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It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_292":434,"_294":435,"_296":436},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_288":289,"_290":291},{"_224":427,"_125":428,"_283":429},{"_274":424,"_276":425,"_278":426,"_279":410},46.8975,54,22.8975,{"_285":224,"_123":432,"_154":433,"_140":89},{"_285":125,"_123":430,"_154":431,"_140":91},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_308":450,"_310":451},{"_308":448,"_310":449},{"_308":446,"_310":447},{"_308":444,"_310":445},{"_308":442,"_310":443},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","Verona","portrait-of-a-young-man-met-435581","Portrait of a Young Man",{"_42":507,"_221":508,"_322":509,"_324":325,"_326":327,"_328":510,"_330":511,"_332":511,"_334":-5,"_140":101},"ca. 1470","Paintings","Oil on wood","10 5/8 x 8 1/8 in. (27 x 20.6 cm)",20.6,27,0.758357462490129,[492,493,494,495,496],{"_220":298,"_221":299,"_42":300,"_301":302},"14.40.645","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this in about 1470, aged about 35. It is now at The Met in New York.","Portrait of a Young Man, by Antonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470",{"_292":489,"_294":490,"_296":491},"https://img.ochreeditions.com/m/1058.jpg?dl=1","/art/portrait-of-a-young-man-met-435581","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435581",{"_288":370,"_290":371},{"_224":484,"_125":485,"_283":486},{"_274":481,"_276":482,"_278":483,"_279":467},35.475651487233485,42,20.475651487233485,{"_285":224,"_123":487,"_154":488,"_140":89},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1058/480.jpg","https://img.ochreeditions.com/a/1058/960.jpg","https://img.ochreeditions.com/a/1058/1920.jpg",{"_308":505,"_310":506},{"_308":503,"_310":504},{"_308":501,"_310":502},{"_308":499,"_310":500},{"_308":497,"_310":498},"#552f1a",0.0785,"#a37452",0.0934,"#7a4525",0.1133,"#2b2019",0.1484,"#0f0d0a",0.5664,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1479,"Messina","venus-and-cupid-met-436918","Venus and Cupid",{"_42":566,"_221":567,"_322":568,"_324":325,"_326":569,"_328":570,"_330":571,"_332":572,"_334":573,"_140":99},"1520s","Oil on canvas","36 3/8 x 43 7/8 in. (92.4 x 111.4 cm)",111.4,92.4,1.1951000896325068,[551,552,553,554,555],{"_220":298,"_221":299,"_42":300,"_301":302},"1986.138","Lorenzo Lotto painted this in the 1520s, aged about 45. It is now at The Met in New York.","Venus reclines on draperies beneath a hanging shell, wearing a bridal crown and veil, while a mischievous Cupid urinates through a myrtle wreath onto her lap, an earthy wish for fertility and good fortune in marriage.","Venus and Cupid, by Lorenzo Lotto, 1520s",{"_292":548,"_294":549,"_296":550},"https://img.ochreeditions.com/m/1123.jpg?dl=1","/art/venus-and-cupid-met-436918","/galleries/style/italian-renaissance/venus-and-cupid-met-436918",{"_288":370,"_290":371},{"_224":537,"_125":538,"_283":539},{"_274":534,"_276":535,"_278":518,"_279":536},126.4,108.21395,93.21395,{"_285":224,"_123":546,"_154":547,"_140":99},{"_285":125,"_123":543,"_154":544,"_140":545},{"_285":283,"_123":540,"_154":541,"_140":542},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1123/480.jpg","https://img.ochreeditions.com/a/1123/960.jpg","https://img.ochreeditions.com/a/1123/1920.jpg",{"_308":564,"_310":565},{"_308":562,"_310":563},{"_308":560,"_310":561},{"_308":558,"_310":559},{"_308":556,"_310":557},"#234b5c",0.1082,"#b4a086",0.1949,"#615140",0.1963,"#652d2d",0.2075,"#291d19",0.2931,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","ornamental-panel-inscribed-victoria-augusta-nga-6084","Ornamental Panel Inscribed \"Victoria Augusta\"",{"_42":624,"_221":625,"_322":626,"_324":325,"_326":627,"_328":628,"_330":-5,"_332":-5,"_334":-5,"_140":101},"c. 1516","Print","engraving","sheet: 26.3 x 13.1 cm (10 3/8 x 5 3/16 in.)",13.1,26.3,0.5166015625,[609,610,611,612,613],{"_220":375,"_221":376,"_42":377,"_301":378},"1943.3.2908","Giovanni Antonio da Brescia made this in about 1516, aged 46. