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It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":446,"_382":447},"SKETCHES FOR A TABLET",{"_298":443,"_300":444,"_302":445},"https://img.ochreeditions.com/m/1705.jpg?dl=1","/art/sketches-for-a-tablet-si-chndm-1901-39-2245","/galleries/style/italian-settecento/sketches-for-a-tablet-si-chndm-1901-39-2245",{"_294":376,"_296":377},{"_228":435,"_125":436,"_288":437},{"_279":433,"_281":247,"_283":434,"_285":417},41.1445,17.1445,{"_290":228,"_123":441,"_154":442,"_140":89},{"_290":125,"_123":438,"_154":439,"_140":440},{"_290":288,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-carlo-marchionni","Carlo Marchionni's contemporaries","https://img.ochreeditions.com/a/1705/480.jpg","https://img.ochreeditions.com/a/1705/960.jpg","https://img.ochreeditions.com/a/1705/1920.jpg","A tablet with a head rising from the middle of the top rim; its frame is supported by a woman leaning upon the tablet at left: a standing woman is alternatively suggested at right.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_314":464,"_316":465},{"_314":462,"_316":463},{"_314":460,"_316":461},{"_314":458,"_316":459},{"_314":456,"_316":457},"#bda88c",0.0265,"#eee5cc",0.0894,"#d9c5aa",0.1348,"#eadec8",0.3717,"#e7d5b9",0.3776,"Carlo Marchionni","carlo-marchionni","Italian, 1702–1786",1786,"madonna-and-saints-si-chndm-1938-88-7192","Madonna and Saints",{"_42":515,"_225":516,"_328":517,"_330":331,"_332":518,"_334":519,"_336":-5,"_338":-5,"_339":-5,"_140":103},"ca. 1730","Pen and brown ink, brush and wash, whitening, on paper",0.5857664233576643,[500,501,502,503,504],{"_224":448,"_225":449,"_42":450,"_307":308},"1938-88-7192","Sebastiano Conca drew this in about 1730, aged 50. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":499,"_382":447},"MADONNA AND SAINTS",{"_298":496,"_300":497,"_302":498},"https://img.ochreeditions.com/m/1738.jpg?dl=1","/art/madonna-and-saints-si-chndm-1938-88-7192","/galleries/style/italian-settecento/madonna-and-saints-si-chndm-1938-88-7192",{"_294":376,"_296":377},{"_228":491,"_125":492,"_288":493},{"_279":489,"_281":367,"_283":490,"_285":350},59.14598540145985,35.14598540145985,{"_290":228,"_123":494,"_154":495,"_140":89},{"_290":125,"_123":438,"_154":439,"_140":440},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sebastiano-conca","Sebastiano Conca's contemporaries","https://img.ochreeditions.com/a/1738/480.jpg","https://img.ochreeditions.com/a/1738/960.jpg","https://img.ochreeditions.com/a/1738/1920.jpg","Madonna appears in a cloud to saints praying. The saints kneel in veneration. Madonna is looking up to heaven, where the dove of the Holy Ghost hovers.",{"_314":513,"_316":514},{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},"#bbb6ab",0.0351,"#aaaaa5",0.0557,"#877866",0.2179,"#a08e77",0.3298,"#b5a489",0.3615,"Sebastiano Conca","sebastiano-conca","Italian, 1680–1764",1680,1764,"warwick-castle-the-east-front-met-459183","Warwick Castle: The East Front",{"_42":569,"_225":570,"_328":571,"_330":331,"_332":572,"_334":573,"_336":337,"_338":337,"_339":574,"_140":93},"1752","Drawings","Pen and brown ink, gray wash","12 7/16 x 22 1/8 in. (31.6 x 56.2 cm)",56.2,31.6,1.764520486267447,[554,555,556,557,558],{"_224":304,"_225":305,"_42":306,"_307":308},"1975.1.297","Canaletto drew this in 1752, aged 55. It is now at The Met in New York.","Canaletto spent nearly a decade in England from 1746, when war had cut off the flow of British travellers to Venice. Among his patrons there was Lord Brooke, owner of Warwick Castle, of which he made several views.","Warwick Castle: The East Front, by Canaletto, 