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It is now at the National Gallery of Art in Washington, DC.","note","Cupid stands in a flowering garden with a golden arrow in his hand, his quiver lying in the grass and two white doves flying overhead, as if keeping watch over lovers just out of sight.","This oval painting depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back. The child has light skin, curly blond hair, rosy cheeks, and a playful expression. They are mostly nude, except for a cloth that wraps around their back and covers their groin. The child is holding a golden arrow. They are standing in front of a light green bush with pink flowers. In the bottom left, there is a dark blue object in the green grass that looks like a torch or cylindrical quiver. The setting includes lush greenery and more clusters of pink and white flowers. The background features a pastel blue sky with soft pink clouds and two white doves flying above.","images",{"_299":300,"_301":302,"_303":304},"download_url","https://img.ochreeditions.com/m/1547.jpg?dl=1","page_url","/art/love-the-sentinel-nga-52256","walk_url","/galleries/style/neoclassicism/love-the-sentinel-nga-52256","frame",{"_295":296,"_297":298},{"_228":287,"_125":288,"_289":290},"size",{"_280":281,"_282":283,"_284":285,"_286":249},"w",62.308984375,"h",71.2,"image_w",47.308984375,"image_h",{"_291":228,"_123":171,"_154":170,"_140":93},{"_291":125,"_123":292,"_154":293,"_140":294},"era",{"_291":289,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1547/480.jpg","960","https://img.ochreeditions.com/a/1547/960.jpg","1920","https://img.ochreeditions.com/a/1547/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#755232","weight",0.0885,"#c5ae89",0.1687,"#9ea998",0.1811,"#fbfbfb",0.2101,"#857348",0.3516,"Jean Honoré Fragonard","jean-honore-fragonard","bio","French, 1732–1806","nationality","French","birth_year",1732,"death_year",1806,"birth_place","Grasse","death_place","Paris","about_excerpt","Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este.","a-painter-s-studio-nga-12199","A Painter's Studio",{"_42":389,"_225":390,"_329":391,"_331":332,"_333":392,"_335":393,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1800","overall: 73.5 x 59.5 cm (28 15/16 x 23 7/16 in.) framed: 93.3 x 78.7 cm (36 3/4 x 31 in.)",59.5,73.5,0.806884765625,[374,375,376,377,378],{"_224":305,"_225":306,"_42":307,"_308":309},"1943.7.1","Louis-Léopold Boilly painted this in about 1800, aged 39. It is now at the National Gallery of Art in Washington, DC.","In a room filled with easels, white plaster heads and statuettes, a box of paints, books, and papers, a young woman stands looking at a sketch and a young girl looks on, seated in an armchair, in this vertical painting. The scene is lit from the upper left, presumably from a window out of our view. Both women have smooth, pale skin, and their hair is swept up with curls framing their faces. They face our right in profile so their faces are in gentle shadow. They have straight noses, and their rose-pink lips are closed. They wear gowns with short sleeves, low, scooped necks, and floor-length skirts cinched under the bust. In the center of the painting, the young woman has chestnut-brown hair and wears a white gown tied with a sky-blue ribbon. She stands in front of a portfolio propped up against a tall easel. The portfolio is made of two stiff boards that tie together with pale blue ribbon to secure large sheets of paper. She rests her right hand, closer to us, on the front board of the portfolio and looks down at the sketch on a gray piece of paper she holds with her other hand. Next to her and closer to us, the younger girl sits in a gold chair upholstered with olive-green velvet. She faces our right almost in profile, and she looks up toward the drawing the other woman holds. The girl in the chair has blond hair and a gold-colored dress. Her feet are propped on a gold footstool, and she holds another portfolio on her lap. She supports the portfolio and holds a piece of paper with one hand, and a stylus or brush in the other hand, up by her chin. To the right of the easel, a wooden table holds a collection of plaster casts of faces, a hand, and small-scale bodies along with a glass vessel and a few