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.",{"_292":606,"_294":607,"_296":608},"https://img.ochreeditions.com/m/1346.jpg?dl=1","/art/ornamental-panel-inscribed-victoria-augusta-nga-6084","/galleries/style/italian-renaissance/ornamental-panel-inscribed-victoria-augusta-nga-6084",{"_288":289,"_290":291},{"_224":599,"_125":600,"_283":601},{"_274":596,"_276":597,"_278":598,"_279":582},37.58662109375,50.3,13.58662109375,{"_285":224,"_123":604,"_154":605,"_140":89},{"_285":125,"_123":602,"_154":603,"_140":425},{"_285":283,"_123":540,"_154":541,"_140":542},"style/print-16","More prints of the 16th century","artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1346/960.jpg","https://img.ochreeditions.com/a/1346/1920.jpg",{"_308":622,"_310":623},{"_308":620,"_310":621},{"_308":618,"_310":619},{"_308":616,"_310":617},{"_308":614,"_310":615},"#d9d0bd",0.072,"#b4aa9b",0.081,"#968d81",0.2216,"#80786e",0.2959,"#6c655e",0.3295,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"saint-jerome-nga-91442","Saint Jerome",{"_42":680,"_221":681,"_322":682,"_324":325,"_326":628,"_328":683,"_330":-5,"_332":-5,"_334":-5,"_140":103},"1565/1570","Drawing","pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink","overall: 30.9 × 21.8 cm (12 3/16 × 8 9/16 in.)",21.8,30.9,0.705810546875,[665,666,667,668,669],{"_220":375,"_221":376,"_42":377,"_301":378},"1995.8.1","Alessandro Vittoria drew this in 1565/1570, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.",{"_292":662,"_294":663,"_296":664},"https://img.ochreeditions.com/m/1626.jpg?dl=1","/art/saint-jerome-nga-91442","/galleries/style/italian-renaissance/saint-jerome-nga-91442",{"_288":289,"_290":291},{"_224":654,"_125":655,"_283":656},{"_274":651,"_276":652,"_278":653,"_279":637},45.8095458984375,54.9,21.8095458984375,{"_285":224,"_123":660,"_154":661,"_140":89},{"_285":125,"_123":657,"_154":658,"_140":659},{"_285":283,"_123":540,"_154":541,"_140":542},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-alessandro-vittoria","Alessandro Vittoria's contemporaries","https://img.ochreeditions.com/a/1626/480.jpg","https://img.ochreeditions.com/a/1626/960.jpg","https://img.ochreeditions.com/a/1626/1920.jpg",{"_308":678,"_310":679},{"_308":676,"_310":677},{"_308":674,"_310":675},{"_308":672,"_310":673},{"_308":670,"_310":671},"#886750",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad",0.1868,"#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","Venetian, 1525–1608",1608,"the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":732,"_221":733,"_322":734,"_324":325,"_326":735,"_328":736,"_330":571,"_332":571,"_334":737,"_140":101},"1514/1529","oil on canvas","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[717,718,719,720,721],{"_220":375,"_221":376,"_42":377,"_301":378},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_292":714,"_294":715,"_296":716},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_288":370,"_290":371},{"_224":709,"_125":710,"_283":711},{"_274":706,"_276":707,"_278":690,"_279":708},203,187.2109375,172.2109375,{"_285":224,"_123":712,"_154":713,"_140":89},{"_285":125,"_123":543,"_154":544,"_140":545},{"_285":283,"_123":540,"_154":541,"_140":542},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_308":730,"_310":731},{"_308":728,"_310":729},{"_308":726,"_310":727},{"_308":724,"_310":725},{"_308":722,"_310":723},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":784,"_221":785,"_322":786,"_324":325,"_326":787,"_328":788,"_330":789,"_332":790,"_334":-5,"_140":103},"ca. 1440","Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[770,771,772,773,774],{"_220":298,"_221":299,"_42":300,"_301":302},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_292":767,"_294":768,"_296":769},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_288":370,"_290":371},{"_224":762,"_125":763,"_283":764},{"_274":759,"_276":760,"_278":761,"_279":745},57.47969032258064,79.1,42.47969032258064,{"_285":224,"_123":765,"_154":766,"_140":89},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_308":782,"_310":783},{"_308":780,"_310":781},{"_308":778,"_310":779},{"_308":777,"_310":677},{"_308":775,"_310":776},"#a8835c",0.0778,"#694d2e","#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Florence","Spoleto","the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","The Head of the Virgin in Three-Quarter View Facing Right",{"_42":840,"_221":841,"_322":842,"_324":325,"_326":843,"_328":844,"_330":845,"_332":846,"_334":847,"_140":99},"1510–13","Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)","Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)",15.6,20.3,0.7776033490319204,[825,826,827,828,829],{"_220":298,"_221":299,"_42":300,"_301":302},"51.90","Leonardo