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The youth wears a jacket, red vest, and a stylish white cravat with an upturned collar, suggesting his future role in society as an upper-class gentleman.","source","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution","Washington, DC",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#cfa679",0.0576,"#7e4428",0.0825,"#5b5839",0.1427,"#393123",0.2529,"#1b1a17",0.4643,"im-hollenthal-in-the-hollen-valley-nga-108753","Im Höllenthal (In the Höllen Valley)",{"_42":517,"_221":518,"_324":519,"_326":327,"_328":520,"_330":521,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1818","print","Print","etching on laid paper","sheet (trimmed to plate mark): 32.8 x 27.6 cm (12 15/16 x 10 7/8 in.)",27.6,32.8,0.8498527968596663,[502,503,504,505,506],{"_220":499,"_221":500,"_42":501,"_303":443},"Courtesy National Gallery of Art, Washington","1999.32.1","Johann Christoph Erhard made this in 1818, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with a wooden bridge crossing over a river in a valley. The scenery includes cliffs, trees, and flowing water below. The artwork features fine, detailed brushstrokes depicting the texture of the cliffs, foliage, and water. The color scheme is monochromatic with various shades of gray and sepia tones. Two figures are seen on the bridge, contributing to the sense of scale and activity in the serene setting.",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/1643.jpg?dl=1","/art/im-hollenthal-in-the-hollen-valley-nga-108753","/galleries/style/neoclassicism/im-hollenthal-in-the-hollen-valley-nga-108753",{"_290":494,"_292":495},{"_224":486,"_125":487,"_284":488},{"_275":483,"_277":484,"_279":485,"_280":468},51.87517173699705,56.8,27.875171736997054,{"_286":224,"_123":492,"_154":493,"_140":89},{"_286":125,"_123":489,"_154":490,"_140":491},{"_286":284,"_123":167,"_154":166,"_140":77},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-johann-christoph-erhard","Johann Christoph Erhard's contemporaries","black","snow","https://img.ochreeditions.com/a/1643/480.jpg","https://img.ochreeditions.com/a/1643/960.jpg","https://img.ochreeditions.com/a/1643/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_310":515,"_312":516},{"_310":513,"_312":514},{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},"#59524c",0.1033,"#baae9b",0.1947,"#7c7367",0.2054,"#ded1be",0.2332,"#998e7f",0.2634,"Johann Christoph Erhard","johann-christoph-erhard","German, 1795–1822",1795,1822,"sketches-of-algerian-men-aic-110984","Sketches of Algerian Men",{"_42":583,"_221":584,"_324":585,"_326":394,"_328":586,"_330":587,"_332":588,"_334":397,"_336":589,"_140":95},"c. 1832","watercolour","Drawing and Watercolor","Pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper","20.5 × 30.2 cm (8 1/8 × 11 15/16 in.)",30,20,1.4684287812041117,[568,569,570,571,572],{"_220":564,"_221":565,"_42":566,"_303":567},"Courtesy of the Art Institute of Chicago","1988.141.24","Eugène Delacroix painted this in about 1832, aged about 24. It is now at the Art Institute of Chicago.","Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832.","A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":561,"_296":562,"_298":563},"https://img.ochreeditions.com/m/275.jpg?dl=1","/art/sketches-of-algerian-men-aic-110984","/galleries/style/neoclassicism/sketches-of-algerian-men-aic-110984",{"_290":494,"_292":495},{"_224":550,"_125":551,"_284":552},{"_275":547,"_277":548,"_279":530,"_280":549},54,44.43,20.43,{"_286":224,"_123":559,"_154":560,"_140":95},{"_286":125,"_123":556,"_154":557,"_140":558},{"_286":284,"_123":553,"_154":554,"_140":555},"era/19-france","19th-century France",237,"style/watercolour-19","More watercolours of the 19th