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It is now at the National Gallery of Art in Washington, DC.","note","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1533.jpg?dl=1","page_url","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","walk_url","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292","frame",{"_289":290,"_291":292},{"_224":281,"_125":282,"_283":284},"size",{"_274":275,"_276":277,"_278":279,"_280":244},"w",45.162988281249994,"h",62.3,"image_w",30.162988281249998,"image_h",{"_285":224,"_123":171,"_154":170,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},"era",{"_285":283,"_123":167,"_154":166,"_140":169},"facet","style/painting-15","More paintings of the 15th century",73,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1533/480.jpg","960","https://img.ochreeditions.com/a/1533/960.jpg","1920","https://img.ochreeditions.com/a/1533/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#615326","weight",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","bio","Ferrarese, c. 1455/1456–1496","nationality","Italian","birth_year",1455,"death_year",1496,"birth_place","death_place","about_excerpt","madonna-and-child-met-436892","Madonna and Child",{"_42":387,"_221":388,"_323":389,"_325":326,"_327":390,"_329":391,"_331":392,"_332":393,"_333":-5,"_140":101},"ca. 1483–84","Paintings","Tempera, oil, and gold on wood","32 x 23 1/2 in. (81.3 x 59.7 cm)",59.7,81.3,0.7439751230888831,[372,373,374,375,376],{"_220":368,"_221":369,"_42":370,"_302":371},"Courtesy of The Metropolitan Museum of Art","49.7.10","Filippino Lippi painted this in about 1483–84, aged about 26. 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It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_293":433,"_295":434,"_297":435},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_289":431,"_291":432},{"_224":420,"_125":421,"_283":422},{"_274":417,"_276":418,"_278":419,"_280":403},42.07490234375,51.4,18.07490234375,{"_285":224,"_123":429,"_154":430,"_140":89},{"_285":125,"_123":426,"_154":427,"_140":428},{"_285":283,"_123":423,"_154":424,"_140":425},"era/16-italy","16th-century Italy",66,"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","black","snow","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":445,"_311":316},{"_309":443,"_311":444},{"_309":441,"_311":442},"#b89b76",0.0577,"#e4cdab",0.0785,"#caac85","#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","Portrait of a Young Woman as a Wise Virgin",{"_42":505,"_221":506,"_323":507,"_325":326,"_327":508,"_329":509,"_331":-5,"_332":-5,"_333":-5,"_140":101},"c. 1510","oil on hardboard transferred from panel","overall: 54.7 x 47.5 cm (21 9/16 x 18 11/16 in.) framed: 77.5 x 69.4 x 7.3 cm (30 1/2 x 27 5/16 x 2 7/8 in.)",47.5,54.7,0.86474609375,[490,491,492,493,494],{"_220":299,"_221":300,"_42":301,"_302":303},"1952.2.9","Sebastiano del Piombo painted this in about 1510, aged 25. It is now at the National Gallery of Art in Washington, DC.","A young woman with a pale, peachy skin is shown from waist up, wearing a shimmering, royal-blue dress in this vertical painting. Her body is angled to our right as she holds a metal object, perhaps a vessel or incense burner, in her hands by her chest. She turns and tilts her head to our left, but then looks back across her body, off to our right with flint-gray eyes. She has a full, oval-shaped face with a straight nose, smooth cheeks, and her pale pink lips are closed. A gray pearl earring hangs from the ear we can see. Her auburn-brown hair is parted down the middle, and loosely pulled back into a braid that brushes her left shoulder, to our right. The blue dress has a square neckline and a fitted bodice. Light glints off the fabric, shading it from royal to sapphire blue. A voluminous white sleeve is rolled back to her right elbow, to our left. That arm and hand nearly span the width of the painting as she holds the vessel, which has a conical top, near the lower right corner of the composition. The background is solid