da Vinci drew this in 1510–13, aged about 58. It is now at The Met in New York.","The Virgin’s head is turned in three-quarter view and tilted downward, her eyes lowered and a faint smile on her lips, modelled in black and red chalk and charcoal with a softness that seems to dissolve the contours into shadow.","The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13",{"_292":822,"_294":823,"_296":824},"https://img.ochreeditions.com/m/1022.jpg?dl=1","/art/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","/galleries/style/italian-renaissance/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496",{"_288":289,"_290":291},{"_224":817,"_125":818,"_283":819},{"_274":813,"_276":814,"_278":815,"_279":816},43.44008372579801,49,19.44008372579801,25,{"_285":224,"_123":820,"_154":821,"_140":99},{"_285":125,"_123":657,"_154":658,"_140":659},{"_285":283,"_123":540,"_154":541,"_140":542},"artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1022/480.jpg","https://img.ochreeditions.com/a/1022/960.jpg","https://img.ochreeditions.com/a/1022/1920.jpg",{"_308":838,"_310":839},{"_308":836,"_310":837},{"_308":834,"_310":835},{"_308":832,"_310":833},{"_308":830,"_310":831},"#f7f4ee",0.1036,"#d2c2b8",0.1795,"#b0a198",0.2165,"#766a65",0.2258,"#918279",0.2746,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","christ-crowned-with-thorns-met-435580","Christ Crowned with Thorns",{"_42":507,"_221":508,"_322":509,"_324":325,"_326":327,"_328":510,"_330":511,"_332":511,"_334":-5,"_140":101},"Oil, possibly over tempera, on wood","16 3/4 x 12 in. (42.5 x 30.5 cm)",30.5,42.5,0.720580611715915,[877,878,879,880,881],{"_220":298,"_221":299,"_42":300,"_301":302},"32.100.82","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this, aged about 20. It is now at The Met in New York.","Christ Crowned with Thorns, by Antonello da Messina (Antonello di Giovanni d'Antonio)",{"_292":874,"_294":875,"_296":876},"https://img.ochreeditions.com/m/1057.jpg?dl=1","/art/christ-crowned-with-thorns-met-435580","/galleries/style/italian-renaissance/christ-crowned-with-thorns-met-435580",{"_288":370,"_290":371},{"_224":871,"_125":872,"_283":873},{"_274":868,"_276":869,"_278":870,"_279":854},45.62467599792639,57.5,30.62467599792639,{"_285":224,"_123":487,"_154":488,"_140":89},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1057/480.jpg","https://img.ochreeditions.com/a/1057/960.jpg","https://img.ochreeditions.com/a/1057/1920.jpg",{"_308":890,"_310":891},{"_308":888,"_310":889},{"_308":886,"_310":887},{"_308":884,"_310":885},{"_308":882,"_310":883},"#8c5c16",0.0628,"#4f3316",0.0679,"#ab8c4d",0.1654,"#dfc999",0.2028,"#1c1513",0.5011,"saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":938,"_221":939,"_322":940,"_324":325,"_326":941,"_328":942,"_330":943,"_332":944,"_334":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",54.3,0.8074035723530935,[923,924,925,926,927],{"_220":298,"_221":299,"_42":300,"_301":302},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_292":920,"_294":921,"_296":922},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_288":370,"_290":371},{"_224":915,"_125":916,"_283":917},{"_274":912,"_276":913,"_278":914,"_279":898},58.842013978772975,69.3,43.842013978772975,{"_285":224,"_123":918,"_154":919,"_140":89},{"_285":125,"_123":543,"_154":544,"_140":545},{"_285":283,"_123":540,"_154":541,"_140":542},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_308":936,"_310":937},{"_308":934,"_310":935},{"_308":932,"_310":933},{"_308":930,"_310":931},{"_308":928,"_310":929},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","Rome","study-for-the-equestrian-monument-to-francesco-sforza-met-459186","Study for the Equestrian Monument to Francesco Sforza",{"_42":992,"_221":993,"_322":994,"_324":325,"_326":995,"_328":996,"_330":789,"_332":944,"_334":-5,"_140":101},"early to mid 1480s","Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.","11 1/16 x 10 in. (28.1 x 25.4 cm)",25.4,28.1,0.9000336587007741,[977,978,979,980,981],{"_220":298,"_221":299,"_42":300,"_301":302},"1975.1.410","Antonio Pollaiuolo drew this in the early to mid 1480s, aged about 48. It is now at The Met in New