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(185.4 x 139.4 cm)",139.4,185.4,0.7540901082305562,[386,387,388,389,390],{"_223":382,"_224":383,"_42":384,"_309":385},"Courtesy of The Metropolitan Museum of Art","1977.1.3","Giovanni Battista Tiepolo painted this in 1752, aged 56. 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It is now at The Met in New York.","Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from \"Views\" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), by Canaletto, 1741",{"_297":443,"_299":444,"_301":445},"https://img.ochreeditions.com/m/995.jpg?dl=1","/art/imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287","/galleries/style/italian-settecento/imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287",{"_293":294,"_295":296},{"_227":435,"_125":436,"_288":437},{"_279":432,"_281":433,"_283":417,"_285":434},77.3,61.2377334356613,37.2377334356613,{"_290":227,"_123":441,"_154":442,"_140":93},{"_290":125,"_123":438,"_154":439,"_140":440},{"_290":288,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/canaletto","More by Canaletto","https://img.ochreeditions.com/a/995/480.jpg","https://img.ochreeditions.com/a/995/960.jpg","https://img.ochreeditions.com/a/995/1920.jpg",{"_316":459,"_318":460},{"_316":457,"_318":458},{"_316":455,"_318":456},{"_316":453,"_318":454},{"_316":451,"_318":452},"#706d63",0.1275,"#dfdac7",0.1314,"#8b887b",0.1783,"#a8a495",0.2521,"#bdb8a8",0.3107,"Canaletto","canaletto","Italian, 1697–1768",1697,1768,"Canaletto, the son of a Venetian painter of theatre scenery, turned in the 1720s to painting views of his native city and became its leading vedutista. British travellers on the Grand Tour were his most eager patrons, many through the merchant and consul Joseph Smith.","the-square-of-saint-mark-s-venice-nga-32588","The Square of Saint Mark's, Venice",{"_42":461,"_224":462,"_330":463,"_332":333,"_334":464,"_336":465,"_338":406,"_339":406,"_340":466,"_140":93},"1742/1744","Painting","oil on canvas","overall: 114.6 x 153 cm (45 1/8 x 60 1/4 in.)",153,114.6,1.3509234828496042,[503,504,505,506,507],{"_223":499,"_224":500,"_42":501,"_309":502},"Courtesy National Gallery of Art, Washington","1945.15.3","Canaletto painted this in 1742/1744, aged about 45. It is now at the National Gallery of Art in Washington, DC.","Sunlight floods the Piazza San Marco, where Venetians in capes and tricorn hats stroll and talk among market stalls set up around three red flagstaffs.","Dozens of men with several women and a few children gather in pairs or small groups across a sun-drenched plaza in front of a domed church next to a long, pale pink building in this horizontal painting. The people’s faces and hands we can see have pale, peachy skin. The men wear hats and shin-length capes or jackets over stockings in tones of charcoal gray, olive green, butterscotch yellow, black, and brown. The women wear black capes covering their heads and long, full skirts. The ash-brown plaza has two zones where geometric patterns are picked out in a lighter, oatmeal brown. Three coral-red flagpoles are spaced along the center of the plaza parallel to the two buildings. Each flagpole rests on an olive-green base about a third of the height of the pole. Tables under open umbrellas clustered around the outer two flagpoles display piles of cloth, and a few people gather around the wares. The domed building extends into the scene from the left edge of the painting, and reaches about a third of the way across as it angles away from us. It has a central portal with nested arches, flanked to each side by a pair of slightly smaller, arched portals. Scenes against gold backgrounds appear in the archway of each of the five doors. There is a second level of arches above. The smaller arches to either side are decorated with more scenes of people against gold backgrounds. Four gold horses stand atop the central, lower arch, each with one front and one