1752",{"_298":551,"_300":552,"_302":553},"https://img.ochreeditions.com/m/1266.jpg?dl=1","/art/warwick-castle-the-east-front-met-459183","/galleries/style/italian-settecento/warwick-castle-the-east-front-met-459183",{"_294":376,"_296":377},{"_228":546,"_125":547,"_288":548},{"_279":543,"_281":544,"_283":527,"_285":545},80.2,55.850012758356726,31.850012758356726,{"_290":228,"_123":549,"_154":550,"_140":93},{"_290":125,"_123":438,"_154":439,"_140":440},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/canaletto","More by Canaletto","https://img.ochreeditions.com/a/1266/480.jpg","https://img.ochreeditions.com/a/1266/960.jpg","https://img.ochreeditions.com/a/1266/1920.jpg",{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},"#ecdeb9",0.0551,"#9a7b5e",0.1111,"#cba57c",0.1849,"#b48f6a",0.2114,"#e4c299",0.4375,"Canaletto","canaletto","Italian, 1697–1768",1697,1768,"Canaletto, the son of a Venetian painter of theatre scenery, turned in the 1720s to painting views of his native city and became its leading vedutista. British travellers on the Grand Tour were his most eager patrons, many through the merchant and consul Joseph Smith.","allegory-of-the-planets-and-continents-met-437790","Allegory of the Planets and Continents",{"_42":621,"_225":622,"_328":623,"_330":331,"_332":624,"_334":625,"_336":337,"_338":626,"_339":627,"_140":85},"73 x 54 7/8 in. (185.4 x 139.4 cm)",139.4,185.4,0.7540901082305562,[606,607,608,609,610],{"_224":304,"_225":305,"_42":306,"_307":308},"1977.1.3","Giovanni Battista Tiepolo painted this in 1752, aged 56. It is now at The Met in New York.","This is Tiepolo’s oil sketch for the vast ceiling fresco over the staircase of the Residenz in Würzburg, made in 1752 for his patron, the prince-bishop Carl Philipp von Greiffenklau.","Allegory of the Planets and Continents, by Giovanni Battista Tiepolo, 1752",{"_298":603,"_300":604,"_302":605},"https://img.ochreeditions.com/m/1166.jpg?dl=1","/art/allegory-of-the-planets-and-continents-met-437790","/galleries/style/italian-settecento/allegory-of-the-planets-and-continents-met-437790",{"_294":295,"_296":297},{"_228":598,"_125":599,"_288":600},{"_279":595,"_281":596,"_283":597,"_285":580},154.80830606594512,200.4,139.80830606594512,{"_290":228,"_123":601,"_154":602,"_140":85},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/1166/480.jpg","https://img.ochreeditions.com/a/1166/960.jpg","https://img.ochreeditions.com/a/1166/1920.jpg",{"_314":619,"_316":620},{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},{"_314":611,"_316":612},"#908a71",0.1292,"#a5916d",0.1732,"#635139",0.223,"#483a2b",0.2262,"#816e50",0.2484,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,1770,"Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","the-square-of-saint-mark-s-venice-nga-32588","The Square of Saint Mark's, Venice",{"_42":569,"_225":570,"_328":571,"_330":331,"_332":572,"_334":573,"_336":337,"_338":337,"_339":574,"_140":93},"1742/1744","Painting","oil on canvas","overall: 114.6 x 153 cm (45 1/8 x 60 1/4 in.)",153,114.6,1.3509234828496042,[664,665,666,667,668],{"_224":660,"_225":661,"_42":662,"_307":663},"Courtesy National Gallery of Art, Washington","1945.15.3","Canaletto painted this in 1742/1744, aged about 45. It is now at the National Gallery of Art in Washington, DC.","Sunlight floods the Piazza San Marco, where Venetians in capes and tricorn hats stroll and talk among market stalls set up around three red flagstaffs.","Dozens of men with several women and a few children gather in pairs or small groups across a sun-drenched plaza in front of a domed church next to a long, pale pink building in this horizontal painting. The