York.","Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s",{"_292":974,"_294":975,"_296":976},"https://img.ochreeditions.com/m/1268.jpg?dl=1","/art/study-for-the-equestrian-monument-to-francesco-sforza-met-459186","/galleries/style/italian-renaissance/study-for-the-equestrian-monument-to-francesco-sforza-met-459186",{"_288":289,"_290":291},{"_224":969,"_125":970,"_283":971},{"_274":966,"_276":967,"_278":968,"_279":952},49.29094580949175,52.1,25.290945809491753,{"_285":224,"_123":972,"_154":973,"_140":89},{"_285":125,"_123":430,"_154":431,"_140":91},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/1268/480.jpg","https://img.ochreeditions.com/a/1268/960.jpg","https://img.ochreeditions.com/a/1268/1920.jpg",{"_308":990,"_310":991},{"_308":988,"_310":989},{"_308":986,"_310":987},{"_308":984,"_310":985},{"_308":982,"_310":983},"#e7dacf",0.0323,"#967152",0.2001,"#b7936f",0.2223,"#805e43",0.2272,"#cdae8c",0.3181,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"the-annunciation-met-459016","The Annunciation",{"_42":1044,"_221":1045,"_322":1046,"_324":325,"_326":1047,"_328":1048,"_330":789,"_332":789,"_334":-5,"_140":101},"ca. 1490","Tempera and gold on wood","7 1/2 x 12 3/8 in. (19.1 x 31.4 cm)",31.4,19.1,1.5219758848697005,[1029,1030,1031,1032,1033],{"_220":298,"_221":299,"_42":300,"_301":302},"1975.1.74","Botticelli (Alessandro di Mariano Filipepi) painted this in about 1490, aged about 41. It is now at The Met in New York.","The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490",{"_292":1026,"_294":1027,"_296":1028},"https://img.ochreeditions.com/m/1249.jpg?dl=1","/art/the-annunciation-met-459016","/galleries/style/italian-renaissance/the-annunciation-met-459016",{"_288":370,"_290":371},{"_224":1021,"_125":1022,"_283":1023},{"_274":1018,"_276":1019,"_278":1003,"_279":1020},46.4,35.63107590084334,20.631075900843342,{"_285":224,"_123":1024,"_154":1025,"_140":89},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1249/480.jpg","https://img.ochreeditions.com/a/1249/960.jpg","https://img.ochreeditions.com/a/1249/1920.jpg",{"_308":1042,"_310":1043},{"_308":1040,"_310":1041},{"_308":1038,"_310":1039},{"_308":1036,"_310":1037},{"_308":1034,"_310":1035},"#7d573f",0.1306,"#524b43",0.1648,"#343332",0.1656,"#743b26",0.2645,"#817268",0.2745,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,1510,"orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",81,39.5,1.7407564810879728,[1081,1082,1083,1084,1085],{"_220":375,"_221":376,"_42":377,"_301":378},"1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_292":1078,"_294":1079,"_296":1080},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_288":370,"_290":371},{"_224":1073,"_125":1074,"_283":1075},{"_274":1070,"_276":1071,"_278":1055,"_279":1072},96,61.531494140625,46.531494140625,{"_285":224,"_123":1076,"_154":1077,"_140":77},{"_285":125,"_123":543,"_154":544,"_140":545},{"_285":283,"_123":540,"_154":541,"_140":542},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg",{"_308":1094,"_310":1095},{"_308":1092,"_310":1093},{"_308":1090,"_310":1091},{"_308":1088,"_310":1089},{"_308":1086,"_310":1087},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"the-musicians-met-435844","The Musicians",{"_42":1142,"_221":1143,"_322":1144,"_324":325,"_326":1145,"_328":1146,"_330":1147,"_332":1148,"_334":-5,"_140":101},"1597","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[1127,1128,1129,1130,1131],{"_220":298,"_221":299,"_42":300,"_301":302},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_292":1124,"_294":1125,"_296":1126},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_288":370,"_290":371},{"_224":1119,"_125":1120,"_283":1121},{"_274":1116,"_276":1117,"_278":1101,"_279":1118},133.4,106.908,91.908,{"_285":224,"_123":1122,"_154":1123,"_140":89},{"_285":125,"_123":543,"_154":544,"_140":545},{"_285":283,"_123":540,"_154":541,"_140":542},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_308":1140,"_310":1141},{"_308":1138,"_310":1139},{"_308":1136,"_310":1137},{"_308":1134,"_310":1135},{"_308":1132,"_310":1133},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1571,1610,"Milan or Caravaggio","Porto Ercole",{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","ddfe77a7f18e31f868181dee74e5b0835166930b","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]