century",40,"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/275/480.jpg","https://img.ochreeditions.com/a/275/960.jpg","https://img.ochreeditions.com/a/275/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":581,"_312":582},{"_310":579,"_312":580},{"_310":577,"_312":578},{"_310":575,"_312":576},{"_310":573,"_312":574},"#9b845b",0.0213,"#e7ddbd",0.0813,"#bea879",0.1005,"#d4bf90",0.2152,"#e2d1a2",0.5817,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","the-death-of-socrates-met-436105","The Death of Socrates",{"_42":637,"_221":638,"_324":639,"_326":394,"_328":640,"_330":641,"_332":397,"_334":642,"_336":643,"_140":97},"1787","51 x 77 1/4 in. (129.5 x 196.2 cm)",196.2,129.5,1.5020653398422832,[622,623,624,625,626],{"_220":300,"_221":301,"_42":302,"_303":304},"31.45","Jacques-Louis David painted this in 1787, aged 39. It is now at The Met in New York.","Condemned by Athens for impiety and corrupting the young, the philosopher Socrates reaches for the cup of hemlock while continuing to teach, one finger raised as he speaks of the immortality of the soul.","The Death of Socrates, by Jacques-Louis David, 1787",{"_294":619,"_296":620,"_298":621},"https://img.ochreeditions.com/m/1083.jpg?dl=1","/art/the-death-of-socrates-met-436105","/galleries/style/neoclassicism/the-death-of-socrates-met-436105",{"_290":291,"_292":293},{"_224":614,"_125":615,"_284":616},{"_275":611,"_277":612,"_279":595,"_280":613},211.2,145.62015,130.62015,{"_286":224,"_123":617,"_154":618,"_140":97},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/jacques-louis-david","More by Jacques-Louis David","https://img.ochreeditions.com/a/1083/480.jpg","https://img.ochreeditions.com/a/1083/960.jpg","https://img.ochreeditions.com/a/1083/1920.jpg",{"_310":635,"_312":636},{"_310":633,"_312":634},{"_310":631,"_312":632},{"_310":629,"_312":630},{"_310":627,"_312":628},"#765f3f",0.0532,"#562d1a",0.0811,"#4a3b28",0.1395,"#2b231a",0.3188,"#1b1711",0.4074,"Jacques-Louis David","jacques-louis-david","French, 1748–1825",1748,1825,"Brussels","David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates.","still-life-with-fish-bread-and-kettle-cma-151555","Still Life with Fish, Bread, and Kettle",{"_42":701,"_221":702,"_324":703,"_326":704,"_328":705,"_330":706,"_332":707,"_334":708,"_336":-5,"_140":101},"c. 1772","spain","Framed: 54 x 67 x 5 cm (21 1/4 x 26 3/8 x 1 15/16 in.); Unframed: 34 x 48 cm (13 3/8 x 18 7/8 in.)",48,34,1.3968775677896468,[686,687,688,689,690],{"_220":682,"_221":683,"_42":684,"_303":685},"Courtesy of the Cleveland Museum of Art","1983.97","Luis Meléndez painted this in about 1772, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":680,"_438":681},"Still Life with Fish, Bread, and Kettle, by Luis Meléndez, c. 1772",{"_294":677,"_296":678,"_298":679},"https://img.ochreeditions.com/m/719.jpg?dl=1","/art/still-life-with-fish-bread-and-kettle-cma-151555","/galleries/style/neoclassicism/still-life-with-fish-bread-and-kettle-cma-151555",{"_290":291,"_292":293},{"_224":670,"_125":671,"_284":672},{"_275":667,"_277":668,"_279":650,"_280":669},63,49.36235294117647,34.36235294117647,{"_286":224,"_123":675,"_154":676,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":673,"_154":674,"_140":85},"era/18-spain","18th-century Spain","artist/contemporaries-of-luis-melendez","Luis Meléndez's contemporaries","https://img.ochreeditions.com/a/719/480.jpg","https://img.ochreeditions.com/a/719/960.jpg","https://img.ochreeditions.com/a/719/1920.jpg","During the 1760s, after painting portraits and portrait miniatures with his father, Meléndez began to specialize in still lifes. Active mainly in Madrid, he is regarded as the finest Spanish still-life painter of the 18th century, but he spent much of his life in poverty.