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It is now at The Met in New York.","\"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98",{"_295":371,"_297":372,"_299":373},"https://img.ochreeditions.com/m/1206.jpg?dl=1","/art/a-muslim-pilgrim-learns-a-lesson-in-piety-from-a-brahman-fol-met-446563","/galleries/style/manuscript-16/a-muslim-pilgrim-learns-a-lesson-in-piety-from-a-brahman-fol-met-446563",{"_291":292,"_293":294},{"_225":361,"_125":362,"_285":363},{"_275":359,"_277":278,"_279":360,"_281":282},44.8984375,20.8984375,{"_287":225,"_123":369,"_154":370,"_140":95},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":364,"_154":365,"_140":53},"era/16-india","16th-century India","style/mughal-and-rajput-painting","More Mughal and Rajput painting",40,"artist/amir-khusrau-dihlavi","More by Amir Khusrau Dihlavi","https://img.ochreeditions.com/a/1206/480.jpg","https://img.ochreeditions.com/a/1206/960.jpg","https://img.ochreeditions.com/a/1206/1920.jpg",{"_311":387,"_313":388},{"_311":385,"_313":386},{"_311":383,"_313":384},{"_311":381,"_313":382},{"_311":379,"_313":380},"#52504a",0.0489,"#9b865a",0.148,"#a69b8a",0.1645,"#eee6d9",0.222,"#cdaf79",0.4166,"Amir Khusrau Dihlavi","amir-khusrau-dihlavi","Indian, died 1350","Indian","Patiyali","Delhi","Amir Khusrau was a poet, scholar and musician who served a succession of sultans at the Delhi court and was a devoted follower of the Sufi saint Nizamuddin Auliya, beside whose shrine he is buried.","shah-jahan-on-a-terrace-holding-a-pendant-set-with-his-portr-met-451270","\"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait\", Folio from the Shah Jahan Album",{"_42":443,"_222":444,"_325":392,"_327":392,"_329":-5,"_331":445,"_333":-5,"_334":-5,"_335":-5,"_140":103},"recto: dated 1627–28; verso: ca. 1530–50","Ink, opaque watercolor, and gold on paper","H. 15 5/16 in. (38.9 cm) W. 10 1/8 in. (25.7 cm)",25.7,38.9,0.6679302501895376,[428,429,430,431,432],{"_221":301,"_222":302,"_42":303,"_304":305},"55.121.10.24","Chitarman painted this (recto: dated 1627–28; verso: ca. 1530–50). It is now at The Met in New York.","\"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait\", Folio from the Shah Jahan Album, by Chitarman, recto: dated 1627–28; verso: ca. 1530–50",{"_295":425,"_297":426,"_299":427},"https://img.ochreeditions.com/m/1220.jpg?dl=1","/art/shah-jahan-on-a-terrace-holding-a-pendant-set-with-his-portr-met-451270","/galleries/style/manuscript-16/shah-jahan-on-a-terrace-holding-a-pendant-set-with-his-portr-met-451270",{"_291":292,"_293":294},{"_225":420,"_125":421,"_285":422},{"_275":417,"_277":418,"_279":419,"_281":403},49.982486732373005,62.9,25.982486732373008,{"_287":225,"_123":423,"_154":424,"_140":89},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":364,"_154":365,"_140":53},"artist/contemporaries-of-chitarman","Chitarman's contemporaries","https://img.ochreeditions.com/a/1220/480.jpg","https://img.ochreeditions.com/a/1220/960.jpg","https://img.ochreeditions.com/a/1220/1920.jpg",{"_311":441,"_313":442},{"_311":439,"_313":440},{"_311":437,"_313":438},{"_311":435,"_313":436},{"_311":433,"_313":434},"#cfbca5",0.0781,"#8b8366",0.1105,"#807769",0.1791,"#9f805a",0.1853,"#be9a6b",0.447,"Chitarman","chitarman",1670,"bahram-gur-pins-the-coupling-onagers-folio-568r-from-the-sha-met-452171","\"Bahram