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The lower and part of the upper framing of the lunette are indicated.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_310":398,"_312":399},{"_310":396,"_312":397},{"_310":394,"_312":395},{"_310":392,"_312":393},{"_310":390,"_312":391},"#b3b1b0",0.0781,"#989382",0.0833,"#b0ab9b",0.1622,"#c5c0b0",0.3017,"#d8d2c1",0.3747,"Johann August Nahl The Younger","johann-august-nahl-the-younger","German, 1752–1825","German",1752,1825,"shipwreck-aic-57854","Shipwreck",{"_42":464,"_220":465,"_324":466,"_326":467,"_328":468,"_330":469,"_332":-5,"_333":-5,"_334":-5,"_140":103},"19th century","france","painting","Painting","Oil on canvas","54 × 65.3 cm (21 1/4 × 25 11/16 in.)",65,54,1.2084870848708487,[449,450,451,452,453],{"_219":300,"_220":301,"_42":302,"_303":304},"1975.667","After Eugène Isabey painted this in 19th century. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":446,"_296":447,"_298":448},"https://img.ochreeditions.com/m/171.jpg?dl=1","/art/shipwreck-aic-57854","/galleries/style/neoclassicism/shipwreck-aic-57854",{"_290":444,"_292":445},{"_223":433,"_125":434,"_284":435},{"_275":430,"_277":431,"_279":415,"_281":432},80,68.78625954198473,53.786259541984734,{"_286":223,"_123":442,"_154":443,"_140":89},{"_286":125,"_123":439,"_154":440,"_140":441},{"_286":284,"_123":436,"_154":437,"_140":438},"era/19-france","19th-century France",237,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-after-eugene-isabey","After Eugène Isabey's contemporaries","natural","ivory","https://img.ochreeditions.com/a/171/480.jpg","https://img.ochreeditions.com/a/171/960.jpg","https://img.ochreeditions.com/a/171/1920.jpg",{"_310":462,"_312":463},{"_310":460,"_312":461},{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},"#b6aa6f",0.1389,"#959983",0.1424,"#716444",0.1763,"#44372c",0.2403,"#26191c",0.3021,"After Eugène Isabey","after-eugene-isabey","French, 1803–1886","French",1803,1886,"portrait-of-le-roi-marat-aic-255719","Portrait of Le Roi Marat",{"_42":522,"_220":523,"_324":524,"_326":524,"_328":-5,"_330":525,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1795","Etching in black on ivory laid paper","Plate: 12.5 × 9.5 cm (4 15/16 × 3 3/4 in.); Sheet: 13.3 × 12.1 cm (5 1/4 × 4 13/16 in.)",0.9130074565037283,[507,508,509,510,511],{"_219":300,"_220":301,"_42":302,"_303":304},"2020.25","Viller made this in about 1795. It is now at the Art Institute of Chicago.","A work made of etching in black on ivory laid paper.",{"_294":504,"_296":505,"_298":506},"https://img.ochreeditions.com/m/390.jpg?dl=1","/art/portrait-of-le-roi-marat-aic-255719","/galleries/style/neoclassicism/portrait-of-le-roi-marat-aic-255719",{"_290":291,"_292":293},{"_223":493,"_125":494,"_284":495},{"_275":489,"_277":490,"_279":491,"_281":492},46.82518641259321,49,22.825186412593208,25,{"_286":223,"_123":502,"_154":503,"_140":89},{"_286":125,"_123":499,"_154":500,"_140":501},{"_286":284,"_123":496,"_154":497,"_140":498},"era/18-france","18th-century France",75,"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-viller","Viller's contemporaries","https://img.ochreeditions.com/a/390/480.jpg","https://img.ochreeditions.com/a/390/960.jpg","https://img.ochreeditions.com/a/390/1920.jpg",{"_310":520,"_312":521},{"_310":518,"_312":519},{"_310":516,"_312":517},{"_310":514,"_312":515},{"_310":512,"_312":513},"#a49990",0.0363,"#746d65",0.0368,"#524d47",0.0387,"#d3c5ba",0.0755,"#e7d9ce",0.8127,"Viller","viller","probably French",1800,"the-billiard-room-met-437775","The Billiard Room",{"_42":578,"_220":579,"_324":580,"_326":467,"_328":581,"_330":582,"_332":583,"_333":583,"_334":-5,"_140":103},"after 1810","Paintings","Oil on wood","6 3/8 x 8 5/8 in. (16.2 x 21.9 cm)",21.9,16.2,1.349072512647555,[563,564,565,566,567],{"_219":560,"_220":561,"_42":562,"_303":384},"Courtesy