[{"_1":2,"_3":4},"root",{"_5":1142},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The Italian Renaissance, in the galleries · Ochre Editions","description","Florence, Venice and Rome from 1400 to 1600: perspective, anatomy and the classical past. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/italian-renaissance","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/italian-renaissance.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The Italian Renaissance, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/saint-jerome-nga-91442",15,"https://www.ochreeditions.com/art/lucretia-met-337075",14,"https://www.ochreeditions.com/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",13,"https://www.ochreeditions.com/art/portrait-of-a-young-man-met-435581",12,"https://www.ochreeditions.com/art/the-baptism-of-christ-met-440393",11,"https://www.ochreeditions.com/art/bacchanal-with-a-wine-vat-met-337057",10,"https://www.ochreeditions.com/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",9,"https://www.ochreeditions.com/art/portrait-of-a-young-man-met-435802",8,"https://www.ochreeditions.com/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",7,"https://www.ochreeditions.com/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",6,"https://www.ochreeditions.com/art/the-baptism-of-christ-nga-1142",5,"https://www.ochreeditions.com/art/mars-and-venus-united-by-love-met-437891",4,"https://www.ochreeditions.com/art/the-last-communion-of-saint-jerome-met-435728",3,"https://www.ochreeditions.com/art/pieta-nga-41592",2,"https://www.ochreeditions.com/art/saint-john-the-baptist-bearing-witness-met-438813",1,"https://www.ochreeditions.com/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~italian-renaissance.eb1c3223c3.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~italian-renaissance.eb1c3223c3.jpg","alt","The Italian Renaissance, a room in the galleries: three of its 61 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The Italian Renaissance: 61 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~italian-renaissance.jpg","key","style/italian-renaissance","style","The Italian Renaissance","intro","Florence, Venice and Rome from 1400 to 1600: perspective, anatomy and the classical past.","wing","Style galleries","floor","layout","enfilade","hang",992,"/galleries/style/italian-renaissance","total",61,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6OTkyLCJpIjpudWxsLCJnIjoiMXFBWWxGdzQifQ","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/italian-renaissance?hang=992&cursor=eyJvIjoxNiwiaCI6OTkyLCJpIjpudWxsLCJnIjoiMXFBWWxGdzQifQ&via=continue","label","The Italian Renaissance, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1245/480.jpg","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1492/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":89},{"_154":166,"_123":167,"_44":168,"_140":169},"16th-century Italy","era/16-italy","/galleries/era/16-italy?hang=992&via=continue",66,"Alessandro Vittoria's contemporaries","artist/contemporaries-of-alessandro-vittoria","/galleries/artist/contemporaries-of-alessandro-vittoria?hang=992&via=continue",{"_42":198,"_179":199},{"_42":194,"_179":195},{"_42":189,"_179":190},{"_42":185,"_179":186},{"_42":178,"_179":180},"Third room, north wall","work_ids",[181,182,183,184],1058,1092,1012,1626,"Second room, north wall",[187,188,114],1499,1008,"Second room, south wall",[191,192,193],1152,1009,1065,"First room, south wall",[196,197],1174,1322,"First room, north