Gur Pins the Coupling Onagers\", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp",{"_42":494,"_222":495,"_325":496,"_327":328,"_329":497,"_331":498,"_333":-5,"_334":-5,"_335":-5,"_140":85},"ca. 1530–35","Opaque watercolor, ink, silver, and gold on paper","Painting: H. 11 1/8 in. (28.3 cm) W. 7 3/4 in. (19.7 cm) Page: H. 18 9/16 in. (47.1 cm) W. 12 1/2 in. (31.8 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm)",31.8,47.1,0.67,[479,480,481,482,483],{"_221":301,"_222":302,"_42":303,"_304":305},"1970.301.62","Abu'l Qasim Firdausi painted this in about 1530–35. It is now at The Met in New York.","The Sasanian king Bahram Gur takes his nickname from the gur, or onager, the wild ass he loved to hunt. In this episode from Ferdowsi’s Shahnama he demonstrates his legendary marksmanship by pinning a pair of mating onagers together with a single arrow.","\"Bahram Gur Pins the Coupling Onagers\", Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1530–35",{"_295":476,"_297":477,"_299":478},"https://img.ochreeditions.com/m/1235.jpg?dl=1","/art/bahram-gur-pins-the-coupling-onagers-folio-568r-from-the-sha-met-452171","/galleries/style/manuscript-16/bahram-gur-pins-the-coupling-onagers-folio-568r-from-the-sha-met-452171",{"_291":292,"_293":294},{"_225":471,"_125":472,"_285":473},{"_275":468,"_277":469,"_279":470,"_281":453},55.557,71.1,31.557000000000002,{"_287":225,"_123":474,"_154":475,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":165,"_154":164,"_140":93},"artist/abu-l-qasim-firdausi","More by Abu'l Qasim Firdausi","https://img.ochreeditions.com/a/1235/480.jpg","https://img.ochreeditions.com/a/1235/960.jpg","https://img.ochreeditions.com/a/1235/1920.jpg",{"_311":492,"_313":493},{"_311":490,"_313":491},{"_311":488,"_313":489},{"_311":486,"_313":487},{"_311":484,"_313":485},"#716569",0.032,"#edeae0",0.0883,"#978d76",0.1039,"#b3b7c3",0.1097,"#d0c6a5",0.6661,"Abu'l Qasim Firdausi","abu-l-qasim-firdausi","Iranian, Paj ca. 940/41–1020 Tus",935,1020,"shaikh-san-an-and-the-christian-maiden-folio-22v-from-a-mant-met-451728","\"Shaikh San'an and the Christian Maiden\", Folio 22v from a Mantiq al-Tayr (Language of the Birds)",{"_42":545,"_222":546,"_325":547,"_327":328,"_329":548,"_331":184,"_333":549,"_334":549,"_335":-5,"_140":101},"Opaque watercolor, silver, and gold on paper","Painting: H. 7 3/8 in. (18.7 cm) W. 4 1/2 in. (11.4 cm) Page: H. 12 7/8 in. (32.7 cm) W. 8 5/16 in. (21.1 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)",21.1,32.7,0.6529218315203643,[530,531,532,533,534],{"_221":301,"_222":302,"_42":303,"_304":305},"63.210.22","Farid al-Din `Attar painted this in about 1600. It is now at The Met in New York.","\"Shaikh San'an and the Christian Maiden\", Folio 22v from a Mantiq al-Tayr (Language of the Birds), by Farid al-Din `Attar, ca. 1600",{"_295":527,"_297":528,"_299":529},"https://img.ochreeditions.com/m/1229.jpg?dl=1","/art/shaikh-san-an-and-the-christian-maiden-folio-22v-from-a-mant-met-451728","/galleries/style/manuscript-16/shaikh-san-an-and-the-christian-maiden-folio-22v-from-a-mant-met-451728",{"_291":292,"_293":294},{"_225":522,"_125":523,"_285":524},{"_275":519,"_277":520,"_279":521,"_281":505},45.35054389071591,56.7,21.350543890715915,{"_287":225,"_123":525,"_154":526,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":165,"_154":164,"_140":93},"artist/contemporaries-of-farid-al-din-attar","Farid