of The Metropolitan Museum of Art","1982.60.49","Nicolas Antoine Taunay painted this (after 1810), aged about 56. It is now at The Met in New York.","The Billiard Room, by Nicolas Antoine Taunay, after 1810",{"_294":557,"_296":558,"_298":559},"https://img.ochreeditions.com/m/1163.jpg?dl=1","/art/the-billiard-room-met-437775","/galleries/style/neoclassicism/the-billiard-room-met-437775",{"_290":444,"_292":445},{"_223":552,"_125":553,"_284":554},{"_275":549,"_277":550,"_279":492,"_281":551},40,33.53125,18.53125,{"_286":223,"_123":555,"_154":556,"_140":89},{"_286":125,"_123":439,"_154":440,"_140":441},{"_286":284,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-nicolas-antoine-taunay","Nicolas Antoine Taunay's contemporaries","https://img.ochreeditions.com/a/1163/480.jpg","https://img.ochreeditions.com/a/1163/960.jpg","https://img.ochreeditions.com/a/1163/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_310":576,"_312":577},{"_310":574,"_312":575},{"_310":572,"_312":573},{"_310":570,"_312":571},{"_310":568,"_312":569},"#7c6c52",0.1221,"#472d17",0.1592,"#221508",0.1803,"#4a4335",0.2301,"#312d24",0.3083,"Nicolas Antoine Taunay","nicolas-antoine-taunay","French, 1755–1830",1755,1830,"Paris","senora-sabasa-garcia-nga-95","Señora Sabasa Garcia",{"_42":640,"_220":641,"_324":642,"_326":643,"_328":644,"_330":645,"_332":646,"_333":647,"_334":648,"_140":81},"c. 1806/1811","spain","oil on canvas","overall: 71 x 58 cm (27 15/16 x 22 13/16 in.) framed: 94.6 x 81.3 x 7.6 cm (37 1/4 x 32 x 3 in.)",58,71,0.81103515625,[625,626,627,628,629],{"_219":621,"_220":622,"_42":623,"_303":624},"Courtesy National Gallery of Art, Washington","1937.1.88","Francisco Goya painted this in about 1806/1811, aged about 60. It is now at the National Gallery of Art in Washington, DC.","A young woman looks over her shoulder directly at us, her curly brown hair half hidden under a white lace mantilla and a wide orange and black shawl wrapped about her shoulders, her gloved hands clasped at her waist.","Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait. She has dark brown eyes, a straight nose, smooth skin, and her pink lips are closed. Curls fall across her forehead but the rest of her hair is pulled up under a white lace scarf, called a mantilla. The mantilla is tucked under the wide orange and black shawl wrapped around her shoulders. She clasps her hands at her waist, and her hands and forearms are covered with long white gloves that disappear under the shawl.",{"_294":618,"_296":619,"_298":620},"https://img.ochreeditions.com/m/1307.jpg?dl=1","/art/senora-sabasa-garcia-nga-95","/galleries/style/neoclassicism/senora-sabasa-garcia-nga-95",{"_290":444,"_292":445},{"_223":611,"_125":612,"_284":613},{"_275":608,"_277":609,"_279":610,"_281":592},72.58349609375,86,57.58349609375,{"_286":223,"_123":616,"_154":617,"_140":81},{"_286":125,"_123":439,"_154":440,"_140":441},{"_286":284,"_123":614,"_154":615,"_140":87},"era/19-spain","19th-century Spain","artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/1307/480.jpg","https://img.ochreeditions.com/a/1307/960.jpg","https://img.ochreeditions.com/a/1307/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":638,"_312":639},{"_310":636,"_312":637},{"_310":634,"_312":635},{"_310":632,"_312":633},{"_310":630,"_312":631},"#845b1b",0.0403,"#a29068",0.0604,"#604928",0.1037,"#3f3625",0.1316,"#1c1c17",0.664,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","cathedral-of-notre-dame-in-paris-si-chndm-1931-66-88","Cathedral of Notre Dame in Paris",{"_42":702,"_220":703,"_324":704,"_326":467,"_328":705,"_330":706,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1825–1840","Graphite, black crayon on two pieces of paper pasted together","16.3 × 26.5 cm (6 7/16 × 10 7/16 in.)",26.5,16.3,0.6154076738609112,[687,688,689,690,691],{"_219":381,"_220":382,"_42":383,"_303":384},"1931-66-88","Charles Nicolas Ransonnette drew this in 1825–1840, aged about 32. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":686,"_379":380},"CATHEDRAL OF NOTRE DAME IN PARIS",{"_294":683,"_296":684,"_298":685},"https://img.ochreeditions.com/m/1731.jpg?dl=1","/art/cathedral-of-notre-dame-in-paris-si-chndm-1931-66-88","/galleries/style/neoclassicism/cathedral-of-notre-dame-in-paris-si-chndm-1931-66-88",{"_290":291,"_292":293},{"_223":675,"_125":676,"_284":677},{"_275":671,"_277":672,"_279":673,"_281":674},40.30415115006668,50.49325291603626,16.30415115006668,26.493252916036262,{"_286":223,"_123":681,"_154":682,"_140":89},{"_286":125,"_123":678,"_154":679,"_140":680},{"_286":284,"_123":436,"_154":437,"_140":438},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-charles-nicolas-ransonnette","Charles Nicolas Ransonnette's contemporaries","https://img.ochreeditions.com/a/1731/480.jpg","https://img.ochreeditions.com/a/1731/960.jpg","https://img.ochreeditions.com/a/1731/1920.jpg","View from the east transept toward the towers of the façade.",{"_310":700,"_312":701},{"_310":698,"_312":699},{"_310":696,"_312":697},{"_310":694,"_312":695},{"_310":692,"_312":693},"#8f877d",0.0729,"#f2e4d0",0.0966,"#aea293",0.1895,"#c4b3a1",0.2155,"#dac8b5",0.4255,"Charles Nicolas Ransonnette","charles-nicolas-ransonnette","French, 1793–1877",1793,1877,"alexander-at-the-tomb-of-cyrus-the-great-aic-100060","Alexander at the Tomb of Cyrus the Great",{"_42":756,"_220":757,"_324":758,"_326":467,"_328":759,"_330":760,"_332":-5,"_333":-5,"_334":761,"_140":97},"1796","42 × 91.1 cm (16 9/16 × 35 7/8 in.); Framed: 59.3 × 107.7 cm (23 5/16 × 42 3/8 in.)",91,42,2.2301401869158877,[741,742,743,744,745],{"_219":300,"_220":301,"_42":302,"_303":304},"1983.35","Pierre Henri de Valenciennes painted this in 1796, aged 46. It is now at the Art Institute of Chicago.","Alexander the Great and his soldiers pause among tents and trees before the tomb of Cyrus the Great, founder of the Persian Empire, whose grave at Pasargadae Alexander found plundered and ordered to be restored.",{"_294":738,"_296":739,"_298":740},"https://img.ochreeditions.com/m/259.jpg?dl=1","/art/alexander-at-the-tomb-of-cyrus-the-great-aic-100060","/galleries/style/neoclassicism/alexander-at-the-tomb-of-cyrus-the-great-aic-100060",{"_290":444,"_292":445},{"_223":730,"_125":731,"_284":732},{"_275":727,"_277":728,"_279":712,"_281":729},106,55.804609743321116,40.804609743321116,{"_286":223,"_123":736,"_154":737,"_140":97},{"_286":125,"_123":733,"_154":734,"_140":735},{"_286":284,"_123":496,"_154":497,"_140":498},"style/painting-18","More paintings of the 18th century",168,"artist/pierre-henri-de-valenciennes","More by Pierre Henri de Valenciennes","https://img.ochreeditions.com/a/259/480.jpg","https://img.ochreeditions.com/a/259/960.jpg","https://img.ochreeditions.com/a/259/1920.jpg",{"_310":754,"_312":755},{"_310":752,"_312":753},{"_310":750,"_312":751},{"_310":748,"_312":749},{"_310":746,"_312":747},"#a09a87",0.1546,"#876233",0.1848,"#46371b",0.201,"#726d62",0.2188,"#583a0f",0.2408,"Pierre Henri de Valenciennes","pierre-henri-de-valenciennes","French, 1750–1819",1750,1819,"Valenciennes was the leading theorist of French historical landscape.","wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","Wealth and Benefits of the Spanish Monarchy under Charles III",{"_42":811,"_220":812,"_324":813,"_326":327,"_328":814,"_330":815,"_332":816,"_333":817,"_334":818,"_140":85},"1762","overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.)",104.3,181.8,0.570556640625,[796,797,798,799,800],{"_219":621,"_220":622,"_42":623,"_303":624},"1943.4.39","Giovanni Battista Tiepolo painted this in 