wall",[200,201,202,203],1250,1189,1500,1063,{"_220":200,"_221":1092,"_20":1093,"_224":1094,"_226":-5,"_227":1095,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":1096,"_239":1097,"_241":1098,"_243":1099,"_245":1100,"_247":1101,"_249":1102,"_251":346,"_253":1103,"_255":256,"_257":1104,"_154":-5,"_259":-5,"_111":1105,"_261":1106,"_263":1107,"_265":1108,"_267":1109,"_269":1110,"_144":1111,"_272":1112},{"_220":201,"_221":1039,"_20":1040,"_224":1041,"_226":-5,"_227":1042,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":1043,"_239":1044,"_241":1045,"_243":1046,"_245":1047,"_247":1048,"_249":1049,"_251":346,"_253":1050,"_255":256,"_257":1051,"_154":-5,"_259":-5,"_111":1052,"_261":1053,"_263":1054,"_265":1055,"_267":1056,"_269":1057,"_144":1058,"_272":1059},{"_220":202,"_221":987,"_20":988,"_224":989,"_226":-5,"_227":990,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":629,"_237":991,"_239":992,"_241":993,"_243":994,"_245":995,"_247":996,"_249":997,"_251":252,"_253":998,"_255":256,"_257":999,"_154":-5,"_259":-5,"_111":1000,"_261":1001,"_263":1002,"_265":1003,"_267":1004,"_269":1005,"_144":1006,"_272":1007},{"_220":203,"_221":936,"_20":937,"_224":938,"_226":-5,"_227":939,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":940,"_239":941,"_241":942,"_243":943,"_245":944,"_247":945,"_249":946,"_251":346,"_253":947,"_255":256,"_257":948,"_154":-5,"_259":-5,"_111":949,"_261":950,"_263":951,"_265":952,"_267":953,"_269":954,"_144":955,"_272":956},{"_220":196,"_221":883,"_20":884,"_224":885,"_226":-5,"_227":886,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":516,"_239":887,"_241":888,"_243":889,"_245":890,"_247":891,"_249":892,"_251":346,"_253":893,"_255":256,"_257":894,"_154":-5,"_259":-5,"_111":895,"_261":896,"_263":897,"_265":898,"_267":899,"_269":900,"_144":901,"_272":902},{"_220":197,"_221":831,"_20":513,"_224":832,"_226":-5,"_227":833,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":629,"_237":834,"_239":835,"_241":836,"_243":837,"_245":838,"_247":839,"_249":840,"_251":252,"_253":841,"_255":256,"_257":842,"_154":-5,"_259":843,"_111":844,"_261":845,"_263":846,"_265":847,"_267":848,"_269":849,"_144":850,"_272":851},{"_220":191,"_221":780,"_20":781,"_224":782,"_226":-5,"_227":783,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":463,"_239":784,"_241":785,"_243":786,"_245":787,"_247":788,"_249":789,"_251":346,"_253":790,"_255":256,"_257":791,"_154":-5,"_259":-5,"_111":792,"_261":793,"_263":794,"_265":795,"_267":796,"_269":797,"_144":798,"_272":799},{"_220":192,"_221":729,"_20":730,"_224":731,"_226":-5,"_227":732,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":572,"_235":573,"_237":733,"_239":734,"_241":735,"_243":736,"_245":737,"_247":738,"_249":739,"_251":346,"_253":740,"_255":256,"_257":741,"_154":-5,"_259":-5,"_111":742,"_261":743,"_263":744,"_265":745,"_267":746,"_269":747,"_144":748,"_272":749},{"_220":193,"_221":678,"_20":460,"_224":679,"_226":-5,"_227":680,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":463,"_239":681,"_241":682,"_243":683,"_245":684,"_247":685,"_249":686,"_251":346,"_253":687,"_255":256,"_257":688,"_154":-5,"_259":-5,"_111":689,"_261":690,"_263":691,"_265":692,"_267":693,"_269":694,"_144":695,"_272":696},{"_220":187,"_221":625,"_20":626,"_224":627,"_226":-5,"_227":628,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":629,"_237":630,"_239":631,"_241":632,"_243":633,"_245":634,"_247":635,"_249":636,"_251":252,"_253":637,"_255":256,"_257":638,"_154":-5,"_259":-5,"_111":639,"_261":640,"_263":641,"_265":642,"_267":643,"_269":644,"_144":645,"_272":646},{"_220":188,"_221":568,"_20":569,"_224":570,"_226":-5,"_227":571,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":572,"_235":573,"_237":574,"_239":575,"_241":576,"_243":577,"_245":578,"_247":579,"_249":580,"_251":346,"_253":581,"_255":256,"_257":582,"_154":-5,"_259":-5,"_111":583,"_261":584,"_263":585,"_265":586,"_267":587,"_269":588,"_144":589,"_272":590},{"_220":114,"_221":512,"_20":513,"_224":514,"_226":-5,"_227":515,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":516,"_239":517,"_241":518,"_243":519,"_245":520,"_247":521,"_249":522,"_251":346,"_253":523,"_255":256,"_257":524,"_154":-5,"_259":-5,"_111":525,"_261