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It is now at the National Gallery of Art in Washington, DC.","Seen from below through an illusionistic opening, crowds of figures in windswept robes swirl upward on clouds towards a crowned figure enthroned in the blue sky, while stone giants recline beside gold medallions at the corners.","We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting. From a distance, the scene looks like a complete illusion but up close, the people, clouds, and architecture are sketchily painted. The ledge running around the opening has a gold, oval medallion at each corner. Appearing to be carved from white stone, two bearded men with long hair recline against each medallion, flanking them to each side in front of large shells that curve up over the people and frames them. A few architectural structures extend up into the sky, including a pointed obelisk in the lower left corner, a pair of columns at the upper right, and what seems to be the mast of a ship at the top left. Most of the people have pale skin but some have more tan complexions, and a few, including those wearing feather headdresses near the upper left corner, have brown skin. The people wear windswept robes of pale, butter yellow, robin’s egg blue, rose pink, and ivory. 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It is now at The Met in New York.","Condesa de Altamira and Her Daughter, María Agustina, by Francisco Goya, 1787–88",{"_294":439,"_296":440,"_298":441},"https://img.ochreeditions.com/m/1260.jpg?dl=1","/art/condesa-de-altamira-and-her-daughter-maria-agustina-met-459090","/galleries/style/neoclassicism/condesa-de-altamira-and-her-daughter-maria-agustina-met-459090",{"_290":372,"_292":373},{"_225":432,"_125":433,"_284":434},{"_274":429,"_276":430,"_278":431,"_280":414},130.7718120805369,210,115.7718120805369,{"_286":225,"_123":437,"_154":438,"_140":81},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":435,"_154":436,"_140":85},"era/18-spain","18th-century Spain","artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/1260/480.jpg","https://img.ochreeditions.com/a/1260/960.jpg","https://img.ochreeditions.com/a/1260/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":459,"_312":460},{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},"#837c73",0.0572,"#a68e80",0.1217,"#8a7165",0.1431,"#333129",0.2521,"#5b5140",0.4259,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","the-antechamber-of-the-sala-del-maggior-consiglio-met-438023","The Antechamber of the Sala del Maggior Consiglio",{"_42":516,"_222":517,"_324":518,"_326":399,"_327":519,"_328":520,"_330":402,"_331":402,"_332":521,"_140":97},"ca. 1765–68","13 3/8 x 20 in. (34 x 50.8 cm)",50.8,34,1.5009846396218984,[501,502,503,504,505],{"_221":442,"_222":443,"_42":444,"_303":445},"1997.117.4","Francesco Guardi painted this in about 1765–68, aged about 53. It is now at The Met in New York.","The Antechamber of the Sala del Maggior Consiglio, by Francesco Guardi, ca. 1765–68",{"_294":498,"_296":499,"_298":500},"https://img.ochreeditions.com/m/1180.jpg?dl=1","/art/the-antechamber-of-the-sala-del-maggior-consiglio-met-438023","/galleries/style/neoclassicism/the-antechamber-of-the-sala-del-maggior-consiglio-met-438023",{"_290":372,"_292":373},{"_225":493,"_125":494,"_284":495},{"_274":490,"_276":491,"_278":475,"_280":492},65.8,48.844450275518234,33.844450275518234,{"_286":225,"_123":496,"_154":497,"_140":97},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":365,"_154":366,"_140":277},"artist/francesco-guardi","More by Francesco Guardi","https://img.ochreeditions.com/a/1180/480.jpg","https://img.ochreeditions.com/a/1180/960.jpg","https://img.ochreeditions.com/a/1180/1920.jpg",{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},"#85703b",0.1097,"#292c25",0.1138,"#8b8056",0.1622,"#50472e",0.2597,"#6a5d39",0.3546,"Francesco