people’s faces and hands we can see have pale, peachy skin. The men wear hats and shin-length capes or jackets over stockings in tones of charcoal gray, olive green, butterscotch yellow, black, and brown. The women wear black capes covering their heads and long, full skirts. The ash-brown plaza has two zones where geometric patterns are picked out in a lighter, oatmeal brown. Three coral-red flagpoles are spaced along the center of the plaza parallel to the two buildings. Each flagpole rests on an olive-green base about a third of the height of the pole. Tables under open umbrellas clustered around the outer two flagpoles display piles of cloth, and a few people gather around the wares. The domed building extends into the scene from the left edge of the painting, and reaches about a third of the way across as it angles away from us. It has a central portal with nested arches, flanked to each side by a pair of slightly smaller, arched portals. Scenes against gold backgrounds appear in the archway of each of the five doors. There is a second level of arches above. The smaller arches to either side are decorated with more scenes of people against gold backgrounds. Four gold horses stand atop the central, lower arch, each with one front and one back hoof raised. The arch behind them is dim, the back side of a stained-glass window. The stone of the arches and front of the building are light brown. The upper arches are lined with pale, slate-gray spires and curling tracery. The three-story pink building sits close by to our right, extending into the distance on the same angle as the church, and as tall as its neighbor. The lowest level is a series of open, pointed arches. The second level is also a row of arches, but more closely spaced. People walk and stand under both covered walkways. The top half of the building has a carnation-pink façade with seven windows evenly spaced across its width. The central window is surrounded by carved stone ornament. Along the right edge of the painting and closer to us than the large buildings is the corner of a two-story building. The lower level is in shadow under a sloping awning, creating a merchant’s stall, and the second level has a rounded, arched window. One person stands at the front corner of the roof and looks down into the square. In the narrow gap between the row of buildings to our left and the smaller structure to our right is a winged lion atop a tall column. Beyond that is sparkling blue water with several masted ships and long, narrow gondolas. The sky above has thin white clouds against a pale blue sky. The artist signed the lower left, “A.C.F.”",{"_298":657,"_300":658,"_302":659},"https://img.ochreeditions.com/m/1470.jpg?dl=1","/art/the-square-of-saint-mark-s-venice-nga-32588","/galleries/style/italian-settecento/the-square-of-saint-mark-s-venice-nga-32588",{"_294":295,"_296":297},{"_228":654,"_125":655,"_288":656},{"_279":293,"_281":652,"_283":635,"_285":653},128.255859375,113.255859375,{"_290":228,"_123":549,"_154":550,"_140":93},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1470/480.jpg","https://img.ochreeditions.com/a/1470/960.jpg","https://img.ochreeditions.com/a/1470/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":677,"_316":678},{"_314":675,"_316":676},{"_314":673,"_316":674},{"_314":671,"_316":672},{"_314":669,"_316":670},"#c79f7e",0.0455,"#4f4332",0.1144,"#746248",0.2045,"#957f5d",0.2257,"#aab3a4",0.4099,"the-triumph-of-marius-met-437788","The Triumph of Marius",{"_42":621,"_225":622,"_328":623,"_330":331,"_332":624,"_334":625,"_336":337,"_338":626,"_339":627,"_140":85},"1729","Irregular painted surface, 