[{"_1":2,"_3":4},"root",{"_5":1174},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Neoclassicism, in the galleries · Ochre Editions","description","Europe turns back to Greece and Rome: clear line, calm figures and civic virtue. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/neoclassicism","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/neoclassicism.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Neoclassicism, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/study-of-a-seated-woman-seen-from-behind-marie-gabrielle-cap-met-383862",15,"https://www.ochreeditions.com/art/the-curious-one-cma-148958",14,"https://www.ochreeditions.com/art/ettore-side-view-from-oeuvre-de-canova-aic-260560",13,"https://www.ochreeditions.com/art/the-death-of-socrates-met-436105",12,"https://www.ochreeditions.com/art/wooded-landscape-with-a-nymph-and-a-satyr-nga-94132",11,"https://www.ochreeditions.com/art/allegory-of-music-nga-32680",10,"https://www.ochreeditions.com/art/cathedral-of-notre-dame-in-paris-si-chndm-1931-66-88",9,"https://www.ochreeditions.com/art/germain-augustin-and-rose-de-saint-aubin-drawn-by-their-uncl-met-339743",8,"https://www.ochreeditions.com/art/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137",7,"https://www.ochreeditions.com/art/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900",6,"https://www.ochreeditions.com/art/two-draft-horses-with-a-sleeping-driver-met-337192",5,"https://www.ochreeditions.com/art/charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969",4,"https://www.ochreeditions.com/art/cupid-and-psyche-cma-138464",3,"https://www.ochreeditions.com/art/overdoor-painting-cma-123954",2,"https://www.ochreeditions.com/art/ajax-front-view-from-oeuvre-de-canova-aic-260561",1,"https://www.ochreeditions.com/art/project-for-the-painted-decoration-of-the-ceiling-of-a-hall-si-chndm-1931-70-37","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~neoclassicism.ddcddec332.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~neoclassicism.ddcddec332.jpg","alt","Neoclassicism, a room in the galleries: three of its 109 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Neoclassicism: 109 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~neoclassicism.jpg","key","style/neoclassicism","style","Neoclassicism","intro","Europe turns back to Greece and Rome: clear line, calm figures and civic virtue.","wing","Style galleries","floor","layout","enfilade","hang",5442,"/galleries/style/neoclassicism","total",109,"page","works",[208,209,210,211,212,213,214,215,216,217,218,219,220,221,222,223],"walls",[173,174,175,176,177,178],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6NTQ0MiwiaSI6bnVsbCwiZyI6ImlaalBsazB5In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/neoclassicism?hang=5442&cursor=eyJvIjoxNiwiaCI6NTQ0MiwiaSI6bnVsbCwiZyI6ImlaalBsazB5In0&via=continue","label","Neoclassicism, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1912/480.jpg","https://img.ochreeditions.com/a/1703/480.jpg","https://img.ochreeditions.com/a/569/480.jpg","https://img.ochreeditions.com/a/413/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":89},{"_154":166,"_123":167,"_44":168,"_140":169},"18th-century France","era/18-france","/galleries/era/18-france?hang=5442&via=continue",75,"Adélaïde Labille-Guiard's contemporaries","artist/contemporaries-of-adelaide-labille-guiard","/galleries/artist/contemporaries-of-adelaide-labille-guiard?hang=5442&via=continue",{"_42":203,"_180":204},{"_42":199,"_180":200},{"_42":194,"_180":195},{"_42":188,"_180":189},{"_42":184,"_180":185},{"_42":179,"_180":181},"Third room, south wall","work_ids",[182,183],703,1053,"Third room, north wall",[186,187],1083,402,"Second room, north wall",[190,191,192,193],1035,1731,1476,1628,"Second room, south wall",[196,197,198],1015,1175,1366,"First room, south wall",[201,202],652,1203,"First room, north wall",[205,206,207],1732,403,568,{"_224":205,"_225":1119,"_20":1120,"_228":1121,"_230":-5,"_231":1122,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":659,"_242":1123,"_244":1124,"_246":1125,"_248":1126,"_250":1127,"_252":1128,"_254":1129,"_256":667,"_258":1130,"_260":261,"_262":1131,"_154":1132,"_264":-5,"_111":1133,"_266":1134,"_268":1135,"_270":1136,"_272":1137,"_274":1138,"_144":1139,"_277":1140},{"_224":206,"_225":1078,"_20":1079,"_228":1080,"_230":-5,"_231":415,"_233":344,"_235":416,"_237":-5,"_125":238,"_28":417,"_240":418,"_242":419,"_244":1081,"_246":1082,"_248":1083,"_250":1084,"_252":1085,"_254":1086,"_256":426,"_258":1087,"_260":261,"_262":428,"_154":-5,"_264":-5,"_111":429,"_266":1088,"_268":1089,"_270":1090,"_272":1091,"_274":1092,"_144":1093,"_277":1094},{"_224":207,"_225":1028,"_20":1029,"_228":1030,"_230":-5,"_231":1031,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":345,"_240":346,"_242":605,"_244":1032,"_246":1033,"_248":249,"_250":1034,"_252":1035,"_254":1036,"_256":354,"_258":1037,"_260":261,"_262":1038,"_154":-5,"_264":-5,"_111":1039,"_266":1040,"_268":1041,"_270":1042,"_272":1043,"_274":1044,"_144":1045,"_277":1046},{"_224":201,"_225":982,"_20":983,"_228":984,"_230":-5,"_231":415,"_233":344,"_235":236,"_237":-5,"