other tools. Two translucent green bottles, boxes, a book, and a terracotta vase are collected on the footstool and the floor around the base of the easel. Garnet-red cloths are draped down the front of the table to our right and behind the girl on the chair. Next to her chair, in the lower left corner of the composition, is a wooden box with a paint palette and a handful of thin paintbrushes. A scroll of paper lies next to the box. A shelf at the standing girl’s shoulder height and behind the pair, to our left, is piled with white busts of a man, child, and woman, more figurines, and a brush in a small cup, all arranged across a moss-green cloth. The space with the girls and artist’s tools is enclosed by a large, dark brown form, presumably a canvas in shadow, that leans against the tall easels and mostly cuts off a view into the rest of the room. A glimpse of shadowy capitals is seen over the board, across the top of the painting, to suggest that a row of columns recedes into the space beyond. The artist signed the work as if he had painted his name on the floor next to the scroll, “L. Boilly.”",{"_299":371,"_301":372,"_303":373},"https://img.ochreeditions.com/m/1368.jpg?dl=1","/art/a-painter-s-studio-nga-12199","/galleries/style/neoclassicism/a-painter-s-studio-nga-12199",{"_295":296,"_297":298},{"_228":366,"_125":367,"_289":368},{"_280":363,"_282":364,"_284":365,"_286":349},74.3060302734375,88.5,59.3060302734375,{"_291":228,"_123":369,"_154":370,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-louis-leopold-boilly","Louis-Léopold Boilly's contemporaries","https://img.ochreeditions.com/a/1368/480.jpg","https://img.ochreeditions.com/a/1368/960.jpg","https://img.ochreeditions.com/a/1368/1920.jpg",{"_315":387,"_317":388},{"_315":385,"_317":386},{"_315":383,"_317":384},{"_315":381,"_317":382},{"_315":379,"_317":380},"#c0ac92",0.0748,"#876331",0.1054,"#594226",0.1945,"#332519",0.243,"#171a18",0.3823,"Louis-Léopold Boilly","louis-leopold-boilly","French, 1761–1845",1761,1845,"young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643","Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)",{"_42":460,"_225":461,"_329":462,"_331":463,"_333":464,"_335":465,"_337":466,"_339":467,"_341":468,"_140":81},"1796–97","spain","drawing","Drawing","brush and gray and black washes on laid paper","Image: 18.7 x 12 cm (7 3/8 x 4 3/4 in.); Sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.)",18.7,1.272931486334706,[445,446,447,448,449],{"_224":441,"_225":442,"_42":443,"_308":444},"Courtesy of the Cleveland Museum of Art","1995.15","Francisco Goya drew this in 1796–97, aged about 50. It is now at the Cleveland Museum of Art.",{"_118":438,"_439":440},"Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), by Francisco Goya, 1796–97",{"_299":435,"_301":436,"_303":437},"https://img.ochreeditions.com/m/752.jpg?dl=1","/art/young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643","/galleries/style/neoclassicism/young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643",{"_295":433,"_297":434},{"_228":423,"_125":424,"_289":425},{"_280":419,"_282":420,"_284":421,"_286":422},49,43.63970588235294,25,19.639705882352942,{"_291":228,"_123":431,"_154":432,"_140":81},{"_291":125,"_123":428,"_154":429,"_140":430},{"_291":289,"_123":426,"_154":427,"_140":85},"era/18-spain","18th-century Spain","style/drawing-18","More drawings of the 18th century",31,"artist/francisco-goya","More by Francisco Goya","black","snow","https://img.ochreeditions.com/a/752/480.jpg","https://img.ochreeditions.com/a/752/960.jpg","https://img.ochreeditions.com/a/752/1920.jpg","Among the great figures of the pictorial arts in the West, Francisco de Goya is one of the very few whose work as a graphic artist is arguably even more important than his paintings. Alongside a prodigious output of prints, he created eight sketchbooks of drawings over the course of 30 years.