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":699,"_312":700},{"_310":697,"_312":698},{"_310":695,"_312":696},{"_310":693,"_312":694},{"_310":691,"_312":692},"#7d7057",0.0703,"#c29551",0.0856,"#694420",0.1084,"#453522",0.2731,"#231e16",0.4626,"Luis Meléndez","luis-melendez","Spanish, 1716–1780","Spanish",1716,1780,"Naples","Madrid","head-of-a-guillotined-man-aic-119264","Head of a Guillotined Man",{"_42":759,"_221":760,"_324":761,"_326":394,"_328":762,"_330":763,"_332":764,"_334":397,"_336":765,"_140":99},"1818–19","Oil on panel","41 × 38 cm (16 1/8 × 14 15/16 in.); Framed: 53.3 × 50.8 × 7.6 cm (21 × 20 × 3 in.)",38,41,0.9247231367853936,[744,745,746,747,748],{"_220":564,"_221":565,"_42":566,"_303":567},"1992.628","Jean Louis André Théodore Géricault painted this in 1818–19, aged 27. It is now at the Art Institute of Chicago.",{"_118":742,"_438":743},"A work made of oil on panel.",{"_294":739,"_296":740,"_298":741},"https://img.ochreeditions.com/m/298.jpg?dl=1","/art/head-of-a-guillotined-man-aic-119264","/galleries/style/neoclassicism/head-of-a-guillotined-man-aic-119264",{"_290":291,"_292":293},{"_224":734,"_125":735,"_284":736},{"_275":731,"_277":732,"_279":733,"_280":716},52.913648608201136,56,37.913648608201136,{"_286":224,"_123":737,"_154":738,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":553,"_154":554,"_140":555},"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/298/480.jpg","https://img.ochreeditions.com/a/298/960.jpg","https://img.ochreeditions.com/a/298/1920.jpg","This painting is one of several that Géricault produced of decapitated heads and severed limbs, and he likely painted it directly from life. The artist is known to have acquired corpses from his local morgue to study anatomy and the effects of decomposition. The head probably belonged to a convicted criminal.","Text from the Art Institute of Chicago.",{"_310":757,"_312":758},{"_310":755,"_312":756},{"_310":753,"_312":754},{"_310":751,"_312":752},{"_310":749,"_312":750},"#9f8864",0.04,"#685131",0.1065,"#43311a",0.1769,"#28180d",0.1835,"#120c08",0.4931,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.","portrait-of-mademoiselle-marie-anne-adelaide-le-normand-cma-103820","Portrait of Mademoiselle Marie-Anne Adelaide Le Normand",{"_42":819,"_221":820,"_324":821,"_326":394,"_328":822,"_330":823,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1793","miniature","Portrait Miniature","watercolor on ivory in a silver gilt mount","Framed: 8.4 x 6.9 cm (3 5/16 x 2 11/16 in.); Unframed: 7.3 x 5.8 cm (2 7/8 x 2 5/16 in.)",5.8,7.3,0.8079411764705883,[804,805,806,807,808],{"_220":682,"_221":683,"_42":684,"_303":685},"1921.911","François Dumont painted this in about 1793, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":803,"_438":681},"Portrait of Mademoiselle Marie-Anne Adelaide Le Normand, by François Dumont, c. 1793",{"_294":800,"_296":801,"_298":802},"https://img.ochreeditions.com/m/507.jpg?dl=1","/art/portrait-of-mademoiselle-marie-anne-adelaide-le-normand-cma-103820","/galleries/style/neoclassicism/portrait-of-mademoiselle-marie-anne-adelaide-le-normand-cma-103820",{"_290":494,"_292":495},{"_224":793,"_125":794,"_284":795},{"_275":790,"_277":431,"_279":791,"_280":792},44.19852941176471,20.198529411764707,25,{"_286":224,"_123":798,"_154":799,"_140":89},{"_286":125,"_123":796,"_154":797,"_140":99},{"_286":284,"_123":365,"_154":366,"_140":367},"style/miniature-18","More miniatures of the 18th century","artist/contemporaries-of-francois-dumont","François Dumont's contemporaries","https://img.ochreeditions.com/a/507/480.jpg","https://img.ochreeditions.com/a/507/960.jpg","https://img.ochreeditions.com/a/507/1920.jpg","Mademoiselle Marie-Anne Adelaide Le Normand, a famous Parisian fortune teller, was born in Alençon, France, between 1768 and 1772. Little is known of her early years, but by 1790 she had already established a strong following in Paris.",{"_310":817,"_312":818},{"_310":815,"_312":816},{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},"#c2b5a0",0.0824,"#656f6c",0.0941,"#584733",0.1572,"#a2aab2",0.227,"#1d1a19",0.4393,"François Dumont","francois-dumont","French, 1751–1831",1751,1831,"the-camera-obscura-nga-32578","The Camera Obscura",{"_42":871,"_221":872,"_324":873,"_326":394,"_328":874,"_330":520,"_332":-5,"_334":-5,"_336":875,"_140":101},"1764","overall: 