_125":238,"_28":345,"_240":346,"_242":605,"_244":985,"_246":986,"_248":987,"_250":988,"_252":989,"_254":990,"_256":354,"_258":991,"_260":261,"_262":992,"_154":993,"_264":-5,"_111":994,"_266":995,"_268":996,"_270":997,"_272":998,"_274":999,"_144":1000,"_277":1001},{"_224":202,"_225":931,"_20":932,"_228":933,"_230":-5,"_231":934,"_233":344,"_235":236,"_237":-5,"_125":238,"_28":345,"_240":482,"_242":483,"_244":935,"_246":936,"_248":937,"_250":938,"_252":939,"_254":940,"_256":257,"_258":941,"_260":261,"_262":942,"_154":-5,"_264":-5,"_111":943,"_266":944,"_268":945,"_270":946,"_272":947,"_274":948,"_144":949,"_277":950},{"_224":196,"_225":876,"_20":877,"_228":878,"_230":-5,"_231":879,"_233":344,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":880,"_244":881,"_246":882,"_248":883,"_250":884,"_252":885,"_254":886,"_256":257,"_258":887,"_260":261,"_262":888,"_154":-5,"_264":889,"_111":890,"_266":891,"_268":892,"_270":893,"_272":894,"_274":895,"_144":896,"_277":897},{"_224":197,"_225":826,"_20":827,"_228":828,"_230":-5,"_231":232,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":345,"_240":482,"_242":483,"_244":829,"_246":830,"_248":831,"_250":832,"_252":833,"_254":834,"_256":257,"_258":835,"_260":261,"_262":836,"_154":-5,"_264":-5,"_111":837,"_266":838,"_268":839,"_270":840,"_272":841,"_274":842,"_144":843,"_277":844},{"_224":198,"_225":770,"_20":771,"_228":772,"_230":-5,"_231":773,"_233":234,"_235":416,"_237":-5,"_125":238,"_28":345,"_240":346,"_242":605,"_244":774,"_246":775,"_248":776,"_250":777,"_252":778,"_254":779,"_256":548,"_258":780,"_260":261,"_262":781,"_154":-5,"_264":782,"_111":783,"_266":784,"_268":785,"_270":786,"_272":787,"_274":788,"_144":789,"_277":790},{"_224":190,"_225":719,"_20":720,"_228":721,"_230":-5,"_231":722,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":723,"_244":724,"_246":725,"_248":726,"_250":727,"_252":728,"_254":729,"_256":257,"_258":730,"_260":261,"_262":731,"_154":-5,"_264":-5,"_111":732,"_266":733,"_268":734,"_270":735,"_272":736,"_274":737,"_144":738,"_277":739},{"_224":191,"_225":655,"_20":656,"_228":657,"_230":-5,"_231":658,"_233":344,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":659,"_242":660,"_244":661,"_246":662,"_248":663,"_250":664,"_252":665,"_254":666,"_256":667,"_258":668,"_260":261,"_262":669,"_154":670,"_264":-5,"_111":671,"_266":672,"_268":673,"_270":674,"_272":675,"_274":676,"_144":677,"_277":678},{"_224":192,"_225":602,"_20":603,"_228":604,"_230":-5,"_231":540,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":345,"_240":346,"_242":605,"_244":606,"_246":607,"_248":608,"_250":609,"_252":610,"_254":611,"_256":548,"_258":612,"_260":261,"_262":613,"_154":-5,"_264":614,"_111":615,"_266":616,"_268":617,"_270":618,"_272":619,"_274":620,"_144":621,"_277":622},{"_224":193,"_225":537,"_20":538,"_228":539,"_230":-5,"_231":540,"_233":234,"_235":541,"_237":-5,"_125":238,"_28":417,"_240":418,"_242":542,"_244":543,"_246":344,"_248":544,"_250":545,"_252":546,"_254":547,"_256":548,"_258":549,"_260":261,"_262":550,"_154":-5,"_264":-5,"_111":551,"_266":552,"_268":553,"_270":554,"_272":555,"_274":556,"_144":557,"_277":558},{"_224":186,"_225":478,"_20":479,"_228":480,"_230":-5,"_231":481,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":345,"_240":482,"_242":483,"_244":484,"_246":485,"_248":486,"_250":487,"_252":488,"_254":489,"_256":257,"_258":490,"_260":261,"_262":491,"_154":-5,"_264":492,"_111":493,"_266":494,"_268":495,"_270":496,"_272":497,"_274":498,"_144":499,"_277":500},{"_224":187,"_225":412,"_20":413,"_228":414,"_230":-5,"_231":415,"_233":344,"_235":416,"_237":-5,"_125":238,"_28":417,"_240":418,"_242":419,"_244":420,"_246":421,"_248":422,"_250":423,"_252":424,"_254":425,"_256":426,"_258":427,"_260":261,"_262":428,"_154":-5,"_264":-5,"_111":429,"_266":430,"_268":431,"_270":432,"_272":433,"_274":434,"_144":435,"_277":436},{"_224":182,"_225":340,"_20":341,"_228":342,"_230":-5,"_231":343,"_233":344,"_235":236,"_237":-5,"_125":238,"_28":345,"_240":346,"_242":347,"_244":348,"_246":349,"_248":350,"_250":351,"_252":352,"_254":353,"_256":354,"_258":355,"_260":261,"_262":356,"_154":357,"_264":-5,"_111":358,"_266":359,"_268":360,"_270":361,"_272":362,"_274":363,"_144":364,"_277":365},{"_224":183,"_225":226,"_20":227,"_228":229,"_230":-5,"_231":232,"_233":234,"_235":236,"_237":-5,"_125":238,"_28":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_260":261,"_262":263,"_154":-5,"_264":-5,"_111":265,"_266":267,"_268":269,"_270":271,"_272":273,"_274":275,"_144":276,"_277":278},"id","slug","study-of-a-seated-woman-seen-from-behind-marie-gabrielle-cap-met-383862","Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)","artist",{"_42":326,"_225":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":-5,"_140":101},"unrecorded","date","1789","century",18,"place","france","movement","neoclassicism","drawing","classification","Drawings","medium","Red, black, and white chalk on toned laid paper","dimensions","Sheet: 20 1/2 x 18 7/8 in. (52 x 48 cm)","width_cm",48,"height_cm",52,"aspect",0.7939519715386896,"palette",[309,310,311,312,313],"museum",{"_224":304,"_225":305,"_42":306,"_307":308},"credit","Courtesy