al-Din `Attar's contemporaries","https://img.ochreeditions.com/a/1229/480.jpg","https://img.ochreeditions.com/a/1229/960.jpg","https://img.ochreeditions.com/a/1229/1920.jpg",{"_311":543,"_313":544},{"_311":541,"_313":542},{"_311":539,"_313":540},{"_311":537,"_313":538},{"_311":535,"_313":536},"#706a60",0.0703,"#ddcdb6",0.0848,"#967960",0.1064,"#b58f5c",0.1298,"#b67d55",0.6087,"Farid al-Din `Attar","farid-al-din-attar","Iranian, 1142–1220",1142,"Nishapur","laila-and-majnun-in-school-folio-129-from-a-khamsa-quintet-o-met-446603","\"Laila and Majnun in School\", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja",{"_42":600,"_222":601,"_325":602,"_327":-5,"_329":603,"_331":604,"_333":605,"_334":605,"_335":-5,"_140":101},"dated 931 AH/1524–25 CE","Painting: H. 7 1/2 in. (19.1 cm) W. 4 1/2 in. (11.4 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)",19.1,0.6174099946265449,[585,586,587,588,589],{"_221":301,"_222":302,"_42":303,"_304":305},"13.228.7.7","Nizami painted this (dated 931 AH/1524–25 CE). It is now at The Met in New York.","\"Laila and Majnun in School\", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, by Nizami, dated 931 AH/1524–25 CE",{"_295":582,"_297":583,"_299":584},"https://img.ochreeditions.com/m/1210.jpg?dl=1","/art/laila-and-majnun-in-school-folio-129-from-a-khamsa-quintet-o-met-446603","/galleries/style/manuscript-16/laila-and-majnun-in-school-folio-129-from-a-khamsa-quintet-o-met-446603",{"_291":292,"_293":294},{"_225":571,"_125":572,"_285":573},{"_275":569,"_277":278,"_279":570,"_281":282},39.43524986566362,15.435249865663621,{"_287":225,"_123":580,"_154":581,"_140":89},{"_287":125,"_123":577,"_154":578,"_140":579},{"_287":285,"_123":574,"_154":575,"_140":576},"era/16","The 16th century",210,"style/manuscript","More manuscripts",47,"artist/contemporaries-of-nizami","Nizami's contemporaries","https://img.ochreeditions.com/a/1210/480.jpg","https://img.ochreeditions.com/a/1210/960.jpg","https://img.ochreeditions.com/a/1210/1920.jpg",{"_311":598,"_313":599},{"_311":596,"_313":597},{"_311":594,"_313":595},{"_311":592,"_313":593},{"_311":590,"_313":591},"#b37c6a",0.1202,"#abadaf",0.1274,"#63606e",0.1635,"#927c67",0.1819,"#d0b182",0.407,"Nizami","nizami","1141–1209",1141,1209,"Ganja","shah-jahan-on-horseback-folio-from-the-shah-jahan-album-met-451267","\"Shah Jahan on Horseback\", Folio from the Shah Jahan Album",{"_42":648,"_222":649,"_325":650,"_327":392,"_329":651,"_331":652,"_333":-5,"_334":-5,"_335":-5,"_140":103},"verso: ca. 1630; recto: ca. 1530–50",0.6752,[633,634,635,636,637],{"_221":301,"_222":302,"_42":303,"_304":305},"55.121.10.21","Payag painted this (verso: ca. 1630; recto: ca. 1530–50). It is now at The Met in New York.","\"Shah Jahan on Horseback\", Folio from the Shah Jahan Album, by Payag, verso: ca. 1630; recto: ca. 1530–50",{"_295":630,"_297":631,"_299":632},"https://img.ochreeditions.com/m/1218.jpg?dl=1","/art/shah-jahan-on-horseback-folio-from-the-shah-jahan-album-met-451267","/galleries/style/manuscript-16/shah-jahan-on-horseback-folio-from-the-shah-jahan-album-met-451267",{"_291":292,"_293":294},{"_225":625,"_125":626,"_285":627},{"_275":623,"_277":418,"_279":624,"_281":403},50.265280000000004,26.26528,{"_287":225,"_123":628,"_154":629,"_140":89},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":364,"_154":365,"_140":53},"artist/contemporaries-of-payag","Payag's