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(40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)",55.6,40,1.3584577978464745,[435,436,437,438,439],{"_224":303,"_225":304,"_42":305,"_306":307},"32.130.2","Andrea Mantegna painted this (shortly after 1450), aged about 20. It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_297":432,"_299":433,"_301":434},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_293":294,"_295":296},{"_228":427,"_125":428,"_287":429},{"_278":424,"_280":425,"_282":409,"_283":426},70.6,55.928765021733575,40.928765021733575,{"_289":228,"_123":430,"_154":431,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg",{"_313":448,"_315":449},{"_313":446,"_315":447},{"_313":444,"_315":445},{"_313":442,"_315":443},{"_313":440,"_315":441},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36",0.2135,"#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":517,"_225":518,"_327":519,"_329":330,"_331":520,"_333":521,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1561-1565","print","Print","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[502,503,504,505,506],{"_224":498,"_225":499,"_42":500,"_306":501},"Courtesy National Gallery of Art, Washington","1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_297":495,"_299":496,"_301":497},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_293":375,"_295":376},{"_228":484,"_125":485,"_287":486},{"_278":481,"_280":482,"_282":465,"_283":483},62,51.00634765625,27.00634765625,{"_289":228,"_123":493,"_154":494,"_140":89},{"_289":125,"_123":490,"_154":491,"_140":492},{"_289":287,"_123":487,"_154":488,"_140":489},"era/16-italy","16th-century Italy",66,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":515,"_315":516},{"_313":513,"_315":514},{"_313":511,"_315":512},{"_313":509,"_315":510},{"_313":507,"_315":508},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"allegory-nga-35082","Allegory",{"_42":574,"_225":575,"_327":330,"_329":330,"_331":-5,"_333":-5,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1515-1525","Painting","oil on panel","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[559,560,561,562,563],{"_224":498,"_225":499,"_42":500,"_306":501},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_297":556,"_299":557,"_301":558},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_293":294,"_295":296},{"_228":548,"_125":549,"_287":550},{"_278":545,"_280":546,"_282":547,"_283":530},54.105224609375,58,39.105224609375,{"_289":228,"_123":554,"_154":555,"_140":89},{"_289":125,"_123":551,"_154":552,"_140":553},{"_289":287,"_123":487,"_154":488,"_140":489},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_313":572,"_315":573},{"_313":570,"_315":571},{"_313":568,"_315":569},{"_313":566,"_315":567},{"_313":564,"_315":565},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","saint-anthony-the-abbot-in-the-wilderness-met-458967","Saint Anthony the Abbot in the Wilderness",{"_42":622,"_225":623,"_327":624,"_329":330,"_331":625,"_333":626,"_335":338,"_337":338,"_339":-5,"_140":103},"ca. 1440","Overall: 18 3/4 × 13 5/8 in. (47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[607,608,609,610,611],{"_224":303,"_225":304,"_42":305,"_306":307},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. It is now at The Met in New York.","Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440",{"_297":604,"_299":605,"_301":606},"https://img.ochreeditions.com/m/1244.jpg?dl=1","/art/saint-anthony-the-abbot-in-the-wilderness-met-458967","/galleries/style/italian-renaissance/saint-anthony-the-abbot-in-the-wilderness-met-458967",{"_293":294,"_295":296},{"_228":599,"_125":600,"_287":601},{"_278":596,"_280":597,"_282":598,"_283":582},49.760041300980895,62.6,34.760041300980895,{"_289":228,"_123":602,"_154":603,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sano-di-pietro-ansano-di-pietro-di-mencio","Sano di Pietro (Ansano di Pietro di Mencio)'s contemporaries","https://img.ochreeditions.com/a/1244/480.jpg","https://img.ochreeditions.com/a/1244/960.jpg","https://img.ochreeditions.com/a/1244/1920.jpg",{"_313":620,"_315":621},{"_313":618,"_315":619},{"_313":616,"_315":617},{"_313":614,"_315":615},{"_313":612,"_315":613},"#ae7d5b",0.0695,"#867f77",0.0728,"#43382d",0.1323,"#7d6a51",0.3511,"#62503c",0.3743,"Sano di Pietro (Ansano di Pietro di Mencio)","sano-di-pietro-ansano-di-pietro-di-mencio","Italian, 