black.",{"_293":487,"_295":488,"_297":489},"https://img.ochreeditions.com/m/1499.jpg?dl=1","/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","/galleries/style/italian-renaissance/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",{"_289":290,"_291":292},{"_224":479,"_125":480,"_283":481},{"_274":476,"_276":477,"_278":478,"_280":462},62.301611328125006,69.7,47.301611328125006,{"_285":224,"_123":485,"_154":486,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":423,"_154":424,"_140":425},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/1499/480.jpg","https://img.ochreeditions.com/a/1499/960.jpg","https://img.ochreeditions.com/a/1499/1920.jpg",{"_309":503,"_311":504},{"_309":501,"_311":502},{"_309":499,"_311":500},{"_309":497,"_311":498},{"_309":495,"_311":496},"#618aaa",0.067,"#1a466f",0.0889,"#7b5c41",0.0949,"#cdb49a",0.1619,"#161512",0.5873,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":557,"_221":558,"_323":559,"_325":326,"_327":560,"_329":561,"_331":393,"_332":562,"_333":-5,"_140":103},"ca. 1440","Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[542,543,544,545,546],{"_220":368,"_221":369,"_42":370,"_302":371},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_293":539,"_295":540,"_297":541},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_289":290,"_291":292},{"_224":534,"_125":535,"_283":536},{"_274":531,"_276":532,"_278":533,"_280":517},57.47969032258064,79.1,42.47969032258064,{"_285":224,"_123":537,"_154":538,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Spoleto","the-holy-family-with-the-young-saint-john-the-baptist-met-437609","The Holy Family with the Young Saint John the Baptist",{"_42":609,"_221":610,"_323":611,"_325":326,"_327":612,"_329":613,"_331":393,"_332":393,"_333":614,"_140":97},"ca. 1528","Oil on wood","53 1/2 x 39 5/8 in. (135.9 x 100.6 cm)",100.6,135.9,0.7425103305785123,[595,596,597,598,599],{"_220":368,"_221":369,"_42":370,"_302":371},"22.75","Andrea del Sarto painted this in about 1528, aged about 37. It is now at The Met in New York.","The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528",{"_293":592,"_295":593,"_297":594},"https://img.ochreeditions.com/m/1152.jpg?dl=1","/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609","/galleries/style/italian-renaissance/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",{"_289":290,"_291":292},{"_224":587,"_125":588,"_283":589},{"_274":584,"_276":585,"_278":586,"_280":570},115.90715392561984,150.9,100.90715392561984,{"_285":224,"_123":590,"_154":591,"_140":97},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/1152/480.jpg","https://img.ochreeditions.com/a/1152/960.jpg","https://img.ochreeditions.com/a/1152/1920.jpg",{"_309":607,"_311":608},{"_309":606,"_311":556},{"_309":604,"_311":605},{"_309":602,"_311":603},{"_309":600,"_311":601},"#853324",0.0563,"#2c2c0e",0.1452,"#836552",0.1999,"#1d1c19","#493329",0.3011,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",81,39.5,1.7407564810879728,[647,648,649,650,651],{"_220":299,"_221":300,"_42":301,"_302":303},"1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_293":644,"_295":645,"_297":646},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_289":290,"_291":292},{"_224":639,"_125":640,"_283":641},{"_274":636,"_276":637,"_278":621,"_280":638},96,61.531494140625,46.531494140625,{"_285":224,"_123":642,"_154":643,"_140":77},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg",{"_309":660,"_311":661},{"_309":658,"_311":659},{"_309":656,"_311":657},{"_309":654,"_311":655},{"_309":652,"_311":653},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":387,"_221":388,"_323":389,"_325":326,"_327":390,"_329":391,"_331":392,"_332":393,"_333":-5,"_140":101},"c. 1475","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[692,693,694,695,696],{"_220":299,"_221":300,"_42":301,"_302":303},"1943.4.36","Filippino Lippi painted this in about 1475, aged 18. It is now at the National Gallery of Art in