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Italian maker","date","c. 1515","century","place","italy","movement","italian-renaissance","painting","classification","Painting","medium","oil on panel transferred to canvas","dimensions","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)","width_cm",81,"height_cm",39.5,"aspect",1.7407564810879728,"palette",[304,305,306,307,308],"museum",{"_220":299,"_221":300,"_42":301,"_302":303},"credit","Courtesy National Gallery of Art, Washington","accession","1942.9.2","licence","CC0","story","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","note","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1319.jpg?dl=1","page_url","/art/orpheus-nga-1139","walk_url","/galleries/style/italian-renaissance/orpheus-nga-1139","frame",{"_289":290,"_291":292},{"_224":281,"_125":282,"_283":284},"size",{"_274":275,"_276":277,"_278":242,"_279":280},"w",96,"h",61.531494140625,"image_w","image_h",46.531494140625,{"_285":224,"_123":170,"_154":169,"_140":77},{"_285":125,"_123":286,"_154":287,"_140":288},"era",{"_285":283,"_123":166,"_154":165,"_140":168},"facet","style/painting-16","More paintings of the 16th century",95,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1319/480.jpg","960","https://img.ochreeditions.com/a/1319/960.jpg","1920","https://img.ochreeditions.com/a/1319/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#b17758","weight",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"a-hunting-scene-met-437283","A Hunting Scene",{"_42":380,"_221":381,"_382":383,"_384":385,"_386":387,"_388":389,"_390":391,"_392":391,"_393":-5,"_140":103},"ca. 1494–1500","Paintings","Tempera and oil transferred to Masonite","27 3/4 x 66 3/4 in. (70.5 x 169.5 cm)",169.5,70.5,2.2246941045606228,[365,366,367,368,369],{"_220":361,"_221":362,"_42":363,"_302":364},"Courtesy of The Metropolitan Museum of Art","75.7.2","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) painted this in about 1494–1500, aged about 32. It is now at The Met in New York.","A Hunting Scene, by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500",{"_293":358,"_295":359,"_297":360},"https://img.ochreeditions.com/m/1135.jpg?dl=1","/art/a-hunting-scene-met-437283","/galleries/style/italian-renaissance/a-hunting-scene-met-437283",{"_289":290,"_291":292},{"_224":347,"_125":348,"_283":349},{"_274":344,"_276":345,"_278":328,"_279":346},184.5,91.19025,76.19025,{"_285":224,"_123":356,"_154":357,"_140":89},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1135/480.jpg","https://img.ochreeditions.com/a/1135/960.jpg","https://img.ochreeditions.com/a/1135/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":378,"_311":379},{"_309":376,"_311":377},{"_309":374,"_311":375},{"_309":372,"_311":373},{"_309":370,"_311":371},"#727a63",0.0302,"#583d17",0.0932,"#37260d",0.229,"#100b03",0.2861,"#251b0c",0.3615,"Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)","piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","bio","Italian, 1462–1522","nationality","Italian","birth_year",1462,"death_year",1522,"birth_place","Florence","death_place","about_excerpt","madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":442,"_221":443,"_382":444,"_384":385,"_386":445,"_388":446,"_390":447,"_392":448,"_393":449,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[427,428,429,430,431],{"_220":361,"_221":362,"_42":363,"_302":364},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_293":424,"_295":425,"_297":426},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_289":290,"_291":292},{"_224":419,"_125":420,"_283":421},{"_274":415,"_276":416,"_278":417,"_279":418},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_285":224,"_123":422,"_154":423,"_140":99},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_309":440,"_311":441},{"_309":438,"_311":439},{"_309":436,"_311":437},{"_309":434,"_311":435},{"_309":432,"_311":433},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","the-adoration-of-the-shepherds-met-436966","The Adoration