1762, aged 66. It is now at the National Gallery of Art in Washington, DC.","Seen from below through an illusionistic opening, crowds of figures in windswept robes swirl upward on clouds towards a crowned figure enthroned in the blue sky, while stone giants recline beside gold medallions at the corners.","We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting. From a distance, the scene looks like a complete illusion but up close, the people, clouds, and architecture are sketchily painted. The ledge running around the opening has a gold, oval medallion at each corner. Appearing to be carved from white stone, two bearded men with long hair recline against each medallion, flanking them to each side in front of large shells that curve up over the people and frames them. A few architectural structures extend up into the sky, including a pointed obelisk in the lower left corner, a pair of columns at the upper right, and what seems to be the mast of a ship at the top left. Most of the people have pale skin but some have more tan complexions, and a few, including those wearing feather headdresses near the upper left corner, have brown skin. The people wear windswept robes of pale, butter yellow, robin’s egg blue, rose pink, and ivory. The eye may drawn to a few vignettes, such as the man holding a rearing, chestnut-brown horse on the illusionistic ledge near the lower right, a nun wearing a white robe and holding a cross above him in the clouds, and, farthest away, a crowned person sitting on a throne.",{"_294":793,"_296":794,"_298":795},"https://img.ochreeditions.com/m/1366.jpg?dl=1","/art/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","/galleries/style/neoclassicism/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137",{"_290":444,"_292":445},{"_223":786,"_125":787,"_284":788},{"_275":783,"_277":784,"_279":785,"_281":768},118.72719726562501,196.8,103.72719726562501,{"_286":223,"_123":791,"_154":792,"_140":85},{"_286":125,"_123":733,"_154":734,"_140":735},{"_286":284,"_123":789,"_154":790,"_140":490},"era/18-italy","18th-century Italy","artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/1366/480.jpg","https://img.ochreeditions.com/a/1366/960.jpg","https://img.ochreeditions.com/a/1366/1920.jpg",{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},{"_310":803,"_312":804},{"_310":801,"_312":802},"#4f3f34",0.1302,"#bccbcd",0.1766,"#baad95",0.1905,"#75614e",0.2348,"#98866e",0.2679,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,1770,"Venice","Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","portrait-of-a-boy-si-saam-1956-11-41","Portrait of a Boy","Unrecorded Italian maker","ca. 1800","27 x 25 in. (68.6 x 63.5 cm.)",63.5,68.6,0.8583333333333333,[854,855,856,857,858],{"_219":381,"_220":382,"_42":383,"_303":624},"Courtesy of the Smithsonian American Art Museum","1956.11.41","An unrecorded Italian artist painted this in about 1800. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":852,"_379":853},"Portrait of a Boy, ca. 1800",{"_294":849,"_296":850,"_298":851},"https://img.ochreeditions.com/m/1912.jpg?dl=1","/art/portrait-of-a-boy-si-saam-1956-11-41","/galleries/style/neoclassicism/portrait-of-a-boy-si-saam-1956-11-41",{"_290":444,"_292":445},{"_223":844,"_125":845,"_284":846},{"_275":841,"_277":842,"_279":843,"_281":825},73.88166666666666,83.6,58.88166666666666,{"_286":223,"_123":847,"_154":848,"_140":77},{"_286":125,"_123":733,"_154":734,"_140":735},{"_286":284,"_123":789,"_154":790,"_140":490},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1912/480.jpg","https://img.ochreeditions.com/a/1912/960.jpg","https://img.ochreeditions.com/a/1912/1920.jpg","In this portrait the artist captured the forceful and confident personality of a boy. The youth wears a jacket, red vest, and a stylish white cravat