":526,"_263":527,"_265":528,"_267":529,"_269":530,"_144":531,"_272":532},{"_220":181,"_221":459,"_20":460,"_224":461,"_226":-5,"_227":462,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":463,"_239":464,"_241":465,"_243":466,"_245":467,"_247":468,"_249":469,"_251":346,"_253":470,"_255":256,"_257":471,"_154":-5,"_259":-5,"_111":472,"_261":473,"_263":474,"_265":475,"_267":476,"_269":477,"_144":478,"_272":479},{"_220":182,"_221":396,"_20":397,"_224":398,"_226":-5,"_227":399,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":400,"_235":401,"_237":402,"_239":403,"_241":404,"_243":404,"_245":405,"_247":406,"_249":407,"_251":346,"_253":408,"_255":256,"_257":409,"_154":-5,"_259":-5,"_111":410,"_261":411,"_263":412,"_265":413,"_267":414,"_269":415,"_144":416,"_272":417},{"_220":183,"_221":334,"_20":335,"_224":336,"_226":-5,"_227":337,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":338,"_237":339,"_239":340,"_241":341,"_243":342,"_245":343,"_247":344,"_249":345,"_251":346,"_253":347,"_255":256,"_257":348,"_154":-5,"_259":349,"_111":350,"_261":351,"_263":352,"_265":353,"_267":354,"_269":355,"_144":356,"_272":357},{"_220":184,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_154":-5,"_259":-5,"_111":260,"_261":262,"_263":264,"_265":266,"_267":268,"_269":270,"_144":271,"_272":273},"id","slug","saint-jerome-nga-91442","Saint Jerome","artist",{"_42":321,"_221":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":-5,"_332":-5,"_333":-5,"_140":103},"unrecorded","date","1565/1570","century","place","italy","movement","italian-renaissance","drawing","classification","Drawing","medium","pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink","dimensions","overall: 30.9 × 21.8 cm (12 3/16 × 8 9/16 in.)","width_cm",21.8,"height_cm",30.9,"aspect",0.705810546875,"palette",[304,305,306,307,308],"museum",{"_220":299,"_221":300,"_42":301,"_302":303},"credit","Courtesy National Gallery of Art, Washington","accession","1995.8.1","licence","CC0","story","Alessandro Vittoria drew this in 1565/1570, aged about 40. It is now at the National Gallery of Art in Washington, DC.","note","The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1626.jpg?dl=1","page_url","/art/saint-jerome-nga-91442","walk_url","/galleries/style/italian-renaissance/saint-jerome-nga-91442","frame",{"_289":290,"_291":292},{"_224":281,"_125":282,"_283":284},"size",{"_274":275,"_276":277,"_278":279,"_280":244},"w",45.8095458984375,"h",54.9,"image_w",21.8095458984375,"image_h",{"_285":224,"_123":171,"_154":170,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},"era",{"_285":283,"_123":167,"_154":166,"_140":169},"facet","style/drawing-16","More drawings of the 16th century",35,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1626/480.jpg","960","https://img.ochreeditions.com/a/1626/960.jpg","1920","https://img.ochreeditions.com/a/1626/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#886750","weight",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad",0.1868,"#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","bio","Venetian, 1525–1608","nationality","Italian","birth_year",1525,"death_year",1608,"birth_place","death_place","about_excerpt","lucretia-met-337075","Lucretia",{"_42":388,"_221":389,"_323":390,"_325":326,"_327":391,"_329":392,"_331":393,"_332":394,"_333":395,"_140":99},"1508–10","Drawings","Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)","15-5/8 x 11-1/2 in. (39.7 x 29.2 cm)",29.2,39.7,0.7302187415608966,[373,374,375,376,377],{"_220":369,"_221":370,"_42":371,"_302":372},"Courtesy of The Metropolitan Museum of Art","1997.153","Raphael drew this in 1508–10, aged about 25. It is now at The Met in New York.","Lucretia, the Roman noblewoman who took her own life after being raped by the king’s son, an act that led to the founding of the Roman Republic, raises a dagger to her breast. Raphael