1405–1481",1405,1481,"orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",81,39.5,1.7407564810879728,[659,660,661,662,663],{"_224":498,"_225":499,"_42":500,"_306":501},"1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_297":656,"_299":657,"_301":658},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_293":294,"_295":296},{"_228":651,"_125":652,"_287":653},{"_278":648,"_280":649,"_282":633,"_283":650},96,61.531494140625,46.531494140625,{"_289":228,"_123":654,"_154":655,"_140":77},{"_289":125,"_123":551,"_154":552,"_140":553},{"_289":287,"_123":487,"_154":488,"_140":489},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg",{"_313":672,"_315":673},{"_313":670,"_315":671},{"_313":668,"_315":669},{"_313":666,"_315":667},{"_313":664,"_315":665},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","The Annunciation to Zacharias; (verso) The Angel of the Annunciation",{"_42":721,"_225":722,"_327":723,"_329":330,"_331":724,"_333":725,"_335":338,"_337":338,"_339":726,"_140":97},"ca. 1455–60","Overall: 29 7/8 in. × 17 in. (75.9 × 43.2 cm)",43.2,75.9,0.4765,[706,707,708,709,710],{"_224":303,"_225":304,"_42":305,"_306":307},"1975.1.37","Giovanni di Paolo painted this in about 1455–60, aged about 54. It is now at The Met in New York.","In the Temple at Jerusalem the aged priest Zacharias is visited by the angel Gabriel, who announces that his wife Elizabeth, long childless, will bear a son, the future John the Baptist. Zacharias doubts, and is struck dumb until the child is born.","The Annunciation to Zacharias; (verso) The Angel of the Annunciation, by Giovanni di Paolo, ca. 1455–60",{"_297":703,"_299":704,"_301":705},"https://img.ochreeditions.com/m/1246.jpg?dl=1","/art/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","/galleries/style/italian-renaissance/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977",{"_293":294,"_295":296},{"_228":698,"_125":699,"_287":700},{"_278":695,"_280":696,"_282":697,"_283":680},51.16635,90.9,36.16635,{"_289":228,"_123":701,"_154":702,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1246/480.jpg","https://img.ochreeditions.com/a/1246/960.jpg","https://img.ochreeditions.com/a/1246/1920.jpg",{"_313":719,"_315":720},{"_313":717,"_315":718},{"_313":715,"_315":716},{"_313":713,"_315":714},{"_313":711,"_315":712},"#754b2e",0.1058,"#040303",0.1371,"#362f27",0.1673,"#594b34",0.2747,"#846f4b",0.3151,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","saint-jerome-nga-91442","Saint Jerome",{"_42":778,"_225":779,"_327":780,"_329":330,"_331":781,"_333":782,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1565/1570","Drawing","pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink","overall: 30.9 × 21.8 cm (12 3/16 × 8 9/16 in.)",21.8,30.9,0.705810546875,[763,764,765,766,767],{"_224":498,"_225":499,"_42":500,"_306":501},"1995.8.1","Alessandro Vittoria drew this in 1565/1570, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.",{"_297":760,"_299":761,"_301":762},"https://img.ochreeditions.com/m/1626.jpg?dl=1","/art/saint-jerome-nga-91442","/galleries/style/italian-renaissance/saint-jerome-nga-91442",{"_293":375,"_295":376},{"_228":752,"_125":753,"_287":754},{"_278":749,"_280":750,"_282":751,"_283":735},45.8095458984375,54.9,21.8095458984375,{"_289":228,"_123":758,"_154":759,"_140":89},{"_289":125,"_123":755,"_154":756,"_140":757},{"_289":287,"_123":487,"_154":488,"_140":489},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-alessandro-vittoria","Alessandro Vittoria's contemporaries","https://img.ochreeditions.com/a/1626/480.jpg","https://img.ochreeditions.com/a/1626/960.jpg","https://img.ochreeditions.com/a/1626/1920.jpg",{"_313":776,"_315":777},{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},"#886750",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad",0.1868,"#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","Venetian, 1525–1608",1525,1608,"the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":830,"_225":831,"_327":832,"_329":330,"_331":833,"_333":834,"_335":835,"_337":836,"_339":-5,"_140":101},"c. 1475","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[815,816,817,818,819],{"_224":498,"_225":499,"_42":500,"_306":501},"1943.4.36","Filippino Lippi painted this in about 1475, aged 18. It is now at the National Gallery of Art in