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":458,"_317":459},{"_315":456,"_317":457},{"_315":454,"_317":455},{"_315":452,"_317":453},{"_315":450,"_317":451},"#807b70",0.0384,"#a6a296",0.1228,"#b9b5a8",0.2216,"#cecbbe",0.23,"#e0ded2",0.3872,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","moonlight-nga-214332","Moonlight",{"_42":515,"_225":516,"_329":517,"_331":332,"_333":518,"_335":519,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1772","overall: 114.94 × 163.2 cm (45 1/4 × 64 1/4 in.)",163.2,114.9,1.4382022471910112,[500,501,502,503,504],{"_224":305,"_225":306,"_42":307,"_308":309},"2018.13.1","Claude-Joseph Vernet painted this in 1772, aged 58. It is now at the National Gallery of Art in Washington, DC.","Moonlight falls across several masted ships near a rocky shoreline in this horizontal painting. The sky fills the top three-quarters of the picture. A veil of slate-gray clouds is lit to pearl white around the crisp, full moon at the center of the composition. Patches of denim-blue sky are seen through breaks in the blanket of clouds. Moonlight reflects down the center of rippling, silvery-gray water that laps against a beach close to us, along the bottom edge of the painting. A tent is set up in the lower left corner of the composition. There, two women and one man stand looking at a glowing fire next to the tent. One woman holds a basket on her head, the other tucks a flat basket under one arm. The man stands between the two women, and a fourth man crouches near the fire, his back to us. In the opening of the tent, another woman kneels over a large bowl as she looks at the fire. A fifth person, a man, gazes at the fire as he sits smoking a long-stemmed pipe on a boulder. At the foot of the boulders, a man lies back against some bundles, one arm thrown up over his head. A dog curls up next to his hip. Not far from the sleeping man and in the center of the foreground, a man carries several long wooden objects, possibly oars, over one shoulder while a dog beyond him barks at the lapping surf. The beach curves like a C away from us, along the left. At the point of the curve in the middle distance, a structure like a city wall and gate jut out to the water’s edge. More buildings atop steep cliffs rise vertically beyond the gate. The shoreline curves into the distance again, and more buildings, including a lighthouse, and masted ships there are smoke-gray silhouettes. Near the lower right corner of the painting, four men pull on ropes tied around the prow of a small wooden boat while three others push it toward the land. Another man stands in the far end. A short distance beyond that boat is a tall wooden ship with three masts and rigging outlined against the night sky. Windows along the decks of that boat’s wide stern, angled toward us, glow with golden light. Beyond it and a bit to our left, another ship, smaller in scale, sails away from us. Several more ships move back to the horizon until we only see strokes of white and gray to indicate their unfurled sails.",{"_299":497,"_301":498,"_303":499},"https://img.ochreeditions.com/m/1696.jpg?dl=1","/art/moonlight-nga-214332","/galleries/style/neoclassicism/moonlight-nga-214332",{"_295":296,"_297":298},{"_228":492,"_125":493,"_289":494},{"_280":489,"_282":490,"_284":474,"_286":491},178.2,128.475,113.475,{"_291":228,"_123":495,"_154":496,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-claude-joseph-vernet","Claude-Joseph Vernet's contemporaries","https://img.ochreeditions.com/a/1696/480.jpg","https://img.ochreeditions.com/a/1696/960.jpg","https://img.ochreeditions.com/a/1696/1920.jpg",{"_315":513,"_317":514},{"_315":511,"_317":512},{"_315":509,"_317":510},{"_315":507,"_317":508},{"_315":505,"_317":506},"#8b8164",0.0742,"#616153",0.1563,"#4a4237",0.2045,"#2e241d",0.2337,"#2c2f2e",0.3313,"Claude-Joseph Vernet","claude-joseph-vernet","French, 1714–1789",1714,1789,"portrait-of-a-boy-si-saam-1956-11-41","Portrait of a Boy","Unrecorded Italian maker","ca. 1800","italy","27 x 25 in. (68.6 x 63.5 cm.)",63.5,68.6,0.8583333333333333,[561,562,563,564,565],{"_224":558,"_225":559,"_42":560,"_308":309},"Courtesy of the Smithsonian American Art Museum","1956.11.41","An unrecorded Italian artist painted this in about 1800. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":556,"_439":557},"Portrait of a Boy, ca. 1800",{"_299":553,"_301":554,"_303":555},"https://img.ochreeditions.com/m/1912.jpg?dl=1","/art/portrait-of-a-boy-si-saam-1956-11-41","/galleries/style/neoclassicism/portrait-of-a-boy-si-saam-1956-11-41",{"_295":296,"_297":298},{"_228":546,"_125":547,"_289":548},{"_280":543,"_282":544,"_284":545,"_286":527},73.88166666666666,83.6,58.88166666666666,{"_291":228,"_123":551,"_154":552,"_140":77},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":549,"_154":550,"_140":419},"era/18-italy","18th-century Italy","artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1912/480.jpg","https://img.ochreeditions.com/a/1912/960.jpg","https://img.ochreeditions.com/a/1912/1920.jpg","In this portrait the artist captured the forceful and confident personality of a boy. The youth wears a jacket, red vest, and a stylish white cravat with an upturned collar, suggesting his future role in society as an upper-class gentleman.","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution",{"_315":574,"_317":575},{"_315":572,"_317":573},{"_315":570,"_317":571},{"_315":568,"_317":569},{"_315":566,"_317":567},"#cfa679",0.0576,"#7e4428",0.0825,"#5b5839",0.1427,"#393123",0.2529,"#1b1a17",0.4643,"antoine-laurent-lavoisier-1743-1794-and-marie-anne-lavoisier-met-436106","Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)",{"_42":631,"_225":632,"_329":633,"_331":332,"_333":634,"_335":635,"_337":340,"_339":636,"_341":637,"_140":97},"1788","Paintings","Oil on canvas","102 1/4 x 76 5/8 in. (259.7 x 194.6 cm)",194.6,259.7,0.7595,[616,617,618,619,620],{"_224":612,"_225":613,"_42":614,"_308":615},"Courtesy of The Metropolitan Museum of Art","1977.10","Jacques-Louis David painted this in 1788, aged 40. It is now at The Met in New York.","The chemist Antoine Lavoisier sits at a table covered in red velvet, pen in hand and surrounded by scientific instruments, as he turns to look up at his wife, Marie Anne, who leans on his shoulder.","Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), by Jacques-Louis David, 1788",{"_299":609,"_301":610,"_303":611},"https://img.ochreeditions.com/m/1084.jpg?dl=1","/art/antoine-laurent-lavoisier-1743-1794-and-marie-anne-lavoisier-met-436106","/galleries/style/neoclassicism/antoine-laurent-lavoisier-1743-1794-and-marie-anne-lavoisier-met-436106",{"_295":296,"_297":298},{"_228":604,"_125":605,"_289":606},{"_280":600,"_282":601,"_284":602,"_286":603},197.28,255,182.28,240,{"_291":228,"_123":607,"_154":608,"_140":97},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/jacques-louis-david","More by Jacques-Louis David","https://img.ochreeditions.com/a/1084/480.jpg","https://img.ochreeditions.com/a/1084/960.jpg","https://img.ochreeditions.com/a/1084/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":629,"_317":630},{"_315":627,"_317":628},{"_315":625,"_317":626},{"_315":623,"_317":624},{"_315":621,"_317":622},"#8c8778",0.0632,"#672119",0.1045,"#422616",0.1393,"#554e42",0.2591,"#2d2925",0.4339,"Jacques-Louis David","jacques-louis-david","French, 1748–1825",1748,1825,"Brussels","David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates.","the-hanged-monk-aic-22808","The Hanged Monk",{"_42":460,"_225":461,"_329":462,"_331":463,"_333":464,"_335":465,"_337":466,"_339":467,"_341":468,"_140":81},"c. 1810",19,"Oil on panel","31 × 39.2 cm (12 3/16 × 15 5/16 in.); Framed: 48.3 × 56.2 × 6.7 cm (19 × 22 1/8 × 2 5/8 in.)",39,1.254309427537774,[679,680,681,682,683],{"_224":675,"_225":676,"_42":677,"_308":678},"Courtesy of the Art Institute of Chicago","1936.225","Francisco Goya painted this in about 1810, aged about 59. It is now at the Art Institute of Chicago.","A monk hangs lifeless in a desolate mountain setting in this small panel, painted around 1810, when the Peninsular War was tearing Spain apart. In these years Goya made a number of small pictures for himself, alongside the etchings later published as The Disasters of War, recording cruelty committed by all sides.","A work made of oil on panel.",{"_299":672,"_301":673,"_303":674},"https://img.ochreeditions.com/m/96.jpg?dl=1","/art/the-hanged-monk-aic-22808","/galleries/style/neoclassicism/the-hanged-monk-aic-22808",{"_295":296,"_297":298},{"_228":664,"_125":665,"_289":666},{"_280":661,"_282":662,"_284":645,"_286":663},54,46.0928062436376,31.092806243637597,{"_291":228,"_123":431,"_154":432,"_140":81},{"_291":125,"_123":669,"_154":670,"_140":671},{"_291":289,"_123":667,"_154":668,"_140":87},"era/19-spain","19th-century