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(66 x 42.9 cm); painted surface 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm)",42.9,0.6585,[434,435,436,437,438],{"_224":378,"_225":379,"_42":380,"_306":381},"65.14.1","Lorenzo Monaco painted this in about 1408–10, aged about 38. It is now at The Met in New York.","Abraham, by Lorenzo Monaco, ca. 1408–10",{"_297":431,"_299":432,"_301":433},"https://img.ochreeditions.com/m/1121.jpg?dl=1","/art/abraham-met-436911","/galleries/style/italian-renaissance/abraham-met-436911",{"_293":294,"_295":296},{"_228":426,"_125":427,"_287":428},{"_278":423,"_280":424,"_282":425,"_284":169},58.461,81,43.461,{"_289":228,"_123":429,"_154":430,"_140":99},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1121/480.jpg","https://img.ochreeditions.com/a/1121/960.jpg","https://img.ochreeditions.com/a/1121/1920.jpg",{"_313":447,"_315":448},{"_313":445,"_315":446},{"_313":443,"_315":444},{"_313":441,"_315":442},{"_313":439,"_315":440},"#0f0c0a",0.0915,"#5b6652",0.1574,"#c49b55",0.205,"#724a39",0.2318,"#a97350",0.3143,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":503,"_225":504,"_327":505,"_329":330,"_331":506,"_333":507,"_335":508,"_336":508,"_337":509,"_140":101},"1514/1529","oil on canvas","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[488,489,490,491,492],{"_224":303,"_225":304,"_42":305,"_306":307},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_297":485,"_299":486,"_301":487},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_293":294,"_295":296},{"_228":480,"_125":481,"_287":482},{"_278":477,"_280":478,"_282":461,"_284":479},203,187.2109375,172.2109375,{"_289":228,"_123":483,"_154":484,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_313":501,"_315":502},{"_313":499,"_315":500},{"_313":497,"_315":498},{"_313":495,"_315":496},{"_313":493,"_315":494},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Venice","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","portrait-of-a-young-woman-met-436910","Portrait of a Young Woman",{"_42":557,"_225":558,"_327":559,"_329":330,"_331":560,"_333":561,"_335":402,"_336":402,"_337":-5,"_140":103},"ca. 1490–1500","Oil on wood","23 1/8 x 15 3/4 in. (58.7 x 40 cm)",40,58.7,0.7005941617153191,[542,543,544,545,546],{"_224":378,"_225":379,"_42":380,"_306":381},"43.86.5","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) painted this in about 1490–1500, aged about 34. It is now at The Met in New York.","Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500",{"_297":539,"_299":540,"_301":541},"https://img.ochreeditions.com/m/1120.jpg?dl=1","/art/portrait-of-a-young-woman-met-436910","/galleries/style/italian-renaissance/portrait-of-a-young-woman-met-436910",{"_293":294,"_295":296},{"_228":534,"_125":535,"_287":536},{"_278":531,"_280":532,"_282":533,"_284":517},56.124877292689234,73.7,41.124877292689234,{"_289":228,"_123":537,"_154":538,"_140":89},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries","https://img.ochreeditions.com/a/1120/480.jpg","https://img.ochreeditions.com/a/1120/960.jpg","https://img.ochreeditions.com/a/1120/1920.jpg",{"_313":555,"_315":556},{"_313":553,"_315":554},{"_313":551,"_315":552},{"_313":549,"_315":550},{"_313":547,"_315":548},"#9a8469",0.1172,"#607b86",0.1207,"#674c31",0.1701,"#353120",0.2646,"#14120e",0.3274,"Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)","lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Italian, 1456–1536",1456,1536,"the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":609,"_225":610,"_327":611,"_329":330,"_331":195,"_333":612,"_335":-5,"_336":-5,"_337":613,"_140":103},"c. 1535/1540","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[594,595,596,597,598],{"_224":303,"_225":304,"_42":305,"_306":307},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_297":591,"_299":592,"_301":593},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_293":294,"_295":296},{"_228":586,"_125":587,"_287":588},{"_278":583,"_280":584,"_282":567,"_284":585},147,145.1953125,130.1953125,{"_289":228,"_123":589,"_154":590,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_313":607,"_315":608},{"_313":605,"_315":606},{"_313":603,"_315":604},{"_313":601,"_315":602},{"_313":599,"_315":600},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","madonna-and-child-met-435641","Madonna and