drew her in pen and ink over black chalk around 1508–10, soon after arriving in Rome, basing the figure on ancient sculpture.","Lucretia, by Raphael, 1508–10",{"_293":366,"_295":367,"_297":368},"https://img.ochreeditions.com/m/1012.jpg?dl=1","/art/lucretia-met-337075","/galleries/style/italian-renaissance/lucretia-met-337075",{"_289":290,"_291":292},{"_224":361,"_125":362,"_283":363},{"_274":358,"_276":359,"_278":360,"_280":342},52.9896840399676,63.7,28.989684039967596,{"_285":224,"_123":364,"_154":365,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1012/480.jpg","https://img.ochreeditions.com/a/1012/960.jpg","https://img.ochreeditions.com/a/1012/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":386,"_311":387},{"_309":384,"_311":385},{"_309":382,"_311":383},{"_309":380,"_311":381},{"_309":378,"_311":379},"#edded4",0.0326,"#dcccbf",0.0399,"#aa937c",0.1034,"#c0b09f",0.4112,"#b8a691",0.4129,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families",{"_42":452,"_221":453,"_323":454,"_325":326,"_327":455,"_329":456,"_331":457,"_332":458,"_333":-5,"_140":103},"ca. 1449","painting","Paintings","Tempera, silver, and gold on wood","Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[437,438,439,440,441],{"_220":369,"_221":370,"_42":371,"_302":372},"1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. It is now at The Met in New York.","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449",{"_293":434,"_295":435,"_297":436},"https://img.ochreeditions.com/m/1092.jpg?dl=1","/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","/galleries/style/italian-renaissance/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",{"_289":432,"_291":433},{"_224":421,"_125":422,"_283":423},{"_274":418,"_276":419,"_278":404,"_280":420},107.7,105.74339768339769,90.74339768339769,{"_285":224,"_123":430,"_154":431,"_140":89},{"_285":125,"_123":427,"_154":428,"_140":429},{"_285":283,"_123":424,"_154":425,"_140":426},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-giovanni-di-ser-giovanni-guidi-called-scheggia","Giovanni di ser Giovanni Guidi (called Scheggia)'s contemporaries","natural","ivory","https://img.ochreeditions.com/a/1092/480.jpg","https://img.ochreeditions.com/a/1092/960.jpg","https://img.ochreeditions.com/a/1092/1920.jpg",{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},"#a69f8f",0.0741,"#503e2f",0.1724,"#080605",0.2205,"#7a5736",0.2664,"#9d7d53",0.2666,"Giovanni di ser Giovanni Guidi (called Scheggia)","giovanni-di-ser-giovanni-guidi-called-scheggia","Italian, 1406–1486",1406,1486,"San Giovanni Valdarno","Florence","portrait-of-a-young-man-met-435581","Portrait of a Young Man",{"_42":506,"_221":507,"_323":508,"_325":326,"_327":509,"_329":510,"_331":511,"_332":511,"_333":-5,"_140":101},"ca. 1470","Oil on wood","10 5/8 x 8 1/8 in. (27 x 20.6 cm)",20.6,27,0.758357462490129,[491,492,493,494,495],{"_220":369,"_221":370,"_42":371,"_302":372},"14.40.645","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this in about 1470, aged about 35. It is now at The Met in New York.","Portrait of a Young Man, by Antonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470",{"_293":488,"_295":489,"_297":490},"https://img.ochreeditions.com/m/1058.jpg?dl=1","/art/portrait-of-a-young-man-met-435581","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435581",{"_289":432,"_291":433},{"_224":483,"_125":484,"_283":485},{"_274":480,"_276":481,"_278":482,"_280":466},35.475651487233485,42,20.475651487233485,{"_285":224,"_123":486,"_154":487,"_140":89},{"_285":125,"_123":427,"_154":428,"_140":429},{"_285":283,"_123":424,"_154":425,"_140":426},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1058/480.jpg","https://img.ochreeditions.com/a/1058/960.jpg","https://img.ochreeditions.com/a/1058/1920.jpg",{"_309":504,"_311":505},{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},"#552f1a",0.0785,"#a37452",0.0934,"#7a4525",0.1133,"#2b2019",0.1484,"#0f0d0a",0.5664,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1430,1479,"Messina","the-baptism-of-christ-met-440393","The