Spain","style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/96/480.jpg","https://img.ochreeditions.com/a/96/960.jpg","https://img.ochreeditions.com/a/96/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":691,"_317":692},{"_315":689,"_317":690},{"_315":688,"_317":384},{"_315":686,"_317":687},{"_315":684,"_317":685},"#b19265",0.0322,"#77491e",0.038,"#614f34","#392916",0.22,"#1f170d",0.5153,"portrait-of-emma-hamilton-met-359453","Portrait of Emma Hamilton",{"_42":744,"_225":745,"_329":746,"_331":747,"_333":748,"_335":749,"_337":750,"_339":751,"_341":-5,"_140":103},"1791","switzerland","Drawings","Black and white chalk, on gray prepared paper","sheet: 14 3/16 x 16 11/16 in. (36 x 42.4 cm)",42.4,36,1.1824020552344252,[729,730,731,732,733],{"_224":612,"_225":613,"_42":614,"_308":615},"2003.87","Angelica Kauffmann drew this in 1791, aged 50. It is now at The Met in New York.","Portrait of Emma Hamilton, by Angelica Kauffmann, 1791",{"_299":726,"_301":727,"_303":728},"https://img.ochreeditions.com/m/1048.jpg?dl=1","/art/portrait-of-emma-hamilton-met-359453","/galleries/style/neoclassicism/portrait-of-emma-hamilton-met-359453",{"_295":433,"_297":434},{"_228":719,"_125":720,"_289":721},{"_280":716,"_282":717,"_284":701,"_286":718},66.4,59.85920695274307,35.85920695274307,{"_291":228,"_123":724,"_154":725,"_140":89},{"_291":125,"_123":428,"_154":429,"_140":430},{"_291":289,"_123":722,"_154":723,"_140":89},"era/18-switzerland","18th-century Switzerland","artist/contemporaries-of-angelica-kauffmann","Angelica Kauffmann's contemporaries","https://img.ochreeditions.com/a/1048/480.jpg","https://img.ochreeditions.com/a/1048/960.jpg","https://img.ochreeditions.com/a/1048/1920.jpg",{"_315":742,"_317":743},{"_315":740,"_317":741},{"_315":738,"_317":739},{"_315":736,"_317":737},{"_315":734,"_317":735},"#dcc2a2",0.0492,"#8d8171",0.0744,"#a09281",0.1369,"#b1a28e",0.1707,"#beae97",0.5688,"Angelica Kauffmann","angelica-kauffmann","Swiss, 1741–1807","Swiss",1741,1807,"Chur","Rome","portrait-of-mademoiselle-marie-anne-adelaide-le-normand-cma-103820","Portrait of Mademoiselle Marie-Anne Adelaide Le Normand",{"_42":804,"_225":805,"_329":806,"_331":332,"_333":807,"_335":808,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1793","miniature","Portrait Miniature","watercolor on ivory in a silver gilt mount","Framed: 8.4 x 6.9 cm (3 5/16 x 2 11/16 in.); Unframed: 7.3 x 5.8 cm (2 7/8 x 2 5/16 in.)",5.8,7.3,0.8079411764705883,[789,790,791,792,793],{"_224":441,"_225":442,"_42":443,"_308":444},"1921.911","François Dumont painted this in about 1793, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":788,"_439":440},"Portrait of Mademoiselle Marie-Anne Adelaide Le Normand, by François Dumont, c. 1793",{"_299":785,"_301":786,"_303":787},"https://img.ochreeditions.com/m/507.jpg?dl=1","/art/portrait-of-mademoiselle-marie-anne-adelaide-le-normand-cma-103820","/galleries/style/neoclassicism/portrait-of-mademoiselle-marie-anne-adelaide-le-normand-cma-103820",{"_295":433,"_297":434},{"_228":778,"_125":779,"_289":780},{"_280":776,"_282":419,"_284":777,"_286":421},44.19852941176471,20.198529411764707,{"_291":228,"_123":783,"_154":784,"_140":89},{"_291":125,"_123":781,"_154":782,"_140":99},{"_291":289,"_123":167,"_154":166,"_140":169},"style/miniature-18","More miniatures of the 18th century","artist/contemporaries-of-francois-dumont","François Dumont's contemporaries","https://img.ochreeditions.com/a/507/480.jpg","https://img.ochreeditions.com/a/507/960.jpg","https://img.ochreeditions.com/a/507/1920.jpg","Mademoiselle Marie-Anne Adelaide Le Normand, a famous Parisian fortune teller, was born in Alençon, France, between 1768 and 1772. Little is known of her early years, but by 1790 she had already established a strong following in Paris.",{"_315":802,"_317":803},{"_315":800,"_317":801},{"_315":798,"_317":799},{"_315":796,"_317":797},{"_315":794,"_317":795},"#c2b5a0",0.0824,"#656f6c",0.0941,"#584733",0.1572,"#a2aab2",0.227,"#1d1a19",0.4393,"François Dumont","francois-dumont","French, 1751–1831",1751,1831,"self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840","Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788)",{"_42":855,"_225":856,"_329":857,"_331":332,"_333":858,"_335":859,"_337":340,"_339":340,"_341":-5,"_140":101},"1785","83 x 59 1/2 in. (210.8 x 151.1 