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It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_293":373,"_295":374,"_297":375},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_289":290,"_291":292},{"_224":362,"_125":363,"_283":364},{"_274":359,"_276":360,"_278":361,"_279":344},45.162988281249994,62.3,30.162988281249998,{"_285":224,"_123":371,"_154":372,"_140":89},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":393,"_311":394},{"_309":391,"_311":392},{"_309":389,"_311":390},{"_309":387,"_311":388},{"_309":385,"_311":386},"#615326",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,"madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":448,"_221":449,"_323":450,"_325":326,"_327":451,"_329":452,"_331":453,"_333":334,"_335":454,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[433,434,435,436,437],{"_220":299,"_221":300,"_42":301,"_302":303},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_293":430,"_295":431,"_297":432},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_289":290,"_291":292},{"_224":425,"_125":426,"_283":427},{"_274":421,"_276":422,"_278":423,"_279":424},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_285":224,"_123":428,"_154":429,"_140":99},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","allegory-nga-35082","Allegory",{"_42":503,"_221":504,"_323":326,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1515-1525","oil on panel","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[488,489,490,491,492],{"_220":376,"_221":377,"_42":378,"_302":379},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_293":485,"_295":486,"_297":487},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_289":290,"_291":292},{"_224":480,"_125":481,"_283":482},{"_274":477,"_276":478,"_278":479,"_279":462},54.105224609375,58,39.105224609375,{"_285":224,"_123":483,"_154":484,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_309":501,"_311":502},{"_309":499,"_311":500},{"_309":497,"_311":498},{"_309":495,"_311":496},{"_309":493,"_311":494},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","ornamental-panel-inscribed-victoria-augusta-nga-6084","Ornamental Panel Inscribed \"Victoria Augusta\"",{"_42":559,"_221":560,"_323":561,"_325":326,"_327":562,"_329":563,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1516","print","Print","engraving","sheet: 26.3 x 13.1 cm (10 3/8 x 5 3/16 in.)",13.1,26.3,0.5166015625,[544,545,546,547,548],{"_220":376,"_221":377,"_42":378,"_302":379},"1943.3.2908","Giovanni Antonio da Brescia made this in about 1516, aged 46. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.",{"_293":541,"_295":542,"_297":543},"https://img.ochreeditions.com/m/1346.jpg?dl=1","/art/ornamental-panel-inscribed-victoria-augusta-nga-6084","/galleries/style/italian-renaissance/ornamental-panel-inscribed-victoria-augusta-nga-6084",{"_289":539,"_291":540},{"_224":531,"_125":532,"_283":533},{"_274":528,"_276":529,"_278":530,"_279":514},37.58662109375,50.3,13.58662109375,{"_285":224,"_123":537,"_154":538,"_140":89},{"_285":125,"_123":534,"_154":535,"_140":536},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","black","snow","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1346/960.jpg","https://img.ochreeditions.com/a/1346/1920.jpg",{"_309":557,"_311":558},{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},"#d9d0bd",0.072,"#b4aa9b",0.081,"#968d81",0.2216,"#80786e",0.2959,"#6c655e",0.3295,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"saint-apollonia-nga-12103","Saint Apollonia",{"_42":610,"_221":611,"_323":612,"_325":326,"_327":613,"_329":614,"_331":615,"_333":616,"_335":-5,"_140":99},"c. 1435","overall: 28.6 x 11.3 cm (11 1/4 x 4 7/16 in.) framed: 31.4 x 14 x 7.8 cm (12 3/8 x 5 1/2 x 3 1/16 in.)",11.3,28.6,0.447509765625,[595,596,597,598,599],{"_220":376,"_221":377,"_42":378,"_302":379},"1943.4.5","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their head slightly tilted to the left. They have a pale complexion, and short, wavy blonde hair adorned with a thin red crown. They have rosy, pink cheeks, arched eyebrows, a straight nose, and small lips set in a neutral expression. The individual is wearing a long red robe over a black tunic or dress and is holding a long black quill-like object in one hand, and what looks like a thin staff with a red loop at the end in the other. A detailed golden halo surrounds their head, and the background features an ornate gold pattern which is slightly worn and peeling in some places. The painting is bordered by a golden