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(22.2 x 31.1 cm)",31.1,22.2,1.4980345911949686,[382,383,384,385,386],{"_220":378,"_221":379,"_42":380,"_303":381},"Courtesy of The Metropolitan Museum of Art","1975.1.66","Lorenzo Monaco painted this in about 1406–10, aged about 33. It is now at The Met in New York.","The Nativity, by Lorenzo Monaco, ca. 1406–10",{"_294":375,"_296":376,"_298":377},"https://img.ochreeditions.com/m/1248.jpg?dl=1","/art/the-nativity-met-459007","/galleries/style/italian-renaissance/the-nativity-met-459007",{"_290":373,"_292":374},{"_224":362,"_125":363,"_284":364},{"_274":359,"_276":360,"_278":343,"_280":361},46.1,35.760535292574126,20.760535292574126,{"_286":224,"_123":371,"_154":372,"_140":99},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/lorenzo-monaco","More by Lorenzo Monaco","natural","ivory","https://img.ochreeditions.com/a/1248/480.jpg","https://img.ochreeditions.com/a/1248/960.jpg","https://img.ochreeditions.com/a/1248/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":395,"_312":396},{"_310":393,"_312":394},{"_310":391,"_312":392},{"_310":389,"_312":390},{"_310":387,"_312":388},"#ac5239",0.0556,"#aa9069",0.1326,"#bf8c3d",0.1588,"#79562e",0.3092,"#483322",0.3438,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":455,"_221":456,"_324":457,"_326":327,"_328":458,"_330":459,"_332":460,"_333":460,"_334":461,"_140":101},"1514/1529","Painting","oil on canvas","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[440,441,442,443,444],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_294":437,"_296":438,"_298":439},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_290":373,"_292":374},{"_224":429,"_125":430,"_284":431},{"_274":426,"_276":427,"_278":410,"_280":428},203,187.2109375,172.2109375,{"_286":224,"_123":435,"_154":436,"_140":89},{"_286":125,"_123":432,"_154":433,"_140":434},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Venice","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":509,"_221":510,"_324":327,"_326":327,"_328":-5,"_330":202,"_332":-5,"_333":-5,"_334":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[494,495,496,497,498],{"_220":378,"_221":379,"_42":380,"_303":381},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_294":491,"_296":492,"_298":493},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_290":373,"_292":374},{"_224":486,"_125":487,"_284":488},{"_274":483,"_276":484,"_278":485,"_280":281},32.4375,40,17.4375,{"_286":224,"_123":489,"_154":490,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano","madonna-and-child-met-435641","Madonna and Child",{"_42":455,"_221":456,"_324":457,"_326":327,"_328":458,"_330":459,"_332":460,"_333":460,"_334":461,"_140":101},"late 1480s","Oil on wood","35 x 28 in. (88.9 x 71.1 cm)",71.1,88.9,0.8119956966110812,[541,542,543,544,545],{"_220":378,"_221":379,"_42":380,"_303":381},"08.183.1","Giovanni Bellini painted this in the late 1480s, aged about 63. It is now at The Met in New York.","Madonna and Child, by Giovanni Bellini, late 1480s",{"_294":538,"_296":539,"_298":540},"https://img.ochreeditions.com/m/1061.jpg?dl=1","/art/madonna-and-child-met-435641","/galleries/style/italian-renaissance/madonna-and-child-met-435641",{"_290":373,"_292":374},{"_224":535,"_125":536,"_284":537},{"_274":532,"_276":533,"_278":534,"_280":518},87.18641742872512,103.9,72.18641742872512,{"_286":224,"_123":435,"_154":436,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1061/960.jpg","https://img.ochreeditions.com/a/1061/1920.jpg",{"_310":554,"_312":555},{"_310":552,"_312":553},{"_310":550,"_312":551},{"_310":548,"_312":549},{"_310":546,"_312":547},"#888a90",0.1244,"#ac8755",0.1433,"#5e3d24",0.1941,"#943011",0.2347,"#1e1823",0.3035,"brother-gregorio-belo-of-vicenza-met-436917","Brother Gregorio Belo of Vicenza",{"_42":603,"_221":604,"_324":605,"_326":327,"_328":606,"_330":607,"_332":460,"_333":608,"_334":609,"_140":99},"1547","Oil on canvas","34 3/8 x 28 in. (87.3 x 71.1 cm)",87.3,0.82,[588,589,590,591,592],{"_220":378,"_221":379,"_42":380,"_303":381},"65.117","Lorenzo Lotto painted this in 1547, aged 72. It is now at The Met in New York.","Brother Gregorio Belo, a friar of the Hieronymite order, holds a book in one hand and strikes his chest