cm)",151.1,210.8,0.7406266050333847,[840,841,842,843,844],{"_224":612,"_225":613,"_42":614,"_308":615},"53.225.5","Adélaïde Labille-Guiard painted this in 1785, aged 36. It is now at The Met in New York.","Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), by Adélaïde Labille-Guiard, 1785",{"_299":837,"_301":838,"_303":839},"https://img.ochreeditions.com/m/1112.jpg?dl=1","/art/self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840","/galleries/style/neoclassicism/self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840",{"_295":296,"_297":298},{"_228":832,"_125":833,"_289":834},{"_280":829,"_282":830,"_284":831,"_286":815},171.12408834103752,225.8,156.12408834103752,{"_291":228,"_123":835,"_154":836,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-adelaide-labille-guiard","Adélaïde Labille-Guiard's contemporaries","https://img.ochreeditions.com/a/1112/480.jpg","https://img.ochreeditions.com/a/1112/960.jpg","https://img.ochreeditions.com/a/1112/1920.jpg",{"_315":853,"_317":854},{"_315":851,"_317":852},{"_315":849,"_317":850},{"_315":847,"_317":848},{"_315":845,"_317":846},"#6a685f",0.125,"#7d5c3e",0.1609,"#5f432c",0.2178,"#1f1d13",0.2457,"#3d2f22",0.2506,"Adélaïde Labille-Guiard","adelaide-labille-guiard","French, 1749–1803",1749,1803,"wooded-landscape-with-a-nymph-and-a-satyr-nga-94132","Wooded Landscape with a Nymph and a Satyr",{"_42":910,"_225":911,"_329":912,"_331":747,"_333":913,"_335":914,"_337":-5,"_339":-5,"_341":915,"_140":99},"1764","print","Print","etching on laid paper tinted pale blue","plate: 20.8 x 19 cm (8 3/16 x 7 1/2 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",20.8,0.9117571391818884,[895,896,897,898,899],{"_224":305,"_225":306,"_42":307,"_308":309},"1996.12.8","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows an etching of a forest scene with towering trees dominating the upper half. The horizon is not clearly visible due to dense foliage, but a line of trees and rocky outcrops in the distance provide a boundary. The fine lines and cross-hatching technique create detailed textures in the tree bark and foliage. The color palette is monochromatic, in shades of black and white emphasizing light and shadow. A large tree with a partially hollow trunk and figures scattered throughout the scene give a sense of scale and activity within the forest setting.",{"_299":892,"_301":893,"_303":894},"https://img.ochreeditions.com/m/1628.jpg?dl=1","/art/wooded-landscape-with-a-nymph-and-a-satyr-nga-94132","/galleries/style/neoclassicism/wooded-landscape-with-a-nymph-and-a-satyr-nga-94132",{"_295":433,"_297":434},{"_228":884,"_125":885,"_289":886},{"_280":882,"_282":419,"_284":883,"_286":421},46.793928479547205,22.79392847954721,{"_291":228,"_123":890,"_154":891,"_140":99},{"_291":125,"_123":887,"_154":888,"_140":889},{"_291":289,"_123":722,"_154":723,"_140":89},"style/print-18","More prints of the 18th century",129,"artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1628/480.jpg","https://img.ochreeditions.com/a/1628/960.jpg","https://img.ochreeditions.com/a/1628/1920.jpg",{"_315":908,"_317":909},{"_315":906,"_317":907},{"_315":904,"_317":905},{"_315":902,"_317":903},{"_315":900,"_317":901},"#a09381",0.101,"#827667",0.1751,"#51483e",0.2074,"#cfc2a9",0.2513,"#685e51",0.2652,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.","the-nursing-of-jupiter-nga-53150","The Nursing of Jupiter",{"_42":968,"_225":969,"_329":970,"_331":332,"_333":971,"_335":972,"_337":-5,"_339":-5,"_341":-5,"_140":103},"graphite heightened with white on brown paper","overall (approximate): 60.5 x 89.9 cm (23 13/16 x 35 3/8 in.)",89.9,60.5,1.4867513611615244,[953,954,955,956,957],{"_224":305,"_225":306,"_42":307,"_308":309},"1972.18.1","Théodore Chassériau drew this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of mythological figures in a ceremonial scene. The composition features multiple figures in various poses, centered around a symbolic gathering. The drawing is detailed, providing a classical representation of human forms, draped fabrics, and an animal. A plateau with trees is subtly depicted in the background. The figures display expressions ranging from serene to