Baptism of Christ",{"_42":562,"_221":563,"_323":564,"_325":326,"_327":565,"_329":566,"_331":567,"_332":567,"_333":-5,"_140":101},"ca. 1590","Oil on canvas","75 1/2 x 63 1/8 in. (191.8 x 160.3 cm)",160.3,191.8,0.8148820326678766,[547,548,549,550,551],{"_220":369,"_221":370,"_42":371,"_302":372},"2012.99","Jacopo Bassano painted this in about 1590, aged about 75. It is now at The Met in New York.","The Baptism of Christ, by Jacopo Bassano, ca. 1590",{"_293":544,"_295":545,"_297":546},"https://img.ochreeditions.com/m/1200.jpg?dl=1","/art/the-baptism-of-christ-met-440393","/galleries/style/italian-renaissance/the-baptism-of-christ-met-440393",{"_289":432,"_291":433},{"_224":536,"_125":537,"_283":538},{"_274":533,"_276":534,"_278":535,"_280":519},171.29437386569876,206.8,156.29437386569876,{"_285":224,"_123":542,"_154":543,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/1200/480.jpg","https://img.ochreeditions.com/a/1200/960.jpg","https://img.ochreeditions.com/a/1200/1920.jpg",{"_309":560,"_311":561},{"_309":558,"_311":559},{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},"#501c1a",0.0331,"#80614d",0.0373,"#483528",0.0862,"#291f19",0.1566,"#140f0e",0.6868,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","bacchanal-with-a-wine-vat-met-337057","Bacchanal with a Wine Vat",{"_42":619,"_221":620,"_323":621,"_325":326,"_327":509,"_329":622,"_331":623,"_332":624,"_333":-5,"_140":101},"Before 1475","print","Prints","Engraving and drypoint","Sheet: 11 3/4 x 17 3/16in. (29.9 x 43.7cm)",43.8,29.8,1.4139271827500883,[604,605,606,607,608],{"_220":369,"_221":370,"_42":371,"_302":372},"1986.1159","Andrea Mantegna made this (Before 1475), aged 45. It is now at The Met in New York.","Bacchanal with a Wine Vat, by Andrea Mantegna, Before 1475",{"_293":601,"_295":602,"_297":603},"https://img.ochreeditions.com/m/1008.jpg?dl=1","/art/bacchanal-with-a-wine-vat-met-337057","/galleries/style/italian-renaissance/bacchanal-with-a-wine-vat-met-337057",{"_289":290,"_291":292},{"_224":594,"_125":595,"_283":596},{"_274":591,"_276":592,"_278":576,"_280":593},67.8,54.977549999999994,30.977549999999997,{"_285":224,"_123":599,"_154":600,"_140":89},{"_285":125,"_123":597,"_154":598,"_140":53},{"_285":283,"_123":424,"_154":425,"_140":426},"style/print-15","More prints of the 15th century","artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1008/480.jpg","https://img.ochreeditions.com/a/1008/960.jpg","https://img.ochreeditions.com/a/1008/1920.jpg",{"_309":617,"_311":618},{"_309":615,"_311":616},{"_309":613,"_311":614},{"_309":611,"_311":612},{"_309":609,"_311":610},"#f4f0e1",0.1469,"#bba186",0.1799,"#826d59",0.2184,"#675646",0.2236,"#9e866d",0.2312,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1506,"Isola di Carturo","Mantua","portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","Portrait of a Young Woman as a Wise Virgin",{"_42":673,"_221":674,"_323":675,"_325":326,"_327":676,"_329":677,"_331":-5,"_332":-5,"_333":-5,"_140":101},"c. 1510","Painting","oil on hardboard transferred from panel","overall: 54.7 x 47.5 cm (21 9/16 x 18 11/16 in.) framed: 77.5 x 69.4 x 7.3 cm (30 1/2 x 27 5/16 x 2 7/8 in.)",47.5,54.7,0.86474609375,[658,659,660,661,662],{"_220":299,"_221":300,"_42":301,"_302":303},"1952.2.9","Sebastiano del Piombo painted this in about 1510, aged 25. It is now at the National Gallery of Art in Washington, DC.","A young woman with a pale, peachy skin is shown from waist up, wearing a shimmering, royal-blue dress in this vertical painting. Her body is angled to our right as she holds a metal object, perhaps a vessel or incense burner, in her hands by her chest. She turns and tilts her