frame.",{"_293":592,"_295":593,"_297":594},"https://img.ochreeditions.com/m/1361.jpg?dl=1","/art/saint-apollonia-nga-12103","/galleries/style/italian-renaissance/saint-apollonia-nga-12103",{"_289":290,"_291":292},{"_224":587,"_125":588,"_283":589},{"_274":584,"_276":585,"_278":586,"_279":570},27.798779296875,43.6,12.798779296875,{"_285":224,"_123":590,"_154":591,"_140":99},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1361/480.jpg","https://img.ochreeditions.com/a/1361/960.jpg","https://img.ochreeditions.com/a/1361/1920.jpg",{"_309":608,"_311":609},{"_309":606,"_311":607},{"_309":604,"_311":605},{"_309":602,"_311":603},{"_309":600,"_311":601},"#29201b",0.1021,"#c8a36e",0.1624,"#5b3427",0.2037,"#825e40",0.2204,"#a27d55",0.3114,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena","the-annunciation-met-459016","The Annunciation",{"_42":664,"_221":665,"_323":666,"_325":326,"_327":667,"_329":668,"_331":669,"_333":669,"_335":-5,"_140":101},"ca. 1490","Tempera and gold on wood","7 1/2 x 12 3/8 in. (19.1 x 31.4 cm)",31.4,19.1,1.5219758848697005,[649,650,651,652,653],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.74","Botticelli (Alessandro di Mariano Filipepi) painted this in about 1490, aged about 41. It is now at The Met in New York.","The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490",{"_293":646,"_295":647,"_297":648},"https://img.ochreeditions.com/m/1249.jpg?dl=1","/art/the-annunciation-met-459016","/galleries/style/italian-renaissance/the-annunciation-met-459016",{"_289":290,"_291":292},{"_224":641,"_125":642,"_283":643},{"_274":638,"_276":639,"_278":623,"_279":640},46.4,35.63107590084334,20.631075900843342,{"_285":224,"_123":644,"_154":645,"_140":89},{"_285":125,"_123":368,"_154":369,"_140":370},{"_285":283,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1249/480.jpg","https://img.ochreeditions.com/a/1249/960.jpg","https://img.ochreeditions.com/a/1249/1920.jpg",{"_309":662,"_311":663},{"_309":660,"_311":661},{"_309":658,"_311":659},{"_309":656,"_311":657},{"_309":654,"_311":655},"#7d573f",0.1306,"#524b43",0.1648,"#343332",0.1656,"#743b26",0.2645,"#817268",0.2745,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,1510,"Florence","the-musicians-met-435844","The Musicians",{"_42":716,"_221":717,"_323":718,"_325":326,"_327":719,"_329":720,"_331":721,"_333":722,"_335":-5,"_140":101},"1597","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[701,702,703,704,705],{"_220":299,"_221":300,"_42":301,"_302":303},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_293":698,"_295":699,"_297":700},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_289":290,"_291":292},{"_224":693,"_125":694,"_283":695},{"_274":690,"_276":691,"_278":675,"_279":692},133.4,106.908,91.908,{"_285":224,"_123":696,"_154":697,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_309":714,"_311":715},{"_309":712,"_311":713},{"_309":710,"_311":711},{"_309":708,"_311":709},{"_309":706,"_311":707},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1571,1610,"Milan or Caravaggio","Porto Ercole","the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","The Head of the Virgin in Three-Quarter View Facing Right",{"_42":777,"_221":778,"_323":779,"_325":326,"_327":780,"_329":781,"_331":782,"_333":783,"_335":784,"_140":99},"1510–13","drawing","Drawings","Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)","Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)",15.6,20.3,0.7776033490319204,[762,763,764,765,766],{"_220":299,"_221":300,"_42":301,"_302":303},"51.90","Leonardo da Vinci drew this in 1510–13, aged about 58. It is now at The Met in New York.","The Virgin’s head is turned in three-quarter view and tilted downward, her eyes lowered and a faint smile on her lips, modelled in black and red chalk and charcoal with a softness that seems to dissolve the contours into shadow.","The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13",{"_293":759,"_295":760,"_297":761},"https://img.ochreeditions.com/m/1022.jpg?dl=1","/art/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","/galleries/style/italian-renaissance/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496",{"_289":539,"_291":540},{"_224":751,"_125":752,"_283":753},{"_274":747,"_276":748,"_278":749,"_279":750},43.44008372579801,49,19.44008372579801,25,{"_285":224,"_123":757,"_154":758,"_140":99},{"_285":125,"_123":754,"_154":755,"_140":756},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century",35,"artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1022/480.jpg","https://img.ochreeditions.com/a/1022/960