of the Shepherds",{"_42":497,"_221":498,"_382":499,"_384":385,"_386":500,"_388":501,"_390":502,"_392":503,"_393":-5,"_140":101},"shortly after 1450","Tempera on canvas, transferred from wood","Overall 15 3/4 x 21 7/8 in. (40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)",55.6,40,1.3584577978464745,[482,483,484,485,486],{"_220":361,"_221":362,"_42":363,"_302":364},"32.130.2","Andrea Mantegna painted this (shortly after 1450), aged about 20. It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_293":479,"_295":480,"_297":481},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_289":290,"_291":292},{"_224":474,"_125":475,"_283":476},{"_274":471,"_276":472,"_278":456,"_279":473},70.6,55.928765021733575,40.928765021733575,{"_285":224,"_123":477,"_154":478,"_140":89},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg",{"_309":495,"_311":496},{"_309":493,"_311":494},{"_309":491,"_311":492},{"_309":489,"_311":490},{"_309":487,"_311":488},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36",0.2135,"#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","a-bear-walking-met-459184","A Bear Walking",{"_42":559,"_221":560,"_382":561,"_384":385,"_386":562,"_388":563,"_390":564,"_392":565,"_393":566,"_140":99},"ca. 1482–85","drawing","Drawings","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[544,545,546,547,548],{"_220":361,"_221":362,"_42":363,"_302":364},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_293":541,"_295":542,"_297":543},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_289":539,"_291":540},{"_224":532,"_125":533,"_283":534},{"_274":528,"_276":529,"_278":530,"_279":531},49,43.29429429429429,25,19.294294294294293,{"_285":224,"_123":537,"_154":538,"_140":99},{"_285":125,"_123":535,"_154":536,"_140":91},{"_285":283,"_123":350,"_154":351,"_140":352},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","black","snow","https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_309":557,"_311":558},{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","the-wife-of-hasdrubal-and-her-children-nga-50292","The Wife of Hasdrubal and Her Children",{"_42":614,"_221":615,"_382":616,"_384":385,"_386":617,"_388":618,"_390":-5,"_392":-5,"_393":-5,"_140":103},"c. 1490/1493","tempera on poplar panel","overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.)",30.6,47.3,0.6376953125,[599,600,601,602,603],{"_220":299,"_221":300,"_42":301,"_302":303},"1965.7.1","Ercole de' Roberti painted this in about 1490/1493, aged about 35. It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_293":596,"_295":597,"_297":598},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_289":290,"_291":292},{"_224":591,"_125":592,"_283":593},{"_274":588,"_276":589,"_278":590,"_279":574},45.162988281249994,62.3,30.162988281249998,{"_285":224,"_123":594,"_154":595,"_140":89},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg",{"_309":612,"_311":613},{"_309":610,"_311":611},{"_309":608,"_311":609},{"_309":606,"_311":607},{"_309":604,"_311":605},"#615326",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,"the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","The Head of the Virgin in Three-Quarter View Facing Right",{"_42":559,"_221":560,"_382":561,"_384":385,"_386":562,"_388":563,"_390":564,"_392":565,"_393":566,"_140":99},"1510–13","Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)","Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)",15.6,20.3,0.7776033490319204,[652,653,654,655,656],{"_220":361,"_221":362,"_42":363,"_302":364},"51.90","Leonardo da Vinci drew this in 1510–13, aged about 58. It is now at The Met in New York.","The Virgin’s head is turned in three-quarter view and tilted downward, her eyes lowered and a faint smile on her lips, modelled in black and red chalk and charcoal with a softness that seems to dissolve the contours into