of The Metropolitan Museum of Art","accession","2008.538.1","licence","CC0","story","Adélaïde Labille-Guiard drew this in 1789, aged 40. It is now at The Met in New York.","note","Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), by Adélaïde Labille-Guiard, 1789","images",{"_298":299,"_300":301,"_302":303},"download_url","https://img.ochreeditions.com/m/1053.jpg?dl=1","page_url","/art/study-of-a-seated-woman-seen-from-behind-marie-gabrielle-cap-met-383862","walk_url","/galleries/style/neoclassicism/study-of-a-seated-woman-seen-from-behind-marie-gabrielle-cap-met-383862","frame",{"_294":295,"_296":297},{"_228":286,"_125":287,"_288":289},"size",{"_279":280,"_281":282,"_283":284,"_285":249},"w",65.28550252001186,"h",76,"image_w",41.28550252001186,"image_h",{"_290":228,"_123":171,"_154":170,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},"era",{"_290":288,"_123":167,"_154":166,"_140":169},"facet","style/drawing-18","More drawings of the 18th century",31,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1053/480.jpg","960","https://img.ochreeditions.com/a/1053/960.jpg","1920","https://img.ochreeditions.com/a/1053/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#b19e8e","weight",0.0944,"#564f48",0.1627,"#766456",0.167,"#a6876d",0.2411,"#8e735e",0.3348,"Adélaïde Labille-Guiard","adelaide-labille-guiard","bio","French, 1749–1803","nationality","French","birth_year",1749,"death_year",1803,"birth_place","Paris","death_place","about_excerpt","the-curious-one-cma-148958","The Curious One",{"_42":407,"_225":408,"_328":409,"_330":331,"_332":410,"_334":411,"_336":-5,"_338":-5,"_339":-5,"_140":103},"1823",19,"painting","Painting","oil on paper mounted to canvas","Unframed: 43.5 x 34.6 cm (17 1/8 x 13 5/8 in.)",34.6,43.5,0.7397058823529412,[392,393,394,395,396],{"_224":388,"_225":389,"_42":390,"_307":391},"Courtesy of the Cleveland Museum of Art","1977.116","Antoine Pierre Mongin painted this in 1823, aged 62. It is now at the Cleveland Museum of Art.",{"_118":385,"_386":387},"The Curious One, by Antoine Pierre Mongin, 1823",{"_298":382,"_300":383,"_302":384},"https://img.ochreeditions.com/m/703.jpg?dl=1","/art/the-curious-one-cma-148958","/galleries/style/neoclassicism/the-curious-one-cma-148958",{"_294":380,"_296":381},{"_228":369,"_125":370,"_288":371},{"_279":366,"_281":367,"_283":368,"_285":350},47.17720588235294,58.5,32.17720588235294,{"_290":228,"_123":378,"_154":379,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"era/19-france","19th-century France",237,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-antoine-pierre-mongin","Antoine Pierre Mongin's contemporaries","natural","ivory","https://img.ochreeditions.com/a/703/480.jpg","https://img.ochreeditions.com/a/703/960.jpg","https://img.ochreeditions.com/a/703/1920.jpg","Here a young man uses a ladder to climb over a garden wall. The sign at his right translates into \"School for Young Ladies under the Direction of Mrs. Wachsam\"— wachsam being the German word for \"watchful.\"","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":405,"_316":406},{"_314":403,"_316":404},{"_314":401,"_316":402},{"_314":399,"_316":400},{"_314":397,"_316":398},"#716241",0.1233,"#534a2f",0.1755,"#1b1b0b",0.1932,"#322e1b",0.2414,"#818682",0.2666,"Antoine Pierre Mongin","antoine-pierre-mongin","French, 1761–1827",1761,1827,"ettore-side-view-from-oeuvre-de-canova-aic-260560","Ettore, Side View, from Oeuvre de Canova",{"_42":472,"_225":473,"_328":474,"_330":475,"_332":476,"_334":477,"_336":-5,"_338":-5,"_339":-5,"_140":99},"1817","italy","print","Print","Engraving and etching in black on ivory wove paper","Plate: 64 × 40.5 cm (25 1/4 × 16 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",40,64,0.7256637168141593,[457,458,459,460,461],{"_224":453,"_225":454,"_42":455,"_307":456},"Courtesy of the Art Institute of Chicago","2021.47","Antonio Canova made this in 1817, aged 52. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on ivory wove paper.",{"_298":450,"_300":451,"_302":452},"https://img.ochreeditions.com/m/402.jpg?dl=1","/art/ettore-side-view-from-oeuvre-de-canova-aic-260560","/galleries/style/neoclassicism/ettore-side-view-from-oeuvre-de-canova-aic-260560",{"_294":295,"_296":297},{"_228":440,"_125":441,"_288":442},{"_279":437,"_281":438,"_283":439,"_285":422},70.4424778761062,88,46.442477876106196,{"_290":228,"_123":448,"_154":449,"_140":99},{"_290":125,"_123":445,"_154":446,"_140":447},{"_290":288,"_123":443,"_154":444,"_140":79},"era/19-italy","19th-century Italy","style/print-19","More prints of the 19th century",159,"artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/402/480.jpg","https://img.ochreeditions.com/a/402/960.jpg","https://img.ochreeditions.com/a/402/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":470,"_316":471},{"_314":468,"_316":469},{"_314":466,"_316":467},{"_314":464,"_316":465},{"_314":462,"_316":463},"#8e867f",0.0177,"#b2aba5",0.0506,"#cec5bf",0.0917,"#f1e2da",0.1243,"#f4e8e2",0.7157,"Antonio Canova","antonio-canova","Italian, 1765–1820","Italian",1765,1820,"the-death-of-socrates-met-436105","The Death of