.jpg","https://img.ochreeditions.com/a/1022/1920.jpg",{"_309":775,"_311":776},{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":769,"_311":770},{"_309":767,"_311":768},"#f7f4ee",0.1036,"#d2c2b8",0.1795,"#b0a198",0.2165,"#766a65",0.2258,"#918279",0.2746,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","pieta-nga-41592","Pietà",{"_42":831,"_221":832,"_323":833,"_325":326,"_327":834,"_329":835,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1520s","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[816,817,818,819,820],{"_220":376,"_221":377,"_42":378,"_302":379},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_293":813,"_295":814,"_297":815},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_289":290,"_291":292},{"_224":808,"_125":809,"_283":810},{"_274":805,"_276":806,"_278":807,"_279":791},113.0291015625,190.8,98.0291015625,{"_285":224,"_123":811,"_154":812,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_309":829,"_311":830},{"_309":827,"_311":828},{"_309":825,"_311":826},{"_309":823,"_311":824},{"_309":821,"_311":822},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1498,1554,"hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","Hercules chasing Avarice from the Temple of the Muses",{"_42":884,"_221":885,"_323":886,"_325":326,"_327":887,"_329":888,"_331":889,"_333":332,"_335":-5,"_140":103},"ca. 1520–27","Prints","Chiaroscuro woodcut from two blocks in green","11 15/16 × 9 1/4 in. (30.3 × 23.5 cm)",23.5,30.3,0.7796043466146559,[869,870,871,872,873],{"_220":299,"_221":300,"_42":301,"_302":303},"20.24.76","Ugo da Carpi made this in about 1520–27, aged about 35. It is now at The Met in New York.","Hercules chasing Avarice from the Temple of the Muses, by Ugo da Carpi, ca. 1520–27",{"_293":866,"_295":867,"_297":868},"https://img.ochreeditions.com/m/1028.jpg?dl=1","/art/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","/galleries/style/italian-renaissance/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700",{"_289":539,"_291":540},{"_224":861,"_125":862,"_283":863},{"_274":858,"_276":859,"_278":860,"_279":844},47.622011702424075,54.3,23.622011702424075,{"_285":224,"_123":864,"_154":865,"_140":89},{"_285":125,"_123":534,"_154":535,"_140":536},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-ugo-da-carpi","Ugo da Carpi's contemporaries","https://img.ochreeditions.com/a/1028/480.jpg","https://img.ochreeditions.com/a/1028/960.jpg","https://img.ochreeditions.com/a/1028/1920.jpg",{"_309":882,"_311":883},{"_309":880,"_311":881},{"_309":878,"_311":879},{"_309":876,"_311":877},{"_309":874,"_311":875},"#e3d7cc",0.0635,"#b8a798",0.1438,"#988a7c",0.2191,"#686059",0.2264,"#7f736a",0.3472,"Ugo da Carpi","ugo-da-carpi","Italian, 1480–1532",1480,1532,"Carpi","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":937,"_221":938,"_323":939,"_325":326,"_327":940,"_329":941,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1561-1565","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[922,923,924,925,926],{"_220":376,"_221":377,"_42":378,"_302":379},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_293":919,"_295":920,"_297":921},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_289":539,"_291":540},{"_224":914,"_125":915,"_283":916},{"_274":911,"_276":912,"_278":896,"_279":913},62,51.00634765625,27.00634765625,{"_285":224,"_123":917,"_154":918,"_140":89},{"_285":125,"_123":534,"_154":535,"_140":536},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_309":935,"_311":936},{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"the-holy-family-with-the-young-saint-john-the-baptist-met-437609","The Holy Family with the Young Saint John the Baptist",{"_42":989,"_221":990,"_323":991,"_325":326,"_327":992,"_329":993,"_331":669,"_333":669,"_335":994,"_140":97},"ca. 1528","Oil on wood","53 1/2 x 39 5/8 in. (135.9 x 100.6 cm)",100.6,135.9,0.7425103305785123,[974,975,976,977,978],{"_220":299,"_221":300,"_42":301,"_302":303},"22.75","Andrea del Sarto painted this in about 1528, aged about 37. It is now at The Met in New