Washington, DC.","In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.",{"_297":812,"_299":813,"_301":814},"https://img.ochreeditions.com/m/1364.jpg?dl=1","/art/the-coronation-of-the-virgin-nga-12134","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-nga-12134",{"_293":294,"_295":296},{"_228":807,"_125":808,"_287":809},{"_278":804,"_280":805,"_282":789,"_283":806},237.9,104.90009765625,89.90009765625,{"_289":228,"_123":810,"_154":811,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1364/480.jpg","https://img.ochreeditions.com/a/1364/960.jpg","https://img.ochreeditions.com/a/1364/1920.jpg",{"_313":828,"_315":829},{"_313":826,"_315":827},{"_313":824,"_315":825},{"_313":822,"_315":823},{"_313":820,"_315":821},"#87433a",0.1358,"#8e714e",0.1785,"#556659",0.2151,"#aca17a",0.2188,"#f9fafa",0.2518,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","Florence","mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":884,"_225":885,"_327":886,"_329":330,"_331":887,"_333":888,"_335":889,"_337":890,"_339":-5,"_140":103},"1570s","Oil on canvas","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[869,870,871,872,873],{"_224":303,"_225":304,"_42":305,"_306":307},"10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_297":866,"_299":867,"_301":868},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_293":294,"_295":296},{"_228":861,"_125":862,"_287":863},{"_278":858,"_280":859,"_282":860,"_283":844},175.13744999999997,220.7,160.13744999999997,{"_289":228,"_123":864,"_154":865,"_140":89},{"_289":125,"_123":551,"_154":552,"_140":553},{"_289":287,"_123":487,"_154":488,"_140":489},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg",{"_313":882,"_315":883},{"_313":880,"_315":881},{"_313":878,"_315":879},{"_313":876,"_315":877},{"_313":874,"_315":875},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Verona","Venice","a-hunting-scene-met-437283","A Hunting Scene",{"_42":938,"_225":939,"_327":940,"_329":330,"_331":941,"_333":942,"_335":836,"_337":836,"_339":-5,"_140":103},"ca. 1494–1500","Tempera and oil transferred to Masonite","27 3/4 x 66 3/4 in. (70.5 x 169.5 cm)",169.5,70.5,2.2246941045606228,[923,924,925,926,927],{"_224":303,"_225":304,"_42":305,"_306":307},"75.7.2","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) painted this in about 1494–1500, aged about 32. It is now at The Met in New York.","A Hunting Scene, by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500",{"_297":920,"_299":921,"_301":922},"https://img.ochreeditions.com/m/1135.jpg?dl=1","/art/a-hunting-scene-met-437283","/galleries/style/italian-renaissance/a-hunting-scene-met-437283",{"_293":294,"_295":296},{"_228":915,"_125":916,"_287":917},{"_278":912,"_280":913,"_282":897,"_283":914},184.5,91.19025,76.19025,{"_289":228,"_123":918,"_154":919,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1135/480.jpg","https://img.ochreeditions.com/a/1135/960.jpg","https://img.ochreeditions.com/a/1135/1920.jpg",{"_313":936,"_315":937},{"_313":934,"_315":935},{"_313":932,"_315":933},{"_313":930,"_315":931},{"_313":928,"_315":929},"#727a63",0.0302,"#583d17",0.0932,"#37260d",0.229,"#100b03",0.2861,"#251b0c",0.3615,"Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)","piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Italian, 1462–1522",1462,1522,"the-holy-family-with-the-young-saint-john-the-baptist-met-437609","The Holy Family with the Young Saint John the Baptist",{"_42":990,"_225":991,"_327":992,"_329":330,"_331":993,"_333":994,"_335":836,"_337":836,"_339":995,"_140":97},"ca. 1528","Oil on wood","53 1/2 x 39 5/8 in. (135.9 x 100.6 cm)",100.6,135.9,0.7425103305785123,[975,976,977,978,979],{"_224":303,"_225":304,"_42":305,"_306":307},"22.75","Andrea del Sarto painted this in about 1528, aged about 37. It is now at The Met in New York.","The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528",{"_297":972,"_299":973,"_301":974},"https://img.ochreeditions.com/m/1152.jpg?dl=1","/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609","/galleries/style/italian-renaissance/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",{"_293":294,"_295":296},{"_228":967,"_125":968,"_287":969},{"_278":964,"_280":965,"_282":966,"_283":950},115.90715392561984,150.9,100.90715392561984,{"_289":228,"_123":970,"_154":971,"_140":97},{"_289":125,"_123":551,"_154":552,"_140":553},{"_289":287,"_123":487,"_154":488,"_140":489},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/1152/480.jpg","https://img.ochreeditions.com/a/1152/960.jpg","https://img.ochreeditions.com/a/1152/1920.jpg",{"_313":988,"_315":989},{"_313":986,"_315":987},{"_313":984,"_315":985},{"_313":982,"_315":983},{"_313":980,"_315":981},"#853324",0.0563,"#2c2c0e",0.1452,"#836552",0.1999,"#1d1c19",0.2975,"#493329",0.3011,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","the-wife-of-hasdrubal-and-her-children-nga-50292","The