Socrates",{"_42":530,"_225":531,"_328":532,"_330":331,"_332":533,"_334":534,"_336":337,"_338":535,"_339":536,"_140":97},"1787","Paintings","Oil on canvas","51 x 77 1/4 in. (129.5 x 196.2 cm)",196.2,129.5,1.5020653398422832,[515,516,517,518,519],{"_224":304,"_225":305,"_42":306,"_307":308},"31.45","Jacques-Louis David painted this in 1787, aged 39. It is now at The Met in New York.","Condemned by Athens for impiety and corrupting the young, the philosopher Socrates reaches for the cup of hemlock while continuing to teach, one finger raised as he speaks of the immortality of the soul.","The Death of Socrates, by Jacques-Louis David, 1787",{"_298":512,"_300":513,"_302":514},"https://img.ochreeditions.com/m/1083.jpg?dl=1","/art/the-death-of-socrates-met-436105","/galleries/style/neoclassicism/the-death-of-socrates-met-436105",{"_294":380,"_296":381},{"_228":504,"_125":505,"_288":506},{"_279":501,"_281":502,"_283":485,"_285":503},211.2,145.62015,130.62015,{"_290":228,"_123":510,"_154":511,"_140":97},{"_290":125,"_123":507,"_154":508,"_140":509},{"_290":288,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/jacques-louis-david","More by Jacques-Louis David","https://img.ochreeditions.com/a/1083/480.jpg","https://img.ochreeditions.com/a/1083/960.jpg","https://img.ochreeditions.com/a/1083/1920.jpg",{"_314":528,"_316":529},{"_314":526,"_316":527},{"_314":524,"_316":525},{"_314":522,"_316":523},{"_314":520,"_316":521},"#765f3f",0.0532,"#562d1a",0.0811,"#4a3b28",0.1395,"#2b231a",0.3188,"#1b1711",0.4074,"Jacques-Louis David","jacques-louis-david","French, 1748–1825",1748,1825,"Brussels","David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates.","wooded-landscape-with-a-nymph-and-a-satyr-nga-94132","Wooded Landscape with a Nymph and a Satyr",{"_42":595,"_225":596,"_328":597,"_330":598,"_332":599,"_334":600,"_336":-5,"_338":-5,"_339":601,"_140":99},"1764","switzerland","etching on laid paper tinted pale blue","plate: 20.8 x 19 cm (8 3/16 x 7 1/2 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",20.8,0.9117571391818884,[580,581,582,583,584],{"_224":576,"_225":577,"_42":578,"_307":579},"Courtesy National Gallery of Art, Washington","1996.12.8","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows an etching of a forest scene with towering trees dominating the upper half. The horizon is not clearly visible due to dense foliage, but a line of trees and rocky outcrops in the distance provide a boundary. The fine lines and cross-hatching technique create detailed textures in the tree bark and foliage. The color palette is monochromatic, in shades of black and white emphasizing light and shadow. A large tree with a partially hollow trunk and figures scattered throughout the scene give a sense of scale and activity within the forest setting.",{"_298":573,"_300":574,"_302":575},"https://img.ochreeditions.com/m/1628.jpg?dl=1","/art/wooded-landscape-with-a-nymph-and-a-satyr-nga-94132","/galleries/style/neoclassicism/wooded-landscape-with-a-nymph-and-a-satyr-nga-94132",{"_294":295,"_296":297},{"_228":563,"_125":564,"_288":565},{"_279":559,"_281":560,"_283":561,"_285":562},46.793928479547205,49,22.79392847954721,25,{"_290":228,"_123":571,"_154":572,"_140":99},{"_290":125,"_123":568,"_154":569,"_140":570},{"_290":288,"_123":566,"_154":567,"_140":89},"era/18-switzerland","18th-century Switzerland","style/print-18","More prints of the 18th century",129,"artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1628/480.jpg","https://img.ochreeditions.com/a/1628/960.jpg","https://img.ochreeditions.com/a/1628/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":593,"_316":594},{"_314":591,"_316":592},{"_314":589,"_316":590},{"_314":587,"_316":588},{"_314":585,"_316":586},"#a09381",0.101,"#827667",0.1751,"#51483e",0.2074,"#cfc2a9",0.2513,"#685e51",0.2652,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788","Swiss",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.","allegory-of-music-nga-32680","Allegory of Music",{"_42":649,"_225":650,"_328":651,"_330":331,"_332":652,"_334":653,"_336":337,"_338":337,"_339":654,"_140":93},"oil on canvas","overall: 103.5 x 130 cm (40 3/4 x 51 3/16 in.) framed: 130.8 x 157.5 cm (51 1/2 x 62 in.)",130,103.5,1.2541334966319657,[634,635,636,637,638],{"_224":576,"_225":577,"_42":578,"_307":579},"1946.7.2","François Boucher painted this in 1764, aged 61. It is now at the National Gallery of Art in Washington, DC.","Seated on clouds, a woman personifying Music points to a lyre propped on her knee, which a putto reaches out to strum, while another hovers above with a flute and a laurel wreath. Around her lie a horn wrapped in laurel, a plumed helmet and a sword, and two white doves support an open book of music.","A woman wearing flowing, pastel-colored robes and two, winged, child-like putti gather on a bank of clouds among musical instruments and sheet music in this horizontal painting. The people all have pale, pink-tinged skin. The woman sits to our right of center, facing our left in profile. She has straight nose, a rounded chin, and her small, pink lips are closed. Her ash-blond hair is pulled back under a yellow band. A voluminous white