220 x 128 5/8 in. (558.8 x 326.7 cm)",326.7,558.8,0.5873186458893068,[710,711,712,713,714],{"_224":304,"_225":305,"_42":306,"_307":308},"65.183.1","Giovanni Battista Tiepolo painted this in 1729, aged 33. It is now at The Met in New York.","The Roman general Gaius Marius rides in triumph in a chariot, while before him the defeated Numidian king Jugurtha walks in chains, surrounded by soldiers, spoils and onlookers. Tiepolo painted the huge canvas in 1729 as one of ten scenes from Roman history for the great hall of the Palazzo Dolfin in Venice.","The Triumph of Marius, by Giovanni Battista Tiepolo, 1729",{"_298":707,"_300":708,"_302":709},"https://img.ochreeditions.com/m/1165.jpg?dl=1","/art/the-triumph-of-marius-met-437788","/galleries/style/italian-settecento/the-triumph-of-marius-met-437788",{"_294":295,"_296":297},{"_228":704,"_125":705,"_288":706},{"_279":700,"_281":701,"_283":702,"_285":703},155.95647501343365,255,140.95647501343365,240,{"_290":228,"_123":601,"_154":602,"_140":85},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1165/480.jpg","https://img.ochreeditions.com/a/1165/960.jpg","https://img.ochreeditions.com/a/1165/1920.jpg",{"_314":723,"_316":724},{"_314":721,"_316":722},{"_314":719,"_316":720},{"_314":717,"_316":718},{"_314":715,"_316":716},"#a3845a",0.0764,"#637f86",0.1465,"#86806d",0.1491,"#201f22",0.307,"#55473d",0.321,"english-landscape-capriccio-with-a-column-nga-47179","English Landscape Capriccio with a Column",{"_42":569,"_225":570,"_328":571,"_330":331,"_332":572,"_334":573,"_336":337,"_338":337,"_339":574,"_140":93},"c. 1754","overall: 134 x 106.4 cm (52 3/4 x 41 7/8 in.) framed: 151.8 x 126.4 x 6.4 cm (59 3/4 x 49 3/4 x 2 1/2 in.)",106.4,134,0.781982421875,[755,756,757,758,759],{"_224":660,"_225":661,"_42":662,"_307":663},"1964.2.1","Canaletto painted this in about 1754, aged 57. It is now at the National Gallery of Art in Washington, DC.","A capriccio is a view that never existed, assembled from real and invented elements, and here Canaletto combines an English landscape of green hills, a weir and a winding river with a free-standing column and ruins in the Italian manner.","We look slightly down across a sun-drenched plaza with people scattered among ruins, buildings, and around a free-standing column in this vertical landscape painting. The people we can see have light skin. Towering trees with celery, sage, and forest-green leaves frame a small plaza paved with flax-colored stones. A tree to our right almost reaches the top of the painting, and a shorter tree in front of it has toppled onto the plaza. To our left, in the lower corner, a man sits behind a shadowy balustrade, looking down. In the lower center of the painting, a man walks toward us, holding a basket over one arm and dead poultry in the other hand, and a dog sits nearby. Slightly farther back is a tall stone column with a door in its base and a statue on top. A woman wearing a red shirt and blue skirt sits on a step in front of the door. Along the left side, the plaza gives way to a tree-lined, dirt road that meanders toward a stone arch in the middle distance, and to a cluster of low buildings beyond. Two towers catch the light, one with a slate-blue dome and the other with a peach-colored steeple. Farther back from the buildings is a dark line of trees at the base of a steep green hill dotted with groves of trees, which rises high over the plaza below. Another building complex, glowing in warm tones of straw yellow, sits at its top. Small dots of red, white, and blue suggest a handful of people making their way up the hill’s wide path. A river with moss-green water