head to our left, but then looks back across her body, off to our right with flint-gray eyes. She has a full, oval-shaped face with a straight nose, smooth cheeks, and her pale pink lips are closed. A gray pearl earring hangs from the ear we can see. Her auburn-brown hair is parted down the middle, and loosely pulled back into a braid that brushes her left shoulder, to our right. The blue dress has a square neckline and a fitted bodice. Light glints off the fabric, shading it from royal to sapphire blue. A voluminous white sleeve is rolled back to her right elbow, to our left. That arm and hand nearly span the width of the painting as she holds the vessel, which has a conical top, near the lower right corner of the composition. The background is solid black.",{"_293":655,"_295":656,"_297":657},"https://img.ochreeditions.com/m/1499.jpg?dl=1","/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","/galleries/style/italian-renaissance/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",{"_289":432,"_291":433},{"_224":650,"_125":651,"_283":652},{"_274":647,"_276":648,"_278":649,"_280":633},62.301611328125006,69.7,47.301611328125006,{"_285":224,"_123":653,"_154":654,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/1499/480.jpg","https://img.ochreeditions.com/a/1499/960.jpg","https://img.ochreeditions.com/a/1499/1920.jpg",{"_309":671,"_311":672},{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},"#618aaa",0.067,"#1a466f",0.0889,"#7b5c41",0.0949,"#cdb49a",0.1619,"#161512",0.5873,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"portrait-of-a-young-man-met-435802",{"_42":723,"_221":724,"_323":725,"_325":326,"_327":726,"_329":727,"_331":728,"_332":458,"_333":-5,"_140":101},"1530s","37 5/8 x 29 1/2 in. (95.6 x 74.9 cm)",74.9,95.6,0.785300780266801,[708,709,710,711,712],{"_220":369,"_221":370,"_42":371,"_302":372},"29.100.16","Agnolo Bronzino painted this in the 1530s, aged about 27. It is now at The Met in New York.","Portrait of a Young Man, by Agnolo Bronzino, 1530s",{"_293":705,"_295":706,"_297":707},"https://img.ochreeditions.com/m/1065.jpg?dl=1","/art/portrait-of-a-young-man-met-435802","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435802",{"_289":432,"_291":433},{"_224":700,"_125":701,"_283":702},{"_274":697,"_276":698,"_278":699,"_280":683},90.07475459350617,110.6,75.07475459350617,{"_285":224,"_123":703,"_154":704,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1065/480.jpg","https://img.ochreeditions.com/a/1065/960.jpg","https://img.ochreeditions.com/a/1065/1920.jpg",{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},{"_309":713,"_311":714},"#79613e",0.0619,"#5a5741",0.1119,"#2c2420",0.2037,"#3e392c",0.2231,"#151413",0.3994,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess",{"_42":775,"_221":776,"_323":777,"_325":326,"_327":778,"_329":779,"_331":-5,"_332":-5,"_333":-5,"_140":103},"ca. 1510–20","Engraving","Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm)",43.7,29.1,1.4766208251473478,[761,762,763,764,765],{"_220":369,"_221":370,"_42":371,"_302":372},"19.74.1","Marcantonio Raimondi made this in about 1510–20, aged about 25. It is now at The Met in New York.","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20",{"_293":758,"_295":759,"_297":760},"https://img.ochreeditions.com/m/1009.jpg?dl=1","/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","/galleries/style/italian-renaissance/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",{"_289":290,"_291":292},{"_224":753,"_125":754,"_283":755},{"_274":750,"_276":751,"_278":735,"_280":752},67.7,53.59459819052688,29.594598190526877,{"_285":224,"_123":756,"_154":757,"_140":89},{"_285":125,"_123":597,"_154":598,"_140":53},{"_285":283,"_123":424,"_154":425,"_140":426},"artist/contemporaries-of-marcantonio-raimondi","Marcantonio Raimondi's