robe falls away over her left shoulder, to our right, to reveal a firm breast and small pink nipple. Sky-blue drapery wraps over her far arm, and deep rose-pink cloth falls across her lap and onto the clouds around her. Her legs extend to our left, her toes pointed. She leans back on her left elbow, closer to us, and points with that index finger to a lyre she props against her knee with her other hand. One chubby, nude putto reaches forward to strum the strings. The other putto hovers above, holding a ring of laurel leaves up in one hand and a flute in the other. Both putti have chubby limbs and torsos, blond curls lifted as if in a breeze, and short, ice-blue wings. Both look at the woman. In the lower left corner, a helmet with a topaz-blue feather and the gold hilt of a sword sit near the woman’s feet. Beneath the woman’s lower leg, at the bottom center of the painting, is a gold horn encircled by another wreath of laurel leaves. Two white doves with wings spread support an open book of sheet music and two pink roses tucked under the woman’s bent elbow. Fog-gray clouds billow up both sides of the scene against a pale blue sky. The clouds on which the trio gathers are parchment brown shaded with mauve pink. The outer corners of the image are white, indicating that the corners of the canvas were rounded. The artist signed and dated the painting in the lower right corner, “F Boucher 1764.”",{"_298":631,"_300":632,"_302":633},"https://img.ochreeditions.com/m/1476.jpg?dl=1","/art/allegory-of-music-nga-32680","/galleries/style/neoclassicism/allegory-of-music-nga-32680",{"_294":380,"_296":381},{"_228":626,"_125":627,"_288":628},{"_279":623,"_281":624,"_283":607,"_285":625},145,118.6572265625,103.6572265625,{"_290":228,"_123":629,"_154":630,"_140":93},{"_290":125,"_123":507,"_154":508,"_140":509},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/1476/480.jpg","https://img.ochreeditions.com/a/1476/960.jpg","https://img.ochreeditions.com/a/1476/1920.jpg",{"_314":647,"_316":648},{"_314":645,"_316":646},{"_314":643,"_316":644},{"_314":641,"_316":642},{"_314":639,"_316":640},"#a35642",0.079,"#b9a69a",0.1789,"#686158",0.1896,"#987a65",0.2246,"#919fa2",0.3279,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","cathedral-of-notre-dame-in-paris-si-chndm-1931-66-88","Cathedral of Notre Dame in Paris",{"_42":714,"_225":715,"_328":716,"_330":331,"_332":717,"_334":718,"_336":-5,"_338":-5,"_339":-5,"_140":103},"1825–1840","Drawing","Graphite, black crayon on two pieces of paper pasted together","16.3 × 26.5 cm (6 7/16 × 10 7/16 in.)",26.5,16.3,0.6154076738609112,[699,700,701,702,703],{"_224":696,"_225":697,"_42":698,"_307":308},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1931-66-88","Charles Nicolas Ransonnette drew this in 1825–1840, aged about 32. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":694,"_386":695},"CATHEDRAL OF NOTRE DAME IN PARIS",{"_298":691,"_300":692,"_302":693},"https://img.ochreeditions.com/m/1731.jpg?dl=1","/art/cathedral-of-notre-dame-in-paris-si-chndm-1931-66-88","/galleries/style/neoclassicism/cathedral-of-notre-dame-in-paris-si-chndm-1931-66-88",{"_294":295,"_296":297},{"_228":683,"_125":684,"_288":685},{"_279":679,"_281":680,"_283":681,"_285":682},40.30415115006668,50.49325291603626,16.30415115006668,26.493252916036262,{"_290":228,"_123":689,"_154":690,"_140":89},{"_290":125,"_123":686,"_154":687,"_140":688},{"_290":288,"_123":372,"_154":373,"_140":374},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-charles-nicolas-ransonnette","Charles Nicolas Ransonnette's contemporaries","https://img.ochreeditions.com/a/1731/480.jpg","https://img.ochreeditions.com/a/1731/960.jpg","https://img.ochreeditions.com/a/1731/1920.jpg","View from the east transept toward the towers of the façade.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_314":712,"_316":713},{"_314":710,"_316":711},{"_314":708,"_316":709},{"_314":706,"_316":707},{"_314":704,"_316":705},"#8f877d",0.0729,"#f2e4d0",0.0966,"#aea293",0.1895,"#c4b3a1",0.2155,"#dac8b5",0.4255,"Charles Nicolas Ransonnette","charles-nicolas-ransonnette","French, 1793–1877",1793,1877,"germain-augustin-and-rose-de-saint-aubin-drawn-by-their-uncl-met-339743","Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle",{"_42":765,"_225":766,"_328":767,"_330":331,"_332":768,"_334":769,"_336":337,"_338":337,"_339":-5,"_140":101},"1766","Brush and gray wash, over black chalk and graphite","7 3/16 x 4 13/16 in. (18.2 x 12.2 cm)",12.2,18.2,0.7219293621507644,[750,751,752,753,754],{"_224":304,"_225":305,"_42":306,"_307":308},"1972.118.233","Gabriel de Saint-Aubin drew this in 1766, aged 42. It is now at The Met in New York.","Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle, by Gabriel de Saint-Aubin, 1766",{"_298":747,"_300":748,"_302":749},"https://img.ochreeditions.com/m/1035.jpg?dl=1","/art/germain-augustin-and-rose-de-saint-aubin-drawn-by-their-uncl-met-339743","/galleries/style/neoclassicism/germain-augustin-and-rose-de-saint-aubin-drawn-by-their-uncl-met-339743",{"_294":295,"_296":297},{"_228":742,"_125":743,"_288":744},{"_279":740,"_281":560,"_283":741,"_285":562},42.04823405376911,18.04823405376911,{"_290":228,"_123":745,"_154":746,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-gabriel-de-saint-aubin","Gabriel