Child",{"_42":503,"_225":504,"_327":505,"_329":330,"_331":506,"_333":507,"_335":508,"_336":508,"_337":509,"_140":101},"late 1480s","35 x 28 in. (88.9 x 71.1 cm)",71.1,88.9,0.8119956966110812,[643,644,645,646,647],{"_224":378,"_225":379,"_42":380,"_306":381},"08.183.1","Giovanni Bellini painted this in the late 1480s, aged about 63. It is now at The Met in New York.","Madonna and Child, by Giovanni Bellini, late 1480s",{"_297":640,"_299":641,"_301":642},"https://img.ochreeditions.com/m/1061.jpg?dl=1","/art/madonna-and-child-met-435641","/galleries/style/italian-renaissance/madonna-and-child-met-435641",{"_293":294,"_295":296},{"_228":637,"_125":638,"_287":639},{"_278":634,"_280":635,"_282":636,"_284":620},87.18641742872512,103.9,72.18641742872512,{"_289":228,"_123":483,"_154":484,"_140":89},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1061/960.jpg","https://img.ochreeditions.com/a/1061/1920.jpg",{"_313":656,"_315":657},{"_313":654,"_315":655},{"_313":652,"_315":653},{"_313":650,"_315":651},{"_313":648,"_315":649},"#888a90",0.1244,"#ac8755",0.1433,"#5e3d24",0.1941,"#943011",0.2347,"#1e1823",0.3035,"pieta-nga-41592","Pietà",{"_42":705,"_225":706,"_327":707,"_329":330,"_331":708,"_333":709,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1520s","oil on panel","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[690,691,692,693,694],{"_224":303,"_225":304,"_42":305,"_306":307},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_297":687,"_299":688,"_301":689},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_293":294,"_295":296},{"_228":682,"_125":683,"_287":684},{"_278":679,"_280":680,"_282":681,"_284":665},113.0291015625,190.8,98.0291015625,{"_289":228,"_123":685,"_154":686,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_313":703,"_315":704},{"_313":701,"_315":702},{"_313":699,"_315":700},{"_313":697,"_315":698},{"_313":695,"_315":696},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1498,1554,"a-young-woman-and-her-little-boy-nga-1143","A Young Woman and Her Little Boy",{"_42":756,"_225":757,"_327":758,"_329":330,"_331":759,"_333":760,"_335":761,"_336":402,"_337":-5,"_140":101},"c. 1540","overall: 99.5 x 76 cm (39 3/16 x 29 15/16 in.) framed: 134.6 x 111.1 x 6.7 cm (53 x 43 3/4 x 2 5/8 in.)",76,99.5,0.76416015625,[741,742,743,744,745],{"_224":303,"_225":304,"_42":305,"_306":307},"1942.9.6","Agnolo Bronzino painted this in about 1540, aged 37. It is now at the National Gallery of Art in Washington, DC.","A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.",{"_297":738,"_299":739,"_301":740},"https://img.ochreeditions.com/m/1323.jpg?dl=1","/art/a-young-woman-and-her-little-boy-nga-1143","/galleries/style/italian-renaissance/a-young-woman-and-her-little-boy-nga-1143",{"_293":294,"_295":296},{"_228":733,"_125":734,"_287":735},{"_278":730,"_280":731,"_282":732,"_284":716},91.033935546875,114.5,76.033935546875,{"_289":228,"_123":736,"_154":737,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1323/480.jpg","https://img.ochreeditions.com/a/1323/960.jpg","https://img.ochreeditions.com/a/1323/1920.jpg",{"_313":754,"_315":755},{"_313":752,"_315":753},{"_313":750,"_315":751},{"_313":748,"_315":749},{"_313":746,"_315":747},"#b0906f",0.0813,"#734e34",0.0938,"#741d24",0.2618,"#2e1f18",0.2663,"#393a25",0.2968,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":809,"_225":810,"_327":811,"_329":330,"_331":812,"_333":813,"_335":814,"_336":508,"_337":-5,"_140":103},"1570s","Oil on canvas","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[794,795,796,797,798],{"_224":378,"_225":379,"_42":380,"_306":381},"10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_297":791,"_299":792,"_301":793},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_293":294,"_295":296},{"_228":786,"_125":787,"_287":788},{"_278":783,"_280":784,"_282":785,"_284":769},175.13744999999997,220.7,160.13744999999997,{"_289":228,"_123":789,"_154":790,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg",{"_313":807,"_315":808},{"_313":805,"_315":806},{"_313":803,"_315":804},{"_313":801,"_315":802},{"_313":799,"_315":800},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Verona","saint-apollonia-nga-12103","Saint Apollonia",{"_42":862,"_225":863,"_327":864,"_329":330,"_331":865,"_333":866,"_335":867,"_336":868,"_337":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.6 x 11.3 cm (11 1/4 x 4 7/16 in.) framed: 31.4 x 14 x 7.8 cm (12 3/8 x 5 1/2 x 3 1/16 