shadow.","The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13",{"_293":649,"_295":650,"_297":651},"https://img.ochreeditions.com/m/1022.jpg?dl=1","/art/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","/galleries/style/italian-renaissance/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496",{"_289":539,"_291":540},{"_224":643,"_125":644,"_283":645},{"_274":641,"_276":528,"_278":642,"_279":530},43.44008372579801,19.44008372579801,{"_285":224,"_123":537,"_154":538,"_140":99},{"_285":125,"_123":646,"_154":647,"_140":648},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century",35,"https://img.ochreeditions.com/a/1022/480.jpg","https://img.ochreeditions.com/a/1022/960.jpg","https://img.ochreeditions.com/a/1022/1920.jpg",{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},{"_309":659,"_311":660},{"_309":657,"_311":658},"#f7f4ee",0.1036,"#d2c2b8",0.1795,"#b0a198",0.2165,"#766a65",0.2258,"#918279",0.2746,"madonna-and-child-met-436892","Madonna and Child",{"_42":714,"_221":715,"_382":716,"_384":385,"_386":717,"_388":718,"_390":719,"_392":391,"_393":-5,"_140":101},"ca. 1483–84","Tempera, oil, and gold on wood","32 x 23 1/2 in. (81.3 x 59.7 cm)",59.7,81.3,0.7439751230888831,[699,700,701,702,703],{"_220":361,"_221":362,"_42":363,"_302":364},"49.7.10","Filippino Lippi painted this in about 1483–84, aged about 26. It is now at The Met in New York.","Madonna and Child, by Filippino Lippi, ca. 1483–84",{"_293":696,"_295":697,"_297":698},"https://img.ochreeditions.com/m/1114.jpg?dl=1","/art/madonna-and-child-met-436892","/galleries/style/italian-renaissance/madonna-and-child-met-436892",{"_289":290,"_291":292},{"_224":691,"_125":692,"_283":693},{"_274":688,"_276":689,"_278":690,"_279":674},75.4851775071262,96.3,60.485177507126195,{"_285":224,"_123":694,"_154":695,"_140":89},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1114/480.jpg","https://img.ochreeditions.com/a/1114/960.jpg","https://img.ochreeditions.com/a/1114/1920.jpg",{"_309":712,"_311":713},{"_309":710,"_311":711},{"_309":708,"_311":709},{"_309":706,"_311":707},{"_309":704,"_311":705},"#632128",0.0996,"#071e49",0.1647,"#7b7466",0.1888,"#624b36",0.2197,"#343231",0.3272,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","the-annunciation-met-459016","The Annunciation",{"_42":767,"_221":768,"_382":769,"_384":385,"_386":770,"_388":771,"_390":391,"_392":391,"_393":-5,"_140":101},"ca. 1490","Tempera and gold on wood","7 1/2 x 12 3/8 in. (19.1 x 31.4 cm)",31.4,19.1,1.5219758848697005,[752,753,754,755,756],{"_220":361,"_221":362,"_42":363,"_302":364},"1975.1.74","Botticelli (Alessandro di Mariano Filipepi) painted this in about 1490, aged about 41. It is now at The Met in New York.","The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490",{"_293":749,"_295":750,"_297":751},"https://img.ochreeditions.com/m/1249.jpg?dl=1","/art/the-annunciation-met-459016","/galleries/style/italian-renaissance/the-annunciation-met-459016",{"_289":290,"_291":292},{"_224":744,"_125":745,"_283":746},{"_274":741,"_276":742,"_278":726,"_279":743},46.4,35.63107590084334,20.631075900843342,{"_285":224,"_123":747,"_154":748,"_140":89},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1249/480.jpg","https://img.ochreeditions.com/a/1249/960.jpg","https://img.ochreeditions.com/a/1249/1920.jpg",{"_309":765,"_311":766},{"_309":763,"_311":764},{"_309":761,"_311":762},{"_309":759,"_311":760},{"_309":757,"_311":758},"#7d573f",0.1306,"#524b43",0.1648,"#343332",0.1656,"#743b26",0.2645,"#817268",0.2745,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,1510,"compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)",{"_42":559,"_221":560,"_382":561,"_384":385,"_386":562,"_388":563,"_390":564,"_392":565,"_393":566,"_140":99},"1480–85","Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)","7 5/8 x 6 3/8 in. (19.3 x 16.2 cm)",16.2,19.3,0.8451536643026005,[802,803,804,805,806],{"_220":361,"_221":362,"_42":363,"_302":364},"17.142.1","Leonardo da Vinci drew this in 1480–85, aged about 28. It is now at The Met in New York.","In quick silverpoint lines on pink prepared paper, Leonardo tries out several versions of the Virgin kneeling in adoration of the