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A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/1498.jpg?dl=1","page_url","/art/the-holy-family-nga-41590","walk_url","/galleries/style/italian-renaissance/the-holy-family-nga-41590","frame",{"_293":294,"_295":296},{"_228":285,"_125":286,"_287":288},"size",{"_278":279,"_280":281,"_282":246,"_283":284},"w",60.6,"h",51.9720703125,"image_w","image_h",36.9720703125,{"_289":228,"_123":171,"_154":170,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},"era",{"_289":287,"_123":167,"_154":166,"_140":169},"facet","style/painting-15","More paintings of the 15th century",73,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1498/480.jpg","960","https://img.ochreeditions.com/a/1498/960.jpg","1920","https://img.ochreeditions.com/a/1498/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#426787","weight",0.1575,"#9b7a33",0.1605,"#bba78a",0.1764,"#423326",0.1845,"#835d3f",0.3211,"Giorgione","giorgione","bio","Venetian, 1477/1478–1510","nationality","Italian","birth_year",1477,"death_year",1510,"birth_place","death_place","about_excerpt","the-annunciation-met-459016","The Annunciation",{"_42":391,"_225":392,"_327":393,"_329":330,"_331":394,"_333":334,"_335":395,"_336":395,"_337":-5,"_140":101},"ca. 1490","Paintings","Tempera and gold on wood","7 1/2 x 12 3/8 in. 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It is now at The Met in New York.","The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490",{"_297":369,"_299":370,"_301":371},"https://img.ochreeditions.com/m/1249.jpg?dl=1","/art/the-annunciation-met-459016","/galleries/style/italian-renaissance/the-annunciation-met-459016",{"_293":294,"_295":296},{"_228":364,"_125":365,"_287":366},{"_278":361,"_280":362,"_282":345,"_283":363},46.4,35.63107590084334,20.631075900843342,{"_289":228,"_123":367,"_154":368,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1249/480.jpg","https://img.ochreeditions.com/a/1249/960.jpg","https://img.ochreeditions.com/a/1249/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":389,"_315":390},{"_313":387,"_315":388},{"_313":385,"_315":386},{"_313":383,"_315":384},{"_313":381,"_315":382},"#7d573f",0.1306,"#524b43",0.1648,"#343332",0.1656,"#743b26",0.2645,"#817268",0.2745,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,"Florence","portrait-of-a-young-man-met-435802","Portrait of a Young Man",{"_42":449,"_225":450,"_327":451,"_329":330,"_331":452,"_333":453,"_335":454,"_336":395,"_337":-5,"_140":101},"1530s","Oil on wood","37 5/8 x 29 1/2 in. (95.6 x 74.9 cm)",74.9,95.6,0.785300780266801,[434,435,436,437,438],{"_224":372,"_225":373,"_42":374,"_306":375},"29.100.16","Agnolo Bronzino painted this in the 1530s, aged about 27. It is now at The Met in New York.","Portrait of a Young Man, by Agnolo Bronzino, 1530s",{"_297":431,"_299":432,"_301":433},"https://img.ochreeditions.com/m/1065.jpg?dl=1","/art/portrait-of-a-young-man-met-435802","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435802",{"_293":294,"_295":296},{"_228":420,"_125":421,"_287":422},{"_278":417,"_280":418,"_282":419,"_283":403},90.07475459350617,110.6,75.07475459350617,{"_289":228,"_123":429,"_154":430,"_140":89},{"_289":125,"_123":426,"_154":427,"_140":428},{"_289":287,"_123":423,"_154":424,"_140":425},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1065/480.jpg","https://img.ochreeditions.com/a/1065/960.jpg","https://img.ochreeditions.com/a/1065/1920.jpg",{"_313":447,"_315":448},{"_313":445,"_315":446},{"_313":443,"_315":444},{"_313":441,"_315":442},{"_313":439,"_315":440},"#79613e",0.0619,"#5a5741",0.1119,"#2c2420",0.2037,"#3e392c",0.2231,"#151413",0.3994,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","a-flying-angel-nga-56625","A Flying Angel",{"_42":509,"_225":510,"_327":511,"_329":330,"_331":512,"_333":513,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1580/1590","drawing","Drawing","pen and brown ink, heightened with white, over black chalk on laid paper","overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)",17.4,27.4,0.65966796875,[494,495,496,497,498],{"_224":303,"_225":304,"_42":305,"_306":307},"1978.26.1","Jacopo Palma il Giovane drew this in 1580/1590, aged about 