with an upturned collar, suggesting his future role in society as an upper-class gentleman.","Text from the Smithsonian American Art Museum.",{"_310":867,"_312":868},{"_310":865,"_312":866},{"_310":863,"_312":864},{"_310":861,"_312":862},{"_310":859,"_312":860},"#cfa679",0.0576,"#7e4428",0.0825,"#5b5839",0.1427,"#393123",0.2529,"#1b1a17",0.4643,"the-nursing-of-jupiter-nga-53150","The Nursing of Jupiter",{"_42":915,"_220":916,"_324":917,"_326":467,"_328":760,"_330":918,"_332":-5,"_333":-5,"_334":-5,"_140":103},"graphite heightened with white on brown paper","overall (approximate): 60.5 x 89.9 cm (23 13/16 x 35 3/8 in.)",89.9,60.5,1.4867513611615244,[900,901,902,903,904],{"_219":621,"_220":622,"_42":623,"_303":624},"1972.18.1","Théodore Chassériau drew this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of mythological figures in a ceremonial scene. The composition features multiple figures in various poses, centered around a symbolic gathering. The drawing is detailed, providing a classical representation of human forms, draped fabrics, and an animal. A plateau with trees is subtly depicted in the background. The figures display expressions ranging from serene to contemplative.",{"_294":897,"_296":898,"_298":899},"https://img.ochreeditions.com/m/1560.jpg?dl=1","/art/the-nursing-of-jupiter-nga-53150","/galleries/style/neoclassicism/the-nursing-of-jupiter-nga-53150",{"_290":291,"_292":293},{"_223":892,"_125":893,"_284":894},{"_275":889,"_277":890,"_279":874,"_281":891},113.9,84.4674072265625,60.46740722656251,{"_286":223,"_123":895,"_154":896,"_140":89},{"_286":125,"_123":678,"_154":679,"_140":680},{"_286":284,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-theodore-chasseriau","Théodore Chassériau's contemporaries","https://img.ochreeditions.com/a/1560/480.jpg","https://img.ochreeditions.com/a/1560/960.jpg","https://img.ochreeditions.com/a/1560/1920.jpg",{"_310":913,"_312":914},{"_310":911,"_312":912},{"_310":909,"_312":910},{"_310":907,"_312":908},{"_310":905,"_312":906},"#eed7bb",0.0585,"#ceb69a",0.0847,"#dbc0a2",0.218,"#e4c6a3",0.246,"#e6cbab",0.3928,"Théodore Chassériau","theodore-chasseriau","French, 1819–1856",1856,"love-as-folly-nga-52255","Love as Folly",{"_42":966,"_220":967,"_324":968,"_326":467,"_328":969,"_330":970,"_332":971,"_333":583,"_334":972,"_140":93},"c. 1773/1776","overall (oval): 56.2 x 47.3 cm (22 1/8 x 18 5/8 in.) framed: 78.7 x 62.2 x 8.3 cm (31 x 24 1/2 x 3 1/4 in.)",47.3,56.2,0.837646484375,[951,952,953,954,955],{"_219":621,"_220":622,"_42":623,"_303":624},"1970.17.111","Jean Honoré Fragonard painted this in about 1773/1776, aged about 41. It is now at the National Gallery of Art in Washington, DC.","A smiling Cupid floats through the air with a flaming torch, arms flung wide, as white birds wheel around him among clouds and pink blossoms. Fragonard painted this small oval and its companion, Love the Sentinel, in the mid-1770s, when he was the most spirited painter of love in Rococo France.","This oval painting shows a cherubic child floating mid-air with one leg bent and their arms outstretched. The cherub has curly hair, a round face, and pale skin dusted with rosy pink and light teal shadows. They are smiling gently. The cherub is nude with a draped cloth over one shoulder, and in one hand they hold a flaming torch. Surrounding the cherub are white birds in flight. The background consists of pale blue and soft white clouds, with blooming pink flowers and foliage on the pale green ground.",{"_294":948,"_296":949,"_298":950},"https://img.ochreeditions.com/m/1546.jpg?dl=1","/art/love-as-folly-nga-52255","/galleries/style/neoclassicism/love-as-folly-nga-52255",{"_290":444,"_292":445},{"_223":943,"_125":944,"_284":945},{"_275":940,"_277":941,"_279":942,"_281":925},62.075732421875,71.2,47.075732421875,{"_286":223,"_123":946,"_154":947,"_140":93},{"_286":125,"_123":733,"_154":734,"_140":735},{"_286":284,"_123":496,"_154":497,"_140":498},"artist/jean-honore-fragonard","More