back hoof raised. The arch behind them is dim, the back side of a stained-glass window. The stone of the arches and front of the building are light brown. The upper arches are lined with pale, slate-gray spires and curling tracery. The three-story pink building sits close by to our right, extending into the distance on the same angle as the church, and as tall as its neighbor. The lowest level is a series of open, pointed arches. The second level is also a row of arches, but more closely spaced. People walk and stand under both covered walkways. The top half of the building has a carnation-pink façade with seven windows evenly spaced across its width. The central window is surrounded by carved stone ornament. Along the right edge of the painting and closer to us than the large buildings is the corner of a two-story building. The lower level is in shadow under a sloping awning, creating a merchant’s stall, and the second level has a rounded, arched window. One person stands at the front corner of the roof and looks down into the square. In the narrow gap between the row of buildings to our left and the smaller structure to our right is a winged lion atop a tall column. Beyond that is sparkling blue water with several masted ships and long, narrow gondolas. The sky above has thin white clouds against a pale blue sky. The artist signed the lower left, “A.C.F.”",{"_297":496,"_299":497,"_301":498},"https://img.ochreeditions.com/m/1470.jpg?dl=1","/art/the-square-of-saint-mark-s-venice-nga-32588","/galleries/style/italian-settecento/the-square-of-saint-mark-s-venice-nga-32588",{"_293":377,"_295":378},{"_227":493,"_125":494,"_288":495},{"_279":374,"_281":491,"_283":474,"_285":492},128.255859375,113.255859375,{"_290":227,"_123":441,"_154":442,"_140":93},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1470/480.jpg","https://img.ochreeditions.com/a/1470/960.jpg","https://img.ochreeditions.com/a/1470/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":516,"_318":517},{"_316":514,"_318":515},{"_316":512,"_318":513},{"_316":510,"_318":511},{"_316":508,"_318":509},"#c79f7e",0.0455,"#4f4332",0.1144,"#746248",0.2045,"#957f5d",0.2257,"#aab3a4",0.4099,"study-for-a-painting-on-theme-of-callisto-si-chndm-1938-88-8120","Study for a Painting on Theme of Callisto",{"_42":577,"_224":578,"_330":333,"_332":333,"_334":-5,"_336":465,"_338":-5,"_339":-5,"_340":-5,"_140":103},"ca. 1750","drawing","Drawing","Pen and brown ink, black charcoal on cream laid paper; verso: pen and brown ink","19.8 x 27.8 cm (7 13/16 x 10 15/16 in.)",27.8,19.8,1.4129634871214265,[562,563,564,565,566],{"_223":559,"_224":560,"_42":561,"_309":385},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-8120","Filippo Falciatore drew this in about 1750. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":557,"_304":558},"STUDY FOR A PAINTING ON THEME OF CALLISTO",{"_297":554,"_299":555,"_301":556},"https://img.ochreeditions.com/m/1741.jpg?dl=1","/art/study-for-a-painting-on-theme-of-callisto-si-chndm-1938-88-8120","/galleries/style/italian-settecento/study-for-a-painting-on-theme-of-callisto-si-chndm-1938-88-8120",{"_293":294,"_295":296},{"_227":546,"_125":547,"_288":548},{"_279":543,"_281":544,"_283":526,"_285":545},51.8,43.674959935897434,19.674959935897437,{"_290":227,"_123":552,"_154":553,"_140":89},{"_290":125,"_123":549,"_154":550,"_140":551},{"_290":288,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-filippo-falciatore","Filippo Falciatore's contemporaries","https://img.ochreeditions.com/a/1741/480.jpg","https://img.ochreeditions.com/a/1741/960.jpg","https://img.ochreeditions.com/a/1741/1920.jpg","Three figures of putti flying: one carrying a fish, one a goose, and the other shooting with bow and arrow at a bird; separate study of a hand and floating drapery in upper left.