contemplative.",{"_299":950,"_301":951,"_303":952},"https://img.ochreeditions.com/m/1560.jpg?dl=1","/art/the-nursing-of-jupiter-nga-53150","/galleries/style/neoclassicism/the-nursing-of-jupiter-nga-53150",{"_295":433,"_297":434},{"_228":939,"_125":940,"_289":941},{"_280":936,"_282":937,"_284":921,"_286":938},113.9,84.4674072265625,60.46740722656251,{"_291":228,"_123":948,"_154":949,"_140":89},{"_291":125,"_123":945,"_154":946,"_140":947},{"_291":289,"_123":942,"_154":943,"_140":944},"era/19-france","19th-century France",237,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-theodore-chasseriau","Théodore Chassériau's contemporaries","https://img.ochreeditions.com/a/1560/480.jpg","https://img.ochreeditions.com/a/1560/960.jpg","https://img.ochreeditions.com/a/1560/1920.jpg",{"_315":966,"_317":967},{"_315":964,"_317":965},{"_315":962,"_317":963},{"_315":960,"_317":961},{"_315":958,"_317":959},"#eed7bb",0.0585,"#ceb69a",0.0847,"#dbc0a2",0.218,"#e4c6a3",0.246,"#e6cbab",0.3928,"Théodore Chassériau","theodore-chasseriau","French, 1819–1856",1819,1856,"ancient-teutons-nga-57438","Ancient Teutons",{"_42":1021,"_225":1022,"_329":1023,"_331":1024,"_333":1025,"_335":1026,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1782","germany","etching",0.813232421875,[1006,1007,1008,1009,1010],{"_224":305,"_225":306,"_42":307,"_308":309},"1979.59.2","Daniel Nikolaus Chodowiecki made this in 1782, aged 56. It is now at the National Gallery of Art in Washington, DC.","The image depicts a group of people in varying poses and outfits. A central figure, possibly a child, is being held up by a man. Those around them are positioned differently, some standing closely. The figures have detailed faces and wear garments resembling classical attire. Shields and banners decorated with symbols are present in the background. Armor and helmets are scattered on the ground. Trees and a group of people in the distance are part of the background.",{"_299":1003,"_301":1004,"_303":1005},"https://img.ochreeditions.com/m/1591.jpg?dl=1","/art/ancient-teutons-nga-57438","/galleries/style/neoclassicism/ancient-teutons-nga-57438",{"_295":433,"_297":434},{"_228":996,"_125":997,"_289":998},{"_280":992,"_282":993,"_284":994,"_286":995},72.7939453125,84,48.7939453125,60,{"_291":228,"_123":1001,"_154":1002,"_140":89},{"_291":125,"_123":887,"_154":888,"_140":889},{"_291":289,"_123":999,"_154":1000,"_140":85},"era/18-germany","18th-century Germany","artist/contemporaries-of-daniel-nikolaus-chodowiecki","Daniel Nikolaus Chodowiecki's contemporaries","https://img.ochreeditions.com/a/1591/480.jpg","https://img.ochreeditions.com/a/1591/960.jpg","https://img.ochreeditions.com/a/1591/1920.jpg",{"_315":1019,"_317":1020},{"_315":1017,"_317":1018},{"_315":1015,"_317":1016},{"_315":1013,"_317":1014},{"_315":1011,"_317":1012},"#dcccb1",0.0871,"#62594f",0.1526,"#b4a48d",0.2188,"#968874",0.2476,"#7b6f60",0.2939,"Daniel Nikolaus Chodowiecki","daniel-nikolaus-chodowiecki","German, 1726–1801","German",1726,1801,"monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","Monks in the Cloister of the Church of Gesù e Maria, Rome",{"_42":1073,"_225":1074,"_329":1075,"_331":332,"_333":1076,"_335":1077,"_337":1078,"_339":1078,"_341":-5,"_140":101},"1808","19 1/2 x 15 3/8 in. (49.5 x 39.1 cm)",39.1,49.5,0.7997930677703052,[1058,1059,1060,1061,1062],{"_224":612,"_225":613,"_42":614,"_308":615},"2003.42.36","François Marius Granet painted this in 1808, aged 33. It is now at The Met in New York.","Monks in the Cloister of the Church of Gesù e Maria, Rome, by François Marius Granet, 1808",{"_299":1055,"_301":1056,"_303":1057},"https://img.ochreeditions.com/m/1187.jpg?dl=1","/art/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659","/galleries/style/neoclassicism/monks-in-the-cloister-of-the-church-of-gesu-e-maria-rome-met-438659",{"_295":296,"_297":298},{"_228":1050,"_125":1051,"_289":1052},{"_280":1047,"_282":1048,"_284":1049,"_286":1033},54.58975685463011,64.5,39.58975685463011,{"_291":228,"_123":1053,"_154":1054,"_140":89},{"_291":125,"_123":669,"_154":670,"_140":671},{"_291":289,"_123":942,"_154":943,"_140":944},"artist/contemporaries-of-francois-marius-granet","François Marius Granet's contemporaries","https://img.ochreeditions.com/a/1187/480.jpg","https://img.ochreeditions.com/a/1187/960.jpg","https://img.ochreeditions.com/a/1187/1920.jpg",{"_315":1071,"_317":1072},{"_315":1069,"_317":1070},{"_315":1067,"_317":1068},{"_315":1065,"_317":1066},{"_315":1063,"_317":1064},"#877f6c",0.0362,"#645d4d",0.1615,"#4e4739",0.1743,"#383329",0.2917,"#25231e",0.3363,"François