York.","The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528",{"_293":971,"_295":972,"_297":973},"https://img.ochreeditions.com/m/1152.jpg?dl=1","/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609","/galleries/style/italian-renaissance/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",{"_289":290,"_291":292},{"_224":966,"_125":967,"_283":968},{"_274":963,"_276":964,"_278":965,"_279":949},115.90715392561984,150.9,100.90715392561984,{"_285":224,"_123":969,"_154":970,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/1152/480.jpg","https://img.ochreeditions.com/a/1152/960.jpg","https://img.ochreeditions.com/a/1152/1920.jpg",{"_309":987,"_311":988},{"_309":985,"_311":986},{"_309":983,"_311":984},{"_309":981,"_311":982},{"_309":979,"_311":980},"#853324",0.0563,"#2c2c0e",0.1452,"#836552",0.1999,"#1d1c19",0.2975,"#493329",0.3011,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)",{"_42":1043,"_221":1044,"_323":1045,"_325":326,"_327":1046,"_329":1047,"_331":1048,"_333":1049,"_335":-5,"_140":103},"1435–38","Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)","11 13/16 x 8 13/16in. (30 x 22.4cm)",22.4,30,0.76325,[1028,1029,1030,1031,1032],{"_220":299,"_221":300,"_42":301,"_302":303},"1996.364a, b","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) drew this in 1435–38, aged about 61. It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_293":1025,"_295":1026,"_297":1027},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_289":539,"_291":540},{"_224":1018,"_125":1019,"_283":1020},{"_274":1016,"_276":536,"_278":1017,"_279":1002},46.8975,22.8975,{"_285":224,"_123":1023,"_154":1024,"_140":89},{"_285":125,"_123":1021,"_154":1022,"_140":91},{"_285":283,"_123":365,"_154":366,"_140":367},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_309":1041,"_311":1042},{"_309":1039,"_311":1040},{"_309":1037,"_311":1038},{"_309":1035,"_311":1036},{"_309":1033,"_311":1034},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","Verona","saint-jerome-nga-91442","Saint Jerome",{"_42":1098,"_221":1099,"_323":1100,"_325":326,"_327":563,"_329":1101,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1565/1570","Drawing","pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink","overall: 30.9 × 21.8 cm (12 3/16 × 8 9/16 in.)",21.8,30.9,0.705810546875,[1083,1084,1085,1086,1087],{"_220":376,"_221":377,"_42":378,"_302":379},"1995.8.1","Alessandro Vittoria drew this in 1565/1570, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.",{"_293":1080,"_295":1081,"_297":1082},"https://img.ochreeditions.com/m/1626.jpg?dl=1","/art/saint-jerome-nga-91442","/galleries/style/italian-renaissance/saint-jerome-nga-91442",{"_289":539,"_291":540},{"_224":1075,"_125":1076,"_283":1077},{"_274":1072,"_276":1073,"_278":1074,"_279":1058},45.8095458984375,54.9,21.8095458984375,{"_285":224,"_123":1078,"_154":1079,"_140":89},{"_285":125,"_123":754,"_154":755,"_140":756},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alessandro-vittoria","Alessandro Vittoria's contemporaries","https://img.ochreeditions.com/a/1626/480.jpg","https://img.ochreeditions.com/a/1626/960.jpg","https://img.ochreeditions.com/a/1626/1920.jpg",{"_309":1096,"_311":1097},{"_309":1094,"_311":1095},{"_309":1092,"_311":1093},{"_309":1090,"_311":1091},{"_309":1088,"_311":1089},"#886750",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad",0.1868,"#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","Venetian, 1525–1608",1608,"venus-and-adonis-met-437826","Venus and Adonis",{"_42":1147,"_221":1148,"_323":1149,"_325":326,"_327":1150,"_329":1151,"_331":1152,"_333":1153,"_335":-5,"_140":101},"1550s","42 x 52 1/2 in. (106.7 x 133.4 cm)",106.7,1.2368583797155226,[1132,1133,1134,1135,1136],{"_220":299,"_221":300,"_42":301,"_302":303},"49.7.16","Titian painted this in the 1550s, aged about 62. It is now at The Met in New York.","Venus and Adonis, by Titian, 1550s",{"_293":1129,"_295":1130,"_297":1131},"https://img.ochreeditions.com/m/1168.jpg?dl=1","/art/venus-and-adonis-met-437826","/galleries/style/italian-renaissance/venus-and-adonis-met-437826",{"_289":290,"_291":292},{"_224":1124,"_125":1125,"_283":1126},{"_274":1121,"_276":1122,"_278":690,"_279":1123},148.4,122.8539,107.8539,{"_285":224,"_123":1127,"_154":1128,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/1168/480.jpg","https://img.ochreeditions.com/a/1168/960.jpg","https://img.ochreeditions.com/a/1168/1920.jpg",{"_309":1145,"_311":1146},{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},{"_309":1139,"_311":1140},{"_309":1137,"_311":1138},"#9e7c52",0.0925,"#423f31",0.1137,"#62462b",0.1397,"#372617",0.3002,"#1d150e",0.3539,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice",{"_1155":-5,"_1156":1157,"_1158":1159,"_1160":8,"_1161":1162,"_1163":8},"user","csrf","5cfeb044b9bddf674a3c0dcdc2fd69363d84ef58","cartCount",0,"dropLive","legal",[1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175],"uploadsEnabled",{"_221":1198,"_20":1199},{"_221":1196,"_20":1197},{"_221":1194,"_20":1195},{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]