by Jean Honoré Fragonard","https://img.ochreeditions.com/a/1546/480.jpg","https://img.ochreeditions.com/a/1546/960.jpg","https://img.ochreeditions.com/a/1546/1920.jpg",{"_310":964,"_312":965},{"_310":962,"_312":963},{"_310":960,"_312":961},{"_310":958,"_312":959},{"_310":956,"_312":957},"#7b5d33",0.1439,"#9e8c55",0.1468,"#fbfbfa",0.1907,"#cab696",0.2149,"#abae98",0.3037,"Jean Honoré Fragonard","jean-honore-fragonard","French, 1732–1806",1732,1806,"Grasse","Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este.","designs-for-ornamental-arabesque-motifs-si-chndm-1911-28-199","Designs for Ornamental Arabesque Motifs",{"_42":1021,"_220":1022,"_324":1023,"_326":467,"_328":1024,"_330":1025,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1770","Drawings","Pen and brown ink, brush and brown watercolor, graphite on paper","31 × 19 cm (12 3/16 × 7 1/2 in.)",0.7097308488612837,[1006,1007,1008,1009,1010],{"_219":381,"_220":382,"_42":383,"_303":384},"1911-28-199","Etienne de Lavallée-Poussin painted this in 1770, aged 35. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1005,"_379":380},"DESIGNS FOR ORNAMENTAL ARABESQUE MOTIFS",{"_294":1002,"_296":1003,"_298":1004},"https://img.ochreeditions.com/m/1712.jpg?dl=1","/art/designs-for-ornamental-arabesque-motifs-si-chndm-1911-28-199","/galleries/style/neoclassicism/designs-for-ornamental-arabesque-motifs-si-chndm-1911-28-199",{"_290":291,"_292":293},{"_223":997,"_125":998,"_284":999},{"_275":994,"_277":995,"_279":996,"_281":372},46.001656314699794,55,22.001656314699794,{"_286":223,"_123":1000,"_154":1001,"_140":89},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":496,"_154":497,"_140":498},"artist/contemporaries-of-etienne-de-lavallee-poussin","Etienne de Lavallée-Poussin's contemporaries","https://img.ochreeditions.com/a/1712/480.jpg","https://img.ochreeditions.com/a/1712/960.jpg","https://img.ochreeditions.com/a/1712/1920.jpg","Top left, a mask of a human figure with horns from which are suspended tassels. Under it, a nude female figure seen frontally, seated on a sheet held in both hands, arms extended.",{"_310":1019,"_312":1020},{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},{"_310":1013,"_312":1014},{"_310":1011,"_312":1012},"#b39c85",0.0208,"#ccb7a1",0.0583,"#d0c4b5",0.1274,"#e4d5c2",0.2892,"#ede0cf",0.5043,"Etienne de Lavallée-Poussin","etienne-de-lavallee-poussin","French, 1735–1802",1735,1802,"ajax-front-view-from-oeuvre-de-canova-aic-260561","Ajax, Front View, from Oeuvre de Canova",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":99},"Engraving and etching in black on ivory wove paper","Plate: 60.5 × 41.2 cm (23 7/8 × 16 1/4 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",41,60,0.7232285312060066,[1054,1055,1056,1057,1058],{"_219":300,"_220":301,"_42":302,"_303":304},"2021.48","A work made of engraving and etching in black on ivory wove paper.",{"_294":1051,"_296":1052,"_298":1053},"https://img.ochreeditions.com/m/403.jpg?dl=1","/art/ajax-front-view-from-oeuvre-de-canova-aic-260561","/galleries/style/neoclassicism/ajax-front-view-from-oeuvre-de-canova-aic-260561",{"_290":291,"_292":293},{"_223":1048,"_125":1049,"_284":1050},{"_275":1045,"_277":1046,"_279":1047,"_281":1032},67.3937118723604,84,43.3937118723604,{"_286":223,"_123":169,"_154":168,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":79},"https://img.ochreeditions.com/a/403/480.jpg","https://img.ochreeditions.com/a/403/960.jpg","https://img.ochreeditions.com/a/403/1920.jpg",{"_310":1067,"_312":1068},{"_310":1065,"_312":1066},{"_310":1063,"_312":1064},{"_310":1061,"_312":1062},{"_310":1059,"_312":1060},"#867e74",0.0187,"#afa79e",0.0435,"#e6dad3",0.0445,"#d1c8c1",0.0904,"#faede6",0.8029,"seated-giant-met-334002","Seated