617":831},"Portrait of a Boy, ca. 1800",{"_296":827,"_298":828,"_300":829},"https://img.ochreeditions.com/m/1912.jpg?dl=1","/art/portrait-of-a-boy-si-saam-1956-11-41","/galleries/style/neoclassicism/portrait-of-a-boy-si-saam-1956-11-41",{"_292":293,"_294":295},{"_225":820,"_125":821,"_286":822},{"_277":817,"_279":818,"_281":819,"_282":801},73.88166666666666,83.6,58.88166666666666,{"_288":225,"_123":825,"_154":826,"_140":77},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":823,"_154":824,"_140":486},"era/18-italy","18th-century Italy","artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1912/480.jpg","https://img.ochreeditions.com/a/1912/960.jpg","https://img.ochreeditions.com/a/1912/1920.jpg","In this portrait the artist captured the forceful and confident personality of a boy. The youth wears a jacket, red vest, and a stylish white cravat with an upturned collar, suggesting his future role in society as an upper-class gentleman.","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution",{"_312":848,"_314":849},{"_312":846,"_314":847},{"_312":844,"_314":845},{"_312":842,"_314":843},{"_312":840,"_314":841},"#cfa679",0.0576,"#7e4428",0.0825,"#5b5839",0.1427,"#393123",0.2529,"#1b1a17",0.4643,"young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643","Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)",{"_42":521,"_222":522,"_326":523,"_328":524,"_330":525,"_332":526,"_334":527,"_335":528,"_336":529,"_140":81},"1796–97","brush and gray and black washes on laid paper","Image: 18.7 x 12 cm (7 3/8 x 4 3/4 in.); Sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.)",18.7,1.272931486334706,[880,881,882,883,884],{"_221":619,"_222":620,"_42":621,"_305":622},"1995.15","Francisco Goya drew this in 1796–97, aged about 50. It is now at the Cleveland Museum of Art.",{"_118":879,"_617":618},"Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), by Francisco Goya, 1796–97",{"_296":876,"_298":877,"_300":878},"https://img.ochreeditions.com/m/752.jpg?dl=1","/art/young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643","/galleries/style/neoclassicism/young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643",{"_292":434,"_294":435},{"_225":873,"_125":874,"_286":875},{"_277":486,"_279":871,"_281":488,"_282":872},43.63970588235294,19.639705882352942,{"_288":225,"_123":497,"_154":498,"_140":81},{"_288":125,"_123":494,"_154":495,"_140":496},{"_288":286,"_123":492,"_154":493,"_140":85},"https://img.ochreeditions.com/a/752/480.jpg","https://img.ochreeditions.com/a/752/960.jpg","https://img.ochreeditions.com/a/752/1920.jpg","Among the great figures of the pictorial arts in the West, Francisco de Goya is one of the very few whose work as a graphic artist is arguably even more important than his paintings. Alongside a prodigious output of prints, he created eight sketchbooks of drawings over the course of 30 years.",{"_312":893,"_314":894},{"_312":891,"_314":892},{"_312":889,"_314":890},{"_312":887,"_314":888},{"_312":885,"_314":886},"#807b70",0.0384,"#a6a296",0.1228,"#b9b5a8",0.2216,"#cecbbe",0.23,"#e0ded2",0.3872,"the-afternoon-meal-la-merienda-met-437053","The Afternoon Meal (La Merienda)",{"_42":941,"_222":942,"_326":943,"_328":524,"_330":944,"_332":945,"_334":946,"_335":947,"_336":-5,"_140":101},"ca. 1772","41 1/2 x 60 1/2 in. (105.4 x 153.7 cm)",153.7,105.4,1.4502857142857142,[926,927,928,929,930],{"_221":502,"_222":503,"_42":504,"_305":505},"1982.60.39","Luis Meléndez painted this in about 1772, aged 56. It is now at The Met in New York.","The Afternoon Meal (La Merienda), by Luis Meléndez, ca. 1772",{"_296":923,"_298":924,"_300":925},"https://img.ochreeditions.com/m/1128.jpg?dl=1","/art/the-afternoon-meal-la-merienda-met-437053","/galleries/style/neoclassicism/the-afternoon-meal-la-merienda-met-437053",{"_292":293,"_294":295},{"_225":918,"_125":919,"_286":920},{"_277":915,"_279":916,"_281":900,"_282":917},168.7,120.97911741528763,105.97911741528763,{"_288":225,"_123":921,"_154":922,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":492,"_154":493,"_140":85},"artist/contemporaries-of-luis-melendez","Luis