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_316":575,"_318":576},{"_316":573,"_318":574},{"_316":571,"_318":572},{"_316":569,"_318":570},{"_316":567,"_318":568},"#88725f",0.0635,"#a99176",0.1056,"#e0d8c2",0.1458,"#bda587",0.2486,"#ccb699",0.4365,"Filippo Falciatore","filippo-falciatore","procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587","Procession of Gondolas in the Bacino di San Marco, Venice",{"_42":624,"_224":625,"_330":626,"_332":333,"_334":627,"_336":628,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1742 or after","overall: 160.7 x 221.6 cm (63 1/4 x 87 1/4 in.) framed: 181.6 x 239.7 cm (71 1/2 x 94 3/8 in.)",221.6,160.7,1.3671562082777036,[610,611,612,613,614],{"_223":499,"_224":500,"_42":501,"_309":502},"1945.15.2","Antonio Joli painted this in 1742 or after, aged 42. It is now at the National Gallery of Art in Washington, DC.","The painting depicts many large and small ships on blue-green water. Gondolas in shades of gold, black, red, and blue drift across the water, small people on them pushing long poles through the water. There are also large sailboats and long boats with several rowers. They create a colorful mix. On the left, a large brown building with columns is visible. Some of the boats pull up to it, and many people in colorful clothing are visible on the shore. Behind the water are more large buildings in shades of brown, cream, and tan, with even more people visible on the streets below them. There is a large tower in the center of the painting, and several blue domes are visible in the distance. The sky is light blue, with white and gray clouds drifting across it.",{"_297":607,"_299":608,"_301":609},"https://img.ochreeditions.com/m/1469.jpg?dl=1","/art/procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587","/galleries/style/italian-settecento/procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587",{"_293":377,"_295":378},{"_227":602,"_125":603,"_288":604},{"_279":599,"_281":600,"_283":584,"_285":601},236.6,177.08828125,162.08828125,{"_290":227,"_123":605,"_154":606,"_140":89},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonio-joli","Antonio Joli's contemporaries","https://img.ochreeditions.com/a/1469/480.jpg","https://img.ochreeditions.com/a/1469/960.jpg","https://img.ochreeditions.com/a/1469/1920.jpg",{"_316":622,"_318":623},{"_316":620,"_318":621},{"_316":619,"_318":511},{"_316":617,"_318":618},{"_316":615,"_318":616},"#857154",0.0984,"#332d29",0.0994,"#5c4c3b","#59655b",0.1842,"#9bb9c0",0.5036,"Antonio Joli","antonio-joli","Italian, c. 1700–1777",1700,1777,"procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586","Procession in the Courtyard of the Ducal Palace, Venice",{"_42":624,"_224":625,"_330":626,"_332":333,"_334":627,"_336":628,"_338":-5,"_339":-5,"_340":-5,"_140":101},"overall: 160.7 x 221.6 cm (63 1/4 x 87 1/4 in.) framed: 181.3 x 240.7 cm (71 3/8 x 94 3/4 in.)",1.3861252115059222,[653,654,655,656,657],{"_223":499,"_224":500,"_42":501,"_309":502},"1945.15.1","This painting depicts a square seen from above, surrounded by elegant architectural structures. On the left side, there is a large building with a red-brown facade and arched white windows with columns. On the right, there is an ornate off-white structure with arches and detailed stonework. Both of these long buildings stretch from the sides of the painting towards the center, where they converge at a gray building with tall spires and large blue domes behind it. In the square there are countless people in colorful attire, wearing shades of pink, red, blue, green, yellow, black, and blue. There are men, women, and children, and those with visible faces all appear to have light skin. Some wear white masks with bird-like noses. On the right, there is a long line of people engaging in a procession or gathering. People also line the windows of the two buildings on either side of the square. The painting is incredibly detailed, capturing architectural elements and the bustling crowd. The color palette features earthy tones for the architecture and vibrant