de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/1035/480.jpg","https://img.ochreeditions.com/a/1035/960.jpg","https://img.ochreeditions.com/a/1035/1920.jpg",{"_314":763,"_316":764},{"_314":761,"_316":762},{"_314":759,"_316":760},{"_314":757,"_316":758},{"_314":755,"_316":756},"#aa957d",0.0319,"#8e8274",0.1063,"#aea495",0.2252,"#d5bd9c",0.3016,"#d0c4b3",0.335,"Gabriel de Saint-Aubin","gabriel-de-saint-aubin","French, 1724–1780",1724,1780,"wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","Wealth and Benefits of the Spanish Monarchy under Charles III",{"_42":819,"_225":820,"_328":821,"_330":475,"_332":822,"_334":653,"_336":823,"_338":824,"_339":825,"_140":85},"1762","overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.)",104.3,181.8,0.570556640625,[804,805,806,807,808],{"_224":576,"_225":577,"_42":578,"_307":579},"1943.4.39","Giovanni Battista Tiepolo painted this in 1762, aged 66. It is now at the National Gallery of Art in Washington, DC.","Seen from below through an illusionistic opening, crowds of figures in windswept robes swirl upward on clouds towards a crowned figure enthroned in the blue sky, while stone giants recline beside gold medallions at the corners.","We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting. From a distance, the scene looks like a complete illusion but up close, the people, clouds, and architecture are sketchily painted. The ledge running around the opening has a gold, oval medallion at each corner. Appearing to be carved from white stone, two bearded men with long hair recline against each medallion, flanking them to each side in front of large shells that curve up over the people and frames them. A few architectural structures extend up into the sky, including a pointed obelisk in the lower left corner, a pair of columns at the upper right, and what seems to be the mast of a ship at the top left. Most of the people have pale skin but some have more tan complexions, and a few, including those wearing feather headdresses near the upper left corner, have brown skin. The people wear windswept robes of pale, butter yellow, robin’s egg blue, rose pink, and ivory. The eye may drawn to a few vignettes, such as the man holding a rearing, chestnut-brown horse on the illusionistic ledge near the lower right, a nun wearing a white robe and holding a cross above him in the clouds, and, farthest away, a crowned person sitting on a throne.",{"_298":801,"_300":802,"_302":803},"https://img.ochreeditions.com/m/1366.jpg?dl=1","/art/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","/galleries/style/neoclassicism/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137",{"_294":380,"_296":381},{"_228":794,"_125":795,"_288":796},{"_279":791,"_281":792,"_283":793,"_285":776},118.72719726562501,196.8,103.72719726562501,{"_290":228,"_123":799,"_154":800,"_140":85},{"_290":125,"_123":507,"_154":508,"_140":509},{"_290":288,"_123":797,"_154":798,"_140":560},"era/18-italy","18th-century Italy","artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/1366/480.jpg","https://img.ochreeditions.com/a/1366/960.jpg","https://img.ochreeditions.com/a/1366/1920.jpg",{"_314":817,"_316":818},{"_314":815,"_316":816},{"_314":813,"_316":814},{"_314":811,"_316":812},{"_314":809,"_316":810},"#4f3f34",0.1302,"#bccbcd",0.1766,"#baad95",0.1905,"#75614e",0.2348,"#98866e",0.2679,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,"Venice","Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)",{"_42":871,"_225":872,"_328":873,"_330":331,"_332":874,"_334":875,"_336":337,"_338":337,"_339":-5,"_140":101},"45 x 34 1/2 in. (114.3 x 87.6 cm)",87.6,114.3,0.78175,[856,857,858,859,860],{"_224":304,"_225":305,"_42":306,"_307":308},"54.182","Elisabeth Louise Vigée Le Brun painted this in 1789, aged 34. It is now at The Met in New York.","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), by Elisabeth Louise Vigée Le Brun, 1789",{"_298":853,"_300":854,"_302":855},"https://img.ochreeditions.com/m/1175.jpg?dl=1","/art/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","/galleries/style/neoclassicism/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900",{"_294":380,"_296":381},{"_228":848,"_125":849,"_288":850},{"_279":845,"_281":846,"_283":847,"_285":831},104.354025,129.3,89.354025,{"_290":228,"_123":851,"_154":852,"_140":89},{"_290":125,"_123":507,"_154":508,"_140":509},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-elisabeth-louise-vigee-le-brun","Elisabeth Louise Vigée Le Brun's contemporaries","https://img.ochreeditions.com/a/1175/480.jpg","https://img.ochreeditions.com/a/1175/960.jpg","https://img.ochreeditions.com/a/1175/1920.jpg",{"_314":869,"_316":870},{"_314":867,"_316":868},{"_314":865,"_316":866},{"_314":863,"_316":864},{"_314":861,"_316":862},"#533718",0.0569,"#928774",0.0934,"#c7c3b1",0.2144,"#3c382e",0.2681,"#181612",0.3672,"Elisabeth Louise Vigée Le Brun","elisabeth-louise-vigee-le-brun","French, 1755–1842",1755,1842,"two-draft-horses-with-a-sleeping-driver-met-337192","Two