88.6 x 88.5 cm (34 7/8 x 34 13/16 in.) framed: 120.7 x 114.9 x 12.7 cm (47 1/2 x 45 1/4 x 5 in.)",88.5,88.6,0.9970703125,[856,857,858,859,860],{"_220":499,"_221":500,"_42":501,"_303":443},"1945.10.1","Charles Amédée Philippe Van Loo painted this in 1764, aged 45. It is now at the National Gallery of Art in Washington, DC.","A young woman and two children lean into an oval stone window, absorbed in a wooden box with a brass-lined lens jutting from its side. The box is a camera obscura, an optical device that projects an image of whatever lies in front of it, and here it serves as a fashionable household amusement.","A young woman and two children are shown from the waist up through an oval, stone opening, holding and looking at a wooden box with a lens protruding from one side in this square painting. All three people have pale skin with rosy cheeks. To our right, the young woman’s body is angled to our left as she braces the torso of a young girl. The young woman looks at us from the corners of her sage-green eyes, under lifted brows. Her small, pink mouth is pursed in a slight smile, and she has a faint dimple in her rounded chin. Her heather-gray hair is partially plaited over the crown of her head, and long curls fall over her shoulders. She wears a spruce-blue shawl over the shoulders of her low-cut, olive-green dress. The child she braces has chubby cheeks, and her wavy blond hair is brushed back from her forehead and falls loosely to her shoulders. She wears a blush-pink dress with ruffles on the half-length sleeves and gossamer-white trim around the neckline and cuffs. The top and side rails of a wooden, ladderback chair up against the inside of the opening suggests she stands or kneels on a backward-facing chair. She rests her left hand on the edge of the stone opening and her other hand on the wrist of the boy standing close behind her. Mostly in the shadow behind the others, the boy has small, pointed features and short, curly, sable-brown hair. He wears a tan coat, and a muted blue scarf is tied at his throat. The two children gaze at the wooden box the boy holds, which is about the size of a toaster. A short, cylindrical, brass-lined lens pokes out of the center of the side facing the trio. The oval opening through which we see them is carved on our side with stylized leaves and berries, and the wall around it is the same elephant gray as the carvings. The girl and the box cast a shadow across the opening. The artist signed and dated the painting in the lower left corner, “Amedee Can Loo./1764.”",{"_294":853,"_296":854,"_298":855},"https://img.ochreeditions.com/m/1463.jpg?dl=1","/art/the-camera-obscura-nga-32578","/galleries/style/neoclassicism/the-camera-obscura-nga-32578",{"_290":291,"_292":293},{"_224":848,"_125":849,"_284":850},{"_275":845,"_277":846,"_279":847,"_280":830},103.34042968749999,103.6,88.34042968749999,{"_286":224,"_123":851,"_154":852,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-charles-amedee-philippe-van-loo","Charles Amédée Philippe Van Loo's contemporaries","https://img.ochreeditions.com/a/1463/480.jpg","https://img.ochreeditions.com/a/1463/960.jpg","https://img.ochreeditions.com/a/1463/1920.jpg",{"_310":869,"_312":870},{"_310":867,"_312":868},{"_310":865,"_312":866},{"_310":863,"_312":864},{"_310":861,"_312":862},"#b1937a",0.0843,"#7f5a3d",0.1424,"#4d3a23",0.2334,"#645a44",0.2443,"#362918",0.2956,"Charles Amédée Philippe Van Loo","charles-amedee-philippe-van-loo","French, 1719–1795",1719,"Charles-Amédée-Philippe van Loo belonged to a celebrated family of painters: he was the son of Jean-Baptiste van Loo and nephew of Carle van Loo.","portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130910","Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands",{"_42":927,"_221":928,"_324":929,"_326":930,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_140":99},"1826","netherlands","Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper","Image/sheet: 