colors for the people, all set below a pale blue sky with a few white-and-gray clouds.",{"_297":650,"_299":651,"_301":652},"https://img.ochreeditions.com/m/1468.jpg?dl=1","/art/procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586","/galleries/style/italian-settecento/procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586",{"_293":377,"_295":378},{"_227":647,"_125":648,"_288":649},{"_279":599,"_281":645,"_283":584,"_285":646},174.8701171875,159.8701171875,{"_290":227,"_123":605,"_154":606,"_140":89},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1468/480.jpg","https://img.ochreeditions.com/a/1468/960.jpg","https://img.ochreeditions.com/a/1468/1920.jpg",{"_316":666,"_318":667},{"_316":664,"_318":665},{"_316":662,"_318":663},{"_316":660,"_318":661},{"_316":658,"_318":659},"#879088",0.0802,"#473b2f",0.142,"#866e4b",0.1688,"#675139",0.2945,"#97bec7",0.3145,"the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725","The Round Tower, from \"Carceri d'invenzione\" (Imaginary Prisons)",{"_42":716,"_224":717,"_330":718,"_332":333,"_334":719,"_336":720,"_338":721,"_339":722,"_340":723,"_140":97},"ca. 1749–50","Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)","Sheet: 24 13/16 x 19 1/2 in. (63 x 49.5 cm) Plate: 21 7/16 x 16 5/16 in. (54.5 x 41.5 cm)",41.5,54.5,0.7688,[701,702,703,704,705],{"_223":382,"_224":383,"_42":384,"_309":385},"37.45.3(27)","Giovanni Battista Piranesi made this in about 1749–50, aged about 24. It is now at The Met in New York.","A great circular tower rises within a cavernous prison, ringed by stairs, galleries and beams that lead nowhere certain. This impression is of the first state, printed around 1749–50, when Piranesi’s Imaginary Prisons were still airy and sketch-like, etched with a free, rapid line that owes much to stage design.","The Round Tower, from \"Carceri d'invenzione\" (Imaginary Prisons), by Giovanni Battista Piranesi, ca. 1749–50",{"_297":698,"_299":699,"_301":700},"https://img.ochreeditions.com/m/1030.jpg?dl=1","/art/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725","/galleries/style/italian-settecento/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725",{"_293":294,"_295":296},{"_227":693,"_125":694,"_288":695},{"_279":690,"_281":691,"_283":692,"_285":675},65.89959999999999,78.5,41.8996,{"_290":227,"_123":696,"_154":697,"_140":97},{"_290":125,"_123":438,"_154":439,"_140":440},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","https://img.ochreeditions.com/a/1030/480.jpg","https://img.ochreeditions.com/a/1030/960.jpg","https://img.ochreeditions.com/a/1030/1920.jpg",{"_316":714,"_318":715},{"_316":712,"_318":713},{"_316":710,"_318":711},{"_316":708,"_318":709},{"_316":706,"_318":707},"#e5dac2",0.0804,"#b4a994",0.1754,"#5d574d",0.2028,"#766e60",0.2685,"#938978",0.2729,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.","sketches-for-a-tablet-si-chndm-1901-39-2245","Sketches for a tablet",{"_42":772,"_224":773,"_330":774,"_332":333,"_334":775,"_336":776,"_338":-5,"_339":-5,"_340":-5,"_140":101},"Pen and black ink on laid paper","25.5 x 17 cm (10 1/16 x 6 11/16 in.)",17,25.5,0.6723333333333333,[757,758,759,760,761],{"_223":559,"_224":560,"_42":561,"_309":385},"1901-39-2245","Carlo Marchionni drew this in about 1750, aged 48. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":756,"_304":558},"SKETCHES FOR A TABLET",{"_297":753,"_299":754,"_301":755},"https://img.ochreeditions.com/m/1705.jpg?dl=1","/art/sketches-for-a-tablet-si-chndm-1901-39-2245","/galleries/style/italian-settecento/sketches-for-a-tablet-si-chndm-1901-39-2245",{"_293":294,"_295":296},{"_227":748,"_125":749,"_288":750},{"_279":745,"_281":746,"_283":747,"_285":730},41.1445,49.5,17.1445,{"_290":227,"_123":751,"_154":752,"_140":89},{"_290":125,"_123":549,"_154":550,"_140":551},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-carlo-marchionni","Carlo Marchionni's