Draft Horses with a Sleeping Driver",{"_42":924,"_225":925,"_328":926,"_330":331,"_332":927,"_334":928,"_336":929,"_338":337,"_339":930,"_140":99},"1820–22","Brush and brown and gray wash, over graphite","11 3/4 x 15 1/16 in. (29.9 x 38.2 cm)",38.2,29.9,1.2979222520107239,[909,910,911,912,913],{"_224":304,"_225":305,"_42":306,"_307":308},"1996.365","Jean Louis André Théodore Géricault drew this in 1820–22, aged about 29. It is now at The Met in New York.","Two heavy draught horses stand patiently in harness while their driver dozes, set down in brush and brown and grey wash over pencil. Géricault spent much of 1820 and 1821 in England, where he was fascinated by the powerful working horses of London’s streets and made a series of lithographs of everyday English life.","Two Draft Horses with a Sleeping Driver, by Jean Louis André Théodore Géricault, 1820–22",{"_298":906,"_300":907,"_302":908},"https://img.ochreeditions.com/m/1015.jpg?dl=1","/art/two-draft-horses-with-a-sleeping-driver-met-337192","/galleries/style/neoclassicism/two-draft-horses-with-a-sleeping-driver-met-337192",{"_294":295,"_296":297},{"_228":901,"_125":902,"_288":903},{"_279":898,"_281":899,"_283":882,"_285":900},62.2,53.43165504776659,29.43165504776659,{"_290":228,"_123":904,"_154":905,"_140":99},{"_290":125,"_123":686,"_154":687,"_140":688},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/1015/480.jpg","https://img.ochreeditions.com/a/1015/960.jpg","https://img.ochreeditions.com/a/1015/1920.jpg",{"_314":922,"_316":923},{"_314":920,"_316":921},{"_314":918,"_316":919},{"_314":916,"_316":917},{"_314":914,"_316":915},"#7d7265",0.1269,"#ead9c3",0.191,"#554f49",0.1983,"#c8b79f",0.2156,"#a79884",0.2682,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.","charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969","Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent",{"_42":977,"_225":978,"_328":979,"_330":331,"_332":653,"_334":980,"_336":981,"_338":337,"_339":-5,"_140":103},"1808","83 7/8 x 57 7/8 in. (213 x 147 cm)",147,213,0.6846193682030036,[962,963,964,965,966],{"_224":304,"_225":305,"_42":306,"_307":308},"2012.348","baron François Gérard painted this in 1808, aged 38. It is now at The Met in New York.","Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent, by baron François Gérard, 1808",{"_298":959,"_300":960,"_302":961},"https://img.ochreeditions.com/m/1203.jpg?dl=1","/art/charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969","/galleries/style/neoclassicism/charles-maurice-de-talleyrand-perigord-1754-1838-prince-de-b-met-441969",{"_294":380,"_296":381},{"_228":954,"_125":955,"_288":956},{"_279":951,"_281":952,"_283":953,"_285":937},160.82392542723977,228,145.82392542723977,{"_290":228,"_123":957,"_154":958,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-baron-francois-gerard","baron François Gérard's contemporaries","https://img.ochreeditions.com/a/1203/480.jpg","https://img.ochreeditions.com/a/1203/960.jpg","https://img.ochreeditions.com/a/1203/1920.jpg",{"_314":975,"_316":976},{"_314":973,"_316":974},{"_314":971,"_316":972},{"_314":969,"_316":970},{"_314":967,"_316":968},"#787469",0.0196,"#5a3d24",0.0614,"#896137",0.0658,"#33231b",0.2068,"#1a1513",0.6464,"baron François Gérard","baron-francois-gerard","French, 1770–1837",1837,"Rome","cupid-and-psyche-cma-138464","Cupid and Psyche",{"_42":530,"_225":531,"_328":532,"_330":331,"_332":533,"_334":534,"_336":337,"_338":535,"_339":536,"_140":97},"Framed: 221 x 282 x 10 cm (87 x 111 x 3 15/16 in.); Unframed: 184.2 x 241.6 cm (72 1/2 x 95 1/8 in.)",241.6,184.2,1.320901320901321,[1013,1014,1015,1016,1017],{"_224":388,"_225":389,"_42":390,"_307":391},"1962.37","Jacques-Louis David painted this in 1817, aged 69. It is now at the Cleveland Museum of Art.",{"_118":1012,"_386":387},"Cupid and Psyche, by Jacques-Louis David, 1817",{"_298":1009,"_300":1010,"_302":1011},"https://img.ochreeditions.com/m/652.jpg?dl=1","/art/cupid-and-psyche-cma-138464","/galleries/style/neoclassicism/cupid-and-psyche-cma-138464",{"_294":380,"_296":381},{"_228":1006,"_125":1007,"_288":1008},{"_279":1002,"_281":1003,"_283":1004,"_285":1005},255,196.69411764705882,240,181.69411764705882,{"_290":228,"_123":510,"_154":511,"_140":97},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/652/480.jpg","https://img.ochreeditions.com/a/652/960.jpg","https://img.ochreeditions.com/a/652/1920.jpg","David used the story of Cupid and Psyche to explore the conflict between idealized love and physical reality. Cupid, lover of the beautiful mortal Psyche, visited her nightly on the condition that she not know his identity.",{"_314":1026,"_316":1027},{"_314":1024,"_316":1025},{"_314":1022,"_316":1023},{"_314":1020,"_316":1021},{"_314":1018,"_316":1019},"#d3bea7",0.1003,"#99755a",0.1348,"#4b4e43",0.1387,"#47291f",0.265,"#1e1d18",0.3612,"overdoor-painting-cma-123954","Overdoor Painting",{"_42":1073,"_225":1074,"_328":1075,"_330":331,"_332":1076,"_334":1077,"_336":-5,"_338":-5,"_339":-5,"_140":99},"1790s","Framed: 59.7 x 148.9 x 6 cm (23 1/2 x 58 5/8 x 2 3/8 in.); Unframed: 52 x 151 cm (20 1/2 x 59 7/16 