37.5 × 27.1 cm (14 13/16 × 10 11/16 in.); Secondary support: 50.7 × 39.3 cm (20 × 15 1/2 in.)",27,37,0.731761814322422,[912,913,914,915,916],{"_220":564,"_221":565,"_42":566,"_303":567},"1940.961","Christian Josi made this in 1826. It is now at the Art Institute of Chicago.","A work made of soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper.",{"_294":909,"_296":910,"_298":911},"https://img.ochreeditions.com/m/312.jpg?dl=1","/art/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130910","/galleries/style/neoclassicism/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130910",{"_290":494,"_292":495},{"_224":901,"_125":902,"_284":903},{"_275":898,"_277":899,"_279":900,"_280":884},51.07518712992962,61,27.075187129929617,{"_286":224,"_123":907,"_154":908,"_140":99},{"_286":125,"_123":489,"_154":490,"_140":491},{"_286":284,"_123":904,"_154":905,"_140":906},"era/19-netherlands","19th-century Netherlands",21,"artist/christian-josi","More by Christian Josi","https://img.ochreeditions.com/a/312/480.jpg","https://img.ochreeditions.com/a/312/960.jpg","https://img.ochreeditions.com/a/312/1920.jpg",{"_310":925,"_312":926},{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},{"_310":917,"_312":918},"#cec8c6",0.0725,"#695043",0.1453,"#8c6a57",0.2281,"#b48d75",0.2729,"#d4aa8f",0.2812,"Christian Josi","christian-josi","Dutch, died 1828","Dutch","charles-iv-of-spain-as-huntsman-nga-93","Charles IV of Spain as Huntsman","Unrecorded Spanish maker","c. 1799/1800","overall: 46.6 x 30 cm (18 3/8 x 11 13/16 in.)",46.6,0.632080078125,[962,963,964,965,966],{"_220":499,"_221":500,"_42":501,"_303":443},"1937.1.86","An unrecorded Spanish artist painted this in about 1799/1800. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.",{"_294":959,"_296":960,"_298":961},"https://img.ochreeditions.com/m/1306.jpg?dl=1","/art/charles-iv-of-spain-as-huntsman-nga-93","/galleries/style/neoclassicism/charles-iv-of-spain-as-huntsman-nga-93",{"_290":291,"_292":293},{"_224":953,"_125":954,"_284":955},{"_275":950,"_277":951,"_279":952,"_280":936},44.454931640625006,61.6,29.454931640625002,{"_286":224,"_123":956,"_154":957,"_140":958},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":673,"_154":674,"_140":85},"artist/unrecorded","More by unrecorded makers",126,"https://img.ochreeditions.com/a/1306/480.jpg","https://img.ochreeditions.com/a/1306/960.jpg","https://img.ochreeditions.com/a/1306/1920.jpg",{"_310":975,"_312":976},{"_310":973,"_312":974},{"_310":971,"_312":972},{"_310":969,"_312":970},{"_310":967,"_312":968},"#b8b589",0.1188,"#846229",0.1289,"#827b55",0.1508,"#4e4023",0.2285,"#24221a",0.373,"landscape-with-haystacks-aic-227622","Landscape with Haystacks",{"_42":1023,"_221":1024,"_324":1025,"_326":394,"_328":1026,"_330":1027,"_332":-5,"_334":-5,"_336":-5,"_140":103},"n.d.","Conté crayon on gray-blue wove paper","26.5 × 39.4 cm (10 7/16 × 15 9/16 in.)",39,26,1.4848093083387202,[1008,1009,1010,1011,1012],{"_220":564,"_221":565,"_42":566,"_303":567},"2019.211","Constant Troyon painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of conté crayon on gray-blue wove paper.",{"_294":1005,"_296":1006,"_298":1007},"https://img.ochreeditions.com/m/365.jpg?dl=1","/art/landscape-with-haystacks-aic-227622","/galleries/style/neoclassicism/landscape-with-haystacks-aic-227622",{"_290":494,"_292":495},{"_224":1000,"_125":1001,"_284":1002},{"_275":667,"_277":998,"_279":983,"_280":999},50.26599912929909,26.265999129299086,{"_286":224,"_123":1003,"_154":1004,"_140":89},{"_286":125,"_123":556,"_154":557,"_140":558},{"_286":284,"_123":553,"_154":554,"_140":555},"artist/contemporaries-of-constant-troyon","Constant Troyon's contemporaries","https://img.ochreeditions.com/a/365/480.jpg","https://img.ochreeditions.com/a/365/960.jpg","https://img.ochreeditions.com/a/365/1920.jpg",{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},{"_310":1013,"_312":1014},"#85796f",0.0134,"#a19489",0.0621,"#b6a99d",0.1446,"#c9baab",0.2115,"#d4c5b4",0.5684,"Constant