contemporaries","https://img.ochreeditions.com/a/1705/480.jpg","https://img.ochreeditions.com/a/1705/960.jpg","https://img.ochreeditions.com/a/1705/1920.jpg","A tablet with a head rising from the middle of the top rim; its frame is supported by a woman leaning upon the tablet at left: a standing woman is alternatively suggested at right.",{"_316":770,"_318":771},{"_316":768,"_318":769},{"_316":766,"_318":767},{"_316":764,"_318":765},{"_316":762,"_318":763},"#bda88c",0.0265,"#eee5cc",0.0894,"#d9c5aa",0.1348,"#eadec8",0.3717,"#e7d5b9",0.3776,"Carlo Marchionni","carlo-marchionni","Italian, 1702–1786",1702,1786,"the-glorification-of-the-barbaro-family-met-437798","The Glorification of the Barbaro Family",{"_42":401,"_224":402,"_330":403,"_332":333,"_334":404,"_336":405,"_338":406,"_339":407,"_340":408,"_140":85},"Irregular oval, 96 x 183 3/4 in. (243.8 x 466.7 cm)",466.7,243.8,1.7854214123006833,[807,808,809,810,811],{"_223":382,"_224":383,"_42":384,"_309":385},"23.128","Giovanni Battista Tiepolo painted this in about 1750, aged about 49. It is now at The Met in New York.","Seen from below, as if through an opening in the ceiling, allegorical figures rise into a luminous sky to celebrate the Barbaro, one of the old patrician families of Venice. The canvas was painted around 1750 for a ceiling in the family’s palace on the Grand Canal.","The Glorification of the Barbaro Family, by Giovanni Battista Tiepolo, ca. 1750",{"_297":804,"_299":805,"_301":806},"https://img.ochreeditions.com/m/1167.jpg?dl=1","/art/the-glorification-of-the-barbaro-family-met-437798","/galleries/style/italian-settecento/the-glorification-of-the-barbaro-family-met-437798",{"_293":377,"_295":378},{"_227":801,"_125":802,"_288":803},{"_279":797,"_281":798,"_283":799,"_285":800},255,149.42204644041848,240,134.42204644041848,{"_290":227,"_123":375,"_154":376,"_140":85},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1167/480.jpg","https://img.ochreeditions.com/a/1167/960.jpg","https://img.ochreeditions.com/a/1167/1920.jpg",{"_316":820,"_318":821},{"_316":818,"_318":819},{"_316":816,"_318":817},{"_316":814,"_318":815},{"_316":812,"_318":813},"#b48545",0.1042,"#5a4839",0.1897,"#8d9990",0.191,"#977b5c",0.2556,"#050403",0.2595,"madonna-and-saints-si-chndm-1938-88-7192","Madonna and Saints",{"_42":867,"_224":868,"_330":869,"_332":333,"_334":870,"_336":871,"_338":-5,"_339":-5,"_340":-5,"_140":103},"ca. 1730","Pen and brown ink, brush and wash, whitening, on paper",0.5857664233576643,[852,853,854,855,856],{"_223":559,"_224":560,"_42":561,"_309":385},"1938-88-7192","Sebastiano Conca drew this in about 1730, aged 50. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":851,"_304":558},"MADONNA AND SAINTS",{"_297":848,"_299":849,"_301":850},"https://img.ochreeditions.com/m/1738.jpg?dl=1","/art/madonna-and-saints-si-chndm-1938-88-7192","/galleries/style/italian-settecento/madonna-and-saints-si-chndm-1938-88-7192",{"_293":294,"_295":296},{"_227":843,"_125":844,"_288":845},{"_279":841,"_281":282,"_283":842,"_285":248},59.14598540145985,35.14598540145985,{"_290":227,"_123":846,"_154":847,"_140":89},{"_290":125,"_123":549,"_154":550,"_140":551},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastiano-conca","Sebastiano Conca's contemporaries","https://img.ochreeditions.com/a/1738/480.jpg","https://img.ochreeditions.com/a/1738/960.jpg","https://img.ochreeditions.com/a/1738/1920.jpg","Madonna appears in a cloud to saints praying. The saints kneel in veneration. Madonna is looking up to heaven, where the dove of the Holy Ghost hovers.",{"_316":865,"_318":866},{"_316":863,"_318":864},{"_316":861,"_318":862},{"_316":859,"_318":860},{"_316":857,"_318":858},"#bbb6ab",0.0351,"#aaaaa5",0.0557,"#877866",0.2179,"#a08e77",0.3298,"#b5a489",0.3615,"Sebastiano Conca","sebastiano-conca","Italian, 1680–1764",1680,1764,"interior-of-saint-peter-s-rome-nga-50884","Interior of Saint Peter's, Rome",{"_42":918,"_224":919,"_330":920,"_332":333,"_334":921,"_336":922,"_338":923,"_339":722,"_340":-5,"_140":101},"c. 