contemporaries","https://img.ochreeditions.com/a/1218/480.jpg","https://img.ochreeditions.com/a/1218/960.jpg","https://img.ochreeditions.com/a/1218/1920.jpg",{"_311":646,"_313":647},{"_311":644,"_313":645},{"_311":642,"_313":643},{"_311":640,"_313":641},{"_311":638,"_313":639},"#d0c1a6",0.0723,"#9e815f",0.1243,"#545448",0.1254,"#8d9c8f",0.3219,"#b78f5e",0.3561,"Payag","payag","Indian, active ca. 1591–1658",1586,1658,"a-king-offers-to-make-amends-to-a-bereaved-mother-folio-from-met-446560","\"A King Offers to Make Amends to a Bereaved Mother\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi",{"_42":389,"_222":390,"_325":391,"_327":392,"_329":-5,"_331":-5,"_333":393,"_334":394,"_335":395,"_140":95},"Main support: Ink, opaque watercolor, gold on paper Margins: Gold on dyed paper","H. 9 3/4 in. .(24.8 cm) W. 6 1/4 in. (15.9 cm)H. 9 3/4 in. .(24.8 cm) W. 6 1/4 in. (15.9 cm)",24.8,0.6794541709577755,[679,680,681,682,683],{"_221":301,"_222":302,"_42":303,"_304":305},"13.228.26","\"A King Offers to Make Amends to a Bereaved Mother\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98",{"_295":676,"_297":677,"_299":678},"https://img.ochreeditions.com/m/1204.jpg?dl=1","/art/a-king-offers-to-make-amends-to-a-bereaved-mother-folio-from-met-446560","/galleries/style/manuscript-16/a-king-offers-to-make-amends-to-a-bereaved-mother-folio-from-met-446560",{"_291":292,"_293":294},{"_225":673,"_125":674,"_285":675},{"_275":671,"_277":278,"_279":672,"_281":282},40.986354273944386,16.986354273944386,{"_287":225,"_123":369,"_154":370,"_140":95},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":364,"_154":365,"_140":53},"https://img.ochreeditions.com/a/1204/480.jpg","https://img.ochreeditions.com/a/1204/960.jpg","https://img.ochreeditions.com/a/1204/1920.jpg",{"_311":692,"_313":693},{"_311":690,"_313":691},{"_311":688,"_313":689},{"_311":686,"_313":687},{"_311":684,"_313":685},"#64768e",0.0534,"#e2d0bb",0.1036,"#4a4f4d",0.1185,"#797264",0.3256,"#b4956e",0.3989,"akbar-with-lion-and-calf-folio-from-the-shah-jahan-album-met-451268","\"Akbar With Lion and Calf\", Folio from the Shah Jahan Album",{"_42":736,"_222":737,"_325":-5,"_327":-5,"_329":-5,"_331":738,"_333":-5,"_334":-5,"_335":739,"_140":101},0.6628156904889844,[721,722,723,724,725],{"_221":301,"_222":302,"_42":303,"_304":305},"55.121.10.22","Govardhan painted this (verso: ca. 1630; recto: ca. 1530–50). It is now at The Met in New York.","The emperor Akbar, grandfather of Shah Jahan, sits in state while a lion and a calf lie peacefully together before him, an emblem of the justice of his reign, under which the strong did not prey upon the weak. Angels appear above.","\"Akbar With Lion and Calf\", Folio from the Shah Jahan Album, by Govardhan, verso: ca. 1630; recto: ca. 1530–50",{"_295":718,"_297":719,"_299":720},"https://img.ochreeditions.com/m/1219.jpg?dl=1","/art/akbar-with-lion-and-calf-folio-from-the-shah-jahan-album-met-451268","/galleries/style/manuscript-16/akbar-with-lion-and-calf-folio-from-the-shah-jahan-album-met-451268",{"_291":292,"_293":294},{"_225":713,"_125":714,"_285":715},{"_275":711,"_277":418,"_279":712,"_281":403},49.78353036002149,25.78353036002149,{"_287":225,"_123":716,"_154":717,"_140":89},{"_287":125,"_123":577,"_154":578,"_140":579},{"_287":285,"_123":574,"_154":575,"_140":576},"artist/contemporaries-of-govardhan","Govardhan's