Wife of Hasdrubal and Her Children",{"_42":1043,"_225":1044,"_327":1045,"_329":330,"_331":1046,"_333":1047,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1490/1493","tempera on poplar panel","overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.)",30.6,47.3,0.6376953125,[1028,1029,1030,1031,1032],{"_224":498,"_225":499,"_42":500,"_306":501},"1965.7.1","Ercole de' Roberti painted this in about 1490/1493, aged about 35. It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_297":1025,"_299":1026,"_301":1027},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_293":294,"_295":296},{"_228":1020,"_125":1021,"_287":1022},{"_278":1017,"_280":1018,"_282":1019,"_283":1003},45.162988281249994,62.3,30.162988281249998,{"_289":228,"_123":1023,"_154":1024,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg",{"_313":1041,"_315":1042},{"_313":1039,"_315":1040},{"_313":1037,"_315":1038},{"_313":1035,"_315":1036},{"_313":1033,"_315":1034},"#615326",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,"lucretia-met-337075","Lucretia",{"_42":1096,"_225":1097,"_327":1098,"_329":330,"_331":1099,"_333":1100,"_335":1101,"_337":1102,"_339":1103,"_140":99},"1508–10","Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)","15-5/8 x 11-1/2 in. (39.7 x 29.2 cm)",29.2,39.7,0.7302187415608966,[1081,1082,1083,1084,1085],{"_224":303,"_225":304,"_42":305,"_306":307},"1997.153","Raphael drew this in 1508–10, aged about 25. It is now at The Met in New York.","Lucretia, the Roman noblewoman who took her own life after being raped by the king’s son, an act that led to the founding of the Roman Republic, raises a dagger to her breast. Raphael drew her in pen and ink over black chalk around 1508–10, soon after arriving in Rome, basing the figure on ancient sculpture.","Lucretia, by Raphael, 1508–10",{"_297":1078,"_299":1079,"_301":1080},"https://img.ochreeditions.com/m/1012.jpg?dl=1","/art/lucretia-met-337075","/galleries/style/italian-renaissance/lucretia-met-337075",{"_293":375,"_295":376},{"_228":1073,"_125":1074,"_287":1075},{"_278":1070,"_280":1071,"_282":1072,"_283":1055},52.9896840399676,63.7,28.989684039967596,{"_289":228,"_123":1076,"_154":1077,"_140":99},{"_289":125,"_123":755,"_154":756,"_140":757},{"_289":287,"_123":487,"_154":488,"_140":489},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1012/480.jpg","https://img.ochreeditions.com/a/1012/960.jpg","https://img.ochreeditions.com/a/1012/1920.jpg",{"_313":1094,"_315":1095},{"_313":1092,"_315":1093},{"_313":1090,"_315":1091},{"_313":1088,"_315":1089},{"_313":1086,"_315":1087},"#edded4",0.0326,"#dcccbf",0.0399,"#aa937c",0.1034,"#c0b09f",0.4112,"#b8a691",0.4129,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","pieta-nga-41592","Pietà",{"_42":1150,"_225":1151,"_327":1152,"_329":330,"_331":1153,"_333":1154,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1520s","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[1135,1136,1137,1138,1139],{"_224":498,"_225":499,"_42":500,"_306":501},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_297":1132,"_299":1133,"_301":1134},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_293":294,"_295":296},{"_228":1127,"_125":1128,"_287":1129},{"_278":1124,"_280":1125,"_282":1126,"_283":1110},113.0291015625,190.8,98.0291015625,{"_289":228,"_123":1130,"_154":1131,"_140":89},{"_289":125,"_123":551,"_154":552,"_140":553},{"_289":287,"_123":487,"_154":488,"_140":489},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_313":1148,"_315":1149},{"_313":1146,"_315":1147},{"_313":1144,"_315":1145},{"_313":1142,"_315":1143},{"_313":1140,"_315":1141},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1498,1554,{"_1156":-5,"_1157":1158,"_1159":1160,"_1161":8,"_1162":1163,"_1164":8},"user","csrf","ec43b76cc58f307c8daa5d7a7a57e4a824bc83fe","cartCount",0,"dropLive","legal",[1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176],"uploadsEnabled",{"_225":1199,"_20":1200},{"_225":1197,"_20":1198},{"_225":1195,"_20":1196},{"_225":1193,"_20":1194},{"_225":1191,"_20":1192},{"_225":1189,"_20":1190},{"_225":1187,"_20":1188},{"_225":1185,"_20":1186},{"_225":1183,"_20":1184},{"_225":1181,"_20":1182},{"_225":1179,"_20":1180},{"_225":1177,"_20":1178},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]