32. It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_297":491,"_299":492,"_301":493},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_293":489,"_295":490},{"_228":481,"_125":482,"_287":483},{"_278":478,"_280":479,"_282":480,"_283":464},42.07490234375,51.4,18.07490234375,{"_289":228,"_123":487,"_154":488,"_140":89},{"_289":125,"_123":484,"_154":485,"_140":486},{"_289":287,"_123":423,"_154":424,"_140":425},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","black","snow","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_313":507,"_315":508},{"_313":505,"_315":506},{"_313":503,"_315":504},{"_313":501,"_315":502},{"_313":499,"_315":500},"#b89b76",0.0577,"#e4cdab",0.0785,"#caac85",0.1633,"#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"lucretia-met-337075","Lucretia",{"_42":563,"_225":564,"_327":565,"_329":330,"_331":566,"_333":567,"_335":568,"_336":569,"_337":570,"_140":99},"1508–10","Drawings","Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)","15-5/8 x 11-1/2 in. (39.7 x 29.2 cm)",29.2,39.7,0.7302187415608966,[548,549,550,551,552],{"_224":372,"_225":373,"_42":374,"_306":375},"1997.153","Raphael drew this in 1508–10, aged about 25. It is now at The Met in New York.","Lucretia, the Roman noblewoman who took her own life after being raped by the king’s son, an act that led to the founding of the Roman Republic, raises a dagger to her breast. Raphael drew her in pen and ink over black chalk around 1508–10, soon after arriving in Rome, basing the figure on ancient sculpture.","Lucretia, by Raphael, 1508–10",{"_297":545,"_299":546,"_301":547},"https://img.ochreeditions.com/m/1012.jpg?dl=1","/art/lucretia-met-337075","/galleries/style/italian-renaissance/lucretia-met-337075",{"_293":489,"_295":490},{"_228":540,"_125":541,"_287":542},{"_278":537,"_280":538,"_282":539,"_283":522},52.9896840399676,63.7,28.989684039967596,{"_289":228,"_123":543,"_154":544,"_140":99},{"_289":125,"_123":484,"_154":485,"_140":486},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1012/480.jpg","https://img.ochreeditions.com/a/1012/960.jpg","https://img.ochreeditions.com/a/1012/1920.jpg",{"_313":561,"_315":562},{"_313":559,"_315":560},{"_313":557,"_315":558},{"_313":555,"_315":556},{"_313":553,"_315":554},"#edded4",0.0326,"#dcccbf",0.0399,"#aa937c",0.1034,"#c0b09f",0.4112,"#b8a691",0.4129,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","pieta-nga-41592","Pietà",{"_42":618,"_225":619,"_327":620,"_329":330,"_331":183,"_333":621,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1520s","oil on panel","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[603,604,605,606,607],{"_224":303,"_225":304,"_42":305,"_306":307},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_297":600,"_299":601,"_301":602},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_293":294,"_295":296},{"_228":595,"_125":596,"_287":597},{"_278":592,"_280":593,"_282":594,"_283":578},113.0291015625,190.8,98.0291015625,{"_289":228,"_123":598,"_154":599,"_140":89},{"_289":125,"_123":426,"_154":427,"_140":428},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_313":616,"_315":617},{"_313":614,"_315":615},{"_313":612,"_315":613},{"_313":610,"_315":611},{"_313":608,"_315":609},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1554,"saint-jerome-nga-91442","Saint Jerome",{"_42":669,"_225":670,"_327":671,"_329":330,"_331":672,"_333":673,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1565/1570","pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink","overall: 30.9 × 21.8 cm (12 3/16 × 8 9/16 in.)",21.8,30.9,0.705810546875,[654,655,656,657,658],{"_224":303,"_225":304,"_42":305,"_306":307},"1995.8.1","Alessandro Vittoria drew this in 1565/1570, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.",{"_297":651,"_299":652,"_301":653},"https://img.ochreeditions.com/m/1626.jpg?dl=1","/art/saint-jerome-nga-91442","/galleries/style/italian-renaissance/saint-jerome-nga-91442",{"_293":489,"_295":490},{"_228":646,"_125":647,"_287":648},{"_278":643,"_280":644,"_282":645,"_283":629},45.8095458984375,54.9,21.8095458984375,{"_289":228,"_123":649,"_154":650,"_140":89},{"_289":125,"_123":484,"_154":485,"_140":486},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-alessandro-vittoria","Alessandro Vittoria's