contemporaries","https://img.ochreeditions.com/a/1009/480.jpg","https://img.ochreeditions.com/a/1009/960.jpg","https://img.ochreeditions.com/a/1009/1920.jpg",{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":770,"_311":614},{"_309":768,"_311":769},{"_309":766,"_311":767},"#f5f0dd",0.0523,"#cac0b0",0.1283,"#9e9486","#5f5951",0.2969,"#7d756a",0.3041,"Marcantonio Raimondi","marcantonio-raimondi","Italian, Argini (?) ca. 1480–before 1534 Bologna (?)",1475,1534,"the-holy-family-with-the-young-saint-john-the-baptist-met-437609","The Holy Family with the Young Saint John the Baptist",{"_42":826,"_221":827,"_323":828,"_325":326,"_327":456,"_329":829,"_331":458,"_332":458,"_333":830,"_140":97},"ca. 1528","53 1/2 x 39 5/8 in. (135.9 x 100.6 cm)",100.6,135.9,0.7425103305785123,[811,812,813,814,815],{"_220":369,"_221":370,"_42":371,"_302":372},"22.75","Andrea del Sarto painted this in about 1528, aged about 37. It is now at The Met in New York.","The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528",{"_293":808,"_295":809,"_297":810},"https://img.ochreeditions.com/m/1152.jpg?dl=1","/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609","/galleries/style/italian-renaissance/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",{"_289":432,"_291":433},{"_224":803,"_125":804,"_283":805},{"_274":800,"_276":801,"_278":802,"_280":786},115.90715392561984,150.9,100.90715392561984,{"_285":224,"_123":806,"_154":807,"_140":97},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/1152/480.jpg","https://img.ochreeditions.com/a/1152/960.jpg","https://img.ochreeditions.com/a/1152/1920.jpg",{"_309":824,"_311":825},{"_309":822,"_311":823},{"_309":820,"_311":821},{"_309":818,"_311":819},{"_309":816,"_311":817},"#853324",0.0563,"#2c2c0e",0.1452,"#836552",0.1999,"#1d1c19",0.2975,"#493329",0.3011,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1530,"Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","the-baptism-of-christ-nga-1142",{"_42":878,"_221":879,"_323":880,"_325":326,"_327":202,"_329":881,"_331":-5,"_332":-5,"_333":882,"_140":103},"c. 1535/1540","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[863,864,865,866,867],{"_220":299,"_221":300,"_42":301,"_302":303},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_293":860,"_295":861,"_297":862},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_289":432,"_291":433},{"_224":855,"_125":856,"_283":857},{"_274":852,"_276":853,"_278":836,"_280":854},147,145.1953125,130.1953125,{"_285":224,"_123":858,"_154":859,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},{"_309":870,"_311":871},{"_309":868,"_311":869},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":929,"_221":930,"_323":931,"_325":326,"_327":932,"_329":933,"_331":934,"_332":935,"_333":-5,"_140":103},"1570s","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[914,915,916,917,918],{"_220":369,"_221":370,"_42":371,"_302":372},"10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_293":911,"_295":912,"_297":913},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_289":432,"_291":433},{"_224":906,"_125":907,"_283":908},{"_274":903,"_276":904,"_278":905,"_280":889},175.13744999999997,220.7,160.13744999999997,{"_285":224,"_123":909,"_154":910,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg",{"_309":927,"_311":928},{"_309":925,"_311":926},{"_309":923,"_311":924},{"_309":921,"_311":922},{"_309":919,"_311":920},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Verona","Venice","the-last-communion-of-saint-jerome-met-435728","The Last Communion of Saint Jerome",{"_42":983,"_221":984,"_323":985,"_325":326,"_327":986,"_329":565,"_331":458,"_332":458,"_333":-5,"_140":101},"early 1490s","Tempera and gold on wood","13 1/2 x 10 in. (34.3 x 25.4 cm)",25.4,34.3,0.75475,[968,969,970,971,972],{"_220":369,"_221":370,"_42":371,"_302":372},"14.40.642","Botticelli (Alessandro di Mariano Filipepi) painted this