contemporaries","https://img.ochreeditions.com/a/1219/480.jpg","https://img.ochreeditions.com/a/1219/960.jpg","https://img.ochreeditions.com/a/1219/1920.jpg",{"_311":734,"_313":735},{"_311":732,"_313":733},{"_311":730,"_313":731},{"_311":728,"_313":729},{"_311":726,"_313":727},"#7f7353",0.0885,"#799695",0.1417,"#b5a59a",0.1882,"#b88c62",0.2347,"#b27862",0.3469,"Govardhan","govardhan",1645,"Govardhan worked at the Mughal court for half a century, from the last years of Akbar’s reign through those of Jahangir and Shah Jahan.","alexander-visits-the-sage-plato-in-his-mountain-cave-folio-f-met-446564","\"Alexander Visits the Sage Plato in his Mountain Cave\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi",{"_42":389,"_222":390,"_325":391,"_327":392,"_329":-5,"_331":-5,"_333":393,"_334":394,"_335":395,"_140":95},"Main support: Ink, opaque watercolor, gold on paperg Margins: Gold on dyed paper","Page: H. 9 7/8 in. (25.1 cm) W. 6 1/4 in. (15.9 cm) Mat: H.19 1/4 in. (48.9 cm W. 14 1/4 in. (36.2 cm)",0.6814558979808714,[767,768,769,770,771],{"_221":301,"_222":302,"_42":303,"_304":305},"13.228.30","Alexander the Great climbs to a mountain cave to seek out the philosopher Plato, a meeting of worldly power and wisdom found in the Alexander poem of Amir Khusrau’s Khamsa. Persian poets turned Alexander into a seeker after knowledge as much as a conqueror, and his conversations with sages were a favourite theme.","\"Alexander Visits the Sage Plato in his Mountain Cave\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98",{"_295":764,"_297":765,"_299":766},"https://img.ochreeditions.com/m/1207.jpg?dl=1","/art/alexander-visits-the-sage-plato-in-his-mountain-cave-folio-f-met-446564","/galleries/style/manuscript-16/alexander-visits-the-sage-plato-in-his-mountain-cave-folio-f-met-446564",{"_291":292,"_293":294},{"_225":761,"_125":762,"_285":763},{"_275":758,"_277":759,"_279":760,"_281":345},41.10454303931987,49.1,17.10454303931987,{"_287":225,"_123":369,"_154":370,"_140":95},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":364,"_154":365,"_140":53},"https://img.ochreeditions.com/a/1207/480.jpg","https://img.ochreeditions.com/a/1207/960.jpg","https://img.ochreeditions.com/a/1207/1920.jpg",{"_311":780,"_313":781},{"_311":778,"_313":779},{"_311":776,"_313":777},{"_311":774,"_313":775},{"_311":772,"_313":773},"#d6bda3",0.0738,"#909395",0.0774,"#5b514b",0.1315,"#7f6e60",0.3136,"#b28e68",0.4037,"isfandiyar-s-third-course-he-slays-a-dragon-folio-434v-from-met-452160","\"Isfandiyar's Third Course: He Slays a Dragon\", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp",{"_42":494,"_222":495,"_325":496,"_327":328,"_329":497,"_331":498,"_333":-5,"_334":-5,"_335":-5,"_140":85},"ca. 1530","Painting: H. 11 in. (27.9 cm) W. 10 5/16 in. (26.2 cm) Page: H. 18 5/8 in. (47.3 cm) W. 12 1/2 in. (31.8 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm)",47.3,0.6786833855799373,[811,812,813,814,815],{"_221":301,"_222":302,"_42":303,"_304":305},"1970.301.51","Abu'l Qasim Firdausi painted this in about 1530. It is now at The Met in New York.","On the third of his seven trials, the prince Isfandiyar faces a dragon.","\"Isfandiyar's