with the other in a gesture of penitence, while behind him a small scene of the Crucifixion appears in a landscape, as if conjured by his meditation.","Brother Gregorio Belo of Vicenza, by Lorenzo Lotto, 1547",{"_294":585,"_296":586,"_298":587},"https://img.ochreeditions.com/m/1122.jpg?dl=1","/art/brother-gregorio-belo-of-vicenza-met-436917","/galleries/style/italian-renaissance/brother-gregorio-belo-of-vicenza-met-436917",{"_290":373,"_292":374},{"_224":580,"_125":581,"_284":582},{"_274":577,"_276":578,"_278":579,"_280":562},86.586,102.3,71.586,{"_286":224,"_123":583,"_154":584,"_140":99},{"_286":125,"_123":432,"_154":433,"_140":434},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1122/480.jpg","https://img.ochreeditions.com/a/1122/960.jpg","https://img.ochreeditions.com/a/1122/1920.jpg",{"_310":601,"_312":602},{"_310":599,"_312":600},{"_310":597,"_312":598},{"_310":595,"_312":596},{"_310":593,"_312":594},"#232e1c",0.0274,"#583f24",0.0318,"#2d2113",0.1147,"#110d08",0.3567,"#1d150c",0.4694,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140","Madonna and Child with Saint Jerome and Saint Bernardino of Siena",{"_42":656,"_221":657,"_324":658,"_326":327,"_328":659,"_330":660,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1480/1485","tempera on panel","overall: 70.3 × 50 cm (27 11/16 × 19 11/16 in.) framed: 88.9 × 68.58 × 11.43 cm (35 × 27 × 4 1/2 in.)",50,70.3,0.657470703125,[642,643,644,645,646],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.3","Benvenuto di Giovanni painted this in about 1480/1485, aged about 44. It is now at the National Gallery of Art in Washington, DC.","Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485",{"_294":639,"_296":640,"_298":641},"https://img.ochreeditions.com/m/1320.jpg?dl=1","/art/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140","/galleries/style/italian-renaissance/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140",{"_290":373,"_292":374},{"_224":634,"_125":635,"_284":636},{"_274":631,"_276":632,"_278":633,"_280":617},61.2201904296875,85.3,46.2201904296875,{"_286":224,"_123":637,"_154":638,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-benvenuto-di-giovanni","Benvenuto di Giovanni's contemporaries","https://img.ochreeditions.com/a/1320/480.jpg","https://img.ochreeditions.com/a/1320/960.jpg","https://img.ochreeditions.com/a/1320/1920.jpg",{"_310":654,"_312":655},{"_310":652,"_312":653},{"_310":650,"_312":651},{"_310":648,"_312":649},{"_310":647,"_312":315},"#fcfaf7","#a76642",0.0882,"#7d6345",0.1894,"#2c3021",0.2139,"#c6a16c",0.4386,"Benvenuto di Giovanni","benvenuto-di-giovanni","Sienese, 1436 - before 1517",1436,1517,"saint-anthony-the-abbot-in-the-wilderness-met-458967","Saint Anthony the Abbot in the Wilderness",{"_42":707,"_221":708,"_324":709,"_326":327,"_328":710,"_330":711,"_332":712,"_333":712,"_334":-5,"_140":103},"ca. 1440","Overall: 18 3/4 × 13 5/8 in. (47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[692,693,694,695,696],{"_220":378,"_221":379,"_42":380,"_303":381},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. It is now at The Met in New York.","Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440",{"_294":689,"_296":690,"_298":691},"https://img.ochreeditions.com/m/1244.jpg?dl=1","/art/saint-anthony-the-abbot-in-the-wilderness-met-458967","/galleries/style/italian-renaissance/saint-anthony-the-abbot-in-the-wilderness-met-458967",{"_290":373,"_292":374},{"_224":684,"_125":685,"_284":686},{"_274":681,"_276":682,"_278":683,"_280":667},49.760041300980895,62.6,34.760041300980895,{"_286":224,"_123":687,"_154":688,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-sano-di-pietro-ansano-di-pietro-di-mencio","Sano di Pietro (Ansano di Pietro di Mencio)'s contemporaries","https://img.ochreeditions.com/a/1244/480.jpg","https://img.ochreeditions.com/a/1244/960.jpg","https://img.ochreeditions.com/a/1244/1920.jpg",{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},{"_310":699,"_312":700},{"_310":697,"_312":698},"#ae7d5b",0.0695,"#867f77",0.0728,"#43382d",0.1323,"#7d6a51",0.3511,"#62503c",0.3743,"Sano di Pietro (Ansano di Pietro di Mencio)","sano-di-pietro-ansano-di-pietro-di-mencio","Italian, 