contemporaries","https://img.ochreeditions.com/a/1626/480.jpg","https://img.ochreeditions.com/a/1626/960.jpg","https://img.ochreeditions.com/a/1626/1920.jpg",{"_313":667,"_315":668},{"_313":665,"_315":666},{"_313":663,"_315":664},{"_313":661,"_315":662},{"_313":659,"_315":660},"#886750",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad",0.1868,"#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","Venetian, 1525–1608",1525,1608,"the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":722,"_225":723,"_327":724,"_329":330,"_331":725,"_333":726,"_335":727,"_336":727,"_337":728,"_140":101},"1514/1529","oil on canvas","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[707,708,709,710,711],{"_224":303,"_225":304,"_42":305,"_306":307},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_297":704,"_299":705,"_301":706},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_293":294,"_295":296},{"_228":699,"_125":700,"_287":701},{"_278":696,"_280":697,"_282":680,"_283":698},203,187.2109375,172.2109375,{"_289":228,"_123":702,"_154":703,"_140":89},{"_289":125,"_123":426,"_154":427,"_140":428},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_313":720,"_315":721},{"_313":718,"_315":719},{"_313":716,"_315":717},{"_313":714,"_315":715},{"_313":712,"_315":713},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Venice","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","venus-and-adonis-met-437826","Venus and Adonis",{"_42":776,"_225":777,"_327":778,"_329":330,"_331":779,"_333":780,"_335":781,"_336":727,"_337":-5,"_140":101},"1550s","Oil on canvas","42 x 52 1/2 in. (106.7 x 133.4 cm)",133.4,106.7,1.2368583797155226,[761,762,763,764,765],{"_224":372,"_225":373,"_42":374,"_306":375},"49.7.16","Titian painted this in the 1550s, aged about 62. It is now at The Met in New York.","Venus and Adonis, by Titian, 1550s",{"_297":758,"_299":759,"_301":760},"https://img.ochreeditions.com/m/1168.jpg?dl=1","/art/venus-and-adonis-met-437826","/galleries/style/italian-renaissance/venus-and-adonis-met-437826",{"_293":294,"_295":296},{"_228":753,"_125":754,"_287":755},{"_278":750,"_280":751,"_282":735,"_283":752},148.4,122.8539,107.8539,{"_289":228,"_123":756,"_154":757,"_140":89},{"_289":125,"_123":426,"_154":427,"_140":428},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/1168/480.jpg","https://img.ochreeditions.com/a/1168/960.jpg","https://img.ochreeditions.com/a/1168/1920.jpg",{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},{"_313":766,"_315":767},"#9e7c52",0.0925,"#423f31",0.1137,"#62462b",0.1397,"#372617",0.3002,"#1d150e",0.3539,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":829,"_225":830,"_327":831,"_329":330,"_331":832,"_333":833,"_335":834,"_336":569,"_337":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",43.5,54.3,0.8074035723530935,[814,815,816,817,818],{"_224":372,"_225":373,"_42":374,"_306":375},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_297":811,"_299":812,"_301":813},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_293":294,"_295":296},{"_228":806,"_125":807,"_287":808},{"_278":803,"_280":804,"_282":805,"_283":789},58.842013978772975,69.3,43.842013978772975,{"_289":228,"_123":809,"_154":810,"_140":89},{"_289":125,"_123":426,"_154":427,"_140":428},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_313":827,"_315":828},{"_313":825,"_315":826},{"_313":823,"_315":824},{"_313":821,"_315":822},{"_313":819,"_315":820},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess",{"_42":886,"_225":887,"_327":888,"_329":330,"_331":889,"_333":890,"_335":-5,"_336":-5,"_337":-5,"_140":103},"ca. 1510–20","print","Prints","Engraving","Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm)",43.7,29.1,1.4766208251473478,[871,872,873,874,875],{"_224":372,"_225":373,"_42":374,"_306":375},"19.74.1","Marcantonio Raimondi made this in about 1510–20, aged about 25. It is now at The Met in New York.","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20",{"_297":868,"_299":869,"_301":870},"https://img.ochreeditions.com/m/1009.jpg?dl=1","/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","/galleries/style/italian-renaissance/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",{"_293":489,"_295":490},{"_228":861,"_125":862,"_287":863},{"_278":858,"_280":859,"_282":843,"_283":860},67.7,53.59459819052688,29.594598190526877,{"_289":228,"_123":866,"_154":867,"_140":89},{"_289":125,"_123":864,"_154":865,"_140":53},{"_289":287,"_123":167,"_154":166,"_140":169},"style/print-15","More