Third Course: He Slays a Dragon\", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1530",{"_295":808,"_297":809,"_299":810},"https://img.ochreeditions.com/m/1234.jpg?dl=1","/art/isfandiyar-s-third-course-he-slays-a-dragon-folio-434v-from-met-452160","/galleries/style/manuscript-16/isfandiyar-s-third-course-he-slays-a-dragon-folio-434v-from-met-452160",{"_291":292,"_293":294},{"_225":805,"_125":806,"_285":807},{"_275":802,"_277":803,"_279":804,"_281":787},56.101724137931036,71.3,32.101724137931036,{"_287":225,"_123":474,"_154":475,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":165,"_154":164,"_140":93},"https://img.ochreeditions.com/a/1234/480.jpg","https://img.ochreeditions.com/a/1234/960.jpg","https://img.ochreeditions.com/a/1234/1920.jpg",{"_311":824,"_313":825},{"_311":822,"_313":823},{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},"#645eae",0.0171,"#817996",0.0182,"#716358",0.0661,"#9f9a91",0.1664,"#cec6a9",0.7322,"portrait-of-maharaja-bhim-kanwar-folio-from-the-shah-jahan-a-met-451265","\"Portrait of Maharaja Bhim Kanwar\", Folio from the Shah Jahan Album",{"_42":872,"_222":873,"_325":-5,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_334":-5,"_335":-5,"_140":103},"verso: ca. 1615–29; recto: ca. 1540","Page: H. 15 1/4 in. (38.7 cm) W. 10 1/16 in. (25.6 cm) Painting: H. 6 7/16 in. (16.4 cm) W. 3 13/16 in. (9.7 cm)",25.6,38.7,0.6667514627321293,[857,858,859,860,861],{"_221":301,"_222":302,"_42":303,"_304":305},"55.121.10.2","Nanha painted this (verso: ca. 1615–29; recto: ca. 1540). It is now at The Met in New York.","\"Portrait of Maharaja Bhim Kanwar\", Folio from the Shah Jahan Album, by Nanha, verso: ca. 1615–29; recto: ca. 1540",{"_295":854,"_297":855,"_299":856},"https://img.ochreeditions.com/m/1217.jpg?dl=1","/art/portrait-of-maharaja-bhim-kanwar-folio-from-the-shah-jahan-a-met-451265","/galleries/style/manuscript-16/portrait-of-maharaja-bhim-kanwar-folio-from-the-shah-jahan-a-met-451265",{"_291":292,"_293":294},{"_225":849,"_125":850,"_285":851},{"_275":846,"_277":847,"_279":848,"_281":832},49.8032816077334,62.7,25.803281607733403,{"_287":225,"_123":852,"_154":853,"_140":89},{"_287":125,"_123":577,"_154":578,"_140":579},{"_287":285,"_123":574,"_154":575,"_140":576},"artist/contemporaries-of-nanha","Nanha's contemporaries","https://img.ochreeditions.com/a/1217/480.jpg","https://img.ochreeditions.com/a/1217/960.jpg","https://img.ochreeditions.com/a/1217/1920.jpg",{"_311":870,"_313":871},{"_311":868,"_313":869},{"_311":866,"_313":867},{"_311":864,"_313":865},{"_311":862,"_313":863},"#cdbfa1",0.0861,"#7f8e70",0.0912,"#9a815f",0.1239,"#c29563",0.3438,"#ab8659",0.355,"Nanha","nanha","the-angel-surush-rescues-khusrau-parviz-from-a-cul-de-sac-fo-met-452182","\"The Angel Surush Rescues Khusrau Parviz from a Cul-de-sac\", Folio 708v from the Shahnama (Book of Kings) of Shah Tahmasp",{"_42":494,"_222":495,"_325":496,"_327":328,"_329":497,"_331":498,"_333":-5,"_334":-5,"_335":-5,"_140":85},"Painting: H. 13 1/2 in. (34.3 cm) W. 11 in. (27.9 cm) Page: H. 18 5/8 in. (47.3 cm) W. 12 3/8 in. (31.4 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm)",31.4,0.6805,[900,901,902,903,904],{"_221":301,"_222":302,"_42":303,"_304":305},"1970.301.73","Fleeing the rebel general Bahram Chubina, the Sasanian king Khusrau Parviz rides into a narrow mountain