Meléndez's contemporaries","https://img.ochreeditions.com/a/1128/480.jpg","https://img.ochreeditions.com/a/1128/960.jpg","https://img.ochreeditions.com/a/1128/1920.jpg",{"_312":939,"_314":940},{"_312":937,"_314":938},{"_312":935,"_314":936},{"_312":933,"_314":934},{"_312":931,"_314":932},"#a17c38",0.0572,"#766d41",0.1399,"#44554e",0.1431,"#483c1e",0.2496,"#201e14",0.4102,"Luis Meléndez","luis-melendez","Spanish, 1716–1780",1716,1780,"Naples","Madrid","ettore-side-view-from-oeuvre-de-canova-aic-260560","Ettore, Side View, from Oeuvre de Canova",{"_42":1002,"_222":1003,"_326":1004,"_328":1005,"_330":1006,"_332":1007,"_334":-5,"_335":-5,"_336":-5,"_140":99},"1817","print","Print","Engraving and etching in black on ivory wove paper","Plate: 64 × 40.5 cm (25 1/4 × 16 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",40,64,0.7256637168141593,[987,988,989,990,991],{"_221":302,"_222":303,"_42":304,"_305":306},"2021.47","Antonio Canova made this in 1817, aged 52. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on ivory wove paper.",{"_296":984,"_298":985,"_300":986},"https://img.ochreeditions.com/m/402.jpg?dl=1","/art/ettore-side-view-from-oeuvre-de-canova-aic-260560","/galleries/style/neoclassicism/ettore-side-view-from-oeuvre-de-canova-aic-260560",{"_292":434,"_294":435},{"_225":974,"_125":975,"_286":976},{"_277":971,"_279":972,"_281":973,"_282":957},70.4424778761062,88,46.442477876106196,{"_288":225,"_123":982,"_154":983,"_140":99},{"_288":125,"_123":979,"_154":980,"_140":981},{"_288":286,"_123":977,"_154":978,"_140":79},"era/19-italy","19th-century Italy","style/print-19","More prints of the 19th century",159,"artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/402/480.jpg","https://img.ochreeditions.com/a/402/960.jpg","https://img.ochreeditions.com/a/402/1920.jpg",{"_312":1000,"_314":1001},{"_312":998,"_314":999},{"_312":996,"_314":997},{"_312":994,"_314":995},{"_312":992,"_314":993},"#8e867f",0.0177,"#b2aba5",0.0506,"#cec5bf",0.0917,"#f1e2da",0.1243,"#f4e8e2",0.7157,"Antonio Canova","antonio-canova","Italian, 1765–1820","Italian",1765,1820,"farmer-requesting-permission-to-marry-a-nobleman-s-daughter-aic-262600","Farmer Requesting Permission to Marry a Nobleman's Daughter",{"_42":1052,"_222":1053,"_326":1054,"_328":329,"_330":1055,"_332":945,"_334":397,"_335":397,"_336":-5,"_140":101},"1761","Graphite and pen and black ink, with touches of opaque, white watercolor on cream laid paper","12.5 × 7.9 cm (4 15/16 × 3 1/8 in.)",0.63476894881529,[1037,1038,1039,1040,1041],{"_221":302,"_222":303,"_42":304,"_305":306},"2023.2859","Gabriel de Saint-Aubin painted this in 1761, aged 37. It is now at the Art Institute of Chicago.","A work made of graphite and pen and black ink, with touches of opaque, white watercolor on cream laid paper.",{"_296":1034,"_298":1035,"_300":1036},"https://img.ochreeditions.com/m/412.jpg?dl=1","/art/farmer-requesting-permission-to-marry-a-nobleman-s-daughter-aic-262600","/galleries/style/neoclassicism/farmer-requesting-permission-to-marry-a-nobleman-s-daughter-aic-262600",{"_292":434,"_294":435},{"_225":1029,"_125":1030,"_286":1031},{"_277":1027,"_279":486,"_281":1028,"_282":488},39.86922372038225,15.86922372038225,{"_288":225,"_123":1032,"_154":1033,"_140":89},{"_288":125,"_123":430,"_154":431,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-gabriel-de-saint-aubin","Gabriel de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/412/480.jpg","https://img.ochreeditions.com/a/412/960.jpg","https://img.ochreeditions.com/a/412/1920.jpg",{"_312":1050,"_314":1051},{"_312":1048,"_314":1049},{"_312":1046,"_314":1047},{"_312":1044,"_314":1045},{"_312":1042,"_314":1043},"#f0dfd0",0.0777,"#746a63",0.1113,"#95877b",0.2317,"#c7b098",0.242,"#af9c8a",0.3373,"Gabriel de Saint-Aubin","gabriel-de-saint-aubin","French, 