prints of the 15th century","artist/contemporaries-of-marcantonio-raimondi","Marcantonio Raimondi's contemporaries","https://img.ochreeditions.com/a/1009/480.jpg","https://img.ochreeditions.com/a/1009/960.jpg","https://img.ochreeditions.com/a/1009/1920.jpg",{"_313":884,"_315":885},{"_313":882,"_315":883},{"_313":880,"_315":881},{"_313":878,"_315":879},{"_313":876,"_315":877},"#f5f0dd",0.0523,"#cac0b0",0.1283,"#9e9486",0.2184,"#5f5951",0.2969,"#7d756a",0.3041,"Marcantonio Raimondi","marcantonio-raimondi","Italian, Argini (?) ca. 1480–before 1534 Bologna (?)",1475,1534,"portrait-of-a-young-woman-met-436910","Portrait of a Young Woman",{"_42":937,"_225":938,"_327":939,"_329":330,"_331":940,"_333":941,"_335":395,"_336":395,"_337":-5,"_140":103},"ca. 1490–1500","23 1/8 x 15 3/4 in. (58.7 x 40 cm)",40,58.7,0.7005941617153191,[922,923,924,925,926],{"_224":372,"_225":373,"_42":374,"_306":375},"43.86.5","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) painted this in about 1490–1500, aged about 34. It is now at The Met in New York.","Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500",{"_297":919,"_299":920,"_301":921},"https://img.ochreeditions.com/m/1120.jpg?dl=1","/art/portrait-of-a-young-woman-met-436910","/galleries/style/italian-renaissance/portrait-of-a-young-woman-met-436910",{"_293":294,"_295":296},{"_228":914,"_125":915,"_287":916},{"_278":911,"_280":912,"_282":913,"_283":897},56.124877292689234,73.7,41.124877292689234,{"_289":228,"_123":917,"_154":918,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries","https://img.ochreeditions.com/a/1120/480.jpg","https://img.ochreeditions.com/a/1120/960.jpg","https://img.ochreeditions.com/a/1120/1920.jpg",{"_313":935,"_315":936},{"_313":933,"_315":934},{"_313":931,"_315":932},{"_313":929,"_315":930},{"_313":927,"_315":928},"#9a8469",0.1172,"#607b86",0.1207,"#674c31",0.1701,"#353120",0.2646,"#14120e",0.3274,"Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)","lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Italian, 1456–1536",1456,1536,"the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":989,"_225":990,"_327":991,"_329":330,"_331":992,"_333":993,"_335":994,"_336":395,"_337":-5,"_140":101},"c. 1475","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[974,975,976,977,978],{"_224":303,"_225":304,"_42":305,"_306":307},"1943.4.36","Filippino Lippi painted this in about 1475, aged 18. It is now at the National Gallery of Art in Washington, DC.","In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.",{"_297":971,"_299":972,"_301":973},"https://img.ochreeditions.com/m/1364.jpg?dl=1","/art/the-coronation-of-the-virgin-nga-12134","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-nga-12134",{"_293":294,"_295":296},{"_228":966,"_125":967,"_287":968},{"_278":963,"_280":964,"_282":948,"_283":965},237.9,104.90009765625,89.90009765625,{"_289":228,"_123":969,"_154":970,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1364/480.jpg","https://img.ochreeditions.com/a/1364/960.jpg","https://img.ochreeditions.com/a/1364/1920.jpg",{"_313":987,"_315":988},{"_313":985,"_315":986},{"_313":983,"_315":984},{"_313":981,"_315":982},{"_313":979,"_315":980},"#87433a",0.1358,"#8e714e",0.1785,"#556659",0.2151,"#aca17a",0.2188,"#f9fafa",0.2518,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","the-wife-of-hasdrubal-and-her-children-nga-50292","The Wife of Hasdrubal and Her Children",{"_42":1041,"_225":1042,"_327":1043,"_329":330,"_331":1044,"_333":1045,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1490/1493","tempera on poplar panel","overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.)",30.6,47.3,0.6376953125,[1027,1028,1029,1030,1031],{"_224":303,"_225":304,"_42":305,"_306":307},"1965.7.1","Ercole de' Roberti painted this in about 1490/1493, aged about 