pass that turns out to be a dead end. As his pursuers close in, he prays, and the angel Surush appears, takes his hand and leads him to safety.","\"The Angel Surush Rescues Khusrau Parviz from a Cul-de-sac\", Folio 708v from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1530–35",{"_295":897,"_297":898,"_299":899},"https://img.ochreeditions.com/m/1236.jpg?dl=1","/art/the-angel-surush-rescues-khusrau-parviz-from-a-cul-de-sac-fo-met-452182","/galleries/style/manuscript-16/the-angel-surush-rescues-khusrau-parviz-from-a-cul-de-sac-fo-met-452182",{"_291":292,"_293":294},{"_225":894,"_125":895,"_285":896},{"_275":892,"_277":803,"_279":893,"_281":787},56.18765,32.18765,{"_287":225,"_123":474,"_154":475,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":165,"_154":164,"_140":93},"https://img.ochreeditions.com/a/1236/480.jpg","https://img.ochreeditions.com/a/1236/960.jpg","https://img.ochreeditions.com/a/1236/1920.jpg",{"_311":913,"_313":914},{"_311":911,"_313":912},{"_311":909,"_313":910},{"_311":907,"_313":908},{"_311":905,"_313":906},"#61655a",0.0389,"#8f7455",0.0512,"#8f8982",0.1414,"#a79f88",0.2057,"#ccc19d",0.5628,"bahram-gur-sees-a-herd-of-deer-mesmerized-by-dilaram-s-music-met-446562","\"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi",{"_42":389,"_222":390,"_325":391,"_327":392,"_329":-5,"_331":-5,"_333":393,"_334":394,"_335":395,"_140":95},"Main support: ink, opaque watercolor, and gold on paper Margins: gold on dyed paper","H. 9 5/8 in. (24.5 cm) W. 5 15/16 in. (15.1 cm)",15.1,24.5,0.6925279875032544,[943,944,945,946,947],{"_221":301,"_222":302,"_42":303,"_304":305},"13.228.28","In Amir Khusrau’s retelling of the story of the hunter-king Bahram Gur, his harpist Dilaram plays so beautifully that a herd of deer stands spellbound, and the king comes upon the scene.","\"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98",{"_295":940,"_297":941,"_299":942},"https://img.ochreeditions.com/m/1205.jpg?dl=1","/art/bahram-gur-sees-a-herd-of-deer-mesmerized-by-dilaram-s-music-met-446562","/galleries/style/manuscript-16/bahram-gur-sees-a-herd-of-deer-mesmerized-by-dilaram-s-music-met-446562",{"_291":292,"_293":294},{"_225":937,"_125":938,"_285":939},{"_275":935,"_277":278,"_279":936,"_281":282},41.31319968758136,17.31319968758136,{"_287":225,"_123":369,"_154":370,"_140":95},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":364,"_154":365,"_140":53},"https://img.ochreeditions.com/a/1205/480.jpg","https://img.ochreeditions.com/a/1205/960.jpg","https://img.ochreeditions.com/a/1205/1920.jpg",{"_311":956,"_313":957},{"_311":954,"_313":955},{"_311":952,"_313":953},{"_311":950,"_313":951},{"_311":948,"_313":949},"#e4d1be",0.1108,"#8c908e",0.1452,"#656159",0.2095,"#837a63",0.2528,"#b3916c",0.2817,"a-ruffian-spares-the-life-of-a-poor-man-folio-4v-from-a-mant-met-451723","\"A Ruffian Spares the Life of a Poor Man\", Folio 4v from a Mantiq al-Tayr (Language of the Birds)",{"_42":545,"_222":546,"_325":547,"_327":328,"_329":548,"_331":184,"_333":549,"_334":549,"_335":-5,"_140":101},"Ink, opaque watercolor, silver, and gold on paper","Painting: H. 7 3/4 in. (19.7 cm) W. 4 1/2 in. (11.4 cm) Page: H. 12 7/8 in. (32.7 cm) W. 8 5/16 in. (21.1 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)",19.7,0.652957603452653,[984,985,986,987,988],{"_221":301,"_222":302,"_42":303,"_304":305},"63.210.4","\"A