Christ Child, some with the infant John the Baptist and some without, reinforcing parts in pen and ink. On the same side of the sheet is a ruled diagram exploring perspective.","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85",{"_293":799,"_295":800,"_297":801},"https://img.ochreeditions.com/m/1021.jpg?dl=1","/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","/galleries/style/italian-renaissance/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494",{"_289":539,"_291":540},{"_224":796,"_125":797,"_283":798},{"_274":794,"_276":528,"_278":795,"_279":530},45.128841607565015,21.128841607565015,{"_285":224,"_123":537,"_154":538,"_140":99},{"_285":125,"_123":535,"_154":536,"_140":91},{"_285":283,"_123":350,"_154":351,"_140":352},"https://img.ochreeditions.com/a/1021/480.jpg","https://img.ochreeditions.com/a/1021/960.jpg","https://img.ochreeditions.com/a/1021/1920.jpg",{"_309":815,"_311":816},{"_309":813,"_311":814},{"_309":811,"_311":812},{"_309":809,"_311":810},{"_309":807,"_311":808},"#958066",0.0535,"#f3e5cf",0.0741,"#b69c80",0.0992,"#ccb298",0.2005,"#d9c1ab",0.5727,"the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess",{"_42":868,"_221":869,"_382":870,"_384":385,"_386":871,"_388":872,"_390":-5,"_392":-5,"_393":-5,"_140":103},"ca. 1510–20","print","Prints","Engraving","Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm)",43.7,29.1,1.4766208251473478,[853,854,855,856,857],{"_220":361,"_221":362,"_42":363,"_302":364},"19.74.1","Marcantonio Raimondi made this in about 1510–20, aged about 25. It is now at The Met in New York.","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20",{"_293":850,"_295":851,"_297":852},"https://img.ochreeditions.com/m/1009.jpg?dl=1","/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","/galleries/style/italian-renaissance/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",{"_289":539,"_291":540},{"_224":843,"_125":844,"_283":845},{"_274":840,"_276":841,"_278":825,"_279":842},67.7,53.59459819052688,29.594598190526877,{"_285":224,"_123":848,"_154":849,"_140":89},{"_285":125,"_123":846,"_154":847,"_140":53},{"_285":283,"_123":350,"_154":351,"_140":352},"style/print-15","More prints of the 15th century","artist/contemporaries-of-marcantonio-raimondi","Marcantonio Raimondi's contemporaries","https://img.ochreeditions.com/a/1009/480.jpg","https://img.ochreeditions.com/a/1009/960.jpg","https://img.ochreeditions.com/a/1009/1920.jpg",{"_309":866,"_311":867},{"_309":864,"_311":865},{"_309":862,"_311":863},{"_309":860,"_311":861},{"_309":858,"_311":859},"#f5f0dd",0.0523,"#cac0b0",0.1283,"#9e9486",0.2184,"#5f5951",0.2969,"#7d756a",0.3041,"Marcantonio Raimondi","marcantonio-raimondi","Italian, Argini (?) ca. 1480–before 1534 Bologna (?)",1475,1534,"portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","Portrait of a Young Woman as a Wise Virgin",{"_42":920,"_221":921,"_382":922,"_384":385,"_386":923,"_388":924,"_390":-5,"_392":-5,"_393":-5,"_140":101},"c. 1510","oil on hardboard transferred from panel","overall: 54.7 x 47.5 cm (21 9/16 x 18 11/16 in.) framed: 77.5 x 69.4 x 7.3 cm (30 1/2 x 27 5/16 x 2 7/8 in.)",47.5,54.7,0.86474609375,[905,906,907,908,909],{"_220":299,"_221":300,"_42":301,"_302":303},"1952.2.9","Sebastiano del Piombo painted this in about 1510, aged 25. It is now at the National Gallery of Art in Washington, DC.","A young woman with a pale, peachy skin is shown from waist up, wearing a shimmering, royal-blue dress in this vertical painting. Her body is angled to our right as she holds a metal object, perhaps a vessel or incense burner, in her hands by her chest. She turns and tilts her head to our left, but then looks back across her body, off to our right with flint-gray eyes. She has a full, oval-shaped face with a straight nose, smooth cheeks, and her pale pink lips are closed. A gray pearl earring hangs from the ear we can see. Her auburn-brown hair is parted down the middle, and loosely pulled back into a braid that brushes her left shoulder, to our right. The