Guardi","francesco-guardi","Italian, 1712–1793",1712,1793,"Guardi worked for years in the family studio in Venice led by his elder brother Gianantonio, producing altarpieces and figure paintings, and became chiefly a painter of city views, especially after his brother’s death in 1760.","the-artist-in-his-room-at-the-villa-medici-rome-cma-149396","The Artist in His Room at the Villa Medici, Rome",{"_42":584,"_222":585,"_324":586,"_326":587,"_327":588,"_328":589,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1817",19,"Framed: 58 x 51 x 7.5 cm (22 13/16 x 20 1/16 x 2 15/16 in.); Unframed: 44.5 x 37 cm (17 1/2 x 14 9/16 in.)",37,44.5,0.8226470588235294,[569,570,571,572,573],{"_221":565,"_222":566,"_42":567,"_303":568},"Courtesy of the Cleveland Museum of Art","1978.51","Léon Cogniet painted this in 1817, aged 23. It is now at the Cleveland Museum of Art.",{"_118":562,"_563":564},"The Artist in His Room at the Villa Medici, Rome, by Léon Cogniet, 1817",{"_294":559,"_296":560,"_298":561},"https://img.ochreeditions.com/m/708.jpg?dl=1","/art/the-artist-in-his-room-at-the-villa-medici-rome-cma-149396","/galleries/style/neoclassicism/the-artist-in-his-room-at-the-villa-medici-rome-cma-149396",{"_290":372,"_292":373},{"_225":548,"_125":549,"_284":550},{"_274":545,"_276":546,"_278":547,"_280":529},51.60779411764706,59.5,36.60779411764706,{"_286":225,"_123":557,"_154":558,"_140":89},{"_286":125,"_123":554,"_154":555,"_140":556},{"_286":284,"_123":551,"_154":552,"_140":553},"era/19-france","19th-century France",237,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-leon-cogniet","Léon Cogniet's contemporaries","https://img.ochreeditions.com/a/708/480.jpg","https://img.ochreeditions.com/a/708/960.jpg","https://img.ochreeditions.com/a/708/1920.jpg","Léon Cogniet was one of many artists who traveled from across Europe to Rome during the early 19th century, drawing upon the city’s ancient past and its surrounding landscape for inspiration.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":582,"_312":583},{"_310":580,"_312":581},{"_310":578,"_312":579},{"_310":576,"_312":577},{"_310":574,"_312":575},"#bbbca2",0.0221,"#3f2c19",0.0498,"#635b48",0.0758,"#433d31",0.3499,"#2c2820",0.5024,"Léon Cogniet","leon-cogniet","French, 1794–1880","French",1794,1880,"portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130912","Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands",{"_42":644,"_222":645,"_324":646,"_326":647,"_327":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":99},"1826","netherlands","Soft ground etching, with roulette, printed in red on white wove paper","Image: 35.7 × 27 cm (14 1/16 × 10 11/16 in.); Sheet: 43 × 32.5 cm (16 15/16 × 12 13/16 in.); Secondary support: 51 × 39.3 cm (20 1/8 × 15 1/2 in.)",27,35,0.7680478009599373,[629,630,631,632,633],{"_221":300,"_222":301,"_42":302,"_303":304},"1940.962","Christian Josi made this in 1826. It is now at the Art Institute of Chicago.","A work made of soft ground etching, with roulette, printed in red on white wove paper.",{"_294":626,"_296":627,"_298":628},"https://img.ochreeditions.com/m/313.jpg?dl=1","/art/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130912","/galleries/style/neoclassicism/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130912",{"_290":291,"_292":293},{"_225":615,"_125":616,"_284":617},{"_274":612,"_276":613,"_278":614,"_280":598},50.88167303359781,59,26.881673033597806,{"_286":225,"_123":624,"_154":625,"_140":99},{"_286":125,"_123":621,"_154":622,"_140":623},{"_286":284,"_123":618,"_154":619,"_140":620},"era/19-netherlands","19th-century Netherlands",21,"style/print-19","More prints of the 19th century",159,"artist/christian-josi","More