Ruffian Spares the Life of a Poor Man\", Folio 4v from a Mantiq al-Tayr (Language of the Birds), by Farid al-Din `Attar, ca. 1600",{"_295":981,"_297":982,"_299":983},"https://img.ochreeditions.com/m/1227.jpg?dl=1","/art/a-ruffian-spares-the-life-of-a-poor-man-folio-4v-from-a-mant-met-451723","/galleries/style/manuscript-16/a-ruffian-spares-the-life-of-a-poor-man-folio-4v-from-a-mant-met-451723",{"_291":292,"_293":294},{"_225":978,"_125":979,"_285":980},{"_275":976,"_277":278,"_279":977,"_281":282},40.32394008631633,16.323940086316323,{"_287":225,"_123":525,"_154":526,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":165,"_154":164,"_140":93},"https://img.ochreeditions.com/a/1227/480.jpg","https://img.ochreeditions.com/a/1227/960.jpg","https://img.ochreeditions.com/a/1227/1920.jpg",{"_311":997,"_313":998},{"_311":995,"_313":996},{"_311":993,"_313":994},{"_311":991,"_313":992},{"_311":989,"_313":990},"#b08357",0.0599,"#d4c9b3",0.0785,"#956f56",0.1101,"#757065",0.1161,"#9f9b81",0.6354,"the-story-of-the-princess-of-the-blue-pavillion-the-youth-of-met-446567","\"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi",{"_42":389,"_222":390,"_325":391,"_327":392,"_329":-5,"_331":-5,"_333":393,"_334":394,"_335":395,"_140":95},"H. 9 3/4 in. (24.8 cm) W. 6 1/4 in. (15.9 cm) Frame:H. 25 in. (63.5 cm) W. 19 in. (48.3 cm) D. 1 in. (2.5 cm)",0.685,[1024,1025,1026,1027,1028],{"_221":301,"_222":302,"_42":303,"_304":305},"13.228.33","In the Hasht Bihisht, or Eight Paradises, of Amir Khusrau, seven princesses each tell a tale to the king Bahram Gur; in the story of the princess of the blue pavilion, a young man from Rum finds himself entertained in a garden by a fairy and her maidens.","\"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens\", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98",{"_295":1021,"_297":1022,"_299":1023},"https://img.ochreeditions.com/m/1208.jpg?dl=1","/art/the-story-of-the-princess-of-the-blue-pavillion-the-youth-of-met-446567","/galleries/style/manuscript-16/the-story-of-the-princess-of-the-blue-pavillion-the-youth-of-met-446567",{"_291":292,"_293":294},{"_225":1018,"_125":1019,"_285":1020},{"_275":1016,"_277":278,"_279":1017,"_281":282},41.125,17.125,{"_287":225,"_123":369,"_154":370,"_140":95},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":364,"_154":365,"_140":53},"https://img.ochreeditions.com/a/1208/480.jpg","https://img.ochreeditions.com/a/1208/960.jpg","https://img.ochreeditions.com/a/1208/1920.jpg",{"_311":1036,"_313":1037},{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},{"_311":1030,"_313":1031},{"_311":1029,"_313":910},"#4d4c4b","#747576",0.153,"#7f6156",0.1588,"#e3cfb8",0.165,"#b3926c",0.3818,{"_1039":-5,"_1040":1041,"_1042":1043,"_1044":8,"_1045":1046,"_1047":8},"user","csrf","671e257adf30a239371d7b2a1d4af5aca0c2ef34","cartCount",0,"dropLive","legal",[1048,1049,1050,1051,1052,1053,1054,1055,1056,1057,1058,1059],"uploadsEnabled",{"_222":1082,"_20":1083},{"_222":1080,"_20":1081},{"_222":1078,"_20":1079},{"_222":1076,"_20":1077},{"_222":1074,"_20":1075},{"_222":1072,"_20":1073},{"_222":1070,"_20":1071},{"_222":1068,"_20":1069},{"_222":1066,"_20":1067},{"_222":1064,"_20":1065},{"_222":1062,"_20":1063},{"_222":1060,"_20":1061},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]