1754","overall: 154.5 x 197 cm (60 13/16 x 77 9/16 in.) framed: 179.1 x 222.3 x 8.3 cm (70 1/2 x 87 1/2 x 3 1/4 in.)",197,154.5,1.2744243932794026,[903,904,905,906,907],{"_223":499,"_224":500,"_42":501,"_309":502},"1968.13.2","Giovanni Paolo Panini painted this in about 1754, aged 63. It is now at the National Gallery of Art in Washington, DC.","The soaring, gilded vault of a central aisle of the inside of a church fills this horizontal painting. The ceiling of the nave curves up and away from us like a tunnel. It is lined with coffers, which have inset panels, decorated with gold. The light-filled nave angles down from the top center of the composition toward the lower left as it moves away from us. The white stone pillars supporting the barrel vault are intricately carved and decorated with pudgy, winged cherubs holding portraits of men, and aisles run parallel to the central nave to our left and right. In the side aisles, pink marble columns flank altars in chapels. At the far end of the church, the nave is interrupted where it opens into the light-filled crossing, before continuing beyond. Marking the space where the long hall of the church is intersected by a shorter arm to create a cross shape is a structure made of four twisting columns supporting a pointed canopy, all cast in bronze. Tiny men and women pray or gather in pairs and small groups along the nave. Some wear tattered clothing and others are elegantly dressed.",{"_297":900,"_299":901,"_301":902},"https://img.ochreeditions.com/m/1539.jpg?dl=1","/art/interior-of-saint-peter-s-rome-nga-50884","/galleries/style/italian-settecento/interior-of-saint-peter-s-rome-nga-50884",{"_293":377,"_295":378},{"_227":895,"_125":896,"_288":897},{"_279":892,"_281":893,"_283":877,"_285":894},212,169.57958984375,154.57958984375,{"_290":227,"_123":898,"_154":899,"_140":89},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-paolo-panini","Giovanni Paolo Panini's contemporaries","https://img.ochreeditions.com/a/1539/480.jpg","https://img.ochreeditions.com/a/1539/960.jpg","https://img.ochreeditions.com/a/1539/1920.jpg",{"_316":916,"_318":917},{"_316":914,"_318":915},{"_316":912,"_318":913},{"_316":910,"_318":911},{"_316":908,"_318":909},"#877d4e",0.1397,"#63512b",0.1444,"#3a3f2c",0.1975,"#949d8d",0.2184,"#666f5d",0.3,"Giovanni Paolo Panini","giovanni-paolo-panini","Italian, 1691–1765",1691,1765,"Piacenza","the-meeting-met-436905","The Meeting",{"_42":969,"_224":970,"_330":971,"_332":333,"_334":775,"_336":972,"_338":406,"_339":406,"_340":973,"_140":97},"1746","24 x 19 1/2 in. (61 x 49.5 cm)",61,0.8062219878723965,[954,955,956,957,958],{"_223":382,"_224":383,"_42":384,"_309":385},"36.16","Pietro Longhi painted this in 1746, aged 44. It is now at The Met in New York.","The Meeting, by Pietro Longhi, 1746",{"_297":951,"_299":952,"_301":953},"https://img.ochreeditions.com/m/1118.jpg?dl=1","/art/the-meeting-met-436905","/galleries/style/italian-settecento/the-meeting-met-436905",{"_293":377,"_295":378},{"_227":946,"_125":947,"_288":948},{"_279":943,"_281":944,"_283":945,"_285":929},64.17954126021618,76,49.17954126021619,{"_290":227,"_123":949,"_154":950,"_140":97},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/pietro-longhi","More by Pietro Longhi","https://img.ochreeditions.com/a/1118/480.jpg","https://img.ochreeditions.com/a/1118/960.jpg","https://img.ochreeditions.com/a/1118/1920.jpg",{"_316":967,"_318":968},{"_316":965,"_318":966},{"_316":963,"_318":964},{"_316":961,"_318":962},{"_316":959,"_318":960},"#492e19",0.0797,"#8d7650",0.121,"#665336",0.144,"#171307",0.3064,"#292414",0.3489,"Pietro Longhi","pietro-longhi","Italian, 1702–1785",1785,"Pietro Longhi, born Pietro Falca, trained with Antonio Balestra and then in Bologna with Giuseppe Maria Crespi, who encouraged his turn from history painting to genre.","the-letter-met-436904","The