by Christian Josi","https://img.ochreeditions.com/a/313/480.jpg","https://img.ochreeditions.com/a/313/960.jpg","https://img.ochreeditions.com/a/313/1920.jpg",{"_310":642,"_312":643},{"_310":640,"_312":641},{"_310":638,"_312":639},{"_310":636,"_312":637},{"_310":634,"_312":635},"#b87961",0.0354,"#d8aa93",0.0628,"#e9dfd6",0.1055,"#ebc9b3",0.2286,"#f1d9c4",0.5677,"Christian Josi","christian-josi","Dutch, died 1828","Dutch","head-of-a-guillotined-man-aic-119264","Head of a Guillotined Man",{"_42":698,"_222":699,"_324":700,"_326":587,"_327":701,"_328":702,"_330":703,"_331":704,"_332":705,"_140":99},"1818–19","Oil on panel","41 × 38 cm (16 1/8 × 14 15/16 in.); Framed: 53.3 × 50.8 × 7.6 cm (21 × 20 × 3 in.)",38,41,0.9247231367853936,[683,684,685,686,687],{"_221":300,"_222":301,"_42":302,"_303":304},"1992.628","Jean Louis André Théodore Géricault painted this in 1818–19, aged 27. It is now at the Art Institute of Chicago.",{"_118":681,"_563":682},"A work made of oil on panel.",{"_294":678,"_296":679,"_298":680},"https://img.ochreeditions.com/m/298.jpg?dl=1","/art/head-of-a-guillotined-man-aic-119264","/galleries/style/neoclassicism/head-of-a-guillotined-man-aic-119264",{"_290":372,"_292":373},{"_225":673,"_125":674,"_284":675},{"_274":670,"_276":671,"_278":672,"_280":655},52.913648608201136,56,37.913648608201136,{"_286":225,"_123":676,"_154":677,"_140":99},{"_286":125,"_123":554,"_154":555,"_140":556},{"_286":284,"_123":551,"_154":552,"_140":553},"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/298/480.jpg","https://img.ochreeditions.com/a/298/960.jpg","https://img.ochreeditions.com/a/298/1920.jpg","This painting is one of several that Géricault produced of decapitated heads and severed limbs, and he likely painted it directly from life. The artist is known to have acquired corpses from his local morgue to study anatomy and the effects of decomposition. The head probably belonged to a convicted criminal.","Text from the Art Institute of Chicago.",{"_310":696,"_312":697},{"_310":694,"_312":695},{"_310":692,"_312":693},{"_310":690,"_312":691},{"_310":688,"_312":689},"#9f8864",0.04,"#685131",0.1065,"#43311a",0.1769,"#28180d",0.1835,"#120c08",0.4931,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Paris","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.","seaside-studies-nga-144396","Seaside Studies",{"_42":758,"_222":759,"_324":760,"_326":587,"_327":761,"_328":762,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1830s","drawing","Drawing","charcoal with traces of pen and brown ink and brown wash on laid paper","sheet: 37.1 x 51.4 cm (14 5/8 x 20 1/4 in.)",51.4,37.1,1.3875338753387534,[743,744,745,746,747],{"_221":377,"_222":378,"_42":379,"_303":380},"2009.74.3","Eugène Isabey drew this in the 1830s, aged about 27. It is now at the National Gallery of Art in Washington, DC.","This image is a pencil sketch on paper with a monochrome palette of graphite gray. The viewer sees various scenes without a defined horizon line. The upper section shows figures in period clothing, possibly mid-19th century women's fashion. The middle area has abstract architectural forms. In the lower right corner, a sailing ship or boat is sketched with more detail than the rest. The drawing style consists of quick, expressive strokes. The image conveys multiple narrative or compositional ideas on a single sheet.",{"_294":740,"_296":741,"_298":742},"https://img.ochreeditions.com/m/1675.jpg?dl=1","/art/seaside-studies-nga-144396","/galleries/style/neoclassicism/seaside-studies-nga-144396",{"_290":291,"_292":293},{"_225":732,"_125":733,"_284":734},{"_274":729,"_276":730,"_278":714,"_280":731},75.4,61.044140625,37.044140625,{"_286":225,"_123":738,"_154":739,"_140":89},{"_286":125,"_123":735,"_154":736,"_140":737},{"_286":284,"_123":551,"_154":552,"_140":553},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-eugene-isabey","Eugène