in the early 1490s, aged about 46. It is now at The Met in New York.","The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s",{"_293":965,"_295":966,"_297":967},"https://img.ochreeditions.com/m/1063.jpg?dl=1","/art/the-last-communion-of-saint-jerome-met-435728","/galleries/style/italian-renaissance/the-last-communion-of-saint-jerome-met-435728",{"_289":432,"_291":433},{"_224":960,"_125":961,"_283":962},{"_274":957,"_276":958,"_278":959,"_280":943},40.887924999999996,49.3,25.887925,{"_285":224,"_123":963,"_154":964,"_140":89},{"_285":125,"_123":427,"_154":428,"_140":429},{"_285":283,"_123":424,"_154":425,"_140":426},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1063/480.jpg","https://img.ochreeditions.com/a/1063/960.jpg","https://img.ochreeditions.com/a/1063/1920.jpg",{"_309":981,"_311":982},{"_309":979,"_311":980},{"_309":977,"_311":978},{"_309":975,"_311":976},{"_309":973,"_311":974},"#a06a4e",0.0609,"#95927e",0.1214,"#7f6948",0.1745,"#262119",0.3145,"#4b3b29",0.3287,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,"pieta-nga-41592","Pietà",{"_42":1034,"_221":1035,"_323":1036,"_325":326,"_327":1037,"_329":1038,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1520s","oil on panel","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[1019,1020,1021,1022,1023],{"_220":299,"_221":300,"_42":301,"_302":303},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_293":1016,"_295":1017,"_297":1018},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_289":432,"_291":433},{"_224":1011,"_125":1012,"_283":1013},{"_274":1008,"_276":1009,"_278":1010,"_280":994},113.0291015625,190.8,98.0291015625,{"_285":224,"_123":1014,"_154":1015,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_309":1032,"_311":1033},{"_309":1030,"_311":1031},{"_309":1028,"_311":1029},{"_309":1026,"_311":1027},{"_309":1024,"_311":1025},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1498,1554,"saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":1086,"_221":1087,"_323":1088,"_325":326,"_327":1089,"_329":1090,"_331":1091,"_332":394,"_333":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",43.5,54.3,0.8074035723530935,[1071,1072,1073,1074,1075],{"_220":369,"_221":370,"_42":371,"_302":372},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_293":1068,"_295":1069,"_297":1070},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_289":432,"_291":433},{"_224":1063,"_125":1064,"_283":1065},{"_274":1060,"_276":1061,"_278":1062,"_280":1046},58.842013978772975,69.3,43.842013978772975,{"_285":224,"_123":1066,"_154":1067,"_140":89},{"_285":125,"_123":539,"_154":540,"_140":541},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_309":1084,"_311":1085},{"_309":1082,"_311":1083},{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":1140,"_221":1141,"_323":326,"_325":326,"_327":-5,"_329":1037,"_331":-5,"_332":-5,"_333":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[1125,1126,1127,1128,1129],{"_220":369,"_221":370,"_42":371,"_302":372},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_293":1122,"_295":1123,"_297":1124},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_289":432,"_291":433},{"_224":1117,"_125":1118,"_283":1119},{"_274":1113,"_276":1114,"_278":1115,"_280":1116},32.4375,40,17.4375,25,{"_285":224,"_123":1120,"_154":1121,"_140":89},{"_285":125,"_123":427,"_154":428,"_140":429},{"_285":283,"_123":424,"_154":425,"_140":426},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},{"_309":1132,"_311":1133},{"_309":1130,"_311":1131},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano",{"_1143":-5,"_1144":1145,"_1146":1147,"_1148":8,"_1149":1150,"_1151":8},"user","csrf","da09dec3e90d08df2026fd550e34f522fbe6a353","cartCount",0,"dropLive","legal",[1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163],"uploadsEnabled",{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