blue dress has a square neckline and a fitted bodice. Light glints off the fabric, shading it from royal to sapphire blue. A voluminous white sleeve is rolled back to her right elbow, to our left. That arm and hand nearly span the width of the painting as she holds the vessel, which has a conical top, near the lower right corner of the composition. The background is solid black.",{"_293":902,"_295":903,"_297":904},"https://img.ochreeditions.com/m/1499.jpg?dl=1","/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","/galleries/style/italian-renaissance/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",{"_289":290,"_291":292},{"_224":897,"_125":898,"_283":899},{"_274":894,"_276":895,"_278":896,"_279":880},62.301611328125006,69.7,47.301611328125006,{"_285":224,"_123":900,"_154":901,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/1499/480.jpg","https://img.ochreeditions.com/a/1499/960.jpg","https://img.ochreeditions.com/a/1499/1920.jpg",{"_309":918,"_311":919},{"_309":916,"_311":917},{"_309":914,"_311":915},{"_309":912,"_311":913},{"_309":910,"_311":911},"#618aaa",0.067,"#1a466f",0.0889,"#7b5c41",0.0949,"#cdb49a",0.1619,"#161512",0.5873,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":971,"_221":972,"_382":385,"_384":385,"_386":-5,"_388":973,"_390":-5,"_392":-5,"_393":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[956,957,958,959,960],{"_220":361,"_221":362,"_42":363,"_302":364},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_293":953,"_295":954,"_297":955},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_289":290,"_291":292},{"_224":948,"_125":949,"_283":950},{"_274":946,"_276":457,"_278":947,"_279":530},32.4375,17.4375,{"_285":224,"_123":951,"_154":952,"_140":89},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_309":969,"_311":970},{"_309":967,"_311":968},{"_309":965,"_311":966},{"_309":963,"_311":964},{"_309":961,"_311":962},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano",1498,"studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497","Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)",{"_42":1021,"_221":1022,"_382":1023,"_384":385,"_386":871,"_388":1024,"_390":1025,"_392":448,"_393":-5,"_140":101},"ca. 1510–11","Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)","Sheet: 11 3/8 × 8 7/16 in. (28.9 × 21.4 cm) Framed: 21 × 16 in. (53.3 × 40.6 cm)",21.4,28.9,0.7373233582709892,[1006,1007,1008,1009,1010],{"_220":361,"_221":362,"_42":363,"_302":364},"24.197.2","Michelangelo Buonarroti drew this in about 1510–11, aged 36. It is now at The Met in New York.","Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), by Michelangelo Buonarroti, ca. 1510–11",{"_293":1003,"_295":1004,"_297":1005},"https://img.ochreeditions.com/m/1023.jpg?dl=1","/art/studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497","/galleries/style/italian-renaissance/studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497",{"_289":539,"_291":540},{"_224":998,"_125":999,"_283":1000},{"_274":995,"_276":996,"_278":997,"_279":981},45.30864505403159,52.9,21.308645054031587,{"_285":224,"_123":1001,"_154":1002,"_140":89},{"_285":125,"_123":646,"_154":647,"_140":648},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/1023/480.jpg","https://img.ochreeditions.com/a/1023/960.jpg","https://img.ochreeditions.com/a/1023/1920.jpg",{"_309":1019,"_311":1020},{"_309":1017,"_311":1018},{"_309":1015,"_311":1016},{"_309":1013,"_311":1014},{"_309":1011,"_311":1012},"#e1d4b8",0.0598,"#b6765b",0.0821,"#c89573",0.13,"#cdab87",0.3188,"#d6b996",0.4093,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1564,"Caprese","pope-receiving-visitor-si-chndm-1938-88-7079","Pope Receiving Visitor",{"_42":1082,"_221":1083,"_382":385,"_384":385,"_386":-5,"_388":1084,"_390":-5,"_392":-5,"_393":-5,"_140":103},"1590–1646","Drawing","Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined","23.1 x 32.7 cm (9 1/8 x 12 7/8 in.)",32.7,23.1,1.3574660633484164,[1067,1068,1069,1070,1071],{"_220":1064,"_221":1065,"_42":1066,"_302":364},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7079","Belisario Corenzio drew this in 1590–1646. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1061,"_1062":1063},"POPE RECEIVING VISITOR",{"_293":1058,"_295":1059,"_297":1060},"https://img.ochreeditions.com/m/1737.jpg?dl=1","/art/pope-receiving-visitor-si-chndm-1938-88-7079","/galleries/style/italian-renaissance/pope-receiving-visitor-si-chndm-1938-88-7079",{"_289":539,"_291":540},{"_224":1053,"_125":1054,"_283":1055},{"_274":1050,"_276":1051,"_278":1033,"_279":1052},56.7,48.089,24.089000000000002,{"_285":224,"_123":1056,"_154":1057,"_140":89},{"_285":125,"_123":646,"_154":647,"_140":648},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-belisario-corenzio","Belisario Corenzio's contemporaries","https://img.ochreeditions.com/a/1737/480.jpg","https://img.ochreeditions.com/a/1737/960.jpg","https://img.ochreeditions.com/a/1737/1920.jpg","Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a rectangular canopy, speaks to a kneeling visitor. The visitor is entreating him with a document, while two cardinals flanking the pope and two courtiers at some distance to the right look on.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},{"_309":1074,"_311":1075},{"_309":1072,"_311":1073},"#a09384",0.0615,"#a8886c",0.1649,"#ede9d8",0.2038,"#bea182",0.2763,"#cfb999",0.2935,"Belisario Corenzio","belisario-corenzio",1646,"david-with-the-head-of-goliath-nga-1145","David with the Head of Goliath",{"_42":1132,"_221":1133,"_382":1134,"_384":385,"_386":1135,"_388":717,"_390":-5,"_392":-5,"_393":-5,"_140":103},"c. 1450/1455","tempera on leather on wood","overall (width at top): 115.5 x 76.5 cm (45 1/2 x 30 1/8 in.) overall (width at bottom): 115.5 x 40.6 cm (45 1/2 x 16 in.)",76.5,115.5,0.706787109375,[1117,1118,1119,1120,1121],{"_220":299,"_221":300,"_42":301,"_302":303},"1942.9.8","Andrea del Castagno painted this in about 1450/1455, aged about 31. It is now at the National Gallery of Art in Washington, DC.","This shield-shaped painting shows a young man with pale, peachy skin and curling brown hair standing astride the severed head of a man with dark hair and tanned skin. The painting is wider at the top and tapers like a pint glass to a narrower base. The young man, David, holds the end of long red slingshot with his right hand. The slingshot is weighted by a rock and swings behind his body. His sleeveless rust-red garment is cinched at his waist over a long white shirt. Both garments skim David’s thighs and his legs and feet are bare. Long, curling brown hair frames the ashen and bloodied upturned face of the head at David’s feet. A palm-sized stone is embedded in that forehead. The landscape background is made up of gray boulders, a meandering river, and low palm-like trees. Frothy white clouds sweep across an azure-blue sky.",{"_293":1114,"_295":1115,"_297":1116},"https://img.ochreeditions.com/m/1325.jpg?dl=1","/art/david-with-the-head-of-goliath-nga-1145","/galleries/style/italian-renaissance/david-with-the-head-of-goliath-nga-1145",{"_289":290,"_291":292},{"_224":1109,"_125":1110,"_283":1111},{"_274":1106,"_276":1107,"_278":1108,"_279":1092},96.6339111328125,130.5,81.6339111328125,{"_285":224,"_123":1112,"_154":1113,"_140":89},{"_285":125,"_123":353,"_154":354,"_140":355},{"_285":283,"_123":350,"_154":351,"_140":352},"artist/contemporaries-of-andrea-del-castagno","Andrea del Castagno's contemporaries","https://img.ochreeditions.com/a/1325/480.jpg","https://img.ochreeditions.com/a/1325/960.jpg","https://img.ochreeditions.com/a/1325/1920.jpg",{"_309":1130,"_311":1131},{"_309":1128,"_311":1129},{"_309":1126,"_311":1127},{"_309":1124,"_311":1125},{"_309":1122,"_311":1123},"#a07d5a",0.1,"#6b4531",0.1323,"#36291e",0.1458,"#3e4f47",0.2122,"#f6f6f4",0.4097,"Andrea del Castagno","andrea-del-castagno","Florentine, before 1419–1457",1419,{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","5ce8eca0c7ee5b803799bc4bdc5f3f86faeab619","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]