Washington, DC.","In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.",{"_293":689,"_295":690,"_297":691},"https://img.ochreeditions.com/m/1364.jpg?dl=1","/art/the-coronation-of-the-virgin-nga-12134","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-nga-12134",{"_289":290,"_291":292},{"_224":686,"_125":687,"_283":688},{"_274":683,"_276":684,"_278":668,"_280":685},237.9,104.90009765625,89.90009765625,{"_285":224,"_123":363,"_154":364,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1364/480.jpg","https://img.ochreeditions.com/a/1364/960.jpg","https://img.ochreeditions.com/a/1364/1920.jpg",{"_309":705,"_311":706},{"_309":703,"_311":704},{"_309":701,"_311":702},{"_309":699,"_311":700},{"_309":697,"_311":698},"#87433a",0.1358,"#8e714e",0.1785,"#556659",0.2151,"#aca17a",0.2188,"#f9fafa",0.2518,"the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","The Annunciation to Zacharias; (verso) The Angel of the Annunciation",{"_42":755,"_221":756,"_323":757,"_325":326,"_327":758,"_329":759,"_331":760,"_332":760,"_333":761,"_140":97},"ca. 1455–60","Tempera and gold on wood","Overall: 29 7/8 in. × 17 in. (75.9 × 43.2 cm)",43.2,75.9,0.4765,[740,741,742,743,744],{"_220":368,"_221":369,"_42":370,"_302":371},"1975.1.37","Giovanni di Paolo painted this in about 1455–60, aged about 54. It is now at The Met in New York.","In the Temple at Jerusalem the aged priest Zacharias is visited by the angel Gabriel, who announces that his wife Elizabeth, long childless, will bear a son, the future John the Baptist. Zacharias doubts, and is struck dumb until the child is born.","The Annunciation to Zacharias; (verso) The Angel of the Annunciation, by Giovanni di Paolo, ca. 1455–60",{"_293":737,"_295":738,"_297":739},"https://img.ochreeditions.com/m/1246.jpg?dl=1","/art/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","/galleries/style/italian-renaissance/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977",{"_289":290,"_291":292},{"_224":732,"_125":733,"_283":734},{"_274":729,"_276":730,"_278":731,"_280":714},51.16635,90.9,36.16635,{"_285":224,"_123":735,"_154":736,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1246/480.jpg","https://img.ochreeditions.com/a/1246/960.jpg","https://img.ochreeditions.com/a/1246/1920.jpg",{"_309":753,"_311":754},{"_309":751,"_311":752},{"_309":749,"_311":750},{"_309":747,"_311":748},{"_309":745,"_311":746},"#754b2e",0.1058,"#040303",0.1371,"#362f27",0.1673,"#594b34",0.2747,"#846f4b",0.3151,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","brother-gregorio-belo-of-vicenza-met-436917","Brother Gregorio Belo of Vicenza",{"_42":810,"_221":811,"_323":812,"_325":326,"_327":813,"_329":814,"_331":815,"_332":816,"_333":817,"_140":99},"1547","Oil on canvas","34 3/8 x 28 in. (87.3 x 71.1 cm)",71.1,87.3,0.82,[795,796,797,798,799],{"_220":368,"_221":369,"_42":370,"_302":371},"65.117","Lorenzo Lotto painted this in 1547, aged 72. It is now at The Met in New York.","Brother Gregorio Belo, a friar of the Hieronymite order, holds a book in one hand and strikes his chest with the other in a gesture of penitence, while behind him a small scene of the Crucifixion appears in a landscape, as if conjured by his meditation.","Brother Gregorio Belo of Vicenza, by Lorenzo Lotto, 1547",{"_293":792,"_295":793,"_297":794},"https://img.ochreeditions.com/m/1122.jpg?dl=1","/art/brother-gregorio-belo-of-vicenza-met-436917","/galleries/style/italian-renaissance/brother-gregorio-belo-of-vicenza-met-436917",{"_289":290,"_291":292},{"_224":787,"_125":788,"_283":789},{"_274":784,"_276":785,"_278":786,"_280":769},86.586,102.3,71.586,{"_285":224,"_123":790,"_154":791,"_140":99},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1122/480.jpg","https://img.ochreeditions.com/a/1122/960.jpg","https://img.ochreeditions.com/a/1122/1920.jpg",{"_309":808,"_311":809},{"_309":806,"_311":807},{"_309":804,"_311":805},{"_309":802,"_311":803},{"_309":800,"_311":801},"#232e1c",0.0274,"#583f24",0.0318,"#2d2113",0.1147,"#110d08",0.3567,"#1d150c",0.4694,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","a-young-woman-and-her-little-boy-nga-1143","A Young Woman and Her Little