in.)",151,2.713487629688747,[1058,1059,1060,1061,1062],{"_224":388,"_225":389,"_42":390,"_307":391},"1944.466.1","Pierre Rousseau painted this in the 1790s, aged about 39. It is now at the Cleveland Museum of Art.","Overdoor Painting, by Pierre Rousseau, 1790s",{"_298":1055,"_300":1056,"_302":1057},"https://img.ochreeditions.com/m/568.jpg?dl=1","/art/overdoor-painting-cma-123954","/galleries/style/neoclassicism/overdoor-painting-cma-123954",{"_294":380,"_296":381},{"_228":1050,"_125":1051,"_288":1052},{"_279":1047,"_281":1048,"_283":1033,"_285":1049},166,70.6479411764706,55.64794117647059,{"_290":228,"_123":1053,"_154":1054,"_140":99},{"_290":125,"_123":507,"_154":508,"_140":509},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/pierre-rousseau","More by Pierre Rousseau","https://img.ochreeditions.com/a/568/480.jpg","https://img.ochreeditions.com/a/568/960.jpg","https://img.ochreeditions.com/a/568/1920.jpg",{"_314":1071,"_316":1072},{"_314":1069,"_316":1070},{"_314":1067,"_316":1068},{"_314":1065,"_316":1066},{"_314":1063,"_316":1064},"#a07246",0.1033,"#a78964",0.1583,"#ac9878",0.2058,"#b6aa90",0.2154,"#b68b59",0.3172,"Pierre Rousseau","pierre-rousseau","French, 1751–1829",1751,1829,"ajax-front-view-from-oeuvre-de-canova-aic-260561","Ajax, Front View, from Oeuvre de Canova",{"_42":472,"_225":473,"_328":474,"_330":475,"_332":476,"_334":477,"_336":-5,"_338":-5,"_339":-5,"_140":99},"Plate: 60.5 × 41.2 cm (23 7/8 × 16 1/4 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",41,60,0.7232285312060066,[1104,1105,1106,1107,1108],{"_224":453,"_225":454,"_42":455,"_307":456},"2021.48",{"_298":1101,"_300":1102,"_302":1103},"https://img.ochreeditions.com/m/403.jpg?dl=1","/art/ajax-front-view-from-oeuvre-de-canova-aic-260561","/galleries/style/neoclassicism/ajax-front-view-from-oeuvre-de-canova-aic-260561",{"_294":295,"_296":297},{"_228":1098,"_125":1099,"_288":1100},{"_279":1095,"_281":1096,"_283":1097,"_285":1083},67.3937118723604,84,43.3937118723604,{"_290":228,"_123":448,"_154":449,"_140":99},{"_290":125,"_123":445,"_154":446,"_140":447},{"_290":288,"_123":443,"_154":444,"_140":79},"https://img.ochreeditions.com/a/403/480.jpg","https://img.ochreeditions.com/a/403/960.jpg","https://img.ochreeditions.com/a/403/1920.jpg",{"_314":1117,"_316":1118},{"_314":1115,"_316":1116},{"_314":1113,"_316":1114},{"_314":1111,"_316":1112},{"_314":1109,"_316":1110},"#867e74",0.0187,"#afa79e",0.0435,"#e6dad3",0.0445,"#d1c8c1",0.0904,"#faede6",0.8029,"project-for-the-painted-decoration-of-the-ceiling-of-a-hall-si-chndm-1931-70-37","Project for the Painted Decoration of the Ceiling of a Hall (Painted Oval Ceiling)",{"_42":1169,"_225":1170,"_328":1171,"_330":331,"_332":1172,"_334":1173,"_336":-5,"_338":-5,"_339":-5,"_140":103},"1761","Pen and black ink, brush and gray and black wash on two sheets of off-white heavy laid paper joined together horizonatally, lined","41.3 x 61.6 cm (16 1/4 x 24 1/4 in.)",61.6,41.3,0.6715,[1154,1155,1156,1157,1158],{"_224":696,"_225":697,"_42":698,"_307":308},"1931-70-37","Jean Baptiste Marie Pierre drew this in 1761, aged 47. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1153,"_386":695},"PROJECT FOR THE PAINTED DECORATION OF THE CEILING OF A HALL (PAINTED OVAL CEILING)",{"_298":1150,"_300":1151,"_302":1152},"https://img.ochreeditions.com/m/1732.jpg?dl=1","/art/project-for-the-painted-decoration-of-the-ceiling-of-a-hall-si-chndm-1931-70-37","/galleries/style/neoclassicism/project-for-the-painted-decoration-of-the-ceiling-of-a-hall-si-chndm-1931-70-37",{"_294":295,"_296":297},{"_228":1145,"_125":1146,"_288":1147},{"_279":1141,"_281":1142,"_283":1143,"_285":1144},65.33218745723482,85.55202897577786,41.332187457234824,61.55202897577785,{"_290":228,"_123":1148,"_154":1149,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-baptiste-marie-pierre","Jean Baptiste Marie Pierre's contemporaries","https://img.ochreeditions.com/a/1732/480.jpg","https://img.ochreeditions.com/a/1732/960.jpg","https://img.ochreeditions.com/a/1732/1920.jpg","Image of an oval ceiling, without the room setting. At the center, a view at the sky passing an oval entablature. In the sky are Apollo, the Muses and genii. The entablature is supported by arches through which parts of further structures are shown.",{"_314":1167,"_316":1168},{"_314":1165,"_316":1166},{"_314":1163,"_316":1164},{"_314":1161,"_316":1162},{"_314":1159,"_316":1160},"#e2e2e7",0.1682,"#85807a",0.1744,"#bab2af",0.1875,"#353933",0.2104,"#5c5c56",0.2595,"Jean Baptiste Marie Pierre","jean-baptiste-marie-pierre","French, 1714–1789",1714,1789,{"_1175":-5,"_1176":1177,"_1178":1179,"_1180":8,"_1181":1182,"_1183":8},"user","csrf","daaa4ab4f27598928fb879a4c81d235b12321a32","cartCount",0,"dropLive","legal",[1184,1185,1186,1187,1188,1189,1190,1191,1192,1193,1194,1195],"uploadsEnabled",{"_225":1218,"_20":1219},{"_225":1216,"_20":1217},{"_225":1214,"_20":1215},{"_225":1212,"_20":1213},{"_225":1210,"_20":1211},{"_225":1208,"_20":1209},{"_225":1206,"_20":1207},{"_225":1204,"_20":1205},{"_225":1202,"_20":1203},{"_225":1200,"_20":1201},{"_225":1198,"_20":1199},{"_225":1196,"_20":1197},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]