Marius Granet","francois-marius-granet","French, 1775–1849",1775,1849,"Aix-en-Provence","comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)",{"_42":1125,"_225":1126,"_329":1127,"_331":332,"_333":1128,"_335":1129,"_337":340,"_339":340,"_341":-5,"_140":101},"1789","45 x 34 1/2 in. (114.3 x 87.6 cm)",87.6,114.3,0.78175,[1110,1111,1112,1113,1114],{"_224":612,"_225":613,"_42":614,"_308":615},"54.182","Elisabeth Louise Vigée Le Brun painted this in 1789, aged 34. It is now at The Met in New York.","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), by Elisabeth Louise Vigée Le Brun, 1789",{"_299":1107,"_301":1108,"_303":1109},"https://img.ochreeditions.com/m/1175.jpg?dl=1","/art/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","/galleries/style/neoclassicism/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900",{"_295":296,"_297":298},{"_228":1102,"_125":1103,"_289":1104},{"_280":1099,"_282":1100,"_284":1101,"_286":1085},104.354025,129.3,89.354025,{"_291":228,"_123":1105,"_154":1106,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-elisabeth-louise-vigee-le-brun","Elisabeth Louise Vigée Le Brun's contemporaries","https://img.ochreeditions.com/a/1175/480.jpg","https://img.ochreeditions.com/a/1175/960.jpg","https://img.ochreeditions.com/a/1175/1920.jpg",{"_315":1123,"_317":1124},{"_315":1121,"_317":1122},{"_315":1119,"_317":1120},{"_315":1117,"_317":1118},{"_315":1115,"_317":1116},"#533718",0.0569,"#928774",0.0934,"#c7c3b1",0.2144,"#3c382e",0.2681,"#181612",0.3672,"Elisabeth Louise Vigée Le Brun","elisabeth-louise-vigee-le-brun","French, 1755–1842",1755,1842,"portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130912","Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands",{"_42":1184,"_225":1185,"_329":1186,"_331":1187,"_333":-5,"_335":-5,"_337":-5,"_339":-5,"_341":-5,"_140":99},"1826","netherlands","Soft ground etching, with roulette, printed in red on white wove paper","Image: 35.7 × 27 cm (14 1/16 × 10 11/16 in.); Sheet: 43 × 32.5 cm (16 15/16 × 12 13/16 in.); Secondary support: 51 × 39.3 cm (20 1/8 × 15 1/2 in.)",27,35,0.7680478009599373,[1169,1170,1171,1172,1173],{"_224":675,"_225":676,"_42":677,"_308":678},"1940.962","Christian Josi made this in 1826. It is now at the Art Institute of Chicago.","A work made of soft ground etching, with roulette, printed in red on white wove paper.",{"_299":1166,"_301":1167,"_303":1168},"https://img.ochreeditions.com/m/313.jpg?dl=1","/art/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130912","/galleries/style/neoclassicism/portrait-of-a-man-in-an-armchair-from-collection-d-imitation-aic-130912",{"_295":433,"_297":434},{"_228":1155,"_125":1156,"_289":1157},{"_280":1152,"_282":1153,"_284":1154,"_286":1138},50.88167303359781,59,26.881673033597806,{"_291":228,"_123":1164,"_154":1165,"_140":99},{"_291":125,"_123":1161,"_154":1162,"_140":1163},{"_291":289,"_123":1158,"_154":1159,"_140":1160},"era/19-netherlands","19th-century Netherlands",21,"style/print-19","More prints of the 19th century",159,"artist/christian-josi","More by Christian Josi","https://img.ochreeditions.com/a/313/480.jpg","https://img.ochreeditions.com/a/313/960.jpg","https://img.ochreeditions.com/a/313/1920.jpg",{"_315":1182,"_317":1183},{"_315":1180,"_317":1181},{"_315":1178,"_317":1179},{"_315":1176,"_317":1177},{"_315":1174,"_317":1175},"#b87961",0.0354,"#d8aa93",0.0628,"#e9dfd6",0.1055,"#ebc9b3",0.2286,"#f1d9c4",0.5677,"Christian Josi","christian-josi","Dutch, died 1828","Dutch",{"_1189":-5,"_1190":1191,"_1192":1193,"_1194":8,"_1195":1196,"_1197":8},"user","csrf","25bab8945a634b1b15bf1072806d2781c5a5ff53","cartCount",0,"dropLive","legal",[1198,1199,1200,1201,1202,1203,1204,1205,1206,1207,1208,1209],"uploadsEnabled",{"_225":1232,"_20":1233},{"_225":1230,"_20":1231},{"_225":1228,"_20":1229},{"_225":1226,"_20":1227},{"_225":1224,"_20":1225},{"_225":1222,"_20":1223},{"_225":1220,"_20":1221},{"_225":1218,"_20":1219},{"_225":1216,"_20":1217},{"_225":1214,"_20":1215},{"_225":1212,"_20":1213},{"_225":1210,"_20":1211},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]