Troyon","constant-troyon","French, 1810–1865",1810,1865,"the-marquesa-de-pontejos-nga-92","The Marquesa de Pontejos",{"_42":1075,"_221":1076,"_324":1077,"_326":704,"_328":1078,"_330":1079,"_332":1080,"_334":1081,"_336":1082,"_140":81},"c. 1786","overall: 210.3 x 127 cm (82 13/16 x 50 in.) framed: 231.8 x 146.4 cm (91 1/4 x 57 5/8 in.)",127,210.3,0.60107421875,[1060,1061,1062,1063,1064],{"_220":499,"_221":500,"_42":501,"_303":443},"1937.1.85","Francisco Goya painted this in about 1786, aged 40. It is now at the National Gallery of Art in Washington, DC.","The Marquesa de Pontejos stands in a parklike landscape in a silvery-grey gown puffed and festooned with pink roses and ribbons, a straw hat tilted on her powdered hair, a carnation in one hand and a closed fan in the other. A pug in a pink collar with bells stands at her feet.","A woman with pale skin, wearing a silvery-gray dress adorned with white ribbons and light pink roses, stands looking out at us with a small, pug dog by her feet in this vertical portrait painting. The woman’s body is angled slightly to our right but she looks at us with dark eyes under faint, arched brows. Her nose is rounded, her cheeks smooth and flushed, and her pale pink lips are closed. Her face is framed in a cloud of nickel-gray hair, and tendrils curl down over her shoulders. She wears a wide-brimmed straw hat with a white ribbon set on the back of her head and slightly off to one side. The bodice of her dress has a low, curving neck. This area is loosely painted to create the impression of layers of lace. A band of intertwined pale pink roses and delicate green leaves borders the outer edge of the lace. The dress has long, tight sleeves with lace at the cuffs and the notably narrow waist is tied with a blush-pink ribbon. The full, silver skirt is picked up to create a row of puffs, like the top of a muffin, around her knees. Bunches of pink roses and white ribbons are nestled into the puffs, and below, the skirt falls in long, vertical pleats to her ankles. She wears white stockings and pointed, petal-pink shoes. In her left arm, on our right, she holds a closed fan loosely at her side, almost lost behind the skirt. She holds a pink carnation with a full bloom and a bud on a long, curving stem in her other hand, by her hip. A caramel-brown pug with a black face, wearing a pink collar lined with three bells, stands facing us with one front paw lifted, to our right of the woman's feet. The landscape is painted in tones of mint and sage green for grass beneath trees enclosing the space the woman stands in, sand brown for the ground, and icy blue for the sky above.",{"_294":1057,"_296":1058,"_298":1059},"https://img.ochreeditions.com/m/1305.jpg?dl=1","/art/the-marquesa-de-pontejos-nga-92","/galleries/style/neoclassicism/the-marquesa-de-pontejos-nga-92",{"_290":291,"_292":293},{"_224":1052,"_125":1053,"_284":1054},{"_275":1049,"_277":1050,"_279":1051,"_280":1034},141.40590820312502,225.3,126.40590820312501,{"_286":224,"_123":1055,"_154":1056,"_140":81},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":673,"_154":674,"_140":85},"artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/1305/480.jpg","https://img.ochreeditions.com/a/1305/960.jpg","https://img.ochreeditions.com/a/1305/1920.jpg",{"_310":1073,"_312":1074},{"_310":1071,"_312":1072},{"_310":1069,"_312":1070},{"_310":1067,"_312":1068},{"_310":1065,"_312":1066},"#c4bcb0",0.0794,"#708971",0.1435,"#3c4237",0.2076,"#9ba29f",0.2706,"#7d755e",0.2989,"Francisco Goya","francisco-goya","Spanish, 1746–1828",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","Monks in the Cloister of the Church of Gesù e Maria, Rome",{"_42":1129,"_221":1130,"_324":1131,"_326":394,"_328":1132,"_330":1133,"_332":1134,"_334":1134,"_336":-5,"_140":101},"1808","19 1/2 x 15 3/8 in. (49.5 x 39.1 