Isabey's contemporaries","https://img.ochreeditions.com/a/1675/480.jpg","https://img.ochreeditions.com/a/1675/960.jpg","https://img.ochreeditions.com/a/1675/1920.jpg",{"_310":756,"_312":757},{"_310":754,"_312":755},{"_310":752,"_312":753},{"_310":750,"_312":751},{"_310":748,"_312":749},"#7e776f",0.0132,"#a39d93",0.036,"#bbb6ad",0.089,"#c9c4ba",0.2775,"#cdc9c2",0.5843,"Eugène Isabey","eugene-isabey","French, 1803–1886",1803,1886,"study-of-a-seated-woman-seen-from-behind-marie-gabrielle-cap-met-383862","Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)",{"_42":814,"_222":815,"_324":816,"_326":587,"_327":817,"_328":761,"_330":704,"_331":704,"_332":-5,"_140":101},"1789","Drawings","Red, black, and white chalk on toned laid paper","Sheet: 20 1/2 x 18 7/8 in. (52 x 48 cm)",48,52,0.7939519715386896,[799,800,801,802,803],{"_221":442,"_222":443,"_42":444,"_303":445},"2008.538.1","Adélaïde Labille-Guiard drew this in 1789, aged 40. It is now at The Met in New York.","Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), by Adélaïde Labille-Guiard, 1789",{"_294":796,"_296":797,"_298":798},"https://img.ochreeditions.com/m/1053.jpg?dl=1","/art/study-of-a-seated-woman-seen-from-behind-marie-gabrielle-cap-met-383862","/galleries/style/neoclassicism/study-of-a-seated-woman-seen-from-behind-marie-gabrielle-cap-met-383862",{"_290":291,"_292":293},{"_225":788,"_125":789,"_284":790},{"_274":785,"_276":786,"_278":787,"_280":771},65.28550252001186,76,41.28550252001186,{"_286":225,"_123":794,"_154":795,"_140":89},{"_286":125,"_123":791,"_154":792,"_140":793},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-adelaide-labille-guiard","Adélaïde Labille-Guiard's contemporaries","https://img.ochreeditions.com/a/1053/480.jpg","https://img.ochreeditions.com/a/1053/960.jpg","https://img.ochreeditions.com/a/1053/1920.jpg",{"_310":812,"_312":813},{"_310":810,"_312":811},{"_310":808,"_312":809},{"_310":806,"_312":807},{"_310":804,"_312":805},"#b19e8e",0.0944,"#564f48",0.1627,"#766456",0.167,"#a6876d",0.2411,"#8e735e",0.3348,"Adélaïde Labille-Guiard","adelaide-labille-guiard","French, 1749–1803",1749,"trophy-with-ecclesiastical-objects-si-chndm-1901-39-1317","Trophy with Ecclesiastical Objects",{"_42":874,"_222":875,"_324":876,"_326":399,"_327":877,"_328":878,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1830–1850","Black crayon, pen and dark ink, brush and gray water color on paper","H x W: 26.6 × 22.7 cm (10 1/2 × 8 15/16 in.)",22.7,26.6,0.8321596244131455,[859,860,861,862,863],{"_221":856,"_222":857,"_42":858,"_303":445},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-1317","Romolo Achille Liverani drew this in 1830–1850, aged about 21. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":854,"_563":855},"TROPHY WITH ECCLESIASTICAL OBJECTS",{"_294":851,"_296":852,"_298":853},"https://img.ochreeditions.com/m/1703.jpg?dl=1","/art/trophy-with-ecclesiastical-objects-si-chndm-1901-39-1317","/galleries/style/neoclassicism/trophy-with-ecclesiastical-objects-si-chndm-1901-39-1317",{"_290":291,"_292":293},{"_225":844,"_125":845,"_284":846},{"_274":841,"_276":842,"_278":843,"_280":825},46.13544600938967,50.6,22.13544600938967,{"_286":225,"_123":849,"_154":850,"_140":89},{"_286":125,"_123":735,"_154":736,"_140":737},{"_286":284,"_123":847,"_154":848,"_140":79},"era/19-italy","19th-century Italy","artist/contemporaries-of-romolo-achille-liverani","Romolo Achille Liverani's contemporaries","https://img.ochreeditions.com/a/1703/480.jpg","https://img.ochreeditions.com/a/1703/960.jpg","https://img.ochreeditions.com/a/1703/1920.jpg","An assembly of a mitre, a prelate’s hat, a crozier, an archbishop’s cross, altar objects, and processional pennon.