Boy",{"_42":865,"_221":866,"_323":867,"_325":326,"_327":868,"_329":869,"_331":870,"_332":393,"_333":-5,"_140":101},"c. 1540","oil on panel","overall: 99.5 x 76 cm (39 3/16 x 29 15/16 in.) framed: 134.6 x 111.1 x 6.7 cm (53 x 43 3/4 x 2 5/8 in.)",76,99.5,0.76416015625,[850,851,852,853,854],{"_220":299,"_221":300,"_42":301,"_302":303},"1942.9.6","Agnolo Bronzino painted this in about 1540, aged 37. It is now at the National Gallery of Art in Washington, DC.","A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.",{"_293":847,"_295":848,"_297":849},"https://img.ochreeditions.com/m/1323.jpg?dl=1","/art/a-young-woman-and-her-little-boy-nga-1143","/galleries/style/italian-renaissance/a-young-woman-and-her-little-boy-nga-1143",{"_289":290,"_291":292},{"_224":842,"_125":843,"_283":844},{"_274":839,"_276":840,"_278":841,"_280":825},91.033935546875,114.5,76.033935546875,{"_285":224,"_123":845,"_154":846,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1323/480.jpg","https://img.ochreeditions.com/a/1323/960.jpg","https://img.ochreeditions.com/a/1323/1920.jpg",{"_309":863,"_311":864},{"_309":861,"_311":862},{"_309":859,"_311":860},{"_309":857,"_311":858},{"_309":855,"_311":856},"#b0906f",0.0813,"#734e34",0.0938,"#741d24",0.2618,"#2e1f18",0.2663,"#393a25",0.2968,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","ornamental-panel-inscribed-victoria-augusta-nga-6084","Ornamental Panel Inscribed \"Victoria Augusta\"",{"_42":923,"_221":924,"_323":925,"_325":326,"_327":926,"_329":927,"_331":-5,"_332":-5,"_333":-5,"_140":101},"c. 1516","print","Print","engraving","sheet: 26.3 x 13.1 cm (10 3/8 x 5 3/16 in.)",13.1,26.3,0.5166015625,[908,909,910,911,912],{"_220":299,"_221":300,"_42":301,"_302":303},"1943.3.2908","Giovanni Antonio da Brescia made this in about 1516, aged 46. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.",{"_293":905,"_295":906,"_297":907},"https://img.ochreeditions.com/m/1346.jpg?dl=1","/art/ornamental-panel-inscribed-victoria-augusta-nga-6084","/galleries/style/italian-renaissance/ornamental-panel-inscribed-victoria-augusta-nga-6084",{"_289":431,"_291":432},{"_224":897,"_125":898,"_283":899},{"_274":894,"_276":895,"_278":896,"_280":880},37.58662109375,50.3,13.58662109375,{"_285":224,"_123":903,"_154":904,"_140":89},{"_285":125,"_123":900,"_154":901,"_140":902},{"_285":283,"_123":423,"_154":424,"_140":425},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1346/960.jpg","https://img.ochreeditions.com/a/1346/1920.jpg",{"_309":921,"_311":922},{"_309":919,"_311":920},{"_309":917,"_311":918},{"_309":915,"_311":916},{"_309":913,"_311":914},"#d9d0bd",0.072,"#b4aa9b",0.081,"#968d81",0.2216,"#80786e",0.2959,"#6c655e",0.3295,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"the-journey-of-the-magi-met-437611","The Journey of the Magi",{"_42":974,"_221":975,"_323":976,"_325":326,"_327":977,"_329":978,"_331":979,"_332":760,"_333":-5,"_140":99},"ca. 1433–35","8 1/2 x 11 3/4 in. (21.6 x 29.8 cm)",29.8,21.6,1.3119055428009183,[959,960,961,962,963],{"_220":368,"_221":369,"_42":370,"_302":371},"43.98.1","Sassetta painted this in about 1433–35, aged about 43. It is now at The Met in New York.","The Journey of the Magi, by Sassetta, ca. 1433–35",{"_293":956,"_295":957,"_297":958},"https://img.ochreeditions.com/m/1153.jpg?dl=1","/art/the-journey-of-the-magi-met-437611","/galleries/style/italian-renaissance/the-journey-of-the-magi-met-437611",{"_289":290,"_291":292},{"_224":951,"_125":952,"_283":953},{"_274":948,"_276":949,"_278":933,"_280":950},44.8,37.715050000000005,22.71505,{"_285":224,"_123":954,"_154":955,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1153/480.jpg","https://img.ochreeditions.com/a/1153/960.jpg","https://img.ochreeditions.com/a/1153/1920.jpg",{"_309":972,"_311":973},{"_309":970,"_311":971},{"_309":968,"_311":969},{"_309":966,"_311":967},{"_309":964,"_311":965},"#3a434b",0.154,"#5d3c23",0.169,"#0b0604",0.1843,"#7c7159",0.2302,"#56482f",0.2625,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","the-baptism-of-christ-met-440393","The Baptism of