pouring over a dam extends from the lower right corner into the distance along the right edge of the painting. Near the column, a man fishes at the water’s edge. The water winds back to a row of silvery-gray buildings in the far distance. Several people in red, yellow, or white, tiny in scale, dot the riverbanks and cross the bridge. A screen of thin, pale pink clouds float across the light blue sky.",{"_298":752,"_300":753,"_302":754},"https://img.ochreeditions.com/m/1527.jpg?dl=1","/art/english-landscape-capriccio-with-a-column-nga-47179","/galleries/style/italian-settecento/english-landscape-capriccio-with-a-column-nga-47179",{"_294":295,"_296":297},{"_228":749,"_125":750,"_288":751},{"_279":746,"_281":747,"_283":748,"_285":731},119.78564453125,149,104.78564453125,{"_290":228,"_123":549,"_154":550,"_140":93},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1527/480.jpg","https://img.ochreeditions.com/a/1527/960.jpg","https://img.ochreeditions.com/a/1527/1920.jpg",{"_314":767,"_316":768},{"_314":765,"_316":766},{"_314":763,"_316":764},{"_314":761,"_316":762},{"_314":760,"_316":720},"#362c1f","#9ec4c4",0.1891,"#caceb5",0.1925,"#9f9860",0.2053,"#62582c",0.264,"the-choristers-nga-53149","The Choristers",{"_42":815,"_225":816,"_328":817,"_330":331,"_332":818,"_334":819,"_336":-5,"_338":-5,"_339":-5,"_140":103},"c. 1740/1745","overall: 68 x 54.5 cm (26 3/4 x 21 7/16 in.) framed: 91.4 x 78.1 cm (36 x 30 3/4 in.)",54.5,68,0.798583984375,[800,801,802,803,804],{"_224":660,"_225":661,"_42":662,"_307":663},"1972.17.1","Alessandro Magnasco painted this in about 1740/1745, aged about 73. It is now at the National Gallery of Art in Washington, DC.","This is a painting of a group engaged in a music session, all looking towards a large open music book in a grand, architectural setting. Behind the group are tall, ornate columns and an arched background that opens up to show a cloudy blue sky. Most of the people have open mouths as if they are singing, while one man in the back seems to be conducting, holding a up roll of paper. Some of the people in the group are seated in cushioned wooden chairs, and a yellowish cloth is draped over the surface that the large book rests on. There is a string instrument similar to a cello near the bottom left corner. The colors used are rich, earthy browns, yellows, and reds, with elements of blue and white clothing. All of the people have pale skin, and two have long white mustaches.",{"_298":797,"_300":798,"_302":799},"https://img.ochreeditions.com/m/1559.jpg?dl=1","/art/the-choristers-nga-53149","/galleries/style/italian-settecento/the-choristers-nga-53149",{"_294":295,"_296":297},{"_228":792,"_125":793,"_288":794},{"_279":789,"_281":790,"_283":791,"_285":775},69.3037109375,83,54.3037109375,{"_290":228,"_123":795,"_154":796,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-alessandro-magnasco","Alessandro Magnasco's contemporaries","https://img.ochreeditions.com/a/1559/480.jpg","https://img.ochreeditions.com/a/1559/960.jpg","https://img.ochreeditions.com/a/1559/1920.jpg",{"_314":813,"_316":814},{"_314":811,"_316":812},{"_314":809,"_316":810},{"_314":807,"_316":808},{"_314":805,"_316":806},"#886545",0.0548,"#494a3b",0.0744,"#57351e",0.1553,"#25150a",0.3517,"#3a2213",0.3638,"Alessandro Magnasco","alessandro-magnasco","Italian, 1667–1749",1667,1749,"the-letter-met-436904","The Letter",{"_42":326,"_225":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_140":97},0.8129117259552042,[843,844,845,846,847],{"_224":304,"_225":305,"_42":306,"_307":308},"14.32.1","The Letter, by Pietro Longhi, 