1405–1481",1405,1481,"Siena","pieta-nga-41592","Pietà",{"_42":760,"_221":761,"_324":762,"_326":327,"_328":202,"_330":763,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1520s","oil on panel","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[745,746,747,748,749],{"_220":300,"_221":301,"_42":302,"_303":304},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_294":742,"_296":743,"_298":744},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_290":373,"_292":374},{"_224":737,"_125":738,"_284":739},{"_274":734,"_276":735,"_278":736,"_280":720},113.0291015625,190.8,98.0291015625,{"_286":224,"_123":740,"_154":741,"_140":89},{"_286":125,"_123":432,"_154":433,"_140":434},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_310":758,"_312":759},{"_310":756,"_312":757},{"_310":754,"_312":755},{"_310":752,"_312":753},{"_310":750,"_312":751},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1554,"lucretia-met-337075","Lucretia",{"_42":817,"_221":818,"_324":819,"_326":327,"_328":820,"_330":821,"_332":822,"_333":823,"_334":824,"_140":99},"1508–10","drawing","Drawings","Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)","15-5/8 x 11-1/2 in. (39.7 x 29.2 cm)",29.2,39.7,0.7302187415608966,[802,803,804,805,806],{"_220":378,"_221":379,"_42":380,"_303":381},"1997.153","Raphael drew this in 1508–10, aged about 25. It is now at The Met in New York.","Lucretia, the Roman noblewoman who took her own life after being raped by the king’s son, an act that led to the founding of the Roman Republic, raises a dagger to her breast. Raphael drew her in pen and ink over black chalk around 1508–10, soon after arriving in Rome, basing the figure on ancient sculpture.","Lucretia, by Raphael, 1508–10",{"_294":799,"_296":800,"_298":801},"https://img.ochreeditions.com/m/1012.jpg?dl=1","/art/lucretia-met-337075","/galleries/style/italian-renaissance/lucretia-met-337075",{"_290":291,"_292":293},{"_224":791,"_125":792,"_284":793},{"_274":788,"_276":789,"_278":790,"_280":773},52.9896840399676,63.7,28.989684039967596,{"_286":224,"_123":797,"_154":798,"_140":99},{"_286":125,"_123":794,"_154":795,"_140":796},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century",35,"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1012/480.jpg","https://img.ochreeditions.com/a/1012/960.jpg","https://img.ochreeditions.com/a/1012/1920.jpg",{"_310":815,"_312":816},{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},"#edded4",0.0326,"#dcccbf",0.0399,"#aa937c",0.1034,"#c0b09f",0.4112,"#b8a691",0.4129,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":871,"_221":872,"_324":873,"_326":327,"_328":874,"_330":875,"_332":876,"_333":877,"_334":-5,"_140":103},"Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[856,857,858,859,860],{"_220":378,"_221":379,"_42":380,"_303":381},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_294":853,"_296":854,"_298":855},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_290":373,"_292":374},{"_224":848,"_125":849,"_284":850},{"_274":845,"_276":846,"_278":847,"_280":831},57.47969032258064,79.1,42.47969032258064,{"_286":224,"_123":851,"_154":852,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_310":869,"_312":870},{"_310":867,"_312":868},{"_310":865,"_312":866},{"_310":863,"_312":864},{"_310":861,"_312":862},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Florence","Spoleto","madonna-and-child-nga-12111",{"_42":397,"_221":398,"_324":399,"_326":327,"_328":400,"_330":401,"_332":-5,"_333":-5,"_334":402,"_140":99},"1413","painted surface: 113.5 × 52.8 cm (44 11/16 × 20 13/16 in.) overall: 116.3 × 55.6 cm (45 13/16 × 21 7/8 in.) framed: 127 x 66.2 x 11.4 cm (50 x 26 1/16 x 4 1/2 in.)",52.8,113.5,0.462646484375,[907,908,909,910,911],{"_220":300,"_221":301,"_42":302,"_303":304},"1943.4.13","Lorenzo Monaco painted this in 1413, aged 43. It is now at the National Gallery of Art in Washington, DC.","The Virgin, in a midnight-blue robe scattered with golden stars, supports the Christ Child as he stands on her knee, one hand holding her sky-blue scarf and the other a scroll with the words “EGO S…”, the beginning of a Latin declaration, “I am…”.","A woman sits and supports a baby standing on her lap, both against a gold background in this arched, vertical painting. The woman and baby’s light skin is shaded