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":872,"_312":873},{"_310":870,"_312":871},{"_310":868,"_312":869},{"_310":866,"_312":867},{"_310":864,"_312":865},"#a39c93",0.0784,"#f8ebd7",0.0834,"#c1b6aa",0.1232,"#dbcab8",0.1878,"#ecdbc9",0.5272,"Romolo Achille Liverani","romolo-achille-liverani","Italian, 1809–1872",1809,1872,"tomb-with-sphinxes-and-an-owl-cma-313396","Tomb with Sphinxes and an Owl",{"_42":927,"_222":928,"_324":929,"_326":587,"_327":930,"_328":931,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1779–84","aquatint with etching","Platemark: 34 x 48.7 cm (13 3/8 x 19 3/16 in.); Sheet: 35 x 50.3 cm (13 3/4 x 19 13/16 in.)",48.7,1.4154870940882598,[912,913,914,915,916],{"_221":565,"_222":566,"_42":567,"_303":568},"2018.207","Louis Jean Desprez made this in about 1779–84, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":911,"_563":564},"Tomb with Sphinxes and an Owl, by Louis Jean Desprez, c. 1779–84",{"_294":908,"_296":909,"_298":910},"https://img.ochreeditions.com/m/786.jpg?dl=1","/art/tomb-with-sphinxes-and-an-owl-cma-313396","/galleries/style/neoclassicism/tomb-with-sphinxes-and-an-owl-cma-313396",{"_290":291,"_292":293},{"_225":903,"_125":904,"_284":905},{"_274":900,"_276":901,"_278":885,"_280":902},72.7,58.40511764705882,34.40511764705882,{"_286":225,"_123":906,"_154":907,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-louis-jean-desprez","Louis Jean Desprez's contemporaries","https://img.ochreeditions.com/a/786/480.jpg","https://img.ochreeditions.com/a/786/960.jpg","https://img.ochreeditions.com/a/786/1920.jpg","Originally trained as an architect, Louis Jean Desprez produced this print depicting a tomb while living in Rome. He combined details observed while visiting catacombs in southern Italy with macabre inventions, such as the pair of feet visible from within the sculptural space.",{"_310":925,"_312":926},{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},{"_310":917,"_312":918},"#d6c5b2",0.0635,"#a08f7e",0.1993,"#6c5e52",0.2038,"#4d443b",0.2087,"#867667",0.3247,"Louis Jean Desprez","louis-jean-desprez","French, c. 1743–1804",1743,1804,"standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)",{"_42":984,"_222":985,"_324":986,"_326":587,"_327":987,"_328":988,"_330":989,"_331":704,"_332":990,"_140":95},"1816","watercolour","Drawing and Watercolor","Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper","59 × 45 cm (23 1/4 × 17 3/4 in.)",45,0.7685862865947611,[969,970,971,972,973],{"_221":300,"_222":301,"_42":302,"_303":304},"1977.350","Eugène Delacroix painted this in 1816, aged 18. It is now at the Art Institute of Chicago.","A male model stands posed in the studio, modelled in black chalk and charcoal, softened by stumping and lifted with white highlights on tan paper.","A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.",{"_294":966,"_296":967,"_298":968},"https://img.ochreeditions.com/m/295.jpg?dl=1","/art/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","/galleries/style/neoclassicism/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856",{"_290":291,"_292":293},{"_225":958,"_125":959,"_284":960},{"_274":955,"_276":956,"_278":957,"_280":613},69.3465909090909,83,45.34659090909091,{"_286":225,"_123":964,"_154":965,"_140":95},{"_286":125,"_123":961,"_154":962,"_140":963},{"_286":284,"_123":551,"_154":552,"_140":553},"style/watercolour-19","More watercolours of the 19th century",40,"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/295/480.jpg","https://img.ochreeditions.com/a/295/960.jpg","https://img.ochreeditions.com/a/295/1920.jpg",{"_310":982,"_312":983},{"_310":980,"_312":981},{"_310":978,"_312":979},{"_310":976,"_312":977},{"_310":974,"_312":975},"#493c33",0.0813,"#a29d99",0.1011,"#97765d",0.1706,"#6c5342",0.2797,"#7a5e4a",0.3673,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","sketches-of-algerian-men-aic-110984","Sketches