Christ",{"_42":1026,"_221":1027,"_323":1028,"_325":326,"_327":1029,"_329":1030,"_331":1031,"_332":1031,"_333":-5,"_140":101},"ca. 1590","75 1/2 x 63 1/8 in. (191.8 x 160.3 cm)",160.3,191.8,0.8148820326678766,[1011,1012,1013,1014,1015],{"_220":368,"_221":369,"_42":370,"_302":371},"2012.99","Jacopo Bassano painted this in about 1590, aged about 75. It is now at The Met in New York.","The Baptism of Christ, by Jacopo Bassano, ca. 1590",{"_293":1008,"_295":1009,"_297":1010},"https://img.ochreeditions.com/m/1200.jpg?dl=1","/art/the-baptism-of-christ-met-440393","/galleries/style/italian-renaissance/the-baptism-of-christ-met-440393",{"_289":290,"_291":292},{"_224":1003,"_125":1004,"_283":1005},{"_274":1000,"_276":1001,"_278":1002,"_280":986},171.29437386569876,206.8,156.29437386569876,{"_285":224,"_123":1006,"_154":1007,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/1200/480.jpg","https://img.ochreeditions.com/a/1200/960.jpg","https://img.ochreeditions.com/a/1200/1920.jpg",{"_309":1024,"_311":1025},{"_309":1022,"_311":1023},{"_309":1020,"_311":1021},{"_309":1018,"_311":1019},{"_309":1016,"_311":1017},"#501c1a",0.0331,"#80614d",0.0373,"#483528",0.0862,"#291f19",0.1566,"#140f0e",0.6868,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":1079,"_221":1080,"_323":1081,"_325":326,"_327":1082,"_329":1083,"_331":1084,"_332":1085,"_333":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",43.5,54.3,0.8074035723530935,[1064,1065,1066,1067,1068],{"_220":368,"_221":369,"_42":370,"_302":371},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_293":1061,"_295":1062,"_297":1063},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_289":290,"_291":292},{"_224":1056,"_125":1057,"_283":1058},{"_274":1053,"_276":1054,"_278":1055,"_280":1039},58.842013978772975,69.3,43.842013978772975,{"_285":224,"_123":1059,"_154":1060,"_140":89},{"_285":125,"_123":482,"_154":483,"_140":484},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_309":1077,"_311":1078},{"_309":1075,"_311":1076},{"_309":1073,"_311":1074},{"_309":1071,"_311":1072},{"_309":1069,"_311":1070},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","Rome","lucretia-met-337075","Lucretia",{"_42":1135,"_221":1136,"_323":1137,"_325":326,"_327":1138,"_329":1139,"_331":1140,"_332":1085,"_333":1141,"_140":99},"1508–10","Drawings","Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)","15-5/8 x 11-1/2 in. (39.7 x 29.2 cm)",29.2,39.7,0.7302187415608966,[1120,1121,1122,1123,1124],{"_220":368,"_221":369,"_42":370,"_302":371},"1997.153","Raphael drew this in 1508–10, aged about 25. It is now at The Met in New York.","Lucretia, the Roman noblewoman who took her own life after being raped by the king’s son, an act that led to the founding of the Roman Republic, raises a dagger to her breast. Raphael drew her in pen and ink over black chalk around 1508–10, soon after arriving in Rome, basing the figure on ancient sculpture.","Lucretia, by Raphael, 1508–10",{"_293":1117,"_295":1118,"_297":1119},"https://img.ochreeditions.com/m/1012.jpg?dl=1","/art/lucretia-met-337075","/galleries/style/italian-renaissance/lucretia-met-337075",{"_289":431,"_291":432},{"_224":1112,"_125":1113,"_283":1114},{"_274":1109,"_276":1110,"_278":1111,"_280":1094},52.9896840399676,63.7,28.989684039967596,{"_285":224,"_123":1115,"_154":1116,"_140":99},{"_285":125,"_123":426,"_154":427,"_140":428},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1012/480.jpg","https://img.ochreeditions.com/a/1012/960.jpg","https://img.ochreeditions.com/a/1012/1920.jpg",{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},{"_309":1127,"_311":1128},{"_309":1125,"_311":1126},"#edded4",0.0326,"#dcccbf",0.0399,"#aa937c",0.1034,"#c0b09f",0.4112,"#b8a691",0.4129,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.",{"_1143":-5,"_1144":1145,"_1146":1147,"_1148":8,"_1149":1150,"_1151":8},"user","csrf","4a5dd33c5d1370078b6137363cffda275aa26fe7","cartCount",0,"dropLive","legal",[1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163],"uploadsEnabled",{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]