cm)",39.1,49.5,0.7997930677703052,[1114,1115,1116,1117,1118],{"_220":300,"_221":301,"_42":302,"_303":304},"2003.42.36","François Marius Granet painted this in 1808, aged 33. It is now at The Met in New York.","Monks in the Cloister of the Church of Gesù e Maria, Rome, by François Marius Granet, 1808",{"_294":1111,"_296":1112,"_298":1113},"https://img.ochreeditions.com/m/1187.jpg?dl=1","/art/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","/galleries/style/neoclassicism/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659",{"_290":291,"_292":293},{"_224":1106,"_125":1107,"_284":1108},{"_275":1103,"_277":1104,"_279":1105,"_280":1089},54.58975685463011,64.5,39.58975685463011,{"_286":224,"_123":1109,"_154":1110,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":553,"_154":554,"_140":555},"artist/contemporaries-of-francois-marius-granet","François Marius Granet's contemporaries","https://img.ochreeditions.com/a/1187/480.jpg","https://img.ochreeditions.com/a/1187/960.jpg","https://img.ochreeditions.com/a/1187/1920.jpg",{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},{"_310":1121,"_312":1122},{"_310":1119,"_312":1120},"#877f6c",0.0362,"#645d4d",0.1615,"#4e4739",0.1743,"#383329",0.2917,"#25231e",0.3363,"François Marius Granet","francois-marius-granet","French, 1775–1849",1775,1849,"Aix-en-Provence","pedro-romero-killing-the-halted-bull-plate-30-from-the-art-o-aic-123740","Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting",{"_42":1075,"_221":1076,"_324":1077,"_326":704,"_328":1078,"_330":1079,"_332":1080,"_334":1081,"_336":1082,"_140":81},"1814/16, published 1816","Etching, aquatint, drypoint and burin on ivory laid paper","Image: 20.9 × 30.7 cm (8 1/4 × 12 1/8 in.); Plate: 24.8 × 35.5 cm (9 13/16 × 14 in.); Sheet: 32.5 × 44.6 cm (12 13/16 × 17 9/16 in.)",1.3707789586976995,[1165,1166,1167,1168,1169],{"_220":564,"_221":565,"_42":566,"_303":567},"1927.3378.30","Francisco Goya made this in 1814/16, published 1816, aged about 68. It is now at the Art Institute of Chicago.","The great matador Pedro Romero stands calmly before a bull that has stopped dead, ready to deliver the final sword thrust. Romero, from Ronda, was the most celebrated bullfighter of the late eighteenth century, admired for his composure, and Goya, a lifelong enthusiast of the bullring, painted his portrait.","A work made of etching, aquatint, drypoint and burin on ivory laid paper.",{"_294":1162,"_296":1163,"_298":1164},"https://img.ochreeditions.com/m/301.jpg?dl=1","/art/pedro-romero-killing-the-halted-bull-plate-30-from-the-art-o-aic-123740","/galleries/style/neoclassicism/pedro-romero-killing-the-halted-bull-plate-30-from-the-art-o-aic-123740",{"_290":494,"_292":495},{"_224":1157,"_125":1158,"_284":1159},{"_275":547,"_277":1155,"_279":530,"_280":1156},45.885366571793114,21.88536657179311,{"_286":224,"_123":1055,"_154":1056,"_140":81},{"_286":125,"_123":489,"_154":490,"_140":491},{"_286":284,"_123":1160,"_154":1161,"_140":87},"era/19-spain","19th-century Spain","https://img.ochreeditions.com/a/301/480.jpg","https://img.ochreeditions.com/a/301/960.jpg","https://img.ochreeditions.com/a/301/1920.jpg",{"_310":1178,"_312":1179},{"_310":1176,"_312":1177},{"_310":1174,"_312":1175},{"_310":1172,"_312":1173},{"_310":1170,"_312":1171},"#776959",0.0342,"#a69481",0.1031,"#c1ae9b",0.1064,"#e1cebd",0.2447,"#eeded1",0.5116,{"_1181":-5,"_1182":1183,"_1184":1185,"_1186":8,"_1187":1188,"_1189":8},"user","csrf","9bade0761978d8e91122b5accbf2b61ea521196e","cartCount",0,"dropLive","legal",[1190,1191,1192,1193,1194,1195,1196,1197,1198,1199,1200,1201],"uploadsEnabled",{"_221":1224,"_20":1225},{"_221":1222,"_20":1223},{"_221":1220,"_20":1221},{"_221":1218,"_20":1219},{"_221":1216,"_20":1217},{"_221":1214,"_20":1215},{"_221":1212,"_20":1213},{"_221":1210,"_20":1211},{"_221":1208,"_20":1209},{"_221":1206,"_20":1207},{"_221":1204,"_20":1205},{"_221":1202,"_20":1203},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]