with faint green, and they have pale pink cheeks. The woman’s body faces us. She tips her head toward the baby who stands on her knee, to our right. The woman looks at us with light brown eyes under curving brows. She has a long, straight nose, and her small pink lips are closed. Her blond hair is mostly covered by a midnight-blue robe that drapes over her shoulders, across her lap, and pools on the floor. The robe is lined with goldenrod yellow, edged with bright gold, and has gold starburst-like designs on the shoulder we can see and top of the head. The dress she wears underneath has more gold stars creating a pattern across the pearl-white fabric. A sky-blue scarf wraps over her head and loops across her shoulders. The baby holds one end of the scarf, and his other elbow rests on the woman’s shoulder. She props him up with both hands. He has a cap of blond curls and chubby cheeks with delicate features. His geranium-red garment falls over a pale blue skirt that reaches his bare feet. In the hand near the woman’s shoulder, he holds a scroll with the letters “EGO S.” The floor beneath them is mint green and has gold writing across the front, reading, “AVE.G ANN O.D M.CCCC.XIII.” The woman and baby’s disc-like gold halos blend into the gold background, which is visibly cracked in some areas. The panel comes to a pointed arch at the top.",{"_294":904,"_296":905,"_298":906},"https://img.ochreeditions.com/m/1362.jpg?dl=1","/art/madonna-and-child-nga-12111","/galleries/style/italian-renaissance/madonna-and-child-nga-12111",{"_290":373,"_292":374},{"_224":901,"_125":902,"_284":903},{"_274":898,"_276":899,"_278":900,"_280":883},67.5103759765625,128.5,52.5103759765625,{"_286":224,"_123":371,"_154":372,"_140":99},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/1362/480.jpg","https://img.ochreeditions.com/a/1362/960.jpg","https://img.ochreeditions.com/a/1362/1920.jpg",{"_310":920,"_312":921},{"_310":918,"_312":919},{"_310":916,"_312":917},{"_310":914,"_312":915},{"_310":912,"_312":913},"#915c42",0.0738,"#f1ede7",0.0797,"#707862",0.1579,"#3d3d40",0.2419,"#d6aa6d",0.4467,"study-for-the-equestrian-monument-to-francesco-sforza-met-459186","Study for the Equestrian Monument to Francesco Sforza",{"_42":971,"_221":972,"_324":973,"_326":327,"_328":974,"_330":202,"_332":876,"_333":823,"_334":-5,"_140":101},"early to mid 1480s","Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.","11 1/16 x 10 in. (28.1 x 25.4 cm)",25.4,28.1,0.9000336587007741,[956,957,958,959,960],{"_220":378,"_221":379,"_42":380,"_303":381},"1975.1.410","Antonio Pollaiuolo drew this in the early to mid 1480s, aged about 48. It is now at The Met in New York.","Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s",{"_294":953,"_296":954,"_298":955},"https://img.ochreeditions.com/m/1268.jpg?dl=1","/art/study-for-the-equestrian-monument-to-francesco-sforza-met-459186","/galleries/style/italian-renaissance/study-for-the-equestrian-monument-to-francesco-sforza-met-459186",{"_290":291,"_292":293},{"_224":946,"_125":947,"_284":948},{"_274":943,"_276":944,"_278":945,"_280":929},49.29094580949175,52.1,25.290945809491753,{"_286":224,"_123":951,"_154":952,"_140":89},{"_286":125,"_123":949,"_154":950,"_140":91},{"_286":284,"_123":365,"_154":366,"_140":367},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/1268/480.jpg","https://img.ochreeditions.com/a/1268/960.jpg","https://img.ochreeditions.com/a/1268/1920.jpg",{"_310":969,"_312":970},{"_310":967,"_312":968},{"_310":965,"_312":966},{"_310":963,"_312":964},{"_310":961,"_312":962},"#e7dacf",0.0323,"#967152",0.2001,"#b7936f",0.2223,"#805e43",0.2272,"#cdae8c",0.3181,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,"the-holy-family-nga-41590","The Holy Family",{"_42":1022,"_221":1023,"_324":1024,"_326":327,"_328":1025,"_330":1026,"_332":-5,"_333":-5,"_334":-5,"_140":103},"probably c. 1500","oil on panel transferred to hardboard","overall: 37.3 x 45.6 cm (14 11/16 x 17 15/16 in.) framed: 55.9 x 64.8 x 7.6 cm (22 x 25 1/2 x 3 in.)",45.6,37.3,1.2333634447455586,[1007,1008,1009,1010,1011],{"_220":300,"_221":301,"_42":302,"_303":304},"1952.2.8","Giorgione painted this (probably c. 1500), aged 23. It is now at the National Gallery of Art in Washington, DC.","An