in.)",11.3,28.6,0.447509765625,[847,848,849,850,851],{"_224":303,"_225":304,"_42":305,"_306":307},"1943.4.5","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their head slightly tilted to the left. They have a pale complexion, and short, wavy blonde hair adorned with a thin red crown. They have rosy, pink cheeks, arched eyebrows, a straight nose, and small lips set in a neutral expression. The individual is wearing a long red robe over a black tunic or dress and is holding a long black quill-like object in one hand, and what looks like a thin staff with a red loop at the end in the other. A detailed golden halo surrounds their head, and the background features an ornate gold pattern which is slightly worn and peeling in some places. The painting is bordered by a golden frame.",{"_297":844,"_299":845,"_301":846},"https://img.ochreeditions.com/m/1361.jpg?dl=1","/art/saint-apollonia-nga-12103","/galleries/style/italian-renaissance/saint-apollonia-nga-12103",{"_293":294,"_295":296},{"_228":839,"_125":840,"_287":841},{"_278":836,"_280":837,"_282":838,"_284":822},27.798779296875,43.6,12.798779296875,{"_289":228,"_123":842,"_154":843,"_140":99},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1361/480.jpg","https://img.ochreeditions.com/a/1361/960.jpg","https://img.ochreeditions.com/a/1361/1920.jpg",{"_313":860,"_315":861},{"_313":858,"_315":859},{"_313":856,"_315":857},{"_313":854,"_315":855},{"_313":852,"_315":853},"#29201b",0.1021,"#c8a36e",0.1624,"#5b3427",0.2037,"#825e40",0.2204,"#a27d55",0.3114,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena","the-adoration-of-the-shepherds-met-436966","The Adoration of the Shepherds",{"_42":915,"_225":916,"_327":917,"_329":330,"_331":918,"_333":919,"_335":920,"_336":921,"_337":-5,"_140":101},"shortly after 1450","Tempera on canvas, transferred from wood","Overall 15 3/4 x 21 7/8 in. (40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)",55.6,1.3584577978464745,[900,901,902,903,904],{"_224":378,"_225":379,"_42":380,"_306":381},"32.130.2","Andrea Mantegna painted this (shortly after 1450), aged about 20. It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_297":897,"_299":898,"_301":899},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_293":294,"_295":296},{"_228":892,"_125":893,"_287":894},{"_278":889,"_280":890,"_282":875,"_284":891},70.6,55.928765021733575,40.928765021733575,{"_289":228,"_123":895,"_154":896,"_140":89},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg",{"_313":913,"_315":914},{"_313":911,"_315":912},{"_313":909,"_315":910},{"_313":907,"_315":908},{"_313":905,"_315":906},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36",0.2135,"#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":969,"_225":970,"_327":971,"_329":330,"_331":972,"_333":973,"_335":402,"_336":974,"_337":-5,"_140":103},"ca. 1440","Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[954,955,956,957,958],{"_224":378,"_225":379,"_42":380,"_306":381},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_297":951,"_299":952,"_301":953},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_293":294,"_295":296},{"_228":946,"_125":947,"_287":948},{"_278":943,"_280":944,"_282":945,"_284":929},57.47969032258064,79.1,42.47969032258064,{"_289":228,"_123":949,"_154":950,"_140":89},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_313":967,"_315":968},{"_313":965,"_315":966},{"_313":963,"_315":964},{"_313":961,"_315":962},{"_313":959,"_315":960},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Spoleto","jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries",{"_42":1027,"_225":1028,"_327":1029,"_329":330,"_331":1030,"_333":334,"_335":402,"_336":1031,"_337":-5,"_140":103},"ca. 1532–35","drawing","Drawings","Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache","Sheet: 17 x 15 3/4 in. (43.2 x 40 cm)",43.2,0.8836846213895394,[1013,1014,1015,1016,1017],{"_224":378,"_225":379,"_42":380,"_306":381},"2011.36","Perino del Vaga (Pietro Buonaccorsi) painted this in about 1532–35, aged about 25. It is now at The Met in New York.","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries, by Perino del Vaga (Pietro Buonaccorsi), ca. 