Giant",{"_42":640,"_220":641,"_324":642,"_326":643,"_328":644,"_330":645,"_332":646,"_333":647,"_334":648,"_140":81},"by 1818 (possibly 1814–18)","Prints","Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)","Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm) Framed: 21 3/4 × 19 in. (55.2 × 48.3 cm)",20.8,28.4,0.7007743362831859,[1101,1102,1103,1104,1105],{"_219":560,"_220":561,"_42":562,"_303":384},"35.42","Francisco Goya made this (by 1818 (possibly 1814–18)), aged 72. It is now at The Met in New York.","A colossal nude figure sits on the edge of the world, turning to look back over his shoulder, while a tiny landscape lies at his feet. Goya created the image in burnished aquatint, scraping and polishing light out of a dark tonal ground so that the giant seems to emerge from the night.","Seated Giant, by Francisco Goya, by 1818 (possibly 1814–18)",{"_294":1098,"_296":1099,"_298":1100},"https://img.ochreeditions.com/m/989.jpg?dl=1","/art/seated-giant-met-334002","/galleries/style/neoclassicism/seated-giant-met-334002",{"_290":291,"_292":293},{"_223":1095,"_125":1096,"_284":1097},{"_275":1092,"_277":1093,"_279":1094,"_281":1077},43.90199115044248,52.4,19.901991150442477,{"_286":223,"_123":616,"_154":617,"_140":81},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":614,"_154":615,"_140":87},"https://img.ochreeditions.com/a/989/480.jpg","https://img.ochreeditions.com/a/989/960.jpg","https://img.ochreeditions.com/a/989/1920.jpg",{"_310":1114,"_312":1115},{"_310":1112,"_312":1113},{"_310":1110,"_312":1111},{"_310":1108,"_312":1109},{"_310":1106,"_312":1107},"#584e43",0.1619,"#c2b29c",0.169,"#716352",0.207,"#94846f",0.2088,"#e9dbc1",0.2533,"condesa-de-altamira-and-her-daughter-maria-agustina-met-459090","Condesa de Altamira and Her Daughter, María Agustina",{"_42":640,"_220":641,"_324":642,"_326":643,"_328":644,"_330":645,"_332":646,"_333":647,"_334":648,"_140":81},"1787–88","76 3/4 x 45 1/4 in. (195 x 115 cm)",115,195,0.5937016004130098,[1147,1148,1149,1150,1151],{"_219":560,"_220":561,"_42":562,"_303":384},"1975.1.148","Francisco Goya painted this in 1787–88, aged about 41. It is now at The Met in New York.","Condesa de Altamira and Her Daughter, María Agustina, by Francisco Goya, 1787–88",{"_294":1144,"_296":1145,"_298":1146},"https://img.ochreeditions.com/m/1260.jpg?dl=1","/art/condesa-de-altamira-and-her-daughter-maria-agustina-met-459090","/galleries/style/neoclassicism/condesa-de-altamira-and-her-daughter-maria-agustina-met-459090",{"_290":444,"_292":445},{"_223":1139,"_125":1140,"_284":1141},{"_275":1136,"_277":1137,"_279":1138,"_281":1122},130.7718120805369,210,115.7718120805369,{"_286":223,"_123":616,"_154":617,"_140":81},{"_286":125,"_123":733,"_154":734,"_140":735},{"_286":284,"_123":1142,"_154":1143,"_140":85},"era/18-spain","18th-century Spain","https://img.ochreeditions.com/a/1260/480.jpg","https://img.ochreeditions.com/a/1260/960.jpg","https://img.ochreeditions.com/a/1260/1920.jpg",{"_310":1160,"_312":1161},{"_310":1158,"_312":1159},{"_310":1156,"_312":1157},{"_310":1154,"_312":1155},{"_310":1152,"_312":1153},"#837c73",0.0572,"#a68e80",0.1217,"#8a7165",0.1431,"#333129",0.2521,"#5b5140",0.4259,{"_1163":-5,"_1164":1165,"_1166":1167,"_1168":8,"_1169":1170,"_1171":8},"user","csrf","954cdde63f95e819cc3bdd47cd0d498df75d79f6","cartCount",0,"dropLive","legal",[1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183],"uploadsEnabled",{"_220":1206,"_20":1207},{"_220":1204,"_20":1205},{"_220":1202,"_20":1203},{"_220":1200,"_20":1201},{"_220":1198,"_20":1199},{"_220":1196,"_20":1197},{"_220":1194,"_20":1195},{"_220":1192,"_20":1193},{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]