of Algerian Men",{"_42":984,"_222":985,"_324":986,"_326":587,"_327":987,"_328":988,"_330":989,"_331":704,"_332":990,"_140":95},"c. 1832","Pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper","20.5 × 30.2 cm (8 1/8 × 11 15/16 in.)",30,20,1.4684287812041117,[1022,1023,1024,1025,1026],{"_221":300,"_222":301,"_42":302,"_303":304},"1988.141.24","Eugène Delacroix painted this in about 1832, aged about 24. It is now at the Art Institute of Chicago.","Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832.","A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":1019,"_296":1020,"_298":1021},"https://img.ochreeditions.com/m/275.jpg?dl=1","/art/sketches-of-algerian-men-aic-110984","/galleries/style/neoclassicism/sketches-of-algerian-men-aic-110984",{"_290":291,"_292":293},{"_225":1016,"_125":1017,"_284":1018},{"_274":1013,"_276":1014,"_278":997,"_280":1015},54,44.43,20.43,{"_286":225,"_123":964,"_154":965,"_140":95},{"_286":125,"_123":961,"_154":962,"_140":963},{"_286":284,"_123":551,"_154":552,"_140":553},"https://img.ochreeditions.com/a/275/480.jpg","https://img.ochreeditions.com/a/275/960.jpg","https://img.ochreeditions.com/a/275/1920.jpg",{"_310":1034,"_312":1035},{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1029,"_312":975},{"_310":1027,"_312":1028},"#9b845b",0.0213,"#e7ddbd","#bea879",0.1005,"#d4bf90",0.2152,"#e2d1a2",0.5817,"self-portrait-met-334004","Self-Portrait",{"_42":461,"_222":462,"_324":463,"_326":464,"_327":465,"_328":466,"_330":467,"_331":468,"_332":469,"_140":81},"ca. 1796","Brush and point of brush, carbon black ink","Sheet: 5 7/8 × 3 9/16 in. (15 × 9.1 cm)",9.1,0.5936022253129346,[1065,1066,1067,1068,1069],{"_221":442,"_222":443,"_42":444,"_303":445},"35.103.1","Francisco Goya drew this in about 1796, aged about 45. It is now at The Met in New York.","Goya portrays himself in carbon black ink, drawing with the point of the brush as well as broader strokes, around 1796, a few years after a serious illness left him profoundly deaf. He models the face with remarkable economy, letting the white of the paper do much of the work.","Self-Portrait, by Francisco Goya, ca. 1796",{"_294":1062,"_296":1063,"_298":1064},"https://img.ochreeditions.com/m/990.jpg?dl=1","/art/self-portrait-met-334004","/galleries/style/neoclassicism/self-portrait-met-334004",{"_290":291,"_292":293},{"_225":1059,"_125":1060,"_284":1061},{"_274":1057,"_276":277,"_278":1058,"_280":281},38.840055632823365,14.840055632823365,{"_286":225,"_123":437,"_154":438,"_140":81},{"_286":125,"_123":791,"_154":792,"_140":793},{"_286":284,"_123":435,"_154":436,"_140":85},"https://img.ochreeditions.com/a/990/480.jpg","https://img.ochreeditions.com/a/990/960.jpg","https://img.ochreeditions.com/a/990/1920.jpg",{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},{"_310":1070,"_312":1071},"#c5bbae",0.0674,"#746d66",0.0724,"#9d948a",0.0732,"#efe3d4",0.3076,"#f4ebe0",0.4794,"alexander-at-the-tomb-of-cyrus-the-great-aic-100060","Alexander at the Tomb of Cyrus the Great",{"_42":1127,"_222":1128,"_324":1129,"_326":587,"_327":1130,"_328":1131,"_330":-5,"_331":-5,"_332":1132,"_140":97},"1796","42 × 91.1 cm (16 9/16 × 35 7/8 in.); Framed: 59.3 × 107.7 cm (23 5/16 × 42 3/8 in.)",91,42,2.2301401869158877,[1112,1113,1114,1115,1116],{"_221":300,"_222":301,"_42":302,"_303":304},"1983.35","Pierre Henri de Valenciennes painted this in 1796, aged 46. It is now at the Art Institute of Chicago.","Alexander the Great and his soldiers pause among tents and trees before the tomb of Cyrus the Great, founder of the Persian Empire, whose grave at Pasargadae Alexander found plundered and ordered to be restored.","A work made of oil on