35. It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_297":1024,"_299":1025,"_301":1026},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_293":294,"_295":296},{"_228":1019,"_125":1020,"_287":1021},{"_278":1016,"_280":1017,"_282":1018,"_283":1002},45.162988281249994,62.3,30.162988281249998,{"_289":228,"_123":1022,"_154":1023,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg",{"_313":1039,"_315":1040},{"_313":1037,"_315":1038},{"_313":1036,"_315":504},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},"#615326",0.118,"#c39b78",0.1379,"#8a694c","#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,"studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497","Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)",{"_42":1093,"_225":1094,"_327":1095,"_329":330,"_331":889,"_333":1096,"_335":1097,"_336":569,"_337":-5,"_140":101},"ca. 1510–11","Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)","Sheet: 11 3/8 × 8 7/16 in. (28.9 × 21.4 cm) Framed: 21 × 16 in. (53.3 × 40.6 cm)",21.4,28.9,0.7373233582709892,[1078,1079,1080,1081,1082],{"_224":372,"_225":373,"_42":374,"_306":375},"24.197.2","Michelangelo Buonarroti drew this in about 1510–11, aged 36. It is now at The Met in New York.","Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), by Michelangelo Buonarroti, ca. 1510–11",{"_297":1075,"_299":1076,"_301":1077},"https://img.ochreeditions.com/m/1023.jpg?dl=1","/art/studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497","/galleries/style/italian-renaissance/studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497",{"_293":489,"_295":490},{"_228":1070,"_125":1071,"_287":1072},{"_278":1067,"_280":1068,"_282":1069,"_283":1053},45.30864505403159,52.9,21.308645054031587,{"_289":228,"_123":1073,"_154":1074,"_140":89},{"_289":125,"_123":484,"_154":485,"_140":486},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/1023/480.jpg","https://img.ochreeditions.com/a/1023/960.jpg","https://img.ochreeditions.com/a/1023/1920.jpg",{"_313":1091,"_315":1092},{"_313":1089,"_315":1090},{"_313":1087,"_315":1088},{"_313":1085,"_315":1086},{"_313":1083,"_315":1084},"#e1d4b8",0.0598,"#b6765b",0.0821,"#c89573",0.13,"#cdab87",0.3188,"#d6b996",0.4093,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1564,"Caprese","pope-receiving-visitor-si-chndm-1938-88-7079","Pope Receiving Visitor",{"_42":1153,"_225":1154,"_327":330,"_329":330,"_331":-5,"_333":1155,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1590–1646","Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined","23.1 x 32.7 cm (9 1/8 x 12 7/8 in.)",32.7,23.1,1.3574660633484164,[1138,1139,1140,1141,1142],{"_224":1135,"_225":1136,"_42":1137,"_306":375},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7079","Belisario Corenzio drew this in 1590–1646. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1132,"_1133":1134},"POPE RECEIVING VISITOR",{"_297":1129,"_299":1130,"_301":1131},"https://img.ochreeditions.com/m/1737.jpg?dl=1","/art/pope-receiving-visitor-si-chndm-1938-88-7079","/galleries/style/italian-renaissance/pope-receiving-visitor-si-chndm-1938-88-7079",{"_293":489,"_295":490},{"_228":1124,"_125":1125,"_287":1126},{"_278":1121,"_280":1122,"_282":1104,"_283":1123},56.7,48.089,24.089000000000002,{"_289":228,"_123":1127,"_154":1128,"_140":89},{"_289":125,"_123":484,"_154":485,"_140":486},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-belisario-corenzio","Belisario Corenzio's contemporaries","https://img.ochreeditions.com/a/1737/480.jpg","https://img.ochreeditions.com/a/1737/960.jpg","https://img.ochreeditions.com/a/1737/1920.jpg","Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a rectangular canopy, speaks to a kneeling visitor. The visitor is entreating him with a document, while two cardinals flanking the pope and two courtiers at some distance to the right look on.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_313":1151,"_315":1152},{"_313":1149,"_315":1150},{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},"#a09384",0.0615,"#a8886c",0.1649,"#ede9d8",0.2038,"#bea182",0.2763,"#cfb999",0.2935,"Belisario Corenzio","belisario-corenzio",1646,{"_1157":-5,"_1158":1159,"_1160":1161,"_1162":8,"_1163":1164,"_1165":8},"user","csrf","d71f3a896d178e27cec6d30b1ba329bcf38c1715","cartCount",0,"dropLive","legal",[1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177],"uploadsEnabled",{"_225":1200,"_20":1201},{"_225":1198,"_20":1199},{"_225":1196,"_20":1197},{"_225":1194,"_20":1195},{"_225":1192,"_20":1193},{"_225":1190,"_20":1191},{"_225":1188,"_20":1189},{"_225":1186,"_20":1187},{"_225":1184,"_20":1185},{"_225":1182,"_20":1183},{"_225":1180,"_20":1181},{"_225":1178,"_20":1179},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]