1746",{"_298":840,"_300":841,"_302":842},"https://img.ochreeditions.com/m/1117.jpg?dl=1","/art/the-letter-met-436904","/galleries/style/italian-settecento/the-letter-met-436904",{"_294":295,"_296":297},{"_228":837,"_125":838,"_288":839},{"_279":835,"_281":282,"_283":836,"_285":249},64.58761528326747,49.58761528326746,{"_290":228,"_123":171,"_154":170,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1117/480.jpg","https://img.ochreeditions.com/a/1117/960.jpg","https://img.ochreeditions.com/a/1117/1920.jpg",{"_314":856,"_316":857},{"_314":854,"_316":855},{"_314":852,"_316":853},{"_314":850,"_316":851},{"_314":848,"_316":849},"#59371e",0.0598,"#b18c6e",0.0745,"#806043",0.1361,"#594b34",0.1701,"#3d3423",0.5595,"interior-of-saint-peter-s-rome-nga-50884","Interior of Saint Peter's, Rome",{"_42":903,"_225":904,"_328":905,"_330":331,"_332":906,"_334":907,"_336":908,"_338":909,"_339":-5,"_140":101},"overall: 154.5 x 197 cm (60 13/16 x 77 9/16 in.) framed: 179.1 x 222.3 x 8.3 cm (70 1/2 x 87 1/2 x 3 1/4 in.)",197,154.5,1.2744243932794026,[888,889,890,891,892],{"_224":660,"_225":661,"_42":662,"_307":663},"1968.13.2","Giovanni Paolo Panini painted this in about 1754, aged 63. It is now at the National Gallery of Art in Washington, DC.","The soaring, gilded vault of a central aisle of the inside of a church fills this horizontal painting. The ceiling of the nave curves up and away from us like a tunnel. It is lined with coffers, which have inset panels, decorated with gold. The light-filled nave angles down from the top center of the composition toward the lower left as it moves away from us. The white stone pillars supporting the barrel vault are intricately carved and decorated with pudgy, winged cherubs holding portraits of men, and aisles run parallel to the central nave to our left and right. In the side aisles, pink marble columns flank altars in chapels. At the far end of the church, the nave is interrupted where it opens into the light-filled crossing, before continuing beyond. Marking the space where the long hall of the church is intersected by a shorter arm to create a cross shape is a structure made of four twisting columns supporting a pointed canopy, all cast in bronze. Tiny men and women pray or gather in pairs and small groups along the nave. Some wear tattered clothing and others are elegantly dressed.",{"_298":885,"_300":886,"_302":887},"https://img.ochreeditions.com/m/1539.jpg?dl=1","/art/interior-of-saint-peter-s-rome-nga-50884","/galleries/style/italian-settecento/interior-of-saint-peter-s-rome-nga-50884",{"_294":295,"_296":297},{"_228":880,"_125":881,"_288":882},{"_279":877,"_281":878,"_283":862,"_285":879},212,169.57958984375,154.57958984375,{"_290":228,"_123":883,"_154":884,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-paolo-panini","Giovanni Paolo Panini's contemporaries","https://img.ochreeditions.com/a/1539/480.jpg","https://img.ochreeditions.com/a/1539/960.jpg","https://img.ochreeditions.com/a/1539/1920.jpg",{"_314":901,"_316":902},{"_314":899,"_316":900},{"_314":897,"_316":898},{"_314":895,"_316":896},{"_314":893,"_316":894},"#877d4e",0.1397,"#63512b",0.1444,"#3a3f2c",0.1975,"#949d8d",0.2184,"#666f5d",0.3,"Giovanni Paolo Panini","giovanni-paolo-panini","Italian, 1691–1765",1691,1765,"Piacenza","Rome","working-peasant-si-chndm-1901-39-556","Working Peasant",{"_42":466,"_225":467,"_328":468,"_330":331,"_332":333,"_334":469,"_336":-5,"_338":-5,"_339":-5,"_140":101},"1728–78","Brush and sepia on laid paper","28.3 x 19.8 cm (11 1/8 x 7 13/16 in.)",19.8,28.3,0.6996666666666667,[942,943,944,945,946],{"_224":448,"_225":449,"_42":450,"_307":308},"1901-39-556","Carlo Marchionni drew this in 