1724–1780",1724,"standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)",{"_42":1105,"_222":1106,"_326":1107,"_328":329,"_330":1108,"_332":1109,"_334":1110,"_335":397,"_336":1111,"_140":95},"1816","Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper","59 × 45 cm (23 1/4 × 17 3/4 in.)",59,0.7685862865947611,[1090,1091,1092,1093,1094],{"_221":302,"_222":303,"_42":304,"_305":306},"1977.350","Eugène Delacroix painted this in 1816, aged 18. It is now at the Art Institute of Chicago.","A male model stands posed in the studio, modelled in black chalk and charcoal, softened by stumping and lifted with white highlights on tan paper.","A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.",{"_296":1087,"_298":1088,"_300":1089},"https://img.ochreeditions.com/m/295.jpg?dl=1","/art/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","/galleries/style/neoclassicism/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856",{"_292":434,"_294":435},{"_225":1080,"_125":1081,"_286":1082},{"_277":1077,"_279":1078,"_281":1079,"_282":1062},69.3465909090909,83,45.34659090909091,{"_288":225,"_123":1085,"_154":1086,"_140":95},{"_288":125,"_123":1083,"_154":1084,"_140":956},{"_288":286,"_123":717,"_154":718,"_140":719},"style/watercolour-19","More watercolours of the 19th century","artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/295/480.jpg","https://img.ochreeditions.com/a/295/960.jpg","https://img.ochreeditions.com/a/295/1920.jpg",{"_312":1103,"_314":1104},{"_312":1101,"_314":1102},{"_312":1099,"_314":1100},{"_312":1097,"_314":1098},{"_312":1095,"_314":1096},"#493c33",0.0813,"#a29d99",0.1011,"#97765d",0.1706,"#6c5342",0.2797,"#7a5e4a",0.3673,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","two-draft-horses-with-a-sleeping-driver-met-337192","Two Draft Horses with a Sleeping Driver",{"_42":1163,"_222":1164,"_326":1165,"_328":329,"_330":1166,"_332":1167,"_334":1168,"_335":397,"_336":1169,"_140":99},"1820–22","Brush and brown and gray wash, over graphite","11 3/4 x 15 1/16 in. (29.9 x 38.2 cm)",38.2,29.9,1.2979222520107239,[1148,1149,1150,1151,1152],{"_221":502,"_222":503,"_42":504,"_305":505},"1996.365","Jean Louis André Théodore Géricault drew this in 1820–22, aged about 29. It is now at The Met in New York.","Two heavy draught horses stand patiently in harness while their driver dozes, set down in brush and brown and grey wash over pencil. Géricault spent much of 1820 and 1821 in England, where he was fascinated by the powerful working horses of London’s streets and made a series of lithographs of everyday English life.","Two Draft Horses with a Sleeping Driver, by Jean Louis André Théodore Géricault, 1820–22",{"_296":1145,"_298":1146,"_300":1147},"https://img.ochreeditions.com/m/1015.jpg?dl=1","/art/two-draft-horses-with-a-sleeping-driver-met-337192","/galleries/style/neoclassicism/two-draft-horses-with-a-sleeping-driver-met-337192",{"_292":434,"_294":435},{"_225":1137,"_125":1138,"_286":1139},{"_277":1134,"_279":1135,"_281":1118,"_282":1136},62.2,53.43165504776659,29.43165504776659,{"_288":225,"_123":1143,"_154":1144,"_140":99},{"_288":125,"_123":1140,"_154":1141,"_140":1142},{"_288":286,"_123":717,"_154":718,"_140":719},"style/drawing-19","More drawings of the 19th century",92,"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/1015/480.jpg","https://img.ochreeditions.com/a/1015/960.jpg","https://img.ochreeditions.com/a/1015/1920.jpg",{"_312":1161,"_314":1162},{"_312":1159,"_314":1160},{"_312":1157,"_314":1158},{"_312":1155,"_314":1156},{"_312":1153,"_314":1154},"#7d7265",0.1269,"#ead9c3",0.191,"#554f49",0.1983,"#c8b79f",0.2156,"#a79884",0.2682,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.",{"_1171":-5,"_1172":1173,"_1174":1175,"_1176":8,"_1177":1178,"_1179":8},"user","csrf","21cdc0a9455146497eeab17c92518564f0739067","cartCount",0,"dropLive","legal",[1180,1181,1182,1183,1184,1185,1186,1187,1188,1189,1190,1191],"uploadsEnabled",{"_222":1214,"_20":1215},{"_222":1212,"_20":1213},{"_222":1210,"_20":1211},{"_222":1208,"_20":1209},{"_222":1206,"_20":1207},{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]