old man and a young woman holding an infant are seated together in the center of this almost square painting. All three people have pale, peachy skin. To our left, the man sits on a low, tan brick wall with his head bowed to look at the baby on the woman’s lap. A periwinkle-blue cloak is wrapped around the kelly-green robe that covers his shoulders, back, and legs. One hand grips a short staff planted on the ground. His receding white hair and beard are thin and scraggly with tufts sticking out over his ears. The woman sits next to and slightly in front of him, to our right, on a low rock, her body angled toward the man. A long, cobalt-blue cloak is draped around her shoulders and covers her knees over her rose-pink gown. Her honey-brown hair is parted in the middle and gathered at the back of her head. Her brown eyes look down at the infant, who is blond with brown eyes. A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.",{"_294":1004,"_296":1005,"_298":1006},"https://img.ochreeditions.com/m/1498.jpg?dl=1","/art/the-holy-family-nga-41590","/galleries/style/italian-renaissance/the-holy-family-nga-41590",{"_290":373,"_292":374},{"_224":999,"_125":1000,"_284":1001},{"_274":996,"_276":997,"_278":981,"_280":998},60.6,51.9720703125,36.9720703125,{"_286":224,"_123":1002,"_154":1003,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-giorgione","Giorgione's contemporaries","https://img.ochreeditions.com/a/1498/480.jpg","https://img.ochreeditions.com/a/1498/960.jpg","https://img.ochreeditions.com/a/1498/1920.jpg",{"_310":1020,"_312":1021},{"_310":1018,"_312":1019},{"_310":1016,"_312":1017},{"_310":1014,"_312":1015},{"_310":1012,"_312":1013},"#426787",0.1575,"#9b7a33",0.1605,"#bba78a",0.1764,"#423326",0.1845,"#835d3f",0.3211,"Giorgione","giorgione","Venetian, 1477/1478–1510",1477,1510,"bacchanal-with-a-wine-vat-met-337057","Bacchanal with a Wine Vat",{"_42":1077,"_221":1078,"_324":1079,"_326":327,"_328":1080,"_330":1081,"_332":1082,"_333":1083,"_334":-5,"_140":101},"Before 1475","Prints","Engraving and drypoint","Sheet: 11 3/4 x 17 3/16in. (29.9 x 43.7cm)",43.8,29.8,1.4139271827500883,[1062,1063,1064,1065,1066],{"_220":378,"_221":379,"_42":380,"_303":381},"1986.1159","Andrea Mantegna made this (Before 1475), aged 45. It is now at The Met in New York.","Bacchanal with a Wine Vat, by Andrea Mantegna, Before 1475",{"_294":1059,"_296":1060,"_298":1061},"https://img.ochreeditions.com/m/1008.jpg?dl=1","/art/bacchanal-with-a-wine-vat-met-337057","/galleries/style/italian-renaissance/bacchanal-with-a-wine-vat-met-337057",{"_290":291,"_292":293},{"_224":1052,"_125":1053,"_284":1054},{"_274":1049,"_276":1050,"_278":1034,"_280":1051},67.8,54.977549999999994,30.977549999999997,{"_286":224,"_123":1057,"_154":1058,"_140":89},{"_286":125,"_123":1055,"_154":1056,"_140":53},{"_286":284,"_123":365,"_154":366,"_140":367},"style/print-15","More prints of the 15th century","artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1008/480.jpg","https://img.ochreeditions.com/a/1008/960.jpg","https://img.ochreeditions.com/a/1008/1920.jpg",{"_310":1075,"_312":1076},{"_310":1073,"_312":1074},{"_310":1071,"_312":1072},{"_310":1069,"_312":1070},{"_310":1067,"_312":1068},"#f4f0e1",0.1469,"#bba186",0.1799,"#826d59",0.2184,"#675646",0.2236,"#9e866d",0.2312,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":1131,"_221":1132,"_324":1133,"_326":327,"_328":1134,"_330":1135,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1561-1565","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[1116,1117,1118,1119,1120],{"_220":300,"_221":301,"_42":302,"_303":304},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_294":1113,"_296":1114,"_298":1115},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_290":291,"_292":293},{"_224":1108,"_125":1109,"_284":1110},{"_274":1105,"_276":1106,"_278":1090,"_280":1107},62,51.00634765625,27.00634765625,{"_286":224,"_123":1111,"_154":1112,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_310":1129,"_312":1130},{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},{"_310":1121,"_312":1122},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","997bd8925a8390e06a700865e43d662abe84e67c","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]