canvas.",{"_294":1109,"_296":1110,"_298":1111},"https://img.ochreeditions.com/m/259.jpg?dl=1","/art/alexander-at-the-tomb-of-cyrus-the-great-aic-100060","/galleries/style/neoclassicism/alexander-at-the-tomb-of-cyrus-the-great-aic-100060",{"_290":372,"_292":373},{"_225":1104,"_125":1105,"_284":1106},{"_274":1101,"_276":1102,"_278":1085,"_280":1103},106,55.804609743321116,40.804609743321116,{"_286":225,"_123":1107,"_154":1108,"_140":97},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/pierre-henri-de-valenciennes","More by Pierre Henri de Valenciennes","https://img.ochreeditions.com/a/259/480.jpg","https://img.ochreeditions.com/a/259/960.jpg","https://img.ochreeditions.com/a/259/1920.jpg",{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},{"_310":1121,"_312":1122},{"_310":1119,"_312":1120},{"_310":1117,"_312":1118},"#a09a87",0.1546,"#876233",0.1848,"#46371b",0.201,"#726d62",0.2188,"#583a0f",0.2408,"Pierre Henri de Valenciennes","pierre-henri-de-valenciennes","French, 1750–1819",1750,1819,"Valenciennes was the leading theorist of French historical landscape.","wooded-landscape-with-a-nymph-and-a-satyr-nga-94132","Wooded Landscape with a Nymph and a Satyr",{"_42":1181,"_222":1182,"_324":1183,"_326":1184,"_327":1185,"_328":1186,"_330":-5,"_331":-5,"_332":1187,"_140":99},"1764","switzerland","etching on laid paper tinted pale blue","plate: 20.8 x 19 cm (8 3/16 x 7 1/2 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",20.8,0.9117571391818884,[1166,1167,1168,1169,1170],{"_221":377,"_222":378,"_42":379,"_303":380},"1996.12.8","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows an etching of a forest scene with towering trees dominating the upper half. The horizon is not clearly visible due to dense foliage, but a line of trees and rocky outcrops in the distance provide a boundary. The fine lines and cross-hatching technique create detailed textures in the tree bark and foliage. The color palette is monochromatic, in shades of black and white emphasizing light and shadow. A large tree with a partially hollow trunk and figures scattered throughout the scene give a sense of scale and activity within the forest setting.",{"_294":1163,"_296":1164,"_298":1165},"https://img.ochreeditions.com/m/1628.jpg?dl=1","/art/wooded-landscape-with-a-nymph-and-a-satyr-nga-94132","/galleries/style/neoclassicism/wooded-landscape-with-a-nymph-and-a-satyr-nga-94132",{"_290":291,"_292":293},{"_225":1156,"_125":1157,"_284":1158},{"_274":1154,"_276":277,"_278":1155,"_280":281},46.793928479547205,22.79392847954721,{"_286":225,"_123":1161,"_154":1162,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":1159,"_154":1160,"_140":89},"era/18-switzerland","18th-century Switzerland","artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1628/480.jpg","https://img.ochreeditions.com/a/1628/960.jpg","https://img.ochreeditions.com/a/1628/1920.jpg",{"_310":1179,"_312":1180},{"_310":1177,"_312":1178},{"_310":1175,"_312":1176},{"_310":1173,"_312":1174},{"_310":1171,"_312":1172},"#a09381",0.101,"#827667",0.1751,"#51483e",0.2074,"#cfc2a9",0.2513,"#685e51",0.2652,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788","Swiss",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.",{"_1189":-5,"_1190":1191,"_1192":1193,"_1194":8,"_1195":1196,"_1197":8},"user","csrf","78ca57a286787c47cd1bd7f88e7463ba451d9452","cartCount",0,"dropLive","legal",[1198,1199,1200,1201,1202,1203,1204,1205,1206,1207,1208,1209],"uploadsEnabled",{"_222":1232,"_20":1233},{"_222":1230,"_20":1231},{"_222":1228,"_20":1229},{"_222":1226,"_20":1227},{"_222":1224,"_20":1225},{"_222":1222,"_20":1223},{"_222":1220,"_20":1221},{"_222":1218,"_20":1219},{"_222":1216,"_20":1217},{"_222":1214,"_20":1215},{"_222":1212,"_20":1213},{"_222":1210,"_20":1211},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]