1532–35",{"_297":1010,"_299":1011,"_301":1012},"https://img.ochreeditions.com/m/1055.jpg?dl=1","/art/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","/galleries/style/italian-renaissance/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485",{"_293":1008,"_295":1009},{"_228":1000,"_125":1001,"_287":1002},{"_278":997,"_280":998,"_282":999,"_284":983},62.1751756440281,67.2,38.1751756440281,{"_289":228,"_123":1006,"_154":1007,"_140":89},{"_289":125,"_123":1003,"_154":1004,"_140":1005},{"_289":287,"_123":167,"_154":166,"_140":169},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-perino-del-vaga-pietro-buonaccorsi","Perino del Vaga (Pietro Buonaccorsi)'s contemporaries","black","snow","https://img.ochreeditions.com/a/1055/480.jpg","https://img.ochreeditions.com/a/1055/960.jpg","https://img.ochreeditions.com/a/1055/1920.jpg",{"_313":1025,"_315":1026},{"_313":1023,"_315":1024},{"_313":1022,"_315":910},{"_313":1020,"_315":1021},{"_313":1018,"_315":1019},"#cbb59c",0.0965,"#988167",0.1757,"#544a3e","#7d6b55",0.2421,"#685a49",0.2722,"Perino del Vaga (Pietro Buonaccorsi)","perino-del-vaga-pietro-buonaccorsi","Italian, 1501–1547",1501,"Rome","the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","The Annunciation to Zacharias; (verso) The Angel of the Annunciation",{"_42":1079,"_225":1080,"_327":1081,"_329":330,"_331":1082,"_333":1083,"_335":868,"_336":868,"_337":1084,"_140":97},"ca. 1455–60","Tempera and gold on wood","Overall: 29 7/8 in. × 17 in. (75.9 × 43.2 cm)",75.9,0.4765,[1064,1065,1066,1067,1068],{"_224":378,"_225":379,"_42":380,"_306":381},"1975.1.37","Giovanni di Paolo painted this in about 1455–60, aged about 54. It is now at The Met in New York.","In the Temple at Jerusalem the aged priest Zacharias is visited by the angel Gabriel, who announces that his wife Elizabeth, long childless, will bear a son, the future John the Baptist. Zacharias doubts, and is struck dumb until the child is born.","The Annunciation to Zacharias; (verso) The Angel of the Annunciation, by Giovanni di Paolo, ca. 1455–60",{"_297":1061,"_299":1062,"_301":1063},"https://img.ochreeditions.com/m/1246.jpg?dl=1","/art/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","/galleries/style/italian-renaissance/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977",{"_293":294,"_295":296},{"_228":1056,"_125":1057,"_287":1058},{"_278":1053,"_280":1054,"_282":1055,"_284":1038},51.16635,90.9,36.16635,{"_289":228,"_123":1059,"_154":1060,"_140":97},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1246/480.jpg","https://img.ochreeditions.com/a/1246/960.jpg","https://img.ochreeditions.com/a/1246/1920.jpg",{"_313":1077,"_315":1078},{"_313":1075,"_315":1076},{"_313":1073,"_315":1074},{"_313":1071,"_315":1072},{"_313":1069,"_315":1070},"#754b2e",0.1058,"#040303",0.1371,"#362f27",0.1673,"#594b34",0.2747,"#846f4b",0.3151,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","the-journey-of-the-magi-met-437611","The Journey of the Magi",{"_42":862,"_225":863,"_327":864,"_329":330,"_331":865,"_333":866,"_335":867,"_336":868,"_337":-5,"_140":99},"ca. 1433–35","8 1/2 x 11 3/4 in. (21.6 x 29.8 cm)",29.8,21.6,1.3119055428009183,[1114,1115,1116,1117,1118],{"_224":378,"_225":379,"_42":380,"_306":381},"43.98.1","Sassetta painted this in about 1433–35, aged about 43. It is now at The Met in New York.","The Journey of the Magi, by Sassetta, ca. 1433–35",{"_297":1111,"_299":1112,"_301":1113},"https://img.ochreeditions.com/m/1153.jpg?dl=1","/art/the-journey-of-the-magi-met-437611","/galleries/style/italian-renaissance/the-journey-of-the-magi-met-437611",{"_293":294,"_295":296},{"_228":1108,"_125":1109,"_287":1110},{"_278":1105,"_280":1106,"_282":1090,"_284":1107},44.8,37.715050000000005,22.71505,{"_289":228,"_123":842,"_154":843,"_140":99},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1153/480.jpg","https://img.ochreeditions.com/a/1153/960.jpg","https://img.ochreeditions.com/a/1153/1920.jpg",{"_313":1127,"_315":1128},{"_313":1125,"_315":1126},{"_313":1123,"_315":1124},{"_313":1121,"_315":1122},{"_313":1119,"_315":1120},"#3a434b",0.154,"#5d3c23",0.169,"#0b0604",0.1843,"#7c7159",0.2302,"#56482f",0.2625,{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","1f2bd62997a0dde6dd827f41f2d6dd78078dca7a","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_225":1173,"_20":1174},{"_225":1171,"_20":1172},{"_225":1169,"_20":1170},{"_225":1167,"_20":1168},{"_225":1165,"_20":1166},{"_225":1163,"_20":1164},{"_225":1161,"_20":1162},{"_225":1159,"_20":1160},{"_225":1157,"_20":1158},{"_225":1155,"_20":1156},{"_225":1153,"_20":1154},{"_225":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]