1728–78, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":941,"_382":447},"WORKING PEASANT",{"_298":938,"_300":939,"_302":940},"https://img.ochreeditions.com/m/1708.jpg?dl=1","/art/working-peasant-si-chndm-1901-39-556","/galleries/style/italian-settecento/working-peasant-si-chndm-1901-39-556",{"_294":376,"_296":377},{"_228":935,"_125":936,"_288":937},{"_279":932,"_281":933,"_283":934,"_285":917},43.80056666666667,52.3,19.80056666666667,{"_290":228,"_123":441,"_154":442,"_140":89},{"_290":125,"_123":438,"_154":439,"_140":440},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1708/480.jpg","https://img.ochreeditions.com/a/1708/960.jpg","https://img.ochreeditions.com/a/1708/1920.jpg","A peasant working reaching into a bag filled with produce.",{"_314":955,"_316":956},{"_314":953,"_316":954},{"_314":951,"_316":952},{"_314":949,"_316":950},{"_314":947,"_316":948},"#8e7964",0.0316,"#af9c86",0.0969,"#cab8a3",0.1194,"#dfd1bc",0.1656,"#ede3cf",0.5865,"imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287","Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from \"Views\" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)",{"_42":569,"_225":570,"_328":571,"_330":331,"_332":572,"_334":573,"_336":337,"_338":337,"_339":574,"_140":93},"1741","print","Prints","Etching; undivided plate, only state","Sheet (Trimmed): 11 13/16 × 17 3/16 in. (30 × 43.7 cm)",53.3,40.6,1.4313438300988648,[992,993,994,995,996],{"_224":304,"_225":305,"_42":306,"_307":308},"1973.634","Canaletto made this in 1741, aged 44. It is now at The Met in New York.","Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from \"Views\" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), by Canaletto, 1741",{"_298":989,"_300":990,"_302":991},"https://img.ochreeditions.com/m/995.jpg?dl=1","/art/imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287","/galleries/style/italian-settecento/imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287",{"_294":376,"_296":377},{"_228":983,"_125":984,"_288":985},{"_279":980,"_281":981,"_283":965,"_285":982},77.3,61.2377334356613,37.2377334356613,{"_290":228,"_123":549,"_154":550,"_140":93},{"_290":125,"_123":986,"_154":987,"_140":988},{"_290":288,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"https://img.ochreeditions.com/a/995/480.jpg","https://img.ochreeditions.com/a/995/960.jpg","https://img.ochreeditions.com/a/995/1920.jpg",{"_314":1005,"_316":1006},{"_314":1003,"_316":1004},{"_314":1001,"_316":1002},{"_314":999,"_316":1000},{"_314":997,"_316":998},"#706d63",0.1275,"#dfdac7",0.1314,"#8b887b",0.1783,"#a8a495",0.2521,"#bdb8a8",0.3107,"procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586","Procession in the Courtyard of the Ducal Palace, Venice",{"_42":1053,"_225":1054,"_328":1055,"_330":331,"_332":1056,"_334":1057,"_336":-5,"_338":-5,"_339":-5,"_140":101},"1742 or after","overall: 160.7 x 221.6 cm (63 1/4 x 87 1/4 in.) framed: 181.3 x 240.7 cm (71 3/8 x 94 3/4 in.)",221.6,160.7,1.3861252115059222,[1038,1039,1040,1041,1042],{"_224":660,"_225":661,"_42":662,"_307":663},"1945.15.1","Antonio Joli painted this in 1742 or after, aged 42. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a square seen from above, surrounded by elegant architectural structures. On the left side, there is a large building with a red-brown facade and arched white windows with columns. On the right, there is an ornate off-white structure with arches and detailed stonework. Both of these long buildings stretch from the sides of the painting towards the center, where they converge at a gray building with tall spires and large blue domes behind it. In the square there are countless people in colorful