Letter",{"_42":969,"_224":970,"_330":971,"_332":333,"_334":775,"_336":972,"_338":406,"_339":406,"_340":973,"_140":97},0.8129117259552042,[997,998,999,1000,1001],{"_223":382,"_224":383,"_42":384,"_309":385},"14.32.1","The Letter, by Pietro Longhi, 1746",{"_297":994,"_299":995,"_301":996},"https://img.ochreeditions.com/m/1117.jpg?dl=1","/art/the-letter-met-436904","/galleries/style/italian-settecento/the-letter-met-436904",{"_293":377,"_295":378},{"_227":991,"_125":992,"_288":993},{"_279":989,"_281":944,"_283":990,"_285":929},64.58761528326747,49.58761528326746,{"_290":227,"_123":949,"_154":950,"_140":97},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1117/480.jpg","https://img.ochreeditions.com/a/1117/960.jpg","https://img.ochreeditions.com/a/1117/1920.jpg",{"_316":1010,"_318":1011},{"_316":1008,"_318":1009},{"_316":1006,"_318":1007},{"_316":1004,"_318":1005},{"_316":1002,"_318":1003},"#59371e",0.0598,"#b18c6e",0.0745,"#806043",0.1361,"#594b34",0.1701,"#3d3423",0.5595,"working-peasant-si-chndm-1901-39-556","Working Peasant",{"_42":772,"_224":773,"_330":774,"_332":333,"_334":775,"_336":776,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1728–78","Brush and sepia on laid paper","28.3 x 19.8 cm (11 1/8 x 7 13/16 in.)",28.3,0.6996666666666667,[1043,1044,1045,1046,1047],{"_223":559,"_224":560,"_42":561,"_309":385},"1901-39-556","Carlo Marchionni drew this in 1728–78, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1042,"_304":558},"WORKING PEASANT",{"_297":1039,"_299":1040,"_301":1041},"https://img.ochreeditions.com/m/1708.jpg?dl=1","/art/working-peasant-si-chndm-1901-39-556","/galleries/style/italian-settecento/working-peasant-si-chndm-1901-39-556",{"_293":294,"_295":296},{"_227":1036,"_125":1037,"_288":1038},{"_279":1033,"_281":1034,"_283":1035,"_285":1018},43.80056666666667,52.3,19.80056666666667,{"_290":227,"_123":751,"_154":752,"_140":89},{"_290":125,"_123":549,"_154":550,"_140":551},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1708/480.jpg","https://img.ochreeditions.com/a/1708/960.jpg","https://img.ochreeditions.com/a/1708/1920.jpg","A peasant working reaching into a bag filled with produce.",{"_316":1056,"_318":1057},{"_316":1054,"_318":1055},{"_316":1052,"_318":1053},{"_316":1050,"_318":1051},{"_316":1048,"_318":1049},"#8e7964",0.0316,"#af9c86",0.0969,"#cab8a3",0.1194,"#dfd1bc",0.1656,"#ede3cf",0.5865,"the-visit-met-436903","The Visit",{"_42":969,"_224":970,"_330":971,"_332":333,"_334":775,"_336":972,"_338":406,"_339":406,"_340":973,"_140":97},0.8102401689100026,[1081,1082,1083,1084,1085],{"_223":382,"_224":383,"_42":384,"_309":385},"14.32.2","The Visit, by Pietro Longhi, 1746",{"_297":1078,"_299":1079,"_301":1080},"https://img.ochreeditions.com/m/1116.jpg?dl=1","/art/the-visit-met-436903","/galleries/style/italian-settecento/the-visit-met-436903",{"_293":377,"_295":378},{"_227":1075,"_125":1076,"_288":1077},{"_279":1073,"_281":944,"_283":1074,"_285":929},64.42465030351016,49.42465030351016,{"_290":227,"_123":949,"_154":950,"_140":97},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1116/480.jpg","https://img.ochreeditions.com/a/1116/960.jpg","https://img.ochreeditions.com/a/1116/1920.jpg",{"_316":1094,"_318":1095},{"_316":1092,"_318":1093},{"_316":1090,"_318":1091},{"_316":1088,"_318":1089},{"_316":1086,"_318":1087},"#a3846d",0.0676,"#73572c",0.1061,"#5c482f",0.1869,"#402d17",0.1914,"#2f2f1c",0.448,{"_1097":-5,"_1098":1099,"_1100":1101,"_1102":8,"_1103":1104,"_1105":8},"user","csrf","eb842325c021236ac842145446bd2ef4cb304859","cartCount",0,"dropLive","legal",[1106,1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1117],"uploadsEnabled",{"_224":1140,"_20":1141},{"_224":1138,"_20":1139},{"_224":1136,"_20":1137},{"_224":1134,"_20":1135},{"_224":1132,"_20":1133},{"_224":1130,"_20":1131},{"_224":1128,"_20":1129},{"_224":1126,"_20":1127},{"_224":1124,"_20":1125},{"_224":1122,"_20":1123},{"_224":1120,"_20":1121},{"_224":1118,"_20":1119},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]