attire, wearing shades of pink, red, blue, green, yellow, black, and blue. There are men, women, and children, and those with visible faces all appear to have light skin. Some wear white masks with bird-like noses. On the right, there is a long line of people engaging in a procession or gathering. People also line the windows of the two buildings on either side of the square. The painting is incredibly detailed, capturing architectural elements and the bustling crowd. The color palette features earthy tones for the architecture and vibrant colors for the people, all set below a pale blue sky with a few white-and-gray clouds.",{"_298":1035,"_300":1036,"_302":1037},"https://img.ochreeditions.com/m/1468.jpg?dl=1","/art/procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586","/galleries/style/italian-settecento/procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586",{"_294":295,"_296":297},{"_228":1030,"_125":1031,"_288":1032},{"_279":1027,"_281":1028,"_283":1012,"_285":1029},236.6,174.8701171875,159.8701171875,{"_290":228,"_123":1033,"_154":1034,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-antonio-joli","Antonio Joli's contemporaries","https://img.ochreeditions.com/a/1468/480.jpg","https://img.ochreeditions.com/a/1468/960.jpg","https://img.ochreeditions.com/a/1468/1920.jpg",{"_314":1051,"_316":1052},{"_314":1049,"_316":1050},{"_314":1047,"_316":1048},{"_314":1045,"_316":1046},{"_314":1043,"_316":1044},"#879088",0.0802,"#473b2f",0.142,"#866e4b",0.1688,"#675139",0.2945,"#97bec7",0.3145,"Antonio Joli","antonio-joli","Italian, c. 1700–1777",1700,1777,"scalinata-della-trinita-dei-monti-met-337498","Scalinata della Trinità dei Monti",{"_42":903,"_225":904,"_328":905,"_330":331,"_332":906,"_334":907,"_336":908,"_338":909,"_339":-5,"_140":101},"ca. 1756–58","Pen and black ink, brush and gray wash, watercolor, over graphite","13-11/16 x 11-9/16 in. (34.8 x 29.3 cm)",29.3,34.8,0.8408480143326366,[1088,1089,1090,1091,1092],{"_224":304,"_225":305,"_42":306,"_307":308},"1971.63.1","Giovanni Paolo Panini painted this in about 1756–58, aged about 49. It is now at The Met in New York.","Scalinata della Trinità dei Monti, by Giovanni Paolo Panini, ca. 1756–58",{"_298":1085,"_300":1086,"_302":1087},"https://img.ochreeditions.com/m/1024.jpg?dl=1","/art/scalinata-della-trinita-dei-monti-met-337498","/galleries/style/italian-settecento/scalinata-della-trinita-dei-monti-met-337498",{"_294":376,"_296":377},{"_228":1082,"_125":1083,"_288":1084},{"_279":1079,"_281":1080,"_283":1081,"_285":1065},53.261510898775754,58.8,29.26151089877575,{"_290":228,"_123":883,"_154":884,"_140":89},{"_290":125,"_123":438,"_154":439,"_140":440},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1024/480.jpg","https://img.ochreeditions.com/a/1024/960.jpg","https://img.ochreeditions.com/a/1024/1920.jpg",{"_314":1101,"_316":1102},{"_314":1099,"_316":1100},{"_314":1097,"_316":1098},{"_314":1095,"_316":1096},{"_314":1093,"_316":1094},"#888077",0.0725,"#a0978d",0.1448,"#b9b0a3",0.1963,"#d0c7bb",0.235,"#e4dcd1",0.3514,{"_1104":-5,"_1105":1106,"_1107":1108,"_1109":8,"_1110":1111,"_1112":8},"user","csrf","f97291667aa465698e489d7841d3bfe41556e3d2","cartCount",0,"dropLive","legal",[1113,1114,1115,1116,1117,1118,1119,1120,1121,1122,1123,1124],"uploadsEnabled",{"_225":1147,"_20":1148},{"_225":1145,"_20":1146},{"_225":1143,"_20":1144},{"_225":1141,"_20":1142},{"_225":1139,"_20":1140},{"_225":1137,"_20":1138},{"_225":1135,"_20":1136},{"_225":1133,"_20":1134},{"_225":1131,"_20":1132},{"_225":1129,"_20":1130},{"_225":1127,"_20":1128},{"_225":1125,"_20":1126},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]